Il romanzo di una generazione che sa di dover partire ignorando la destinazione. In un mondo governato dall’incertezza e da falsi idoli, una giovane donna viaggia tra la grande metropoli, il paesello d’origine sul mare, il Marocco fantastico di un padre adorato ma sfuggente. Mina ha trent’anni e conduce a Londra una vita costruita con grande attenzione e poca spontaneità, nel tentativo spasmodico di sentirsi finalmente “giusta”. Una sera riceve una telefonata da sua madre: il padre è morto. Mina torna a casa per i funerali, ma finisce per restare a lungo. Casa è la periferia di un paese sul mare in cui suo padre gestiva un piccolo bar sulla spiaggia frequentato per lo più da immigrati. Omar aveva cercato con quel bar di creare una piccola comunità per tutti coloro che non si sentivano accolti da quella nuova terra. In quello strano luogo dove nessuno sembra essere al suo posto, dove le persone troppo spesso appaiono come fantasmi che passano e svaniscono, Mina ritrova la famiglia, gli amici e soprattutto i ricordi del padre, questo mitico, inafferrabile, eterno migrante con un misterioso passato in Marocco. In quest’avventura sensuale ma a tratti quasi metafisica, Mina scoprirà che le radici sono solo un sogno sfuggente, un desiderio di ritrovarsi in una storia comune, in un affetto profondo che ci faccia dimenticare, almeno a tratti, la ferocia del mondo e le ferite dell’abbandono.

Throughout her life Sybil Van Antwerp has used letters to make sense of the world and her place in it. Most mornings around half past ten Sybil sits down to write letters—to her brother, to her best friend, to the president of the university who will not allow her to audit a class she desperately wants to take, to Joan Didion and Larry McMurtry to tell them what she thinks of their latest books, and to one person to whom she writes often yet never sends the letter. Sybil expects her world to go on as it always has. A mother, grandmother, wife, divorcée, distinguished lawyer, she has lived a full life. But when letters from someone in her past force her to examine one of the most painful periods of her life, she realizes the letter she has been writing over the years needs to be read and that she cannot move forward until she finds it in her heart to offer forgiveness.

From the renowned Palestinian scholar, a memoir of political and queer awakening, of impossible love amidst generations of displacement, and what it means to return home. Both a love story and a coming-of-age tale that spans countries and continents, Fire in Every Direction balances humor and loss, nostalgia and hope, as it takes us from the Middle East to London, and from 1948 to the present. Tareq Baconi crafts a deeply intimate, unforgettable portrait of how a political consciousness—desire and resistance—is passed down through generations. In 1948, Tareq’s grandmother, Eva, would flee Haifa as Zionist militias seized the city. In the late 1970s, she would flee Beirut with her daughter, Rima, as the country was in the throes of a civil war. In Amman, the family would eventually obtain the comfort of middle-class life—still, a young Tareq would feel by cultures of silence, by a sense of not belonging, by his own growing awareness that he is in love with his childhood best friend, Ramzi. After relocating to London for college, Tareq hopes to put aside his past, and begins to work through an understanding of self as a queer man. Yet as Operation Iraqi Freedom radicalizes young people around the world towards anti-war protest, history comes back to hushed whispers overheard, stories of his mother’s years as an activist in Beirut and her return to Palestine during a moment of peace. Living between the region and London, Tareq fits in neither and feels alienated from both. Queerness is policed back in Amman, just as his Palestinian-ness is abroad. These gradual estrangements escalate, forcing him to grapple with what it means to live in liminal spaces, and rethink the meaning of home. Eventually, tracing the journey of his family before him, Tareq returns to Palestine. This is an account of finding oneself through histories of dispossession and reclaiming what has been silenced.

John Milton's Paradise Lost is one of the greatest epic poems in the English language. It tells the story of the Fall of Man, a tale of immense drama and excitement, of rebellion and treachery, of innocence pitted against corruption, in which God and Satan fight a bitter battle for control of mankind's destiny. The struggle rages across three worlds - heaven, hell, and earth - as Satan and his band of rebel angels plot their revenge against God. At the center of the conflict are Adam and Eve, who are motivated by all too human temptations but whose ultimate downfall is unyielding love. Marked by Milton's characteristic erudition, Paradise Lost is a work epic both in scale and, notoriously, in ambition. For nearly 350 years, it has held generation upon generation of audiences in rapt attention, and its profound influence can be seen in almost every corner of Western culture.