An Observer 2025 most exciting debut. A BBC best novel for 2025. A polyphonic masterpiece: Sinéad Gleeson I couldn't put this book down: Sheena Patel Perfectly pitched, surefooted and charged with feeling: Colin Barrett

One winter morning, in contemporary Dublin, a middle-class woman wakes up next to her husband in her suburban home, and without conscious purpose, walks out the front door to begin a journey that ultimately leads to profound transfiguration. She travels first by car and then train to Rosslare, from where she takes a ferry to Fishguard in Wales. Along the way, she finds herself in service stations, shopping centres, train stations, ferry terminals; recalling her youth, earlier fantasies of suicide and reminiscing about those people who have come in and out of her life. Finally, 48 hours later, alone and isolated in a cottage in Wales, in a strange and eerie landscape, the woman reaches her nadir. Breakdown is a novel about the rage and reckoning of a middle aged, educated woman who has lived her life in accordance with the expectations of society.

Think The Handmaid's Tale but with the women in charge, set in a world where all men are electronically tagged and placed under strict curfew, and the murder investigation threatening to undo it all. Imagine a near-future Britain in which women dominate workplaces, public spaces, and government. Where the gender pay gap no longer exists and motherhood opens doors instead of closing them. Where women are no longer afraid to walk home alone, to cross a dark parking lot, or to catch the last train. Where all men are electronically tagged and not allowed out after 7 p.m. But the curfew hasn’t made life easy for everyone. Sarah is a single mother who happily rebuilt her life after her husband, Greg, was sent to prison for breaking curfew. Now he’s about to be released, and Sarah isn’t expecting a happy reunion, given that she’s the reason he was sent there. Her teenage daughter, Cass, hates living in a world that restricts boys like her best friend, Billy. Billy would never hurt anyone, and she’s determined to prove it. Somehow. Helen is a teacher at the local school. Secretly desperate for a baby, she’s applied for a cohab certificate with her boyfriend, Tom, and is terrified that they won’t get it. The last thing she wants is to have a baby on her own. These women don’t know it yet, but one of them is about to be violently murdered. Evidence will suggest that she died late at night and that she knew her attacker. It couldn’t have been a man because a CURFEW tag is a solid alibi. Isn’t it?

Think The Handmaid's Tale but with the women in charge, set in a world where all men are electronically tagged and placed under strict curfew, and the murder investigation threatening to undo it all. Imagine a near-future Britain in which women dominate workplaces, public spaces, and government. Where the gender pay gap no longer exists and motherhood opens doors instead of closing them. Where women are no longer afraid to walk home alone, to cross a dark parking lot, or to catch the last train. Where all men are electronically tagged and not allowed out after 7 p.m. But the curfew hasn’t made life easy for everyone. Sarah is a single mother who happily rebuilt her life after her husband, Greg, was sent to prison for breaking curfew. Now he’s about to be released, and Sarah isn’t expecting a happy reunion, given that she’s the reason he was sent there. Her teenage daughter, Cass, hates living in a world that restricts boys like her best friend, Billy. Billy would never hurt anyone, and she’s determined to prove it. Somehow. Helen is a teacher at the local school. Secretly desperate for a baby, she’s applied for a cohab certificate with her boyfriend, Tom, and is terrified that they won’t get it. The last thing she wants is to have a baby on her own. These women don’t know it yet, but one of them is about to be violently murdered. Evidence will suggest that she died late at night and that she knew her attacker. It couldn’t have been a man because a CURFEW tag is a solid alibi. Isn’t it?

Dreißig Jahre hat Hüseyin in Deutschland gearbeitet, nun erfüllt er sich endlich seinen Traum: eine Eigentumswohnung in Istanbul. Nur um am Tag des Einzugs an einem Herzinfarkt zu sterben. Zur Beerdigung reist ihm seine Familie aus Deutschland nach. Fatma Aydemirs großer Gesellschaftsroman erzählt von sechs grundverschiedene Menschen, die zufällig miteinander verwandt sind. Alle haben sie ihr eigenes Gepäck dabei: Geheimnisse, Wünsche, Wunden. Was sie jedoch vereint: das Gefühl, dass sie in Hüseyins Wohnung jemand beobachtet. Voller Wucht und Schönheit fragt „Dschinns“ nach dem Gebilde Familie, den Blick tief hineingerichtet in die Geschichte der vergangenen Jahrzehnte und weit voraus.

In this bold and provocative exploration of modern motherhood, three women cross paths on the road to self-discovery, grappling with the uncertainty of whether they can accept what they find. Gwen Fisher is suffering from postpartum stress. Angeni Luna is thriving in her social media enterprise. Sasha Robinson is grieving over the loss of her sister. All three are looking for something they can’t quite connection, validation, closure…any sign that they’re doing something right. They just might find it on Bainbridge Island. There, Angeni runs her “momfluencer” commune with its focus on staying present through all the noise. She has plenty of her own that she’s learned to quiet down over the years. Now she’s offering that same peace to anyone in search of it. And maybe that’s what Gwen and Sasha need. Peace. But how do you get something from someone who hasn’t truly given it to themselves? As they begin tapping into the truth of who they really are, they’ll discover what that means to the people who know and love them—and to those who only think they do…