From New York Times bestselling author Ayana Gray comes a new kind of villain origin story, reimagining one of the most iconic monsters in Greek mythology as a provocative and powerful young heroine. Meddy has spent her whole life as a footnote in someone else’s story. Out of place next to her beautiful, immortal sisters and her parents—both gods, albeit minor ones—she dreams of leaving her family’s island for a life of adventure. So when she catches the eye of the goddess Athena, who invites her to train as an esteemed priestess in her temple, Meddy leaps at the chance to see the world beyond her home. In the colorful market streets of Athens and the clandestine chambers of the temple, Meddy flourishes in her role as Athena’s favored acolyte, getting her first tastes of purpose and power. But when she is noticed by another Olympian, Poseidon, the course of Meddy’s promising future is suddenly and irrevocably altered. When her locs are transformed into snakes as punishment for a crime she did not commit, Medusa must embrace a new identity—not as a victim, but as a vigilante—and with it, the chance to write her own story as mortal, martyr, and myth. Exploding with rage, heartbreak, and love, I, Medusa portrays a young woman caught in the crosscurrents between her heart’s deepest desires and the cruel, careless games the Olympian gods play.

While we live, the enemy shall fear us. All her life Kyr has trained for the day she can avenge the murder of planet Earth. Raised in the bowels of Gaea Station alongside the last scraps of humanity, she readies herself to face the Wisdom, the all-powerful, reality-shaping weapon that gave the Majoda their victory over humanity. They are what’s left. They are what must survive. Kyr is one of the best warriors of her generation, the sword of a dead planet. But when Command assigns her brother to certain death and relegates her to the nursery to bear sons until she dies trying, she knows she must take humanity’s revenge into her own hands. Alongside her brother’s brilliant but seditious friend and a lonely, captive alien, she escapes from everything she’s ever known into a universe far more complicated than she was taught and far more wondrous than she could have imagined. A thrillingly told queer space opera about the wreckage of war, the family you find, and who you must become when every choice is stripped from you, Some Desperate Glory is award-winning author Emily Tesh’s highly anticipated debut novel.

While we live, the enemy shall fear us. All her life Kyr has trained for the day she can avenge the murder of planet Earth. Raised in the bowels of Gaea Station alongside the last scraps of humanity, she readies herself to face the Wisdom, the all-powerful, reality-shaping weapon that gave the Majoda their victory over humanity. They are what’s left. They are what must survive. Kyr is one of the best warriors of her generation, the sword of a dead planet. But when Command assigns her brother to certain death and relegates her to the nursery to bear sons until she dies trying, she knows she must take humanity’s revenge into her own hands. Alongside her brother’s brilliant but seditious friend and a lonely, captive alien, she escapes from everything she’s ever known into a universe far more complicated than she was taught and far more wondrous than she could have imagined. A thrillingly told queer space opera about the wreckage of war, the family you find, and who you must become when every choice is stripped from you, Some Desperate Glory is award-winning author Emily Tesh’s highly anticipated debut novel.

Return to Camelot in the much anticipated and funny follow-up to the instant New York Times bestselling and YA Book Prize winning Gwen and Art Are Not in Love. They fell in love. They won a great battle. It should have been happily ever after. But now, Camelot’s famous couples have fallen apart. Newly crowned King Gabriel is having panic attacks in cupboards in-between council meetings. He can't tell Arthur just how not okay he is – so he's set him free, to find love with someone who can get through the day without breaking down. Bridget has lost her spark for sparring, forfeiting again and again in the lists. When she’s invited to join Gabriel's round table, she hopes it’ll be the change she needs. But trying to navigate the post-happily-ever-after reality of a relationship with Gwen, when Bridget no longer feels like the dashing knight Gwen fell in love with, feels impossible. With the kingdom still reeling from an attempted uprising, and rumoured sightings of the holy grail, the questing beast and the green knight happening across the country, the gang depart on a PR tour destined for disaster. Can Gabriel be the king his country deserves? Can Bridget get her jousting groove back? And will they find their way back to the courtly love that once seemed fated?

