The apocalypse will be televised! A man. His ex-girlfriend's cat. A sadistic game show unlike anything in the universe: a dungeon crawl where survival depends on killing your prey in the most entertaining way possible. In a flash, every human-erected construction on Earth—from Buckingham Palace to the tiniest of sheds—collapses in a heap, sinking into the ground. The buildings and all the people inside have all been atomized and transformed into the dungeon: an 18-level labyrinth filled with traps, monsters, and loot. A dungeon so enormous, it circles the entire globe. Only a few dare venture inside. But once you're in, you can't get out. And what's worse, each level has a time limit. You have but days to find a staircase to the next level down, or it's game over. In this game, it's not about your strength or your dexterity. It's about your followers, your views. Your clout. It's about building an audience and killing those goblins with style. You can't just survive here. You gotta survive big. You gotta fight with vigor, with excitement. You gotta make them stand up and cheer. And if you do have that "it" factor, you may just find yourself with a following. That's the only way to truly survive in this game—with the help of the loot boxes dropped upon you by the generous benefactors watching from across the galaxy. They call it Dungeon Crawler World. But for Carl, it's anything but a game.

From the award-winning author of Goodbye, Vitamin: How far would you go to shape your own destiny? An exhilarating novel of American identity that spans three generations in one family, and asks: What makes us who we are? And how inevitable are our futures? Real Americans begins on the precipice of Y2K in New York City, when twenty-two-year-old Lily Chen, an unpaid intern at a slick media company, meets Matthew. Matthew is everything Lily is not: easygoing and effortlessly attractive, a native East Coaster and, most notably, heir to a vast pharmaceutical empire. Lily couldn't be more different: flat-broke, raised in Tampa, the only child of scientists who fled Mao’s Cultural Revolution. Despite all this, Lily and Matthew fall in love. In 2021, fifteen-year-old Nick Chen has never felt like he belonged on the isolated Washington island where he lives with his single mother, Lily. He can't shake the sense she's hiding something. When Nick sets out to find his biological father, the journey threatens to raise more questions than answers. In immersive, moving prose, Rachel Khong weaves a profound tale of class and striving, race and visibility, and family and inheritance—a story of trust, forgiveness, and finally coming home. Exuberant and explosive, Real Americans is a social novel par excellence that asks: Are we destined, or made, and if so, who gets to do the making? Can our genetic past be overcome?

The apocalypse will be televised! A man. His ex-girlfriend's cat. A sadistic game show unlike anything in the universe: a dungeon crawl where survival depends on killing your prey in the most entertaining way possible. In a flash, every human-erected construction on Earth—from Buckingham Palace to the tiniest of sheds—collapses in a heap, sinking into the ground. The buildings and all the people inside have all been atomized and transformed into the dungeon: an 18-level labyrinth filled with traps, monsters, and loot. A dungeon so enormous, it circles the entire globe. Only a few dare venture inside. But once you're in, you can't get out. And what's worse, each level has a time limit. You have but days to find a staircase to the next level down, or it's game over. In this game, it's not about your strength or your dexterity. It's about your followers, your views. Your clout. It's about building an audience and killing those goblins with style. You can't just survive here. You gotta survive big. You gotta fight with vigor, with excitement. You gotta make them stand up and cheer. And if you do have that "it" factor, you may just find yourself with a following. That's the only way to truly survive in this game—with the help of the loot boxes dropped upon you by the generous benefactors watching from across the galaxy. They call it Dungeon Crawler World. But for Carl, it's anything but a game.

An arresting collection of short stories, reminiscent of Shirley Jackson and Julio Cortazar, by an exciting new international talent. Macabre, disturbing and exhilarating, Things We Lost in the Fire is a collection of twelve short stories that use fear and horror to explore multiple dimensions of life in contemporary Argentina. From women who set themselves on fire in protest of domestic violence to angst-ridden teenage girls, friends until death do they part, to street kids and social workers, young women bored of their husbands or boyfriends, to a nine-year-old serial killer of babies and a girl who pulls out her nails and eyelids in the classroom, to hikikomori, abandoned houses, black magic, northern Argentinean superstition, disappearances, crushes, heartbreak, regret and compassion. This is a strange, surreal and unforgettable collection by an astonishing new talent asking vital questions of the world as we know it.

Jonathan Franzen's gift for wedding depth and vividness of character with breadth of social vision has never been more dazzlingly evident than in Crossroads. It's December 23, 1971, and heavy weather is forecast for Chicago. Russ Hildebrandt, the associate pastor of a liberal suburban church, is on the brink of breaking free of a marriage he finds joyless--unless his wife, Marion, who has her own secret life, beats him to it. Their eldest child, Clem, is coming home from college on fire with moral absolutism, having taken an action that will shatter his father. Clem's sister, Becky, long the social queen of her high-school class, has sharply veered into the counterculture, while their brilliant younger brother Perry, who's been selling drugs to seventh graders, has resolved to be a better person. Each of the Hildebrandts seeks a freedom that each of the others threatens to complicate. Jonathan Franzen's novels are celebrated for their unforgettably vivid characters and for their keen-eyed take on contemporary America. Now, in Crossroads, Franzen ventures back into the past and explores the history of two generations. With characteristic humor and complexity, and with even greater warmth, he conjures a world that resonates powerfully with our own. A tour de force of interwoven perspectives and sustained suspense, its action largely unfolding on a single winter day, Crossroads is the story of a Midwestern family at a pivotal moment of moral crisis. Jonathan Franzen's gift for melding the small picture and the big picture has never been more dazzlingly evident.

