A struggling student, a resident golden boy, and the curse that will bring them this queer, trans retelling is Hamlet as you’ve never read it before Exploring classism, identity, and the true meaning of revolution, this dark academia novel is perfect for fans of R. F. Kuang’s Babel and S. T. Gibson’s An Education in Malice The summer before his sophomore year, Horatio Bithersea walks into the university library to find Carson Hamlett, resident golden boy and master magician, cradling his father’s dead body. Life at Elsinore, one of the most prestigious universities in the secretive magical world, simply goes on when the professor’s death is ruled an accident—despite the mysterious circumstances and the bloody scene. A year later, Horatio is keeping his head down, attempting to graduate without his out-of-control magic harming his classmates. That changes when the ghost of Hamlett’s father appears and places a curse on Horatio and avenge his death by destroying Elsinore and its heart, lest the ghost robs them of their minds, memories, and their very souls.Elsinore has given Horatio everything—knowledge of his magical ability, an escape from his abusive family, and freedom to pursue his life as a transgender man—and now he’s to be its doom. As the two uncover more of Elsinore’s secrets Horatio finds himself becoming more and more ensnared in Hamlett’s dark but charismatic web. The question is not if Horatio will manage to destroy Elsinore. The question is if Hamlett will destroy him first.

Perfect for fans of All Out and Cemetery Boys, this anthology claims a seat at the table of fantasy literature for trans and gender nonconforming stories. Transness is as varied and colorful as magic can be. In Transmogrify!, you’ll embark on fourteen different adventures alongside unforgettable characters who embody many different genders and expressions and experiences—because magic is for everyone, and that is cause for celebration. Featuring stories from: AR Capetta and Cory McCarthy g. haron davis Mason Deaver Jonathan Lenore Kastin Emery Lee Saundra Mitchell Cam Montgomery Ash Nouveau Sonora Reyes Renee Reynolds Dove Salvatierra Ayida Shonibar Francesca Tacchi Nik Traxler

Kissen’s family were killed by zealots of a fire god. Now, she makes a living killing gods, and enjoys it. That is until she finds a god she cannot kill: Skedi, a god of white lies, has somehow bound himself to a young noble, and they are both on the run from unknown assassins. Joined by a disillusioned knight on a secret quest, they must travel to the ruined city of Blenraden, where the last of the wild gods reside, to each beg a favour. Pursued by demons, and in the midst of burgeoning civil war, they will all face a reckoning – something is rotting at the heart of their world, and only they can be the ones to stop it.

Long ago, following a cataclysm called “The Rupture,” the world was shattered into many floating celestial islands. Known now as Arks, each has developed in distinct ways; each seems to possess its own unique relationship to time, such that nowadays vastly different worlds exist, together but apart. And over all of the Arks the spirit of an omnipotent ancestor abides. Ophelia lives on Anima, an ark where objects have souls. Beneath her worn scarf and thick glasses, the young girl hides the ability to read and communicate with the souls of objects, and the power to travel through mirrors. Her peaceful existence on the Ark of Anima is disrupted when she is promised in marriage to Thorn, from the powerful Dragon clan. Ophelia must leave her family and follow her fiancée to the floating capital on the distant Ark of the Pole. Why has she been chosen? Why must she hide her true identity? Though she doesn’t know it yet, she has become a pawn in a deadly plot.

A reimagining of Dracula’s voyage to England, filled with Gothic imagery and queer desire. It’s an ordinary assignment, nothing more. The cargo? Fifty boxes filled with Transylvanian soil. The route? From Varna to Whitby. The Demeter has made many trips like this. The captain has handled dozens of crews. He dreams familiar dreams: to taste the salt on the skin of his men, to run his hands across their chests. He longs for the warmth of a lover he cannot have, fantasizes about flesh and frenzied embraces. All this he’s done before, it’s routine, a constant, like the tides. Yet there’s something different, something wrong. There are odd nightmares, unsettling omens and fear. For there is something in the air, something in the night, someone stalking the ship. The cult vampire novella by Mexican author José Luis Zárate is available for the first time in English. Translated by David Bowles and with an accompanying essay by noted horror author Poppy Z. Brite, it reveals an unknown corner of Latin American literature.

