The Seven Husbands of Evelyn Hugo meets First Lie Wins in this electric, voice-driven debut novel about an elusive bestselling author who decides to finally confess her true identity after years of hiding from her past. Cate Kay knows how to craft a story. As the creator of a bestselling book trilogy that struck box office gold as a film series, she’s one of the most successful authors of her generation. The thing is, Cate Kay doesn’t really exist. She’s never attended author events or granted any interviews. Her real identity had been a closely guarded secret, until now. As a young adult, she and her best friend Amanda dreamed of escaping their difficult homes and moving to California to become movie stars. But the day before their grand adventure, a tragedy shattered their dreams and Cate has been on the run ever since, taking on different names and charting a new future. But after a shocking revelation, Cate understands that returning home is the only way she’ll be a whole person again.

From a pioneering Black feminist and MacArthur “Genius” Fellow, an urgent and exhilarating memoir-manifesto-handbook about how to rein in the excesses of cancel culture so we can truly communicate and solve problems together.In 1979, Loretta Ross was a single mother who’d had to drop out of Howard University. She was working at Washington, DC’s Rape Crisis Center when she got a letter from a man in prison saying he wanted to learn how to not be a rapist anymore. At first, she was furious. As a survivor of sexual violence, she wanted to write back pouring out her rage. But instead, she made a different choice, a choice to reject the response her trauma was pushing her towards, a choice that set her on the path towards developing a philosophy that would come to guide her whole rather than calling people out, try to call even your unlikeliest allies in. Hold them accountable—but do so with love. Calling In is at once a handbook, a manifesto, and a memoir—because the power of Loretta Ross’s message comes from who she is and what she’s lived through. She’s a Black woman who’s deprogrammed white supremacists, a survivor who’s taught convicted rapists the principles of feminism. With stories from her five remarkable decades in activism, she vividly illustrates why calling people in—inviting them into conversation instead of conflict by focusing on your shared values over a desire for punishment—is the more strategic choice if you want to make real change. And she shows you how to do so, whether in the workplace, on a college campus, or in your living room. Courageous, awe-inspiring, and blisteringly authentic, Calling In is a practical new solution from one of our country’s most extraordinary change-makers—one anyone can learn to use to transform frustrating and divisive conflicts that stand in the way of real connection with the people in your life.

From a pioneering Black feminist and MacArthur “Genius” Fellow, an urgent and exhilarating memoir-manifesto-handbook about how to rein in the excesses of cancel culture so we can truly communicate and solve problems together.In 1979, Loretta Ross was a single mother who’d had to drop out of Howard University. She was working at Washington, DC’s Rape Crisis Center when she got a letter from a man in prison saying he wanted to learn how to not be a rapist anymore. At first, she was furious. As a survivor of sexual violence, she wanted to write back pouring out her rage. But instead, she made a different choice, a choice to reject the response her trauma was pushing her towards, a choice that set her on the path towards developing a philosophy that would come to guide her whole rather than calling people out, try to call even your unlikeliest allies in. Hold them accountable—but do so with love. Calling In is at once a handbook, a manifesto, and a memoir—because the power of Loretta Ross’s message comes from who she is and what she’s lived through. She’s a Black woman who’s deprogrammed white supremacists, a survivor who’s taught convicted rapists the principles of feminism. With stories from her five remarkable decades in activism, she vividly illustrates why calling people in—inviting them into conversation instead of conflict by focusing on your shared values over a desire for punishment—is the more strategic choice if you want to make real change. And she shows you how to do so, whether in the workplace, on a college campus, or in your living room. Courageous, awe-inspiring, and blisteringly authentic, Calling In is a practical new solution from one of our country’s most extraordinary change-makers—one anyone can learn to use to transform frustrating and divisive conflicts that stand in the way of real connection with the people in your life.

