Ancient sorcery. Magic gemstones. Only one woman can save a city in ruins… 1348. As the Black Plague ravages Italy, Ginevra di Gasparo is summoned to Florence after nearly a decade of lonely exile. Ginevra has a gift—harnessing the hidden powers of gemstones, she can heal the sick. But when word spread of her unusual abilities, she was condemned as a witch and banished. Now the same men who expelled Ginevra are begging for her return. Ginevra obliges, assuming the city’s leaders are finally ready to accept her unorthodox cures amid a pandemic. But upon arrival, she is tasked with a much different she must use her collection of jewels to track down a ruthless thief who is ransacking Florence’s churches for priceless relics—the city’s only hope for protection. If she succeeds, she’ll be a recognized physician and never accused of witchcraft again. But as her investigation progresses, Ginevra discovers she’s merely a pawn in a much larger scheme than the one she’s been hired to solve. And the dangerous men behind this conspiracy won’t think twice about killing a stone witch to get what they want…

Part memoir, part manifesto, the inspiring story of a Louisiana librarian advocating for inclusivity on the front lines of our vicious culture wars. One of the things small town librarian Amanda Jones values most about books is how they can affirm a young person's sense of self. So in 2022, when she caught wind of a local public hearing that would discuss “book content,” she knew what was at stake. Schools and libraries nationwide have been bombarded by demands for books with LGTBQ+ references, discussions of racism, and more to be purged from the shelves. Amanda would be damned if her community were to ban stories representing minority groups. She spoke out that night at the meeting. Days later, she woke up to a nightmare that is still ongoing. Amanda Jones has been called a groomer, a pedo, and a porn-pusher; she has faced death threats and attacks from strangers and friends alike. Her decision to support a collection of books with diverse perspectives made her a target for extremists using book banning campaigns-funded by dark money organizations and advanced by hard right politicians-in a crusade to make America more white, straight, and Christian. But Amanda Jones wouldn't give up without a she sued her harassers for defamation and urged others to join her in the resistance. Mapping the book banning crisis occurring all across the nation, That Librarian draws the battle lines in the war against equity and inclusion, calling book lovers everywhere to rise in defense of our readers.

Part memoir, part manifesto, the inspiring story of a Louisiana librarian advocating for inclusivity on the front lines of our vicious culture wars. One of the things small town librarian Amanda Jones values most about books is how they can affirm a young person's sense of self. So in 2022, when she caught wind of a local public hearing that would discuss “book content,” she knew what was at stake. Schools and libraries nationwide have been bombarded by demands for books with LGTBQ+ references, discussions of racism, and more to be purged from the shelves. Amanda would be damned if her community were to ban stories representing minority groups. She spoke out that night at the meeting. Days later, she woke up to a nightmare that is still ongoing. Amanda Jones has been called a groomer, a pedo, and a porn-pusher; she has faced death threats and attacks from strangers and friends alike. Her decision to support a collection of books with diverse perspectives made her a target for extremists using book banning campaigns-funded by dark money organizations and advanced by hard right politicians-in a crusade to make America more white, straight, and Christian. But Amanda Jones wouldn't give up without a she sued her harassers for defamation and urged others to join her in the resistance. Mapping the book banning crisis occurring all across the nation, That Librarian draws the battle lines in the war against equity and inclusion, calling book lovers everywhere to rise in defense of our readers.

An electric debut novel about the daughter of Afghan refugees and her year of nightclubs, bad romance, and self-discovery—a portrait of the artist as a young woman set in a Berlin that can't escape its history A girl can get in almost anywhere, even if she can’t get out. “A no-bullsh*t, must-read debut.”—Kaveh Akbar “Kaleidoscopic . . . full of style and soul.”—Raven Leilani “Radiant with longing and beauty.”—Sarah Thankham Matthews In Berlin’s artistic underground, where techno and drugs fill warehouses still pockmarked from the wars of the twentieth century, nineteen-year-old Nila at last finds her tribe. Born in Germany to Afghan parents, raised in public housing graffitied with swastikas, drawn to philosophy, photography, and sex, Nila has spent her adolescence disappointing her family while searching for her voice as a young woman and artist. Then in the haze of Berlin’s legendary nightlife, Nila meets Marlowe, an American writer whose fading literary celebrity opens her eyes to a life of personal and artistic freedom. But as Nila finds herself pulled further into Marlowe’s controlling orbit, ugly, barely submerged racial tensions begin to roil Germany—and Nila’s family and community. After a year of running from her future, Nila stops to ask herself the most important question: Who does she want to be? A story of love and family, raves and Kafka, staying up all night and surviving the mistakes of youth, Good Girl is the virtuosic debut novel by a celebrated young poet and, now, a major new voice in fiction.