Return to Camelot in the much anticipated and funny follow-up to the instant New York Times bestselling and YA Book Prize winning Gwen and Art Are Not in Love. They fell in love. They won a great battle. It should have been happily ever after. But now, Camelot’s famous couples have fallen apart. Newly crowned King Gabriel is having panic attacks in cupboards in-between council meetings. He can't tell Arthur just how not okay he is – so he's set him free, to find love with someone who can get through the day without breaking down. Bridget has lost her spark for sparring, forfeiting again and again in the lists. When she’s invited to join Gabriel's round table, she hopes it’ll be the change she needs. But trying to navigate the post-happily-ever-after reality of a relationship with Gwen, when Bridget no longer feels like the dashing knight Gwen fell in love with, feels impossible. With the kingdom still reeling from an attempted uprising, and rumoured sightings of the holy grail, the questing beast and the green knight happening across the country, the gang depart on a PR tour destined for disaster. Can Gabriel be the king his country deserves? Can Bridget get her jousting groove back? And will they find their way back to the courtly love that once seemed fated?

Now that all the others have run out of air, it's my turn to do a little story-making. In Homer's account in The Odyssey, Penelope—wife of Odysseus and cousin of the beautiful Helen of Troy—is portrayed as the quintessential faithful wife, her story a salutary lesson through the ages. Left alone for twenty years when Odysseus goes off to fight in the Trojan War after the abduction of Helen, Penelope manages, in the face of scandalous rumors, to maintain the kingdom of Ithaca, bring up her wayward son, and keep over a hundred suitors at bay, simultaneously. When Odysseus finally comes home after enduring hardships, overcoming monsters, and sleeping with goddesses, he kills her suitors and—curiously—twelve of her maids. In a splendid contemporary twist to the ancient story, Margaret Atwood has chosen to give the telling of it to Penelope and to her twelve hanged maids, asking: "What led to the hanging of the maids, and what was Penelope really up to?" In Atwood's dazzling, playful retelling, the story becomes as wise and compassionate as it is haunting, and as wildly entertaining as it is disturbing. With wit and verve, drawing on the story-telling and poetic talent for which she herself is renowned, she gives Penelope new life and reality—and sets out to provide an answer to an ancient mystery.

Now that all the others have run out of air, it's my turn to do a little story-making. In Homer's account in The Odyssey, Penelope—wife of Odysseus and cousin of the beautiful Helen of Troy—is portrayed as the quintessential faithful wife, her story a salutary lesson through the ages. Left alone for twenty years when Odysseus goes off to fight in the Trojan War after the abduction of Helen, Penelope manages, in the face of scandalous rumors, to maintain the kingdom of Ithaca, bring up her wayward son, and keep over a hundred suitors at bay, simultaneously. When Odysseus finally comes home after enduring hardships, overcoming monsters, and sleeping with goddesses, he kills her suitors and—curiously—twelve of her maids. In a splendid contemporary twist to the ancient story, Margaret Atwood has chosen to give the telling of it to Penelope and to her twelve hanged maids, asking: "What led to the hanging of the maids, and what was Penelope really up to?" In Atwood's dazzling, playful retelling, the story becomes as wise and compassionate as it is haunting, and as wildly entertaining as it is disturbing. With wit and verve, drawing on the story-telling and poetic talent for which she herself is renowned, she gives Penelope new life and reality—and sets out to provide an answer to an ancient mystery.

A Today Show #ReadwithJenna Book Club Pick A propulsive and uncommonly wise novel about one unexpected wedding guest and the surprising people who help us start anew. It's a beautiful day in Newport, Rhode Island, when Phoebe Stone arrives at the grand Cornwall Inn wearing a green dress and gold heels, not a bag in sight, alone. She's immediately mistaken by everyone in the lobby for one of the wedding people, but she’s actually the only guest at the Cornwall who isn’t here for the big event. Phoebe is here because she’s dreamt of coming for years―she hoped to shuck oysters and take sunset sails with her husband, only now she's here without him. Meanwhile, the bride has accounted for every detail and every possible disaster the weekend might yield except for, well, Phoebe―which makes it that much more surprising when the women can’t stop confiding in each other. In turns uproariously, absurdly funny and devastatingly tender, Alison Espach's The Wedding People is a look at the winding paths we can take to places we never imagined―and the chance encounters it sometimes takes to reroute us.