A woman inherits a pawnshop where you can sell your regrets, and then embarks on a magical journey when a charming young physicist wanders into the shop, in this dreamlike and enchanting fantasy novel. On a backstreet in Tokyo lies a pawnshop, but not everyone can find it. Most will see a cozy ramen restaurant. And only the chosen ones—those who are lost—will find a place to pawn their life choices and deepest regrets. Hana Ishikawa wakes on her first morning as the pawnshop’s new owner to find it ransacked, the shop’s most precious acquisition stolen, and her father missing. And then into the shop stumbles a charming stranger, quite unlike its other customers, for he offers help instead of seeking it. Together, they must journey through a mystical world to find Hana’s father and the stolen choice—by way of rain puddles, rides on paper cranes, the bridge between midnight and morning, and a night market in the clouds. But as they get closer to the truth, Hana must reveal a secret of her own—and risk making a choice that she will never be able to take back.

In this mesmerizing novel about Jacqueline Kennedy Onassis, acclaimed author Dawn Tripp has crafted an intimate story of love and power, family and tragedy, loss and reinvention. The world has divided my life into three: Life with Jack Life with Onassis Life as a woman who goes to work because she wants to. My life is all of these things, and it is none of these things. They continue to miss what’s right in front of them. I love books. I love the sea. I love horses. Children. Art. Ideas. History. Beauty. Because beauty blows us open to wonder. Even the beauty that breaks your heart. Jackie is the story of a woman—deeply private with a nuanced, formidable intellect—who forged a legacy out of grief and shaped history even as she was living it. It is the story of a love affair, a complicated marriage, and the fracturing of identity that comes in the wake of unthinkable violence. When Jackie meets the charismatic congressman Jack Kennedy in Georgetown, she is twenty-one and dreaming of France. She has won an internship at Vogue. Kennedy, she thinks, is not her kind of adventure: “Too American. Too good-looking. Too boy.” Yet she is drawn to his mind, his humor, his drive. The chemistry between them ignites. During the White House years, the love between two independent people deepens. Then, a motorcade in Dallas: “Three and a half seconds—that’s all it was—a slivered instant between the first shot, which missed the car, and the second, which did not. . . . A hypnotic burst of sunlight off her bracelet as she waved.” This vivid, exquisitely written novel is at once a captivating work of the imagination and a window into the world of a woman who led many lives: Jackie, Jacks, Jacqueline, Miss Bouvier, Mrs. Kennedy, Jackie O.

In a compelling blend of personal narrative and in-depth reporting, New York magazine senior writer Sarah Jones exposes the harsh reality of America’s racial and income inequality and the devastating impact of the pandemic on our nation’s most vulnerable people.In the tradition of Matthew Desmond’s Evicted and Andrea Elliot’s Invisible Child, Disposable is a poignant exploration of America’s underclass, left vulnerable by systemic racism and capitalism. Here, Sarah Jones delves into the lives of the essential workers, seniors, and people with disabilities who were disproportionately affected by COVID-19—not due to their age or profession, but because of the systemic inequality and poverty that left them exposed. The pandemic served as a stark revelation of the true state of America, a country where the dream of prosperity is a distant mirage for millions. Jones argues that the pandemic didn’t create these dynamics, but rather revealed the existing social mobility issues and wealth gap that have long plagued the nation. Behind the staggering death toll are stories of lives lost, injustices suffered, and institutions that failed to protect their people. Jones brings these stories to the forefront, transforming the abstract concept of the pandemic into a deeply personal and political phenomenon. She argues that America has abandoned a sacrificial underclass of millions but insists that another future is possible. By addressing the pervasive issues of racial justice and public policy, Jones calls for a future where no one is seen as disposable again.

In a compelling blend of personal narrative and in-depth reporting, New York magazine senior writer Sarah Jones exposes the harsh reality of America’s racial and income inequality and the devastating impact of the pandemic on our nation’s most vulnerable people.In the tradition of Matthew Desmond’s Evicted and Andrea Elliot’s Invisible Child, Disposable is a poignant exploration of America’s underclass, left vulnerable by systemic racism and capitalism. Here, Sarah Jones delves into the lives of the essential workers, seniors, and people with disabilities who were disproportionately affected by COVID-19—not due to their age or profession, but because of the systemic inequality and poverty that left them exposed. The pandemic served as a stark revelation of the true state of America, a country where the dream of prosperity is a distant mirage for millions. Jones argues that the pandemic didn’t create these dynamics, but rather revealed the existing social mobility issues and wealth gap that have long plagued the nation. Behind the staggering death toll are stories of lives lost, injustices suffered, and institutions that failed to protect their people. Jones brings these stories to the forefront, transforming the abstract concept of the pandemic into a deeply personal and political phenomenon. She argues that America has abandoned a sacrificial underclass of millions but insists that another future is possible. By addressing the pervasive issues of racial justice and public policy, Jones calls for a future where no one is seen as disposable again.

