Tsukiko is drinking alone in her local sake bar when by chance she meets one of her old high school teachers and, unable to remember his name, she falls back into her old habit of calling him 'Sensei'. After this first encounter, Tsukiko and Sensei continue to meet. Together, they share edamame beans, bottles of cold beer, and a trip to the mountains to eat wild mushrooms. As their friendship deepens, Tsukiko comes to realise that the solace she has found with Sensei might be something more.

From Giller Prize and O. Henry Award winner Souvankham Thammavongsa comes a revelatory novel about loneliness, love, labor, and class, an intimate and sharply written book following a nail salon owner as she toils away for the privileged clients who don't even know her true name.“IliveinaworldofSusans.Igotnametagsforeveryonewhoworksatthisnailsalon,andoneveryoneisprintedthename "Susan." Ning is a retired boxer, but to the customers who visit her nail salon, she is just another worker named Susan. On this summer's day, much like any other, the Susans buff and clip and polish and tweeze. They listen and smile and nod. But beneath this superficial veneer, Ning is a woman of rigorous intellect and profound complexity. A woman enthralled by the intricacy and rhythms of her work, but also haunted by memories of paths not taken and opportunities lost. A woman navigating the complex power dynamics among her fellow Susans, whose greatest fears and desires lie just behind the gossip they exchange. As the day's work grinds on, the friction between Ning's two identities—as anonymous manicurist and brilliant observer of her own circumstances—will gather electric and crackling force, and at last demand a reckoning with the way the world of privilege looks at a woman like Ning. Told over a single day with razor-sharp precision and wit, Pick a Color confirms Souvankham Thammavongsa's place as literature's premier chronicler of the immigrant experience, in its myriad, complex, and slyly subversive forms.

Emily Austin, the bestselling “queen of darkly quirky, endearingly flawed heroines” (Sarah Haywood, author of The Cactus), returns with a luminous new novel following a librarian who comes back to work after a mental breakdown only to confront book-banning crusaders in an empowering story of grief, love, and the power of libraries. Darcy’s life turned out better than she could have ever imagined. She is a librarian at the local branch, while her wife Joy runs a book binding service. Between the two of them, there is no more room on their shelves with their ample book collections, various knickknacks and bobbles, and dried bouquets. Rounding out their ideal life is two cats and a sun-soaked house by the lake. But when Darcy receives the news that her ex-boyfriend, Ben, has passed away, she spirals into a pit of guilt and regret, resulting in a mental breakdown and medical leave from the library. When she returns to work, she is met by unrest in her community, and protests surrounding intellectual freedom, resulting in a call for book bans and a second look at the branch’s upcoming DEI programs. Through the support of her community, colleagues, and the personal growth that results from examining her previous relationships, Darcy comes into her own agency and the truest version of herself. Is This a Cry for Help? not only offers a moving portrait of queer life after coming of age but also powerfully explores questions about sexuality, community, and the importance of libraries.

Selected as an Evening Standard 'one to watch in 2023' It's the early 1990s, and in the Irish village of Crossmore, Lucy feels out of place. Despite her fierce friendships, she's always felt this way, and the conventional path of marriage and motherhood doesn't appeal to her at all. Not even with handsome and doting Martin, her closest childhood friend. Lucy begins to make sense of herself during a long hot summer, when a spark with her school friend Susannah escalates to an all-consuming infatuation, and, very quickly, to a desperate and devastating love. Fearful of rejection from her small and conservative community, Lucy begins living a double life, hiding the most honest parts of herself in stolen moments with Susannah. But with the end of school and the opportunity to leave Crossmore looming, Lucy must choose between two places, two people and two futures, each as terrifying as the other. But only one can offer her real happiness. Sunburn is an astute and tender portrayal of first love, adolescent anxiety and the realities of growing up in a small town where tradition holds people tightly in its grasp.