An electric debut novel about the daughter of Afghan refugees and her year of nightclubs, bad romance, and self-discovery—a portrait of the artist as a young woman set in a Berlin that can't escape its history A girl can get in almost anywhere, even if she can’t get out. “A no-bullsh*t, must-read debut.”—Kaveh Akbar “Kaleidoscopic . . . full of style and soul.”—Raven Leilani “Radiant with longing and beauty.”—Sarah Thankham Matthews In Berlin’s artistic underground, where techno and drugs fill warehouses still pockmarked from the wars of the twentieth century, nineteen-year-old Nila at last finds her tribe. Born in Germany to Afghan parents, raised in public housing graffitied with swastikas, drawn to philosophy, photography, and sex, Nila has spent her adolescence disappointing her family while searching for her voice as a young woman and artist. Then in the haze of Berlin’s legendary nightlife, Nila meets Marlowe, an American writer whose fading literary celebrity opens her eyes to a life of personal and artistic freedom. But as Nila finds herself pulled further into Marlowe’s controlling orbit, ugly, barely submerged racial tensions begin to roil Germany—and Nila’s family and community. After a year of running from her future, Nila stops to ask herself the most important question: Who does she want to be? A story of love and family, raves and Kafka, staying up all night and surviving the mistakes of youth, Good Girl is the virtuosic debut novel by a celebrated young poet and, now, a major new voice in fiction.

A confidence scheme, when properly executed, will follow five movements in close and inviolable order.I. The Mark II. The Intrusion. III. The Ballyhoo. IV. The Knot. V. All In.There may be many counterstrikes along the way, for such is the nature of the game; it contains so many turns, so many endless possibilities… 1898. Quinn le Blanc, London’s most talented con woman, has five days to pull off her most ambitious plot  trap a highly eligible duke into marriage and lift a fortune from the richest family in England. Masquerading as the season’s most enviable debutante, Quinn puts on a brilliant act that earns her entrance into the grand drawing rooms and lavish balls of high society—and propels her straight into the inner circle of her the charismatic Kendals. Among those she must convince are the handsome bachelor heir, the rebellious younger sister, and the esteemed duchess eager to see her son married. But the deeper she forges into their world, the more Quinn finds herself tangled in a complicated web of love, lies, and loyalty. The Kendals all have secrets of their own, and she may not be the only one playing a game of high deception…

A confidence scheme, when properly executed, will follow five movements in close and inviolable order.I. The Mark II. The Intrusion. III. The Ballyhoo. IV. The Knot. V. All In.There may be many counterstrikes along the way, for such is the nature of the game; it contains so many turns, so many endless possibilities… 1898. Quinn le Blanc, London’s most talented con woman, has five days to pull off her most ambitious plot  trap a highly eligible duke into marriage and lift a fortune from the richest family in England. Masquerading as the season’s most enviable debutante, Quinn puts on a brilliant act that earns her entrance into the grand drawing rooms and lavish balls of high society—and propels her straight into the inner circle of her the charismatic Kendals. Among those she must convince are the handsome bachelor heir, the rebellious younger sister, and the esteemed duchess eager to see her son married. But the deeper she forges into their world, the more Quinn finds herself tangled in a complicated web of love, lies, and loyalty. The Kendals all have secrets of their own, and she may not be the only one playing a game of high deception…