Claire Keegan's piercing contemporary classic Foster is a heartbreaking story of childhood, loss, and love; now released as a standalone book for the first time ever in the US It is a hot summer in rural Ireland. A child is taken by her father to live with relatives on a farm, not knowing when or if she will be brought home again. In the Kinsellas' house, she finds an affection and warmth she has not known and slowly, in their care, begins to blossom. But there is something unspoken in this new household--where everything is so well tended to--and this summer must soon come to an end. A story of astonishing emotional depth now expanded and newly revised in a standalone edition, Foster showcases Claire Keegan's great talent and cements her reputation as one of our most important and prodigious storytellers.

An arresting collection of short stories, reminiscent of Shirley Jackson and Julio Cortazar, by an exciting new international talent. Macabre, disturbing and exhilarating, Things We Lost in the Fire is a collection of twelve short stories that use fear and horror to explore multiple dimensions of life in contemporary Argentina. From women who set themselves on fire in protest of domestic violence to angst-ridden teenage girls, friends until death do they part, to street kids and social workers, young women bored of their husbands or boyfriends, to a nine-year-old serial killer of babies and a girl who pulls out her nails and eyelids in the classroom, to hikikomori, abandoned houses, black magic, northern Argentinean superstition, disappearances, crushes, heartbreak, regret and compassion. This is a strange, surreal and unforgettable collection by an astonishing new talent asking vital questions of the world as we know it.

In this wrenching, darkly funny memoir, a young Indian American woman’s quest for mental health is derailed by a charismatic alternative therapist who pulls her into his Mormon self-help cult. It is hard for Veena Dinavahi to live while her classmates keep dying. The high-achieving daughter of loving Indian immigrants, she lives in a white American suburb like any other—except for its unusually high suicide rate. Veena tries everything to cure her own depression, but nothing works. Then, on one late-night Google search, her mom finds Bob Lyon—a sixty-year-old man in the backwoods of Georgia who says he can make Veena want to live again. He calls himself “The True Happiness Company” and, as their relationship progresses . . . “Daddy.” As Veena is sucked into his strangely close-knit community, Bob’s “suggestions” start to feel less and less optional. Before she knows it, she’s a college dropout, a married mother of three, and a Mormon convert who has gotten way too good at dismissing her gut feeling that something is wrong. But when Bob finally pushes her too far, Veena knows she has to cut ties with him. Driven to understand her journey, she re-enrolls in college, studies psychology, and begins to understand that true happiness cannot be one-size-fits-all. Told with unflinching clarity and shot through with incisive wit, The True Happiness Company is a singular tale of learning to trust your intuition in a world determined to annihilate it.

Maid meets Under the Tuscan Sun in this inspiring memoir about a writer and mother who flees an abusive marriage and must learn to reclaim the story of her life through a search for home, purpose, and community on Ireland’s wild, western coast.At twenty-four, Betsy Cornwell runs away to Ireland. Leaving behind a painful past and chasing her lifelong dream of becoming a novelist, she finds a fresh start on the misty shores of the Aran Islands. Amid the beauty of the Irish countryside, her life takes on the glow of a fairy tale when she meets a charming horse trainer and elopes to Gretna Green. Five years later, her happy ending has twisted into a nightmare and Betsy finds herself trapped in an abusive marriage, isolated and afraid with a newborn baby. On her son’s first birthday, she runs away, turning to the women around her—her local domestic violence group, a trusted family friend, and an online Smith College alumnae network—for help she’d never known she could ask for. After a brush with homelessness, she struggles to scrape together a living for herself and her son, while her ex’s continuing harassment and threats of deportation keep her at risk of permanent separation from her child. On sleepless nights, she scrolls through real estate listings that might as well be castles in the air, and starts to foster an impossible What if she could use her writing to buy a home of her own, one that no one could take away from her and her baby? One that might become a haven, not just for her family, but other single parent artists and writers, too? When she discovers a historic knitting factory and former cinema on Ireland’s rugged Connemara coastline, left empty and crumbling for years, that precarious dream becomes her she spends the next two years working to crowdfund the old knitting factory’s purchase by sharing its story and her own with her growing online community. But as the deadline to buy nears, she realizes she will have to reckon with everything she believes about family, survival, and what happily-ever-after truly means for her dream to have any chance of coming true. Ring of Salt combines a powerful and all-too-relatable narrative of survivorship and healing with lush writing about the wild landscapes and rich mythology of rural Ireland to craft a real-world fairy tale about ordinary, but no less life-changing, magic we can all vulnerability, community, and the power of telling your own story.