A creeping story of sapphic obsession with Gothic undertones and a delicious mid-century feel, from the author of the Polari Prize-shortlisted Sunburn. January 1965. The orphaned O'Leary siblings - Tom, Jack, Anna and Peggy - arrive in the village of Ballycrea, tight-lipped about their troubled past and desperate for a fresh start. After being met with suspicion from most of the locals, the family are thrilled when they're taken under the wing of their well-respected neighbours, Bill and Betty Nevan, who offer them work, companionship and an opportunity to fit in. But for one of the O'Learys, this new friendship sparks an intense attachment that makes the dynamic dangerous for all. It's difficult to bury secrets, but almost impossible to bury feelings... Crackling with suspense, Heap Earth Upon It revisits the rural Ireland of Howarth's critically acclaimed debut and delves into claustrophobic relationships and tangled identities, leaving you wondering who to trust until the very last page. It combines the emotional intensity and slow-burn sapphic obsession of Julia Armfield's Our Wives Under the Sea and K. Patrick's Mrs S. with the unsettling gothic undertones of Daphne du Maurier's Rebecca and Shirley Jackson's fiction. 'A tense and claustrophobic novel with gothic atmosphere which seeps into your bones like fog... A brutal exploration of the corrosive impact of shame and secrecy. Howarth knows her sapphic yearning!' RACHEL DAWSON, author of Neon Roses 'Dark, passionate and poised. A remarkable story of the way rural Ireland haunts and is haunted. Intense and thrilling' SOULA EMMANUEL, author of Wild Geese ** READERS LOVE SUNBURN ** ‘Achingly beautiful, almost lyrical… This was both sweet and heartbreaking – I couldn’t put it down’ 5-star Reader Review ‘An addictive, honey-dipped queer love story’ 5-star Reader Review ‘Ever since I read this, I simply CANNOT stop thinking about it’ 5-star Reader Review ‘Completely heart-wrenching, devastating, all-consuming… Spectacular’ 5-star Reader Review

Parents should pass down stories, not spirits… Avery and Carlos Tam have built their lives on logic, not legends. Carlos, the host of a hit reality show that exposes paranormal hoaxes, has made a name disproving the supernatural. But when they travel to his ancestral home in the Philippines, darkness clings to every corner. The mirrors are shrouded. The housekeeper won't stay in the house alone. And no one will speak of the tragedies the family has seen. Then a brutal car crash leaves Carlos trapped in his own body—silent, helpless, and utterly vulnerable. As Avery tends to him, the house begins to stir. It watches. It listens. And it speaks—in a voice only Carlos can hear—offering a twisted kind of comfort. And as the lies buried by Carlos and his family begin to surface, Avery must confront the if the past won't rest, their future may never begin. Some inherit memories. Others inherit monsters.

From the author and translator of the National Book Award finalist and Booker Prize shortlisted Cursed Bunny, comes a new novel-in-ghost-stories, set in a mysterious research center that houses cursed objects, where those who open the wrong door might find it’s disappeared behind them, or that the echoing footsteps they’re running from are their own… The acclaimed Korean horror and sci-fi writer’s goosebump-inducing new book follows an employee on the night shift at the Institute. They soon learn why some employees don't last long at the center. The handkerchief in Room 302 once belonged to the late mother of two sons, whose rivalry imbues the handkerchief with undue power and unravels those around it. The cursed sneaker down the hall is stolen by a live-streaming, ghost-chasing employee, who later finds he can’t escape its tread. A cat in Room 206 reveals the crimes of its former family, trying to understand its own path to the Institute’s halls. But Chung's haunted institute isn't just a chilling place to play. As in her astounding collections Cursed Bunny and Your Utopia, these violent allegories take on the horrors of animal testing, conversion therapy, domestic abuse, and late-stage capitalism. Equal parts bone-chilling, wryly funny, and deeply political, Midnight Timetable is a masterful work of literary horror from one of our time's greatest imaginations.

From the author of the acclaimed Cherry Beach comes a thrilling exploration of love and desire — obsessive, all-consuming, and impossible to look away from. On an ordinary day, two women meet on a train. Heloise — the older woman — lives with her boyfriend in Melbourne. Lacey — the other woman — is from Aotearoa and studies the clouds. What follows is anything but ordinary, a passionate affair that will consume them both in mismatched and maddening ways. Propulsive and lyrical, Worry Doll examines desire, memory, and the delusion of love.

Emily Austin, the bestselling “queen of darkly quirky, endearingly flawed heroines” (Sarah Haywood, author of The Cactus), returns with a luminous new novel following a librarian who comes back to work after a mental breakdown only to confront book-banning crusaders in an empowering story of grief, love, and the power of libraries. Darcy’s life turned out better than she could have ever imagined. She is a librarian at the local branch, while her wife Joy runs a book binding service. Between the two of them, there is no more room on their shelves with their ample book collections, various knickknacks and bobbles, and dried bouquets. Rounding out their ideal life is two cats and a sun-soaked house by the lake. But when Darcy receives the news that her ex-boyfriend, Ben, has passed away, she spirals into a pit of guilt and regret, resulting in a mental breakdown and medical leave from the library. When she returns to work, she is met by unrest in her community, and protests surrounding intellectual freedom, resulting in a call for book bans and a second look at the branch’s upcoming DEI programs. Through the support of her community, colleagues, and the personal growth that results from examining her previous relationships, Darcy comes into her own agency and the truest version of herself. Is This a Cry for Help? not only offers a moving portrait of queer life after coming of age but also powerfully explores questions about sexuality, community, and the importance of libraries.

