All the Sinners Bleed meets My Sister, the Serial Killer in this literary thriller following the grandson of a famous Black actress from the 1940s and 1950s, now a filmmaker himself, who returns to his grandmother’s cabin retreat in the California mountains only to encounter the legacy of her rage.With flashbacks to Johnny’s grandmother, this novel explores three generations beginning with Mazelle Washington’s life as a young actress. Fifty years after Mazelle’s death, Johnny will discover the secret she’s kept and nurtured since she was a child when she had a dark wish come true. There’s a monster in the woods outside her mountain retreat, Mazywood, and it is lonely and angry.

There is no salvation within these pages. Only the lingering taste— sweet, sour, and searing—of sadness gone septic. In Sorrow Like Sour Candy, Chandler Morrison, author of Dead Inside and American Narcissus, delivers a collection of stories where ecstasy and ruin are inseparable. Humanity becomes an infestation spreading across the cosmos. Lovers contaminate each other in search of transcendence. Desire twists into obsession; obsession dissolves into ash. Beneath Los Angeles lights and motel gloom, bodies and souls unravel in prose both brutal and hypnotic. At once literary and vicious, lyrical and profane, these stories strip glamour down to its bones and expose the rot beneath. Morrison writes with the precision of a scalpel and the ferocity of a blade dragged across glass, capturing characters who are beautiful, broken, and unforgettable. Beauty curdles. Desire corrodes. Love tastes like something you shouldn’ t swallow but do anyway. Everything ends. The aftertaste endures.

It’s the last summer for Kit Lamb: The last summer before college. The last summer with her high school basketball team, and with Dana, her best friend. The last summer before her life begins. But the night before the big game, one of the players tells a ghost story about Daphne, a girl who went to their school many years ago and died under mysterious circumstances. Some say she was murdered, others that she died by her own hand. And some say that Daphne is a murderer herself. They also say that Daphne is still out there, obsessed with revenge, and will appear to kill again anytime someone thinks about her. After Kit hears the story, her teammates vanish, one by one, and Kit begins to suspect that the stories about Daphne are real . . . and to fear that her own mind is conjuring the killer. Now it’s a race against time as Kit searches for the truth behind the legend and learns to face her own fears—before the summer of her life becomes the last summer of her life. Mixing a nostalgic coming-of-age story and an instantly iconic female villain with an innovative new vision of classic horror, Daphne is an unforgettable thriller as only Josh Malerman could imagine it.

Thrilling crossover YA Horror perfect for fans of Krystal Sutherland and Tiffany Jackson, where the captain of a high school cheer team is caught in a bitter rivalry and turns to an ancient, supernatural creature for help, not knowing she’s just made a deal with a devil and could lose everything that matters, including her life. Maris Larsen is the captain of the West Eaton High cheer team. She’s Coach’s favorite and the team worships her. Being on the team makes her feel special—powerful. When she’s leading the girls on the mat, Maris doesn’t have to think about her dead-end life in a dead-end town. She can forget about her depressed mother and absent father and the fact that her girlfriend doesn’t really love her. But when newcomer and Coach’s new golden girl, Genevieve Ray, joins the team, the only thing going right in Maris’s life is suddenly in jeopardy. A bitter rivalry develops between the two, but Maris is determined to take Genevieve down. The knife she needs to wield comes to Maris in her dreams. While sleepwalking, Maris is visited by a monstrous, decaying beast in the shape of an enormous deer. Doe is an ancient, tired creature who has been wandering, trapped in her current form for decades. She cannot die, but she cannot go on living as she has. Only a girl related by blood to those who bound her in this form can free her, but those girls she loved died years ago—murdered in a fire. But Maris is somehow linked to Doe’s beloved girls—linked by blood—and so she has the power to free Doe, to unleash her immense power. In Maris’s dreams, she and Doe form a bond, but Maris doesn’t know the creature from her dreams is real. Maris doesn’t understand the danger she’s in. She only knows Doe has promised her a way to win her battle with Genevieve. But for Maris to win, someone has to die, and the only real winner in the end will be Doe.

Thrilling crossover YA Horror perfect for fans of Krystal Sutherland and Tiffany Jackson, where the captain of a high school cheer team is caught in a bitter rivalry and turns to an ancient, supernatural creature for help, not knowing she’s just made a deal with a devil and could lose everything that matters, including her life. Maris Larsen is the captain of the West Eaton High cheer team. She’s Coach’s favorite and the team worships her. Being on the team makes her feel special—powerful. When she’s leading the girls on the mat, Maris doesn’t have to think about her dead-end life in a dead-end town. She can forget about her depressed mother and absent father and the fact that her girlfriend doesn’t really love her. But when newcomer and Coach’s new golden girl, Genevieve Ray, joins the team, the only thing going right in Maris’s life is suddenly in jeopardy. A bitter rivalry develops between the two, but Maris is determined to take Genevieve down. The knife she needs to wield comes to Maris in her dreams. While sleepwalking, Maris is visited by a monstrous, decaying beast in the shape of an enormous deer. Doe is an ancient, tired creature who has been wandering, trapped in her current form for decades. She cannot die, but she cannot go on living as she has. Only a girl related by blood to those who bound her in this form can free her, but those girls she loved died years ago—murdered in a fire. But Maris is somehow linked to Doe’s beloved girls—linked by blood—and so she has the power to free Doe, to unleash her immense power. In Maris’s dreams, she and Doe form a bond, but Maris doesn’t know the creature from her dreams is real. Maris doesn’t understand the danger she’s in. She only knows Doe has promised her a way to win her battle with Genevieve. But for Maris to win, someone has to die, and the only real winner in the end will be Doe.