Hauntingly beautiful and heartbreaking, Colm Tóibín's sixth novel, Brooklyn, is set in Brooklyn and Ireland in the early 1950s, when one young woman crosses the ocean to make a new life for herself. Eilis Lacey has come of age in small-town Ireland in the years following World War Two. Though skilled at bookkeeping, she cannot find a job in the miserable Irish economy. When an Irish priest from Brooklyn offers to sponsor Eilis in America--to live and work in a Brooklyn neighborhood "just like Ireland"--she decides she must go, leaving her fragile mother and her charismatic sister behind. Eilis finds work in a department store on Fulton Street, and when she least expects it, finds love. Tony, a blond Italian from a big family, slowly wins her over with patient charm. He takes Eilis to Coney Island and Ebbets Field, and home to dinner in the two-room apartment he shares with his brothers and parents. He talks of having children who are Dodgers fans. But just as Eilis begins to fall in love with Tony, devastating news from Ireland threatens the promise of her future.

She was only eleven-and-a-half inches tall, but she would change the world. Barbie is born in this bold new novel by USA Today bestselling author Renée Rosen. When Ruth Handler walks into the boardroom of the toy company she co-founded and pitches her idea for a doll unlike any other, she knows what she’s setting in motion. It might just take the world a moment to catch up. In 1956, the only dolls on the market for little girls let them pretend to be mothers. Ruth’s vision for a doll shaped like a grown woman and outfitted in an enviable wardrobe will let them dream they can be anything. As Ruth assembles her team of creative rebels—head engineer Jack Ryan who hides his deepest secrets behind his genius and designers Charlotte Johnson and Stevie Klein, whose hopes and dreams rest on the success of Barbie’s fashion—she knows they’re working against a ticking clock to get this wild idea off the ground. In the decades to come—through soaring heights and devastating personal lows, public scandals and private tensions— each of them will have to decide how tightly to hold on to their creation. Because Barbie has never been just a doll—she’s a legacy.

In this mesmerizing novel about Jacqueline Kennedy Onassis, acclaimed author Dawn Tripp has crafted an intimate story of love and power, family and tragedy, loss and reinvention. The world has divided my life into three: Life with Jack Life with Onassis Life as a woman who goes to work because she wants to. My life is all of these things, and it is none of these things. They continue to miss what’s right in front of them. I love books. I love the sea. I love horses. Children. Art. Ideas. History. Beauty. Because beauty blows us open to wonder. Even the beauty that breaks your heart. Jackie is the story of a woman—deeply private with a nuanced, formidable intellect—who forged a legacy out of grief and shaped history even as she was living it. It is the story of a love affair, a complicated marriage, and the fracturing of identity that comes in the wake of unthinkable violence. When Jackie meets the charismatic congressman Jack Kennedy in Georgetown, she is twenty-one and dreaming of France. She has won an internship at Vogue. Kennedy, she thinks, is not her kind of adventure: “Too American. Too good-looking. Too boy.” Yet she is drawn to his mind, his humor, his drive. The chemistry between them ignites. During the White House years, the love between two independent people deepens. Then, a motorcade in Dallas: “Three and a half seconds—that’s all it was—a slivered instant between the first shot, which missed the car, and the second, which did not. . . . A hypnotic burst of sunlight off her bracelet as she waved.” This vivid, exquisitely written novel is at once a captivating work of the imagination and a window into the world of a woman who led many lives: Jackie, Jacks, Jacqueline, Miss Bouvier, Mrs. Kennedy, Jackie O.

