Beloved star and Emmy-winning actress Christina Applegate's raw and darkly funny memoir illuminates the life of a childhood star, turned iconic comedic actress, turned tenacious example of how to find the beauty in our messy lives. Christina Applegate came of age on sets and stages, expected to be on time, with lines learned, ready for lights-camera-action. Performing began as a financial necessity and became an emotional escape from a tumultuous home life in the infamous Laurel Canyon scene of the 1970s and 80s. She first gained stardom as an audience favorite playing Kelly Bundy in the sitcom Married...with Children and went on to captivate a vast fandom during her five-decade long career. In You with the Sad Eyes, Applegate will unveil the full story of her years in the public eye, and the painful moments the public didn't see. She writes about gravitating to the grunge that defined the 90s and finding belonging in the legendary scene at The Viper Room; sparkling on set with fellow comedy icons in the soon to be canonized franchise Anchorman; sharing her love of dance in the Broadway revival of Sweet Charity; and returning to the Emmy stage to a standing ovation in 2024 after her diagnosis of MS. She’ll dive into the darker moments underpinning her outward her relationship with her mother who fought addiction and won, even in the wake of her father’s abandonment; the self-doubt and body dysmorphia that have dogged her from a young age; and the abuse and depression that eroded her health. Her path is ever lit though, by lifelong friends, chosen family, and her experience as a mother. By working through her legacy on the page, Applegate invites readers to take her hand and hear a story not even those closest to her know fully. You with the Sad Eyes boldly presents a formidable and iconoclastic woman who has had to let go of her acting career, of her ability to dance, of her sense of physical power, but has always fought to find a new and even more fulfilling way of being. The pain will be matched by the joy, the losses mitigated by the extraordinary, the weight of life lifted by Applegate's signature comedic genius. In her own words, “I truly believe that books can make people feel less alone. That's why I'm doing this. You with the Sad Eyes won't be some big violin scratching for my life. But it will be real. It will be filled with the ups and downs, the humor and grief of life. So here I am. Real me. Lots to say.”

Welcome to the Whitethorn Institute. The first step is always admitting you need help, and you've already taken that step by requesting a transfer into our company. There is another school for children who fall through doors and fall back out again. It isn't as friendly as Eleanor West's Home for Wayward Children. And it isn't as safe. When Eleanor West decided to open her school, her sanctuary, her Home for Wayward Children, she knew from the beginning that there would be children she couldn't save; when Cora decides she needs a different direction, a different fate, a different prophecy, Miss West reluctantly agrees to transfer her to the other school, where things are run very differently by Whitethorn, the Headmaster. She will soon discover that not all doors are welcoming...

Welcome to the Whitethorn Institute. The first step is always admitting you need help, and you've already taken that step by requesting a transfer into our company. There is another school for children who fall through doors and fall back out again. It isn't as friendly as Eleanor West's Home for Wayward Children. And it isn't as safe. When Eleanor West decided to open her school, her sanctuary, her Home for Wayward Children, she knew from the beginning that there would be children she couldn't save; when Cora decides she needs a different direction, a different fate, a different prophecy, Miss West reluctantly agrees to transfer her to the other school, where things are run very differently by Whitethorn, the Headmaster. She will soon discover that not all doors are welcoming...

When Jack left Eleanor West's School for Wayward Children she was carrying the body of her deliciously deranged sister—whom she had recently murdered in a fit of righteous justice—back to their home on the Moors. But death in their adopted world isn't always as permanent as it is here, and when Jack is herself carried back into the school, it becomes clear that something has happened to her. Something terrible. Something of which only the maddest of scientists could conceive. Something only her friends are equipped to help her overcome. Eleanor West's "No Quests" rule is about to be broken. Again.

A Head Full of Ghosts meets Hereditary in Piñata, a terrifying possession tale by author and artist Leopoldo Gout. Carmen Sanchez is back in her home country of Mexico, overseeing the renovation of an ancient cathedral into a boutique hotel. Her teen daughters, Izel and Luna, are with her for the summer, and left to fill their afternoons unsupervised in a foreign city. The locals treat the Sanchez women like outsiders, while Carmen's contractors openly defy and sabotage her work. After a disastrous accident at the construction site nearly injures Luna, Carmen's had enough. They're leaving. Back in New York, Luna begins acting strange, and only Izel notices the chilling changes happening to her younger sister. But it might be too late for the Sanchez family to escape what's been awakened... Piñata is a bone-chilling story about how the sinister repercussions of our past can return to haunt us.