“Five of us sat in a circle doing our best to emulate the girls in The Craft, hoping to unleash some power to take us all away from our home to the place of our dreams. But we weren’t witches. We were five Chicanas living in San Antonio, Texas, one year out of high school.” One hot summer night, best friends Lourdes, Fernanda, Ana, Perla, and Pauline hold a séance. It’s all fun and games at first, but their tipsy laughter turns to terror when the flames burn straight through their prayer candles and Fernanda starts crawling toward her friends and chanting in Nahuatl, the language of their Aztec ancestors. Over the next few weeks, shy, modest Fernanda starts acting strangely—smearing herself in black makeup, shredding her hands on rose thorns, sucking sin out of the mouths of the guilty. The local priest is convinced it's a demon, but Lourdes begins to suspect it’s something else—something far more ancient and powerful. As Father Moreno's obsession with Fernanda grows, Lourdes enlists the help of her “bruja Craft crew” and a professor, Dr. Camacho, to understand what is happening to her friend in this unholy tale of possession-gone-right.

The apocalypse will be televised! A man. His ex-girlfriend's cat. A sadistic game show unlike anything in the universe: a dungeon crawl where survival depends on killing your prey in the most entertaining way possible. In a flash, every human-erected construction on Earth—from Buckingham Palace to the tiniest of sheds—collapses in a heap, sinking into the ground. The buildings and all the people inside have all been atomized and transformed into the dungeon: an 18-level labyrinth filled with traps, monsters, and loot. A dungeon so enormous, it circles the entire globe. Only a few dare venture inside. But once you're in, you can't get out. And what's worse, each level has a time limit. You have but days to find a staircase to the next level down, or it's game over. In this game, it's not about your strength or your dexterity. It's about your followers, your views. Your clout. It's about building an audience and killing those goblins with style. You can't just survive here. You gotta survive big. You gotta fight with vigor, with excitement. You gotta make them stand up and cheer. And if you do have that "it" factor, you may just find yourself with a following. That's the only way to truly survive in this game—with the help of the loot boxes dropped upon you by the generous benefactors watching from across the galaxy. They call it Dungeon Crawler World. But for Carl, it's anything but a game.

The Inheritance Games meets Ocean's Eleven in this cinematic heist thriller where a cutthroat competition brings together the world's best thieves and one thief is playing for the highest stakes of all: her mother's life. At only seventeen years old, Ross Quest is already a master thief, especially adept at escape plans. Until her plan to run away from her legendary family of thieves takes an unexpected turn, leaving her mother's life hanging in the balance. In a desperate bid, she enters the Thieves' Gambit, a series of dangerous, international heists where killing the competition isn't exactly off limits, but the grand prize is a wish for anything in the world--a wish that could save her mom. When she learns two of her competitors include her childhood nemesis and a handsome, smooth-talking guy who might also want to steal her heart, winning the Gambit becomes trickier than she imagined. Ross tries her best to stick to the family creed: trust no one whose last name isn't Quest. But with the stakes this high, Ross will have to decide who to con and who to trust before time runs out. After all, only one of them can win.

The circus arrives without warning. No announcements precede it. It is simply there, when yesterday it was not. Within the black-and-white striped canvas tents is an utterly unique experience full of breathtaking amazements. It is called Le Cirque des Rêves, and it is only open at night. But behind the scenes, a fierce competition is underway: a duel between two young magicians, Celia and Marco, who have been trained since childhood expressly for this purpose by their mercurial instructors. Unbeknownst to them, this is a game in which only one can be left standing, and the circus is but the stage for a remarkable battle of imagination and will. Despite themselves, however, Celia and Marco tumble headfirst into love - a deep, magical love that makes the lights flicker and the room grow warm whenever they so much as brush hands. True love or not, the game must play out, and the fates of everyone involved, from the cast of extraordinary circus per­formers to the patrons, hang in the balance, suspended as precariously as the daring acrobats overhead. Written in rich, seductive prose, this spell-casting novel is a feast for the senses and the heart.

