White Nights is a short story by Fyodor Dostoevsky that was published in 1848. Set in St. Petersburg, it is the story of a young man fighting his inner restlessness. A light and tender narrative, it delves into the torment and guilt of unrequited love. Both protagonists suffer from a deep sense of alienation that initially brings them together. A blend of romanticism and realism, the story appeals gently to the senses and feelings.

Maomao attempts the court service exam once more, winning herself a position as an assistant in one of the medical offices. That’s only the beginning of her troubles, though, as a new consort enters the rear palace and brings new riddles with her. What does a former emissary to the court want with three young medical assistants? How is that connected to a mysterious shrine maiden from Shaoh? And will one particular monocled freak ever just mind his own business?

Hailed as one of the world's supreme masterpieces on the subject of death and dying, The Death of Ivan Ilyich is the story of a worldly careerist, a high court judge who has never given the inevitability of his dying so much as a passing thought. But one day, death announces itself to him, and to his shocked surprise, he is brought face to face with his own mortality. How, Tolstoy asks, does an unreflective man confront his one and only moment of truth? This short novel was an artistic culmination of a profound spiritual crisis in Tolstoy's life, a nine-year period following the publication of Anna Karenina during which he wrote not a word of fiction. A thoroughly absorbing, and, at times, terrifying glimpse into the abyss of death, it is also a strong testament to the possibility of finding spiritual salvation.

Returning to Russia from a sanitarium in Switzerland, the Christ-like epileptic Prince Myshkin finds himself enmeshed in a tangle of love, torn between two women—the notorious kept woman Nastasya and the pure Aglaia—both involved, in turn, with the corrupt, money-hungry Ganya. In the end, Myshkin’s honesty, goodness, and integrity are shown to be unequal to the moral emptiness of those around him. In her revision of the Garnett translation, Anna Brailovsky has corrected inaccuracies wrought by Garnett’s drastic anglicization of the novel, restoring as much as possible the syntactical structure of the original story.

It is the story of four seekers who arrive at a notoriously unfriendly pile called Hill House: Dr. Montague, an occult scholar looking for solid evidence of a "haunting"; Theodora, the lighthearted assistant; Eleanor, a friendless, fragile young woman well acquainted with poltergeists; and Luke, the future heir of Hill House. At first, their stay seems destined to be merely a spooky encounter with inexplicable phenomena. But Hill House is gathering its powers—and soon it will choose one of them to make its own.

The events in the western capital threaten to shake not only the political order, but Maomao’s personal relationships as well, and she departs the city uncertain what her future holds. A detour on the way home, however, gives her an unexpected insight into her own family. Meanwhile, Consort Lishu finds herself at the center of an ugly scandal. Might the truth of the matter help explain everything that’s happened recently?

The events in the western capital threaten to shake not only the political order, but Maomao’s personal relationships as well, and she departs the city uncertain what her future holds. A detour on the way home, however, gives her an unexpected insight into her own family. Meanwhile, Consort Lishu finds herself at the center of an ugly scandal. Might the truth of the matter help explain everything that’s happened recently?