'He now saw himself stained with the most loathed and monstrous sins, the object of universal execration ... doomed to perish in tortures the most severe' Shocking, erotic and violent, The Monk is the story of Ambrosio, torn between his spiritual vows and the temptations of physical pleasure. His internal battle leads to sexual obsession, rape and murder, yet this book also contains knowing parody of its own excesses as well as social comedy. Written by Matthew Lewis when he was only nineteen, it was a ground-breaking novel in the Gothic Horror genre and spawned hundreds of imitators, drawn in by its mixture of bloodshed, sex and scandal.

“Five of us sat in a circle doing our best to emulate the girls in The Craft, hoping to unleash some power to take us all away from our home to the place of our dreams. But we weren’t witches. We were five Chicanas living in San Antonio, Texas, one year out of high school.” One hot summer night, best friends Lourdes, Fernanda, Ana, Perla, and Pauline hold a séance. It’s all fun and games at first, but their tipsy laughter turns to terror when the flames burn straight through their prayer candles and Fernanda starts crawling toward her friends and chanting in Nahuatl, the language of their Aztec ancestors. Over the next few weeks, shy, modest Fernanda starts acting strangely—smearing herself in black makeup, shredding her hands on rose thorns, sucking sin out of the mouths of the guilty. The local priest is convinced it's a demon, but Lourdes begins to suspect it’s something else—something far more ancient and powerful. As Father Moreno's obsession with Fernanda grows, Lourdes enlists the help of her “bruja Craft crew” and a professor, Dr. Camacho, to understand what is happening to her friend in this unholy tale of possession-gone-right.

Since the early years of the twenty-first century, Matt Cardin has distinguished himself by writing weird fiction with a distinctively cosmic and spiritual focus, publishing two short story collections that have now become rare collector’s items. In this substantial volume, Cardin gathers the totality of his short fiction, including the complete fiction contents of Divinations of the Deep (2002) and Dark Awakenings (2010). Several of the tales have been substantially revised from their original appearances. Inspired by H. P. Lovecraft, Thomas Ligotti, and other masters of cosmic horror, Cardin’s fiction explores the shadowy side of religious and spiritual experience. His tales draw upon the author’s thorough knowledge of Judeo-Christian and other religious traditions to expose the existential terror we all feel in living in a cosmos that may be actively hostile to our species. In tales long and short (including a new novella co-written with Mark McLaughlin), Cardin rings a succession of changes on those fateful words from the Book of Job: “Let those sorcerers who place a curse on days curse that day, those who are skilled to rouse Leviathan.” Cover artwork: "The Taming of the Leviathan" by Michael Hutter

“The New Testament à la Cormac McCarthy.” – Kirkus Reviews --- Haunting visions drive a grieving butcher to hunt down an obese, pre-ministry Jesus to prevent an age of fire and ash. But when the Butcher ‘adopts’ a dead newborn, his hunt for the son of Nazareth takes a personal and horrific turn. --- How does one choose between personal redemption and world-wide salvation? --- From Bethlehem to Jerusalem to Nazareth, familiar events and figures are reimagined with a modern sensibility, building to a gut-wrenching conclusion. A heart of darkness story that explores: fathers and sons, grief, zealotry, and choice. --- “Unique and unforgettable. A visceral and immersive work of historical horror - masterfully done.” - A.C. Wise, Out of the Drowning Deep, & Wendy, Darling --- "Enthralling, gut-wrenching, and bloody, The Butcher of Nazareth is destined to become a literary classic.” Pedro Iniguez, Bram Stoker Award nominee and author of Fever Dreams of a Parasite --- “DSH’s writing is witty, smart, and precise.” – Chicago Sun-Times --- “DSH has a taut, bristling writing style stacked with compelling ideas.”- New City Journal

'An act of consummate literary bravery, a writer known for her clarity allowing us to watch her mind as it becomes clouded with grief.' From one of America's iconic writers, a stunning book of electric honesty and passion. Joan Didion explores an intensely personal yet universal experience: a portrait of a marriage–and a life, in good times and bad–that will speak to anyone who has ever loved a husband or wife or child. Several days before Christmas 2003, John Gregory Dunne and Joan Didion saw their only daughter, Quintana, fall ill with what seemed at first flu, then pneumonia, then complete septic shock. She was put into an induced coma and placed on life support. Days later–the night before New Year's Eve–the Dunnes were just sitting down to dinner after visiting the hospital when John Gregory Dunne suffered a massive and fatal coronary. In a second, this close, symbiotic partnership of forty years was over. Four weeks later, their daughter pulled through. Two months after that, arriving at LAX, she collapsed and underwent six hours of brain surgery at UCLA Medical Center to relieve a massive hematoma. This powerful book is Didion's attempt to make sense of the "weeks and then months that cut loose any fixed idea I ever had about death, about illness . . . about marriage and children and memory . . . about the shallowness of sanity, about life itself."