All Hail Chaos is Sarah Rees Brennan’s wicked, unmissable, New York Times acclaimed, second book in the Time of Iron series. THE EMPEROR IS HERE. AND SHE MADE HIM WORSE. Rae is a fantasy reader who’s been transported to her favorite fictional world of swords and sorcery, castles and monsters. Playing the villainess, she thought she could change the narrative, but this version of the plot is far more deadly than the one she knew. Her friends are on the run: the Cobra shelters in an eerie manor haunted by dark secrets, while Emer and Lia stoke a revolution in the gutters. Undead armies roam the kingdom, raiders camp at the city gates, and the all-powerful Emperor—Rae’s favorite character ever, now possibly the greatest monster in the land—wants her to be his evil queen. Romantic in fiction, complicated in reality. What’s a villainess to do? Time for wicked bargains and fake engagements, in a fantasy where the most dangerous thing you can do is believe in someone.

All Hail Chaos is Sarah Rees Brennan’s wicked, unmissable, New York Times acclaimed, second book in the Time of Iron series. THE EMPEROR IS HERE. AND SHE MADE HIM WORSE. Rae is a fantasy reader who’s been transported to her favorite fictional world of swords and sorcery, castles and monsters. Playing the villainess, she thought she could change the narrative, but this version of the plot is far more deadly than the one she knew. Her friends are on the run: the Cobra shelters in an eerie manor haunted by dark secrets, while Emer and Lia stoke a revolution in the gutters. Undead armies roam the kingdom, raiders camp at the city gates, and the all-powerful Emperor—Rae’s favorite character ever, now possibly the greatest monster in the land—wants her to be his evil queen. Romantic in fiction, complicated in reality. What’s a villainess to do? Time for wicked bargains and fake engagements, in a fantasy where the most dangerous thing you can do is believe in someone.

There are two kinds of people no one ever expects to be murderers: little girls and old ladies. Elsie Mabel Fitzpatrick is eighty-one years old. She's lived on her idyllic street for sixty years—longer than anyone else. Aside from being a curmudgeon who minds everyone else's business, few would suspect that Elsie has a past she's worked exceedingly hard at concealing—because when it comes to murder, no one ever suspects little girls or old ladies. And Elsie Mabel Fitzpatrick, once a little girl and now an old lady, has a strange history of people in her life coming to a foul end.

A New York Times-bestselling author looks for the meaning of a good life by seeking advice from the very young and the very old. When his first book tour ended, Brad Montague missed hearing other people's stories so much that he launched what he dubbed a Listening Tour. First visiting elementary schools and later also nursing homes and retirement communities, he hoped to glean new wisdom as to how he might become a better grownup. Now, in this playful and buoyant book, he shares those insights with rest of us --timeless, often surprising lessons that bypass the head we're always stuck in, and go straight to the heart we sometimes forget. Each of the book's three sections begins with the illustrated story of "The Incredible Floating Girl." Brad weaves this story together with lessons of success, fear, regret, gratitude, love, happiness, and dreams to reveal the true reason we are here: to fly, and to help others fly. Beautifully designed and featuring Montague's own whimsical 4-color illustrations that appeal to the kid in all of us, Becoming Better Grownups shares the purpose and meaning we can all discover merely by listening, and reveals that--in a world that seems increasingly childish--the secret to joy is in fact to become more childlike.

A traditional American woman, a “tradwife” influencer, suddenly awakens in the brutal reality of 1855—where she must unravel whether this living nightmare is an elaborate hoax, a twisted reality show, or something far more sinister in this sensational debut novel. My name was Natalie Heller Mills, and I was perfect at being alive. Natalie lives a traditional lifestyle. Her charming farmhouse is rustic, her husband a handsome cowboy, her six children each more delightful than the last. So what if there are nannies and producers behind the scenes, her kitchen hiding industrial-grade fridges and ovens, her husband the heir to a political dynasty? What Natalie’s followers—all 8 million of them—don’t know won’t hurt them. And The Angry Women? The privileged, Ivy League, coastal elite haters who call her an antifeminist iconoclast? They’re sick with jealousy. Because Natalie isn’t simply living the good life, she’s living the ideal—and just so happens to be building an empire from it. Until one morning she wakes up in a life that isn’t hers. Her home, her husband, her children—they’re all familiar, but something’s off. Her kitchen is warmed by a sputtering fire rather than electricity, her children are dirty and strange, and her soft-handed husband is suddenly a competent farmer. Just yesterday Natalie was curating photos of homemade jam for her Instagram, and now she’s expected to haul firewood and handwash clothes until her fingers bleed. Has she become the unwitting star of a ruthless reality show? Could it really be time travel? Is she being tested by God? By Satan? When Natalie suffers a brutal injury in the woods, she realizes two things: This is not her beautiful life, and she must escape by any means possible. A gripping, electrifying novel that is as darkly funny as it is frightening, Yesteryear is a gimlet-eyed look at tradition, fame, faith, and the grand performance of womanhood.