A historical thriller by the Pulitzer and National Book Award-winning author that tells the riveting story of the Klan's rise to power in the 1920s, the cunning con man who drove that rise, and the woman who stopped them. The Roaring Twenties--the Jazz Age--has been characterized as a time of Gatsby frivolity. But it was also the height of the uniquely American hate group, the Ku Klux Klan. Their domain was not the old Confederacy, but the Heartland and the West. They hated Blacks, Jews, Catholics and immigrants in equal measure, and took radical steps to keep these people from the American promise. And the man who set in motion their takeover of great swaths of America was a charismatic charlatan named D.C. Stephenson. Stephenson was a magnetic presence whose life story changed with every telling. Within two years of his arrival in Indiana, he’d become the Grand Dragon of the state and the architect of the strategy that brought the group out of the shadows – their message endorsed from the pulpits of local churches, spread at family picnics and town celebrations. Judges, prosecutors, ministers, governors and senators across the country all proudly proclaimed their membership. But at the peak of his influence, it was a seemingly powerless woman – Madge Oberholtzer – who would reveal his secret cruelties, and whose deathbed testimony finally brought the Klan to their knees. A FEVER IN THE HEARTLAND marries a propulsive drama to a powerful and page-turning reckoning with one of the darkest threads in American history.

A historical thriller by the Pulitzer and National Book Award-winning author that tells the riveting story of the Klan's rise to power in the 1920s, the cunning con man who drove that rise, and the woman who stopped them. The Roaring Twenties--the Jazz Age--has been characterized as a time of Gatsby frivolity. But it was also the height of the uniquely American hate group, the Ku Klux Klan. Their domain was not the old Confederacy, but the Heartland and the West. They hated Blacks, Jews, Catholics and immigrants in equal measure, and took radical steps to keep these people from the American promise. And the man who set in motion their takeover of great swaths of America was a charismatic charlatan named D.C. Stephenson. Stephenson was a magnetic presence whose life story changed with every telling. Within two years of his arrival in Indiana, he’d become the Grand Dragon of the state and the architect of the strategy that brought the group out of the shadows – their message endorsed from the pulpits of local churches, spread at family picnics and town celebrations. Judges, prosecutors, ministers, governors and senators across the country all proudly proclaimed their membership. But at the peak of his influence, it was a seemingly powerless woman – Madge Oberholtzer – who would reveal his secret cruelties, and whose deathbed testimony finally brought the Klan to their knees. A FEVER IN THE HEARTLAND marries a propulsive drama to a powerful and page-turning reckoning with one of the darkest threads in American history.

The future of storytelling is here. Life has thrown Zelu some curveballs over the years, but when she's suddenly dropped from her university job and her latest novel is rejected, all in the middle of her sister's wedding, her life is upended. Disabled, unemployed and from a nosy, high-achieving, judgmental family, she's not sure what comes next. In her hotel room that night, she takes the risk that will define her life - she decides to write a book VERY unlike her others. A science fiction drama about androids and AI after the extinction of humanity. And everything changes. What follows is a tale of love and loss, fame and infamy, of extraordinary events in one world, and another. And as Zelu's life evolves, the lines between fiction and reality begin to blur. Because sometimes a story really does have the power to reshape the world.

The future of storytelling is here. Life has thrown Zelu some curveballs over the years, but when she's suddenly dropped from her university job and her latest novel is rejected, all in the middle of her sister's wedding, her life is upended. Disabled, unemployed and from a nosy, high-achieving, judgmental family, she's not sure what comes next. In her hotel room that night, she takes the risk that will define her life - she decides to write a book VERY unlike her others. A science fiction drama about androids and AI after the extinction of humanity. And everything changes. What follows is a tale of love and loss, fame and infamy, of extraordinary events in one world, and another. And as Zelu's life evolves, the lines between fiction and reality begin to blur. Because sometimes a story really does have the power to reshape the world.

A family confronts a past that is both keeping them together and preventing them from breaking free. Meet the Valiat family. In Iran they were somebodies. In America they’re nobodies. First there is Elizabeth, the regal matriarch with the famously large nose who stayed in Tehran during the revolution. Her daughters, Shirin and Seema, left for America in 1979. She lives in a shabby apartment, paranoid and alone—except when she is visited by Niaz, her Islamic-law–breaking granddaughter who takes her debauchery with a side of purpose yet somehow manages to survive. The other granddaughter, Bita, is a self-righteous but lost law student spending her days in New York City eating pancakes and quietly giving away her belongings. When an annual vacation in Aspen goes wildly awry and Shirin ends up being bailed out of jail by Bita, the family’s brittle status quo cracks open. Shirin embarks upon a grand but half-baked quest to restore the family name—but what does that even mean in a country where the Valiats never mattered? Will they ever realize that life is more than just an old story?