A Today Show #ReadwithJenna Book Club Pick A propulsive and uncommonly wise novel about one unexpected wedding guest and the surprising people who help us start anew. It's a beautiful day in Newport, Rhode Island, when Phoebe Stone arrives at the grand Cornwall Inn wearing a green dress and gold heels, not a bag in sight, alone. She's immediately mistaken by everyone in the lobby for one of the wedding people, but she’s actually the only guest at the Cornwall who isn’t here for the big event. Phoebe is here because she’s dreamt of coming for years―she hoped to shuck oysters and take sunset sails with her husband, only now she's here without him. Meanwhile, the bride has accounted for every detail and every possible disaster the weekend might yield except for, well, Phoebe―which makes it that much more surprising when the women can’t stop confiding in each other. In turns uproariously, absurdly funny and devastatingly tender, Alison Espach's The Wedding People is a look at the winding paths we can take to places we never imagined―and the chance encounters it sometimes takes to reroute us.

An unforgettable and heartwarming book-club debut following a trans high school teacher from a small town in South Dakota who befriends the only other trans woman she knows: one of her students.Erica Skyberg is thirty-five years old, recently divorced—and trans. Not that she's told anyone yet. Mitchell, South Dakota, isn't exactly bursting with other trans women. Instead, she keeps to herself, teaching by day and directing community theater by night. That is, until Abigail Hawkes enters her orbit. Abigail is seventeen, Mitchell High’s resident political dissident and Only Trans Girl. It’s a role she plays faultlessly, albeit a little reluctantly. She's also annoyed by the idea of spending her senior year secretly guiding her English teacher through her transition. But Abigail remembers the uncertainty—and loneliness—that comes with it. Besides, Erica isn’t the only one struggling to shed the weight of others’ expectations. As their unlikely friendship evolves under the increasing scrutiny of their community, both women—and those closest to them—will come to realize that sometimes there is nothing more radical than letting the world see who you really are. Detransition Baby meets Fleishman is in Trouble in this remarkable debut novel from an incisive contemporary voice. A story about the awkwardness of growing up and the greatest love story of all, that between us and our friends, Woodworking is a tonic for the moment and a celebration of womanhood in all its multifaceted joy.

An unforgettable and heartwarming book-club debut following a trans high school teacher from a small town in South Dakota who befriends the only other trans woman she knows: one of her students.Erica Skyberg is thirty-five years old, recently divorced—and trans. Not that she's told anyone yet. Mitchell, South Dakota, isn't exactly bursting with other trans women. Instead, she keeps to herself, teaching by day and directing community theater by night. That is, until Abigail Hawkes enters her orbit. Abigail is seventeen, Mitchell High’s resident political dissident and Only Trans Girl. It’s a role she plays faultlessly, albeit a little reluctantly. She's also annoyed by the idea of spending her senior year secretly guiding her English teacher through her transition. But Abigail remembers the uncertainty—and loneliness—that comes with it. Besides, Erica isn’t the only one struggling to shed the weight of others’ expectations. As their unlikely friendship evolves under the increasing scrutiny of their community, both women—and those closest to them—will come to realize that sometimes there is nothing more radical than letting the world see who you really are. Detransition Baby meets Fleishman is in Trouble in this remarkable debut novel from an incisive contemporary voice. A story about the awkwardness of growing up and the greatest love story of all, that between us and our friends, Woodworking is a tonic for the moment and a celebration of womanhood in all its multifaceted joy.

From the author of the bestselling Clytemnestra comes another intoxicating excursion into ancient history, as Casati reimagines the rise to power of the Assyrian empire's only female ruler, Semiramis. When kings fall, queens rise. Nothing about Semiramis's upbringing could have foretold her legacy or the power she would come to wield. A female ruler, once an orphan raised on the outskirts of an empire - certainly no one in Ancient Assyria would bend to her command willingly. Semiramis was a woman who knew if she wanted power, she would have to claim it. There are whispers of her fame in Mesopotamian myth- Semiramis was a queen, an ambitious warrior, a commander whose reputation reaches the majestic proportions of Alexander the Great. Historical record, on the other hand, falls eerily quiet. In her second novel, Costanza Casati brilliantly weaves myth and ancient history together to give Semiramis a voice, charting her captivating ascent to a throne no one promised her. The world Casati expertly builds is rich with dazzling detail and will transport her readers to the heat of the Assyrian Empire and a world long gone.

