From New York Times bestselling and Hugo Award-winning author T. Kingfisher comes Hemlock & Silver, a dark reimagining of “Snow White” steeped in poison, intrigue, and treason of the most magical kind. Healer Anja knows little of politics but much of poisons. When she is summoned to treat the mysterious illness afflicting the king’s daughter, she finds herself against the clock, desperate to track down the source of the poison killing Princess Snow. But the chance discovery of a strange alternate world inside a magic mirror leads Anja to darker discoveries, including what really happened to Snow’s dead sister, Rose, and why their mother seemingly went mad and cut out her heart. Aided by a taciturn bodyguard, a narcissistic cat, and a late Renaissance understanding of the scientific method, Anja must navigate the mysteries of the mirror world before the dark queen that dwells within rises to threaten them all.

An alternative cover edition for this ISBN can be found here. It's the wedding of the year. But someone won't survive it. On a remote island off the coast of Ireland, guests gather to celebrate the wedding of Jules Keegan and Will Slater. Will is a rising television star, handsome and charming. Jules is a smart, ambitious magazine publisher. Though the sea is a little choppy and the cell service spotty, their wedding is everything you'd expect of a young power couple: designer dress, four-tiered cake, boutique whiskey, vintage champagne. Every detail has been curated to perfection. All that's left to orchestrate is the happiness. But perfection is for plans, and people are all too human. It's not long after the cake is cut and the champagne popped that resentments and petty jealousies come out. Worse yet, the latest barometer reading shows the weather has shifted from FAIR to CHANGEABLE, and dark clouds are looming overhead. Everyone on the island has a secret. Everyone has a motive. And someone won't leave this wedding alive...

An alternative cover edition for this ISBN can be found here. The author of award-winning Hamnet brings the world of Renaissance Italy to jewel-bright life in this unforgettable fictional portrait of the captivating young duchess Lucrezia de’ Medici as she makes her way in a troubled court. Florence, the 1550s. Lucrezia, third daughter of the grand duke, is comfortable with her obscure place in the palazzo: free to wonder at its treasures, observe its clandestine workings, and devote herself to her own artistic pursuits. But when her older sister dies on the eve of her wedding to the ruler of Ferrara, Modena and Reggio, Lucrezia is thrust unwittingly into the limelight: the duke is quick to request her hand in marriage, and her father just as quick to accept on her behalf. Having barely left girlhood behind, Lucrezia must now enter an unfamiliar court whose customs are opaque and where her arrival is not universally welcomed. Perhaps most mystifying of all is her new husband himself, Alfonso. Is he the playful sophisticate he appeared to be before their wedding, the aesthete happiest in the company of artists and musicians, or the ruthless politician before whom even his formidable sisters seem to tremble? As Lucrezia sits in constricting finery for a painting intended to preserve her image for centuries to come, one thing becomes worryingly clear. In the court’s eyes, she has one duty: to provide the heir who will shore up the future of the Ferranese dynasty. Until then, for all of her rank and nobility, the new duchess’s future hangs entirely in the balance. Full of the beauty and emotion with which she illuminated the Shakespearean canvas of Hamnet, Maggie O’Farrell turns her talents to Renaissance Italy in an extraordinary portrait of a resilient young woman’s battle for her very survival.

From one of our most acclaimed chroniclers of the forces eroding the fabric of our shared life, her most personal and powerful a reckoning with the changes that have rocked her own beloved small Ohio hometownThe town of Urbana, Ohio was not a utopia when Beth Macy grew up there in the 70’s and 80’s, certainly not for her family. Her dad was an alcoholic who only fitfully worked, and people called him the town drunk, which hurt, as did their poverty. But Urbana had a healthy enough economy, and there were middle class kids at school whose families became her role models. People in Urbana were proud of their schools, and the library, and the history of their town, an important stop on the Underground Railroad. Macy loved Urbana, and though she was able to make it to college on a Pell Grant and then follow a career in journalism that took her far away, she still clung gratefully to the hometown that helped raise her. On the surface it was still picture-postcard cute.But as Macy’s mother’s health began its final descent in 2020, on more frequent visits home to Ohio, she couldn’t shake the feeling that her town had dramatically hardened in ways she couldn’t process. Beth grew up as the paper girl, delivering the local newspaper, which was like civic glue, mirroring the community back to itself. Now there was no local paper, no paper girl, and precious little civic glue. Yes, a lot of the work that once supported the middle class had gone away, along with all that went with it. But that was an old story that didn’t begin to cover the forces turning her town into a poorer and angrier place. High school graduation rates were plummeting as absenteeism soared in the public schools and in the workplace. A mental health crisis gripped the small city, along with a litany of other pathologies. Urbana’s pride in its institutions was parents were opting to home school, or transferring their kids elsewhere, in record numbers. Even more painfully, many of her own family members and old friends had gone down the rabbit hole of conspiracies like QAnon, and worse. What happened to Urbana?This was not an assignment Beth Macy ever wanted to take, but she felt she had no choice. Two years ago, she began to return regularly, to deploy everything she’d learned to figure her hometown out. The result is an astonishment, a book that takes us into the heart of one specific place and through it brings into focus in a new way our most urgent set of national issues.Paper Girl is a gift of courage, empathy and insight, a profoundly generous act. Beth Macy has turned to face the darkest corners in the shared life of her family and community, people she loves wholeheartedly, even the ones she struggles now to like. And in doing so, in facing the truth—in person, with respect—she has found sparks of human dignity that she has used to light a great signal fire, of warning but also of hope.