Naomi Novik's Scholomance series meets Plain Bad Heroines in this sapphic dark academia fantasy by instant national and international bestselling author Emily Tesh, winner of the Hugo and World Fantasy Awards. "Look at you, eating magic like you're one of us." Doctor Walden is the Director of Magic at Chetwood Academy and one of the most powerful magicians in England. Her days consist of meetings, teaching A-Level Invocation to four talented, chaotic sixth formers, more meetings, and securing the school's boundaries from demonic incursions. Walden is good at her job―no, Walden is great at her job. But demons are masters of manipulation. It’s her responsibility to keep her school with its six hundred students and centuries-old legacy safe. And it’s possible the entity Walden most needs to keep her school safe from―is herself.

From Norman Bates dressed as "Mother" in Psycho to the rouged cheeks of Leatherface in The Texas Chainsaw Massacre, many slasher icons have borne traces of queer and gender nonconforming behavior since the genre's very beginning. Queer Slashers presents the first book-length study of how and why the slasher subgenre of horror films appeals to queer audiences. In it, Peter Marra constructs a reparative history of the slasher that affirms its queer lineage extending back as early as the 1920s. It also articulates the queer aspects of the slasher formula that forge an unlikely kinship between queer audiences and these retrograde depictions of queer killers. Marra establishes a queer history and function for the slasher, analyzing several key contemporary "queer slashers"–that is, slashers that are made by queer filmmakers–to better understand how queer artists take up the slasher iconography and put it toward modern queer aims. Featuring analysis of films such as John Waters's Serial Mom, Peaches Christ's All About Evil, and Stranger by the Lake, Queer Slashers illuminates the queer meanings of slashers, their foundations, and their future possibilities.

An antimeme is an idea with self-censoring properties; an idea which, by its intrinsic nature, discourages or prevents people from spreading it.Antimemes are real. Think of any piece of information which you wouldn't share with anybody, like passwords, taboos and dirty secrets. Or any piece of information which would be difficult to share even if you complex equations, very boring passages of text, large blocks of random numbers, and dreams... But anomalous antimemes are another matter entirely. How do you contain something you can't record or remember? How do you fight a war against an enemy with effortless, perfect camouflage, when you can never even know that you're at war? Welcome to the Antimemetics Division. No, this is not your first day.This ebook is an official release by me, qntm from the SCP Foundation wiki! PM me if you require confirmation. This ebook collects all of my Antimemetics Division SCP-055, SCP-2256 and the complete serials There Is No Antimemetics Division and Five Five Five Five Five.

'Drunk or sober, king or soldier, none will be excluded' Sensual, profound, delighted, wise, Hafez's poems have enchanted their readers for more than 600 years. One of the greatest figures of world literature, he remains today the most popular poet in modern Iran. Introducing Little Black Classics: 80 books for Penguin's 80th birthday. Little Black Classics celebrate the huge range and diversity of Penguin Classics, with books from around the world and across many centuries. They take us from a balloon ride over Victorian London to a garden of blossom in Japan, from Tierra del Fuego to 16th century California and the Russian steppe. Here are stories lyrical and savage; poems epic and intimate; essays satirical and inspirational; and ideas that have shaped the lives of millions. Rumi (1207-73). Rumi's Selected Poems is available in Penguin Classics.

First published in 1967 and re-issued in 1983, I Have No Mouth and I Must Scream contains seven stories with copyrights ranging from 1958 through 1967. This edition contains the original introduction by Theodore Sturgeon and the original foreword by Harlan Ellison, along with a brief update comment by Ellison that was added in the 1983 edition. Among Ellison's more famous stories, two consistently noted as among his very best ever are the title story and the volume's concluding one, Pretty Maggie Moneyeyes. Since Ellison himself strongly resists categorization of his work, we won't call them science fiction, or SF, or speculative fiction or horror or anything else except compelling reading experiences that are sui generis. They could only have been written by Harlan Ellison and they are incomparably original. CONTENTS "I Have No Mouth & I Must Scream" "Big Sam Was My Friend" "Eyes of Dust" "World of the Myth" "Lonelyache" "Delusion for Dragonslayer" "Pretty Maggie Moneyeyes"