She was only eleven-and-a-half inches tall, but she would change the world. Barbie is born in this bold new novel by USA Today bestselling author Renée Rosen. When Ruth Handler walks into the boardroom of the toy company she co-founded and pitches her idea for a doll unlike any other, she knows what she’s setting in motion. It might just take the world a moment to catch up. In 1956, the only dolls on the market for little girls let them pretend to be mothers. Ruth’s vision for a doll shaped like a grown woman and outfitted in an enviable wardrobe will let them dream they can be anything. As Ruth assembles her team of creative rebels—head engineer Jack Ryan who hides his deepest secrets behind his genius and designers Charlotte Johnson and Stevie Klein, whose hopes and dreams rest on the success of Barbie’s fashion—she knows they’re working against a ticking clock to get this wild idea off the ground. In the decades to come—through soaring heights and devastating personal lows, public scandals and private tensions— each of them will have to decide how tightly to hold on to their creation. Because Barbie has never been just a doll—she’s a legacy.

In this lyrical and stirring companion to the “spellbinding” (Harper’s Bazaar) Shallow Waters, Oya—the Yoruban deity of the weather—is brought to life during 1870s America. Perfect for fans of Children of Blood and Bone and Black Sun.Born in Cuba after her mother Yemaya’s adventures in the New World, Oya has inherited otherworldly powers from her Yoruba Orisha lineage. While Yemaya is known for her healing abilities, Oya’s influence over the storm proves to be destructive, posing a threat to her mother and the island’s safety. Sent to New Orleans to study under Marie Laveau, the Queen of Voodoo, Oya begins a journey across the still young America, encountering a myriad of historical figures, including Mary Ellen Pleasant, Jesse James, Lew Hing, and more. As Oya navigates the landscapes of racism, colorism, and classism, she grapples with her own identity and powers, striving to find her place in a fraught and complex society. A moving, vivid exploration of resilience, heritage, and the enduring spirit of a young woman coming into her own, The Wind on Her Tongue transports you to a world where magic and reality intertwine.

In this lyrical and stirring companion to the “spellbinding” (Harper’s Bazaar) Shallow Waters, Oya—the Yoruban deity of the weather—is brought to life during 1870s America. Perfect for fans of Children of Blood and Bone and Black Sun.Born in Cuba after her mother Yemaya’s adventures in the New World, Oya has inherited otherworldly powers from her Yoruba Orisha lineage. While Yemaya is known for her healing abilities, Oya’s influence over the storm proves to be destructive, posing a threat to her mother and the island’s safety. Sent to New Orleans to study under Marie Laveau, the Queen of Voodoo, Oya begins a journey across the still young America, encountering a myriad of historical figures, including Mary Ellen Pleasant, Jesse James, Lew Hing, and more. As Oya navigates the landscapes of racism, colorism, and classism, she grapples with her own identity and powers, striving to find her place in a fraught and complex society. A moving, vivid exploration of resilience, heritage, and the enduring spirit of a young woman coming into her own, The Wind on Her Tongue transports you to a world where magic and reality intertwine.

'A queer One Day for a new generation' GraziaFind yourself in this sweeping tale of queer friendship and chosen families that will keep you laughing, crying and endlessly turning the page.When Mae and Ari meet outside a Leeds gay club in their final year of university, their connection is magnetic. Mae, whilst stubborn and no stranger to breaking hearts, needs Ari's bright light to guide her out of her self-centred ways; Ari, vibrant, charming and reeling in the aftermath of a scandal in New York, clings to Mae as his grounding anchor. As the years sweep by, the two traverse the tumult of hotshot jobs and toxic partners, the fallout of long-hidden secrets and the heavy weight of grief. If they can hold onto one another in the face of the relentless past and the inevitable future, they might discover how to build something beautiful out of their expansive, boundary-breaking love.Spanning ten years of extraordinary friendship, This Love is a vivid and epic tale of finding your soulmates, building a family, and the limitless, ever-changing forms love can take.'Astute, tender and utterly joy-filled.

