A gothic feminist body horror in two timelines revolving around three Anatomical Venuses—ultrarealistic wax figures of women—that come to life at night to murder men who have wronged themSeoul, present day. Antiques dealer Alys’s task is nearly complete. She has at last secured Elizabeth, the third and final Anatomical Venus. Crafted in eighteenth-century London and modeled after real-life sex workers to entice male medical students, these eerie wax figures, known as slashed beauties, carry unsavory lore. Legend has it that the figures are bewitched, and come to life at night to murder men who have wronged them. Now Alys embarks for England, where she knows what she must sever her cursed connection to the Venuses once and for all.London, 1763. Abandoned and penniless in Covent Garden, wide-eyed Eleanor and another young woman, Emily, are taken under the wing of beautiful and beguiling Elizabeth, one of the city’s most highly desired courtesans among the rich and powerful. But as Eleanor is seduced deeper into a web of money, materialism, and men, it seems that Elizabeth may not be the savior she appears to be.As the timelines begin to intersect, it becomes clear that the women’s stories are linked in deeper, darker ways than it initially seems. And that the only method for Alys to end the witchcraft that binds her legacy is to gather all three models in one place and destroy them.However, these haunted, murderous dolls might not be ready to burn.

Bram Stoker Award–nominee and USA Today bestseller Johanna van Veen unveils a sapphic folk-horror tour de force—perfect for fans of The VVitch and The Salt Grows Heavy. A skull's grin is eternal… The year is 1635. Sister Ursula, a young nun fleeing the ruins of her convent, and Elsebeth, a sharp-witted peasant, escape a band of marauding soldiers and disappear into the Bavarian forest. War scorches the land, and no one survives it alone. Amid the devastation, they find something in the arms of a dying the gilded skull of a saint. It is said that if you reunite the saint's skull with her body, a wish will be granted. Desperate for salvation, and each with secret desires of their own, Ursula and Elsebeth follow a ragged map across the blighted countryside. But darkness follows them. A necromancer, drawn to the relic's power. The saint herself, whispering at night. And as the lines between blessing and curse blur, the women must face a harrowing the magic they seek comes at a cost. At the journey's end, they'll face an impossible choice—one that could tear apart everything they know… or bind them to each other forever.

Bram Stoker Award–nominee and USA Today bestseller Johanna van Veen unveils a sapphic folk-horror tour de force—perfect for fans of The VVitch and The Salt Grows Heavy. A skull's grin is eternal… The year is 1635. Sister Ursula, a young nun fleeing the ruins of her convent, and Elsebeth, a sharp-witted peasant, escape a band of marauding soldiers and disappear into the Bavarian forest. War scorches the land, and no one survives it alone. Amid the devastation, they find something in the arms of a dying the gilded skull of a saint. It is said that if you reunite the saint's skull with her body, a wish will be granted. Desperate for salvation, and each with secret desires of their own, Ursula and Elsebeth follow a ragged map across the blighted countryside. But darkness follows them. A necromancer, drawn to the relic's power. The saint herself, whispering at night. And as the lines between blessing and curse blur, the women must face a harrowing the magic they seek comes at a cost. At the journey's end, they'll face an impossible choice—one that could tear apart everything they know… or bind them to each other forever.

The apocalypse will be televised! A man. His ex-girlfriend's cat. A sadistic game show unlike anything in the universe: a dungeon crawl where survival depends on killing your prey in the most entertaining way possible. In a flash, every human-erected construction on Earth—from Buckingham Palace to the tiniest of sheds—collapses in a heap, sinking into the ground. The buildings and all the people inside have all been atomized and transformed into the dungeon: an 18-level labyrinth filled with traps, monsters, and loot. A dungeon so enormous, it circles the entire globe. Only a few dare venture inside. But once you're in, you can't get out. And what's worse, each level has a time limit. You have but days to find a staircase to the next level down, or it's game over. In this game, it's not about your strength or your dexterity. It's about your followers, your views. Your clout. It's about building an audience and killing those goblins with style. You can't just survive here. You gotta survive big. You gotta fight with vigor, with excitement. You gotta make them stand up and cheer. And if you do have that "it" factor, you may just find yourself with a following. That's the only way to truly survive in this game—with the help of the loot boxes dropped upon you by the generous benefactors watching from across the galaxy. They call it Dungeon Crawler World. But for Carl, it's anything but a game.

It is the middle of the summer, but there is an unseasonal mist pressing against the windowpanes. Harry Potter is waiting nervously in his bedroom at the Dursleys' house in Privet Drive for a visit from Professor Dumbledore himself. One of the last times he saw the Headmaster, he was in a fierce one-to-one duel with Lord Voldemort, and Harry can't quite believe that Professor Dumbledore will actually appear at the Dursleys' of all places. Why is the Professor coming to visit him now? What is it that cannot wait until Harry returns to Hogwarts in a few weeks' time? Harry's sixth year at Hogwarts has already got off to an unusual start, as the worlds of Muggle and magic start to intertwine...