The finale to A Good Girl's Guide to Murder series. By the end of this mystery series, you'll never think of good girls the same way again... Pip is about to head to college, but she is still haunted by the way her last investigation ended. She’s used to online death threats in the wake of her viral true-crime podcast, but she can’t help noticing an anonymous person who keeps asking her: Who will look for you when you’re the one who disappears? Soon the threats escalate and Pip realizes that someone is following her in real life. When she starts to find connections between her stalker and a local serial killer caught six years ago, she wonders if maybe the wrong man is behind bars. Police refuse to act, so Pip has only one choice: find the suspect herself—or be the next victim. As the deadly game plays out, Pip discovers that everything in her small town is coming full circle... and if she doesn’t find the answers, this time she will be the one who disappears...

'A great read. A box of delights which is also a thrilling satirical torture chamber.' Jesse Armstrong, creator of Succession 'An absolute riot . . . totally compulsive.' Observer 'A modern master of funny, penetrating satire.' GQ'If Phoebe Waller-Bridge had a score to settle.' StylistThe new novel from the bestselling author of Capital What if the year's most talked about TV show was all about your marriage?Kate, thirty years into her marriage, has a seemingly idyllic metropolitan, North London life.Phoebe, a young screenwriter, is the creator of the year's hit TV show, Cheating.When Kate's world takes a darker turn, she thinks she sees details and intimacies in the show that only she and her husband Jack could possibly have known. But who has betrayed who? Who gets to tell whose story?A black comedy of resentment and entitlement, Look What You Made Me Do is the story of two very different women from two very different generations, heading toward a battle only one of them can win.

'A great read. A box of delights which is also a thrilling satirical torture chamber.' Jesse Armstrong, creator of Succession 'An absolute riot . . . totally compulsive.' Observer 'A modern master of funny, penetrating satire.' GQ'If Phoebe Waller-Bridge had a score to settle.' StylistThe new novel from the bestselling author of Capital What if the year's most talked about TV show was all about your marriage?Kate, thirty years into her marriage, has a seemingly idyllic metropolitan, North London life.Phoebe, a young screenwriter, is the creator of the year's hit TV show, Cheating.When Kate's world takes a darker turn, she thinks she sees details and intimacies in the show that only she and her husband Jack could possibly have known. But who has betrayed who? Who gets to tell whose story?A black comedy of resentment and entitlement, Look What You Made Me Do is the story of two very different women from two very different generations, heading toward a battle only one of them can win.

Dear Reader,Like handshakes, house pets, or raw carrots, many things are preferable when not slippery. Unfortunately, in this miserable volume, I am afraid that Violet, Klaus, and Sunny Baudelaire run into more than their fair share of slipperiness during their harrowing journey up--and down--a range of strange and distressing mountains.In order to spare you any further repulsion, it would be best not to mention any of the unpleasant details of this story, particularly a secret message, a toboggan, a deceitful map, a swarm of snow gnats, a scheming villain, a troupe of organized youngsters, a covered casserole dish, and a surprising survivor of a terrible fire.Unfortunately, I have dedicated my life to researching and recording the sad tale of the Baudelaire orphans. There is no reason for you to dedicate your-self to such things, and you might instead dedicate yourself to letting this slippery book slip from your hands into a nearby trash receptacle, or deep pit.With all due respect,Lemony Snicket

Dear Reader,Like handshakes, house pets, or raw carrots, many things are preferable when not slippery. Unfortunately, in this miserable volume, I am afraid that Violet, Klaus, and Sunny Baudelaire run into more than their fair share of slipperiness during their harrowing journey up--and down--a range of strange and distressing mountains.In order to spare you any further repulsion, it would be best not to mention any of the unpleasant details of this story, particularly a secret message, a toboggan, a deceitful map, a swarm of snow gnats, a scheming villain, a troupe of organized youngsters, a covered casserole dish, and a surprising survivor of a terrible fire.Unfortunately, I have dedicated my life to researching and recording the sad tale of the Baudelaire orphans. There is no reason for you to dedicate your-self to such things, and you might instead dedicate yourself to letting this slippery book slip from your hands into a nearby trash receptacle, or deep pit.With all due respect,Lemony Snicket

From the #1 New York Times bestselling author of I’m Glad My Mom Died comes a sad, funny, thrilling novel about sex, consumerism, class, desire, loneliness, the internet, rage, intimacy, power, and the (oftentimes misguided) lengths we’ll go to in order to get what we want. Waldo is ravenous. Horny. Blunt. Naive. Wise. Impulsive. Lonely. Angry. Forceful. Hurting. Perceptive. Endlessly wanting. And the thing she wants most of Mr. Korgy, her creative writing teacher with the wife and the kid and the mortgage and the bills, with the dead dreams and the atrophied looks and the growing paunch. She doesn’t know why she wants him. Is it his passion? His life experience? The fact that he knows books and films and things that she doesn’t? Or is it purer than that, rooted in their unlikely connection, their kindred spirits, the similar filter with which they each take in the world around them? Or, perhaps, it’s just enough that he sees her when no one else does. Startlingly perceptive, mordantly funny, and keenly poignant, Half His Age is a rich character study of a yearning seventeen-year-old who disregards all obstacles—or attempts to overcome them—in her effort to be seen, to be desired, to be loved.

In a time when secrets and lies were the foundations of life, someone has discovered the truth. And they are going to tell. Jules knows what her predecessors created. She knows they are the reason life has to be lived in this way. And she won't stand for it. But Jules no longer has supporters. And there is far more to fear than the toxic world beyond her walls. A poison is growing from within Silo 18. One that cannot be stopped. Unless Silo 1 step in.

In a time when secrets and lies were the foundations of life, someone has discovered the truth. And they are going to tell. Jules knows what her predecessors created. She knows they are the reason life has to be lived in this way. And she won't stand for it. But Jules no longer has supporters. And there is far more to fear than the toxic world beyond her walls. A poison is growing from within Silo 18. One that cannot be stopped. Unless Silo 1 step in.

Hugh Howey goes back to show the first days of the Silo, and the beginning of the end In 2007, the Center for Automation in Nanobiotech (CAN) outlined the hardware and software platforms that would one day allow robots smaller than human cells to make medical diagnoses, conduct repairs, and even self-propagate. In the same year, the CBS network re-aired a program about the effects of propranolol on sufferers of extreme trauma. A simple pill, it had been discovered, could wipe out the memory of any traumatic event. At almost the same moment in humanity’s broad history, mankind discovered the means for bringing about its utter downfall. And the ability to forget it ever happened.