Before the nightmare, Yeong-hye and her husband lived an ordinary life. But when splintering, blood-soaked images start haunting her thoughts, Yeong-hye decides to purge her mind and renounce eating meat. In a country where societal mores are strictly obeyed, Yeong-hye's decision to embrace a more “plant-like” existence is a shocking act of subversion. And as her passive rebellion manifests in ever more extreme and frightening forms, scandal, abuse, and estrangement begin to send Yeong-hye spiraling deep into the spaces of her fantasy. In a complete metamorphosis of both mind and body, her now dangerous endeavor will take Yeong-hye—impossibly, ecstatically, tragically—far from her once-known self altogether.

A gutsy, riveting memoir that intimately explores suicide, its legacy in families, and the often cyclical, crooked path of recovery. Why do so many people choose death—and take their lives by their own hands? How could anyone ever begin to understand what it feels like to want to die? After a decade of therapy and a stint in a psychiatric ward to treat suicidal depression, Arianna Rebolini was “better.” She’d published her first book, enjoyed an influential, rewarding publishing job, and celebrated the birth of her first child. Yet the pull of suicide was still there. One night, during bath time, as her young son Theo lined the tub with toy cars, she began calculating how many pills she’d have to down to effectively end her life. In Better, Arianna interweaves the story of her monthlong period of crisis with decades of personal and family history, from her first cry-for-help in the fourth grade with a plastic knife to her fears of passing down the dark seed of suicide to her own son and her brother’s life-threatening affliction. To understand this dark desire, Arianna pored over the journals, memoirs, and writings of famous suicides, and eventually developed theories on what makes a person suicidal. Her curiosity was driven by the morbid, impossible need to understand what happens in the fatal moment between wanting to kill oneself and doing it—or, unthinkably, the moment between regretting the action and realizing it can’t be undone. Then her own brother became institutionalized, and Arianna realized that all of the patterns and trenchant insights could not crack the shell of his annihilating depression. A harrowing intellectual and emotional odyssey marked by remarkable clarity and compassion, Better is a tour through the seductive darkness of death and a life-affirming memoir. Arianna touches on suicide’s public fallout and its intensely private origins as she searches for answers to the profound how do we get better for good?

After the fall of Troy, an eleven-year-old boy sets off for the razed city once his father and sister fail to return home; an extraordinary, intimate retelling of a familiar legend, for lovers of Circe. His family farm and the surrounding community now emptied by war, young Hani embarks on an epic quest – assisted by a brooding yet brilliant donkey – to find his lost sister in the ruins of Troy. Some war stories transcend time and circumstance, and so it is with the resourceful and heartbroken Hani, who must employ every bit of intelligence, every scrap of ingenuity, and ultimately every ounce of his spirit and humor to withstand the forces of civilization’s collapse. Hani is no ordinary boy, however, and a character unlike any you’ve ever met. His interior world is one of startling depth and complexity. His insights into life, lives, and history are breathtakingly fresh. And his hope for survival--not a given, and in fact, less than likely--will propel you to the startling conclusion of this brief, elegiac, and singular work.

A phenomenal novel of resilience and survival from bestselling author of The Tattooist of Auschwitz, Heather Morris. In the midst of World War II, an English musician, Norah Chambers, places her eight-year-old daughter Sally on a ship leaving Singapore, desperate to keep her safe from the Japanese army as they move down through the Pacific. Norah remains to care for her husband and elderly parents, knowing she may never see her child again. Sister Nesta James, a Welsh Australian nurse, has enlisted to tend to Allied troops. But as Singapore falls to the Japanese she joins the terrified cargo of people, including the heartbroken Norah, crammed aboard the Vyner Brooke merchant ship. Only two days later, they are bombarded from the air off the coast of Indonesia, and in a matter of hours, the Vyner Brooke lies broken on the seabed. After surviving a brutal 24 hours in the sea, Nesta and Norah reach the beaches of a remote island, only to be captured by the Japanese and held in one of their notorious POW camps. The camps are places of starvation and brutality, where disease runs rampant. Sisters in arms, Norah and Nesta fight side by side every day, helping whoever they can, and discovering in themselves and each other extraordinary reserves of courage, resourcefulness and determination. Sisters under the Rising Sun is a story of women in war: a novel of sisterhood, bravery and friendship in the darkest of circumstances, from the multimillion-copy bestselling author of The Tattooist of Auschwitz, Cilka's Journey and Three Sisters.

Set in the contemporary Paris of American  expatraites, liasons, and violence, a young man finds  himself caught between desire and conventional  morality. James Baldwin's brilliant narrative delves  into the mystery of loving with a sharp, probing  imagination, and he creates a moving, highly  controversial story of death and passion that reveals the  unspoken complexities of the heart.