Put the kettle on, there’s a mystery brewing… Tea-shop owner. Matchmaker. Detective? Sixty-year-old self-proclaimed tea expert Vera Wong enjoys nothing more than sipping a good cup of Wulong and doing some healthy ‘detective’ work on the internet (AKA checking up on her son to see if he’s dating anybody yet). But when Vera wakes up one morning to find a dead man in the middle of her tea shop, it’s going to take more than a strong Longjing to fix things. Knowing she’ll do a better job than the police possibly could – because nobody sniffs out a wrongdoing quite like a suspicious Chinese mother with time on her hands – Vera decides it’s down to her to catch the killer. Nobody spills the tea like this amateur sleuth.

'A queer One Day for a new generation' GraziaFind yourself in this sweeping tale of queer friendship and chosen families that will keep you laughing, crying and endlessly turning the page.When Mae and Ari meet outside a Leeds gay club in their final year of university, their connection is magnetic. Mae, whilst stubborn and no stranger to breaking hearts, needs Ari's bright light to guide her out of her self-centred ways; Ari, vibrant, charming and reeling in the aftermath of a scandal in New York, clings to Mae as his grounding anchor. As the years sweep by, the two traverse the tumult of hotshot jobs and toxic partners, the fallout of long-hidden secrets and the heavy weight of grief. If they can hold onto one another in the face of the relentless past and the inevitable future, they might discover how to build something beautiful out of their expansive, boundary-breaking love.Spanning ten years of extraordinary friendship, This Love is a vivid and epic tale of finding your soulmates, building a family, and the limitless, ever-changing forms love can take.'Astute, tender and utterly joy-filled.

Put the kettle on, there’s a mystery brewing… Tea-shop owner. Matchmaker. Detective? Sixty-year-old self-proclaimed tea expert Vera Wong enjoys nothing more than sipping a good cup of Wulong and doing some healthy ‘detective’ work on the internet (AKA checking up on her son to see if he’s dating anybody yet). But when Vera wakes up one morning to find a dead man in the middle of her tea shop, it’s going to take more than a strong Longjing to fix things. Knowing she’ll do a better job than the police possibly could – because nobody sniffs out a wrongdoing quite like a suspicious Chinese mother with time on her hands – Vera decides it’s down to her to catch the killer. Nobody spills the tea like this amateur sleuth.

Estranged siblings discover their father has been keeping a secret for over fifty years, one that may have been fatal... Liam Noone was many things to many people. To the public, he was an exacting, self- made hotel magnate fleeing his past. To his three ex-wives, he was a loving albeit distant family man who kept his finances flush and his families carefully separated. To Nora, he was a father who often loved her from afar – notably a cliffside cottage perched on the California coast from which he fell to his death.    The authorities rule the death accidental, but Nora and her estranged brother Sam have other ideas. As Nora and Sam form an uneasy alliance to unravel the mystery, they start putting together the pieces of their father’s past—and uncover a family secret that changes everything. With Laura Dave’s trademark combination of soulful suspense and evocative family drama, The Night We Lost Him is a riveting page-turner with a heartbreaking final twist you’ll never see coming.

In a compelling blend of personal narrative and in-depth reporting, New York magazine senior writer Sarah Jones exposes the harsh reality of America’s racial and income inequality and the devastating impact of the pandemic on our nation’s most vulnerable people.In the tradition of Matthew Desmond’s Evicted and Andrea Elliot’s Invisible Child, Disposable is a poignant exploration of America’s underclass, left vulnerable by systemic racism and capitalism. Here, Sarah Jones delves into the lives of the essential workers, seniors, and people with disabilities who were disproportionately affected by COVID-19—not due to their age or profession, but because of the systemic inequality and poverty that left them exposed. The pandemic served as a stark revelation of the true state of America, a country where the dream of prosperity is a distant mirage for millions. Jones argues that the pandemic didn’t create these dynamics, but rather revealed the existing social mobility issues and wealth gap that have long plagued the nation. Behind the staggering death toll are stories of lives lost, injustices suffered, and institutions that failed to protect their people. Jones brings these stories to the forefront, transforming the abstract concept of the pandemic into a deeply personal and political phenomenon. She argues that America has abandoned a sacrificial underclass of millions but insists that another future is possible. By addressing the pervasive issues of racial justice and public policy, Jones calls for a future where no one is seen as disposable again.