“A scorchingly brilliant, wildly funny, and deeply moving epic.” —John Green, #1 globally bestselling author of The Fault in Our Stars Two unlikely heroes embark on quests to win God’s favor in this outrageously entertaining, profoundly heartfelt novel that announces an ingenious new voice in the tradition of Chain-Gang All-Stars, No One Is Talking About This, and Martyr! Yara can’t comprehend why God has chosen them to slay Dominic, the ruthless leader of the army of Bad Guys. Cast out by their family and reeling from a destructive relationship, Yara has never felt weaker—but with nothing left to lose, they strike a deal. Abandoning their solitary days of embroidery and obsessive cleaning, Yara reluctantly embarks on a perilous odyssey designed to prepare them for the daunting mission ahead. Meanwhile, Adrena, a disillusioned prophet with a terrifying secret power, is determined to become the hero of this story. Desperately seeking the glory of God’s approval and the promise of heaven, where she hopes to reunite with her beloved mother, Adrena must first persuade Harpo, the leader of the Good Guys, that her plan is God’s will. As their journeys unfold in a series of unforgettable adventures, Yara and Adrena are propelled toward each other and transformative revelations about life, death, and destiny in this intensely captivating, irreverent epic from a singularly brilliant new voice in fiction.

“A scorchingly brilliant, wildly funny, and deeply moving epic.” —John Green, #1 globally bestselling author of The Fault in Our Stars Two unlikely heroes embark on quests to win God’s favor in this outrageously entertaining, profoundly heartfelt novel that announces an ingenious new voice in the tradition of Chain-Gang All-Stars, No One Is Talking About This, and Martyr! Yara can’t comprehend why God has chosen them to slay Dominic, the ruthless leader of the army of Bad Guys. Cast out by their family and reeling from a destructive relationship, Yara has never felt weaker—but with nothing left to lose, they strike a deal. Abandoning their solitary days of embroidery and obsessive cleaning, Yara reluctantly embarks on a perilous odyssey designed to prepare them for the daunting mission ahead. Meanwhile, Adrena, a disillusioned prophet with a terrifying secret power, is determined to become the hero of this story. Desperately seeking the glory of God’s approval and the promise of heaven, where she hopes to reunite with her beloved mother, Adrena must first persuade Harpo, the leader of the Good Guys, that her plan is God’s will. As their journeys unfold in a series of unforgettable adventures, Yara and Adrena are propelled toward each other and transformative revelations about life, death, and destiny in this intensely captivating, irreverent epic from a singularly brilliant new voice in fiction.

Growing up in a New Jersey factory town in the 1980s, Daisy Hernández believed that her aunt had become deathly ill from eating an apple. No one in her family, in either the United States or Colombia, spoke of infectious diseases, and even into her thirties, she only knew that her aunt had died of a rare illness called Chagas. But as Hernández dug deeper, she discovered that Chagas—or the kissing bug disease—is more prevalent in the United States than the Zika virus. Today, more than three hundred thousand Americans have Chagas. Why do some infectious diseases make headlines and others fall by the wayside? After her aunt’s death, Hernández begins searching for answers about who our nation chooses to take care of and who we ignore. Crisscrossing the country, she interviews patients, epidemiologists, and even veterinarians with the Department of Defense. She learns that outside of Latin America, the United States is the only country with the native insects—the “kissing bugs”—that carry the Chagas parasite. She spends a night in southwest Texas hunting the dreaded bug with university researchers. She also gets to know patients, like a mother whose premature baby was born infected with the parasite, his heart already damaged. And she meets one cardiologist battling the disease in Los Angeles County with local volunteers.  The Kissing Bug tells the story of how poverty, racism, and public policies have conspired to keep this disease hidden—and how the disease intersects with Hernández’s own identity as a niece, sister, and daughter; a queer woman; a writer and researcher; and a citizen of a country that is only beginning to address the harms caused by Chagas, and the dangers it poses. A riveting and nuanced investigation into racial politics and for-profit healthcare in the United States, The Kissing Bug reveals the intimate history of a marginalized disease and connects us to the lives at the center of it all. 

“One of the finest writers of the new non-fiction” (Harper’s Bazaar) explores the role of art in the tumultuous twenty-first century. In the age of Trump and Brexit, every crisis is instantly overridden by the next. The turbulent political weather of the twenty-first century generates anxiety and makes it difficult to know how to react. Olivia Laing makes a brilliant, inspiring case for why art matters more than ever, as a force of both resistance and repair. Art, she argues, changes how we see the world. It gives us X-ray vision. It reveals inequalities and offers fertile new ways of living. Funny Weather brings together a career’s worth of Laing’s writing about art and culture, and their role in our political and emotional lives. She profiles Jean-Michel Basquiat and Georgia O’Keeffe, interviews Hilary Mantel and Ali Smith, writes love letters to David Bowie and Wolfgang Tillmans, and explores loneliness and technology, women and alcohol, sex and the body. With characteristic originality and compassion, Funny Weather celebrates art as an antidote to a terrifying political moment.