Where would I start, and how would it even make sense? How could you understand the year in Shandon Street unless you were there, with us, living it? Rachel Murray is twenty-one years old, platonically infatuated with her housemate James, and less-than-platonically infatuated with her enigmatic, married English professor Dr Byrne. Over the course of a year, as Rachel and James's lives become more and more deeply entwined with those of Dr Byrne and his perfect wife Deenie, tensions rise, and a shocking secret threatens everything they hold dear. The Rachel Incident is a sharp, poignant, and beautifully told story of losing and finding yourself and the lengths we will go to for those we love.

Sometimes friends hold you together.Sometimes they’re why you’re falling apart.Maggie, Harley and Róise are friends on the of triumph, catastrophe, or maybe just finally growing up. Their crumbling Belfast houseshare has been witness to their roaring twenties, filled with questionable one-night stands and ruthless hangovers. But now fault-lines are beginning to show.The three girls are still grieving the tragic death of their friend, Lydia, whose room remains untouched. Their last big fight hangs heavy over their heads, unspoken since the accident. And now they are all beginning to unravel.Thirst Trap by Gráinne O'Hare is a blazing, bittersweet, bitingly funny, and painfully relatable story about the friendships that endure through the very best and the very worst of times.

Malavika Kannan establishes herself as the literary voice of Gen Z in this piercing coming-of-age narrative Which comes experience or narrative? Rishi thinks she knows the answer as she arrives on campus for her first year at Stanford. Her narrative is set—she’s going to leave behind the strict trappings of her Indian-American childhood in Florida, embrace her queer identity, experiment with love, and write all about it. Within a few months, she gets a new tattoo, makes her first real best friend, falls in love with her un-labeled situationship, and even gets her heart broken. Rishi’s first semester Asian American Autofiction final practically writes itself.What is not a part of Rishi’s plan, however, is the onset of the COVID pandemic. As the outside world becomes a terrifying place, she finds more and more solace in the friendships she’s made. In lieu of virtual college, Rishi and her classmates join a farm collective and grapple with America’s political situation and growing disillusionment…along with sexual tension and responsibility. It’s only when those relationships, too, start fracturing under the stress of careless decisions, unrequited crushes, jealousies, and, yes, the unprecedented times, that Rishi begins to question her own story.Unprecedented Times captures the beauty, frustration, love, and pain that exists in relationships between best friends, between lovers, between mothers and daughters, and between storytellers and themselves. Malavika Kannan’s fresh, arresting novel captures the excitement and the terror of modern young adulthood through the eyes of an unforgettable, flawed, and lovable narrator.

“Girls Girls Girls floored me. . . . It’s completely extraordinary.” —Catherine Newman, New York Times bestselling author of Sandwich A vibrant queer Jewish debut “teeming with heart, angst, love, and self discovery” (Emily Austin) about a young woman who, caught between the expectations of others and her own evolving desires, is forced to make a series of fraught life-altering decisions. It’s the summer of ’96 and best friends (and secret girlfriends) Hannah and Sam are driving across the country from Long Beach, New York, to the fabled queer paradise of San Francisco, free from the harsh gazes of their neighbors and the stifling demands of Hannah’s devout Orthodox Jewish mother. In San Francisco, they will finally be together as a real couple, out in the open, around other queer people. Even if the move means leaving behind Hannah’s beloved Bubbe. When the financial strains of West Coast living push the girls to start stripping at The Chez Paree—yet another secret Hannah must keep from her family—Hannah feels trapped. Sam wants her at the club, but Hannah hates stripping nearly as much as she hates disappointing Sam. Then Hannah meets Chris, an older butch lesbian, who is immediately taken with her. Desperate to stay in San Francisco, but away from the leering men at the club, Hannah proposes an escort arrangement. But as Hannah falls deeper into Chris’ world and Sam starts to meet new queer friends, a rift forms between them. Without Sam, who is Hannah? And what becomes of San Francisco to Hannah alone—a space rich with queer possibility, or an intimidating, unfamiliar place, just as lonely as the one she’d left behind? An achingly tender and resonant story of survival, first love, and growing up queer in the ’90s, Girls Girls Girls is a piercing exploration of the choices we make in the thrilling and often confounding search for ourselves and home.