A family confronts a past that is both keeping them together and preventing them from breaking free. Meet the Valiat family. In Iran they were somebodies. In America they’re nobodies. First there is Elizabeth, the regal matriarch with the famously large nose who stayed in Tehran during the revolution. Her daughters, Shirin and Seema, left for America in 1979. She lives in a shabby apartment, paranoid and alone—except when she is visited by Niaz, her Islamic-law–breaking granddaughter who takes her debauchery with a side of purpose yet somehow manages to survive. The other granddaughter, Bita, is a self-righteous but lost law student spending her days in New York City eating pancakes and quietly giving away her belongings. When an annual vacation in Aspen goes wildly awry and Shirin ends up being bailed out of jail by Bita, the family’s brittle status quo cracks open. Shirin embarks upon a grand but half-baked quest to restore the family name—but what does that even mean in a country where the Valiats never mattered? Will they ever realize that life is more than just an old story?

The extraordinary true story of four women pioneers in physics during World War II and their daring escape out of Nazi Germany In the 1930s, Germany was a hotbed of scientific thought. But after the Nazis took power, Jewish and female citizens were forced out of their academic positions. Hedwig Kohn, Lise Meitner, Hertha Sponer, and Hildegard Stücklen were eminent in their fields, but they had no choice but to flee due to their Jewish ancestry or anti-Nazi sentiments. Their harrowing journey out of Germany became a life-and-death situation that required Herculean efforts of friends and other prominent scientists. Lise fled to Sweden, where she made a groundbreaking discovery in nuclear physics, and the others fled to the United States, where they brought advanced physics to American universities. No matter their destination, each woman revolutionized the field of physics when all odds were stacked against them, galvanizing young women to do the same. Well-researched and written with cinematic prose, Sisters in Science brings these trailblazing women to life and shows us how sisterhood and scientific curiosity can transcend borders and persist—flourish, even—in the face of seemingly insurmountable odds.

The New York Times bestselling author of The Mystery of Mrs. Christie returns with a thrilling story of Christie’s legendary rival Dorothy Sayers, the race to solve a murder, and the power of friendship among women. London, 1930. The five greatest women crime writers have banded together to form a secret society with a single goal: to show they are no longer willing to be treated as second-class citizens by their male counterparts in the legendary Detection Club. Led by the formidable Dorothy L. Sayers, the group includes Agatha Christie, Ngaio Marsh, Margery Allingham and Baroness Emma Orczy. They call themselves the Queens of Crime. Their plan? Solve an actual murder, that of a young woman found strangled in a park in France who may have connections leading to the highest levels of the British establishment. May Daniels, a young English nurse on an excursion to France with her friend, seemed to vanish into thin air as they prepared to board a ferry home. Months later, her body is found in the nearby woods. The murder has all the hallmarks of a locked room mystery for which these authors are famous: how did her killer manage to sneak her body out of a crowded train station without anyone noticing? If, as the police believe, the cause of death is manual strangulation, why is there is an extraordinary amount of blood at the crime scene? What is the meaning of a heartbreaking secret letter seeming to implicate an unnamed paramour? Determined to solve the highly publicized murder, the Queens of Crime embark on their own investigation, discovering they’re stronger together. But soon the killer targets Dorothy Sayers herself, threatening to expose a dark secret in her past that she would do anything to keep hidden. Inspired by a true story in Sayers’ own life, New York Times bestselling author Marie Benedict brings to life the lengths to which five talented women writers will go to be taken seriously in the male-dominated world of letters as they unpuzzle a mystery torn from the pages of their own novels.