Nothing interferes with Shane Hollander’s game—definitely not the sexy rival he loves to hate. Pro hockey star Shane Hollander isn’t just crazy talented, he’s got a spotless reputation. Hockey is his life. Now that he’s captain of the Montreal Voyageurs, he won’t let anything jeopardize that, especially the sexy Russian whose hard body keeps him awake at night. Boston Bears captain Ilya Rozanov is everything Shane’s not. The self-proclaimed king of the ice, he’s as cocky as he is talented. No one can beat him—except Shane. They’ve made a career on their legendary rivalry, but when the skates come off, the heat between them is undeniable. When Ilya realizes he wants more than a few secret hookups, he knows he must walk away. The risk is too great. As their attraction intensifies, they struggle to keep their relationship out of the public eye. If the truth comes out, it could ruin them both. But when their need for each other rivals their ambition on the ice, secrecy is no longer an option…

A landmark graphic novel debut and groundbreaking work of trauma recollection told in the style of post-war children’s comics. “If an exorcism can ever be slow and quiet, then every panel I’ve finished has felt something like an exorcism. The gutters give me space to make sense of things: to connect dots and close gaps. To remember.” Kayla E.’s Precious Rubbish is an experimental graphic memoir drawn in a style that references the aesthetics of mid-century children’s comics and tells the story of a childhood shaped by maternal emotional dysregulation, rural poverty, and incest. The author’s childhood is portrayed as a collection of short-form comics and gag panels punctuated by interactive elements like paper dolls, satirical advertisements, games, and puzzles. While the work is concerned with violence and a particularly Texan brand of Pentecostal fanaticism, it is presented in a playful visual language with a deadpan humor that elevates the material beyond mere graphic memoir. Precious Rubbish is a landmark work of comics storytelling and graphic medicine. The debut graphic novel from artist Kayla E., Precious Rubbish asks the reader to do the extratextual work of filling out narrative gaps, which mirrors the challenge of trauma recollection. The reader is invited to co-labor in the meaning-making process, an exercise that facilitates an intimacy (between the author, the subject, and the reader) that is at once horrifying and hilarious.

A landmark graphic novel debut and groundbreaking work of trauma recollection told in the style of post-war children’s comics. “If an exorcism can ever be slow and quiet, then every panel I’ve finished has felt something like an exorcism. The gutters give me space to make sense of things: to connect dots and close gaps. To remember.” Kayla E.’s Precious Rubbish is an experimental graphic memoir drawn in a style that references the aesthetics of mid-century children’s comics and tells the story of a childhood shaped by maternal emotional dysregulation, rural poverty, and incest. The author’s childhood is portrayed as a collection of short-form comics and gag panels punctuated by interactive elements like paper dolls, satirical advertisements, games, and puzzles. While the work is concerned with violence and a particularly Texan brand of Pentecostal fanaticism, it is presented in a playful visual language with a deadpan humor that elevates the material beyond mere graphic memoir. Precious Rubbish is a landmark work of comics storytelling and graphic medicine. The debut graphic novel from artist Kayla E., Precious Rubbish asks the reader to do the extratextual work of filling out narrative gaps, which mirrors the challenge of trauma recollection. The reader is invited to co-labor in the meaning-making process, an exercise that facilitates an intimacy (between the author, the subject, and the reader) that is at once horrifying and hilarious.

HAMMAJANG | adjective. Definition: In a disorderly or chaotic state; messed up. Chiefly in predicative use, esp. in all hammajang. Etymology: A borrowing from Hawaiian Pidgin. Source: Oxford English Dictionary. Edie is done with crime. Eight years behind bars changes a person - costs them too much time with too many of the people who need them most. And it's all Angel's fault. She sold Edie out in what should have been the greatest moment of their lives. Instead, Edie was shipped off to the icy prison planet spinning far below the soaring skybridges and neon catacombs of Kepler space station - of home - to spend the best part of a decade alone. But then a chance for early parole appears out of nowhere and Edie steps into the pallid sunlight to find none other than Angel waiting - and she has an offer. One last job. One last deal. One last target. The trillionaire tech god they failed to bring down last time. There's just one thing Edie needs to do - trust Angel again - which also happens to be the last thing Edie wants to do. What could possibly go all hammajang about this plan? Ocean's 8 meets Blade Runner in this trail-blazing debut science fiction novel and swashbuckling love letter to Hawai'i about being forced to find a new home and striving to build a better one - unmissable for fans of Gideon the Ninth by Tamsyn Muir and Six of Crows by Leigh Bardugo.