A sweet sapphic romance takes a deadly dark turn in this sharp-as-a-knife novella from the New York Times bestselling author. Rosemary meets Ash at the farmers’ market. Ash—precise, pretty, and practically perfect—sells bars of soap in delicate pastel colors, sprinkle-spackled cupcakes stacked on scalloped stands, beeswax candles, jelly jars of honey, and glossy green plants. Ro has never felt this way about another woman; with Ash, she wants to be her and have her in equal measure. But as her obsession with Ash consumes her, she may find she’s not the one doing the devouring…

Following a young woman over the course of one outrageous and insufferable downtown dinner party at the home of her estranged best friends—an artist and curator couple, whom she now realizes stand for everything she detests—Happiness and Love is a piercing debut novel about brazen materialism, self-obsession, and the empty careerism of so-called cultural elites.Years after escaping New York and the center of its artistic world—a group of self-important, depraved, and unscrupulous artists, curators, and hangers-on—our narrator is back in town. With no plans to see anyone she once knew, she’s wandering around the Lower East Side, thinking about the recent death of her former best friend, Rebecca, when she runs into Eugene, one half of the artist-curator couple at the heart of her old social set. Despite her better judgement, she accepts his invitation to a dinner party. And though the party is held only hours after Rebecca’s funeral, it not a memorial of Rebecca but a dinner held in honor of a young, newly famous actress whose lateness delays the party by hours. As the guests sip their natural wine and await the actress’s arrival, the narrator, from her perch on the corner seat of a white sofa, silently, systematically, and mercilessly eviscerates them—their manners, their relationships, their delusions and failures, and the complete moral poverty that brings them here, to Nicole and Eugene’s loft on the Bowery. When the guest of honor finally does arrive, she sets in motion a disastrous end to the evening, laying bare the depravity and decadence of the hosts’ empty little lives—a hollowness that the narrator herself knows all too well.

After receiving a frantic letter from her newly-wed cousin begging for someone to save her from a mysterious doom, Noemí Taboada heads to High Place, a distant house in the Mexican countryside. She’s not sure what she will find—her cousin’s husband, a handsome Englishman, is a stranger, and Noemí knows little about the region. Noemí is also an unlikely rescuer: She’s a glamorous debutante, and her chic gowns and perfect red lipstick are more suited for cocktail parties than amateur sleuthing. But she’s also tough and smart, with an indomitable will, and she is not afraid: Not of her cousin’s new husband, who is both menacing and alluring; not of his father, the ancient patriarch who seems to be fascinated by Noemí; and not even of the house itself, which begins to invade Noemí’s dreams with visions of blood and doom. Her only ally in this inhospitable abode is the family’s youngest son. Shy and gentle, he seems to want to help Noemí, but might also be hiding dark knowledge of his family’s past. For there are many secrets behind the walls of High Place. The family’s once colossal wealth and faded mining empire kept them from prying eyes, but as Noemí digs deeper she unearths stories of violence and madness. And Noemí, mesmerized by the terrifying yet seductive world of High Place, may soon find it impossible to ever leave this enigmatic house behind.

An alternative cover edition for this ISBN can be found here. The author of award-winning Hamnet brings the world of Renaissance Italy to jewel-bright life in this unforgettable fictional portrait of the captivating young duchess Lucrezia de’ Medici as she makes her way in a troubled court. Florence, the 1550s. Lucrezia, third daughter of the grand duke, is comfortable with her obscure place in the palazzo: free to wonder at its treasures, observe its clandestine workings, and devote herself to her own artistic pursuits. But when her older sister dies on the eve of her wedding to the ruler of Ferrara, Modena and Reggio, Lucrezia is thrust unwittingly into the limelight: the duke is quick to request her hand in marriage, and her father just as quick to accept on her behalf. Having barely left girlhood behind, Lucrezia must now enter an unfamiliar court whose customs are opaque and where her arrival is not universally welcomed. Perhaps most mystifying of all is her new husband himself, Alfonso. Is he the playful sophisticate he appeared to be before their wedding, the aesthete happiest in the company of artists and musicians, or the ruthless politician before whom even his formidable sisters seem to tremble? As Lucrezia sits in constricting finery for a painting intended to preserve her image for centuries to come, one thing becomes worryingly clear. In the court’s eyes, she has one duty: to provide the heir who will shore up the future of the Ferranese dynasty. Until then, for all of her rank and nobility, the new duchess’s future hangs entirely in the balance. Full of the beauty and emotion with which she illuminated the Shakespearean canvas of Hamnet, Maggie O’Farrell turns her talents to Renaissance Italy in an extraordinary portrait of a resilient young woman’s battle for her very survival.