The Seven Husbands of Evelyn Hugo meets First Lie Wins in this electric, voice-driven debut novel about an elusive bestselling author who decides to finally confess her true identity after years of hiding from her past. Cate Kay knows how to craft a story. As the creator of a bestselling book trilogy that struck box office gold as a film series, she’s one of the most successful authors of her generation. The thing is, Cate Kay doesn’t really exist. She’s never attended author events or granted any interviews. Her real identity had been a closely guarded secret, until now. As a young adult, she and her best friend Amanda dreamed of escaping their difficult homes and moving to California to become movie stars. But the day before their grand adventure, a tragedy shattered their dreams and Cate has been on the run ever since, taking on different names and charting a new future. But after a shocking revelation, Cate understands that returning home is the only way she’ll be a whole person again.

The Seven Husbands of Evelyn Hugo meets First Lie Wins in this electric, voice-driven debut novel about an elusive bestselling author who decides to finally confess her true identity after years of hiding from her past. Cate Kay knows how to craft a story. As the creator of a bestselling book trilogy that struck box office gold as a film series, she’s one of the most successful authors of her generation. The thing is, Cate Kay doesn’t really exist. She’s never attended author events or granted any interviews. Her real identity had been a closely guarded secret, until now. As a young adult, she and her best friend Amanda dreamed of escaping their difficult homes and moving to California to become movie stars. But the day before their grand adventure, a tragedy shattered their dreams and Cate has been on the run ever since, taking on different names and charting a new future. But after a shocking revelation, Cate understands that returning home is the only way she’ll be a whole person again.

From a pioneering Black feminist and MacArthur “Genius” Fellow, an urgent and exhilarating memoir-manifesto-handbook about how to rein in the excesses of cancel culture so we can truly communicate and solve problems together.In 1979, Loretta Ross was a single mother who’d had to drop out of Howard University. She was working at Washington, DC’s Rape Crisis Center when she got a letter from a man in prison saying he wanted to learn how to not be a rapist anymore. At first, she was furious. As a survivor of sexual violence, she wanted to write back pouring out her rage. But instead, she made a different choice, a choice to reject the response her trauma was pushing her towards, a choice that set her on the path towards developing a philosophy that would come to guide her whole rather than calling people out, try to call even your unlikeliest allies in. Hold them accountable—but do so with love. Calling In is at once a handbook, a manifesto, and a memoir—because the power of Loretta Ross’s message comes from who she is and what she’s lived through. She’s a Black woman who’s deprogrammed white supremacists, a survivor who’s taught convicted rapists the principles of feminism. With stories from her five remarkable decades in activism, she vividly illustrates why calling people in—inviting them into conversation instead of conflict by focusing on your shared values over a desire for punishment—is the more strategic choice if you want to make real change. And she shows you how to do so, whether in the workplace, on a college campus, or in your living room. Courageous, awe-inspiring, and blisteringly authentic, Calling In is a practical new solution from one of our country’s most extraordinary change-makers—one anyone can learn to use to transform frustrating and divisive conflicts that stand in the way of real connection with the people in your life.

From a pioneering Black feminist and MacArthur “Genius” Fellow, an urgent and exhilarating memoir-manifesto-handbook about how to rein in the excesses of cancel culture so we can truly communicate and solve problems together.In 1979, Loretta Ross was a single mother who’d had to drop out of Howard University. She was working at Washington, DC’s Rape Crisis Center when she got a letter from a man in prison saying he wanted to learn how to not be a rapist anymore. At first, she was furious. As a survivor of sexual violence, she wanted to write back pouring out her rage. But instead, she made a different choice, a choice to reject the response her trauma was pushing her towards, a choice that set her on the path towards developing a philosophy that would come to guide her whole rather than calling people out, try to call even your unlikeliest allies in. Hold them accountable—but do so with love. Calling In is at once a handbook, a manifesto, and a memoir—because the power of Loretta Ross’s message comes from who she is and what she’s lived through. She’s a Black woman who’s deprogrammed white supremacists, a survivor who’s taught convicted rapists the principles of feminism. With stories from her five remarkable decades in activism, she vividly illustrates why calling people in—inviting them into conversation instead of conflict by focusing on your shared values over a desire for punishment—is the more strategic choice if you want to make real change. And she shows you how to do so, whether in the workplace, on a college campus, or in your living room. Courageous, awe-inspiring, and blisteringly authentic, Calling In is a practical new solution from one of our country’s most extraordinary change-makers—one anyone can learn to use to transform frustrating and divisive conflicts that stand in the way of real connection with the people in your life.