From the author of the bestselling Clytemnestra comes another intoxicating excursion into ancient history, as Casati reimagines the rise to power of the Assyrian empire's only female ruler, Semiramis. When kings fall, queens rise. Nothing about Semiramis's upbringing could have foretold her legacy or the power she would come to wield. A female ruler, once an orphan raised on the outskirts of an empire - certainly no one in Ancient Assyria would bend to her command willingly. Semiramis was a woman who knew if she wanted power, she would have to claim it. There are whispers of her fame in Mesopotamian myth- Semiramis was a queen, an ambitious warrior, a commander whose reputation reaches the majestic proportions of Alexander the Great. Historical record, on the other hand, falls eerily quiet. In her second novel, Costanza Casati brilliantly weaves myth and ancient history together to give Semiramis a voice, charting her captivating ascent to a throne no one promised her. The world Casati expertly builds is rich with dazzling detail and will transport her readers to the heat of the Assyrian Empire and a world long gone.

There's a new governess at Fairmont House, and she's going to be nothing but trouble. Emily Laurence is a liar. She is not polite, she's not polished, and she has never taught a child in her life. This position was meant to be her sister's––brilliant, kind Amy, who isn't perpetually angry, dangerously reckless, and who does (inexplicably) like children. But Amy is unwell and needs a doctor, their father is gone and their mother is useless, so here Emily is, pretending to be something she's not. If she can get away with her deception for long enough to earn a few month's wages and slip some expensive trinkets into her pockets along the way, perhaps they'll be all right. That is, as long as she doesn't get involved with the Edwards family's dramas. Emily refuses to care about her charges - Grace, who talks too much and loves too hard, and Aster, who is frankly terrifying but might just be the wittiest sixteen-year-old Emily has ever met - or the servants, who insist on acting as if they're each other's family. And she certainly hasn't noticed her employer, the brooding, taciturn Captain Edwards, no matter how good he might look without a shirt on . . . As Fairmont House draws her in, Emily's lies start to come undone. Can she fix her mistakes before it's too late?

There's a new governess at Fairmont House, and she's going to be nothing but trouble. Emily Laurence is a liar. She is not polite, she's not polished, and she has never taught a child in her life. This position was meant to be her sister's––brilliant, kind Amy, who isn't perpetually angry, dangerously reckless, and who does (inexplicably) like children. But Amy is unwell and needs a doctor, their father is gone and their mother is useless, so here Emily is, pretending to be something she's not. If she can get away with her deception for long enough to earn a few month's wages and slip some expensive trinkets into her pockets along the way, perhaps they'll be all right. That is, as long as she doesn't get involved with the Edwards family's dramas. Emily refuses to care about her charges - Grace, who talks too much and loves too hard, and Aster, who is frankly terrifying but might just be the wittiest sixteen-year-old Emily has ever met - or the servants, who insist on acting as if they're each other's family. And she certainly hasn't noticed her employer, the brooding, taciturn Captain Edwards, no matter how good he might look without a shirt on . . . As Fairmont House draws her in, Emily's lies start to come undone. Can she fix her mistakes before it's too late?

Naomi Novik's Scholomance series meets Plain Bad Heroines in this sapphic dark academia fantasy by instant national and international bestselling author Emily Tesh, winner of the Hugo and World Fantasy Awards. "Look at you, eating magic like you're one of us." Doctor Walden is the Director of Magic at Chetwood Academy and one of the most powerful magicians in England. Her days consist of meetings, teaching A-Level Invocation to four talented, chaotic sixth formers, more meetings, and securing the school's boundaries from demonic incursions. Walden is good at her job―no, Walden is great at her job. But demons are masters of manipulation. It’s her responsibility to keep her school with its six hundred students and centuries-old legacy safe. And it’s possible the entity Walden most needs to keep her school safe from―is herself.