In the heart of a quiet town, a young woman tends to her plant shop, but beneath the surface of her lush, green sanctuary lies something far darker.... Will you dare to disrespect her plants? Tucked away in the corner of a neighborhood in Dosan, South Korea, is the Plant Shop. Shop owner Yoohee has started anew, and her meticulously grown foliage thrives under her tender care. To both her customers and herself, Plant Shop is a refuge, where petunias and marigolds bloom and the air itself is like an elixir of peace. By day, Yoohee dispenses advice on gardening, but she also finds herself offering a special service off the clock. Women who are at their wits’ end come to her about a man they hope might disappear from their lives. Pulling extra hours is taxing, but Yoohee has encountered—and dealt with—these kind of men in her own life, men who treated her (and her beloved plants) with utter disrespect. So as night falls, Yoohee trades her apron for a shovel and a hoe and disappears into her moonlit garden. There, she buries not just the remains of the day, but also the bloody remnants of a few unfortunate encounters. As men begin to disappear…will anyone ever suspect the Plant Lady? A highly acclaimed novel from South Korea, Plant Lady brings atmospheric tension and delicate humor to a story of obsession and misogyny that will keep you rooted right to its simmering last page.

A traditional American woman, a “tradwife” influencer, suddenly awakens in the brutal reality of 1855—where she must unravel whether this living nightmare is an elaborate hoax, a twisted reality show, or something far more sinister in this sensational debut novel. My name was Natalie Heller Mills, and I was perfect at being alive. Natalie lives a traditional lifestyle. Her charming farmhouse is rustic, her husband a handsome cowboy, her six children each more delightful than the last. So what if there are nannies and producers behind the scenes, her kitchen hiding industrial-grade fridges and ovens, her husband the heir to a political dynasty? What Natalie’s followers—all 8 million of them—don’t know won’t hurt them. And The Angry Women? The privileged, Ivy League, coastal elite haters who call her an antifeminist iconoclast? They’re sick with jealousy. Because Natalie isn’t simply living the good life, she’s living the ideal—and just so happens to be building an empire from it. Until one morning she wakes up in a life that isn’t hers. Her home, her husband, her children—they’re all familiar, but something’s off. Her kitchen is warmed by a sputtering fire rather than electricity, her children are dirty and strange, and her soft-handed husband is suddenly a competent farmer. Just yesterday Natalie was curating photos of homemade jam for her Instagram, and now she’s expected to haul firewood and handwash clothes until her fingers bleed. Has she become the unwitting star of a ruthless reality show? Could it really be time travel? Is she being tested by God? By Satan? When Natalie suffers a brutal injury in the woods, she realizes two things: This is not her beautiful life, and she must escape by any means possible. A gripping, electrifying novel that is as darkly funny as it is frightening, Yesteryear is a gimlet-eyed look at tradition, fame, faith, and the grand performance of womanhood.

In the heart of a quiet town, a young woman tends to her plant shop, but beneath the surface of her lush, green sanctuary lies something far darker.... Will you dare to disrespect her plants? Tucked away in the corner of a neighborhood in Dosan, South Korea, is the Plant Shop. Shop owner Yoohee has started anew, and her meticulously grown foliage thrives under her tender care. To both her customers and herself, Plant Shop is a refuge, where petunias and marigolds bloom and the air itself is like an elixir of peace. By day, Yoohee dispenses advice on gardening, but she also finds herself offering a special service off the clock. Women who are at their wits’ end come to her about a man they hope might disappear from their lives. Pulling extra hours is taxing, but Yoohee has encountered—and dealt with—these kind of men in her own life, men who treated her (and her beloved plants) with utter disrespect. So as night falls, Yoohee trades her apron for a shovel and a hoe and disappears into her moonlit garden. There, she buries not just the remains of the day, but also the bloody remnants of a few unfortunate encounters. As men begin to disappear…will anyone ever suspect the Plant Lady? A highly acclaimed novel from South Korea, Plant Lady brings atmospheric tension and delicate humor to a story of obsession and misogyny that will keep you rooted right to its simmering last page.

The water-breathing descendants of African slave women tossed overboard have built their own underwater society—and must reclaim the memories of their past to shape their future in this brilliantly imaginative novella inspired by the Hugo Award nominated song “The Deep” from Daveed Diggs’ rap group Clipping.Yetu holds the memories for her people—water-dwelling descendants of pregnant African slave women thrown overboard by slave owners—who live idyllic lives in the deep. Their past, too traumatic to be remembered regularly, is forgotten by everyone, save one—the historian. This demanding role has been bestowed on Yetu.Yetu remembers for everyone, and the memories, painful and wonderful, traumatic and terrible and miraculous, are destroying her. And so, she flees to the surface, escaping the memories, the expectations, and the responsibilities—and discovers a world her people left behind long ago.Yetu will learn more than she ever expected to about her own past—and about the future of her people. If they are all to survive, they’ll need to reclaim the memories, reclaim their identity—and own who they really are.Inspired by a song produced by the rap group Clipping for the This American Life episode “We Are In The Future,” The Deep is vividly original and uniquely affecting.

molka (n): the Korean term for spy cameras secretly and illegally installed, often to capture voyeuristic images and videos Dahye can't believe her luck when she finds herself in a whirlwind romance with handsome, charismatic Hyukjoon, the heir to a multi-million dollar fortune. But then a shocking revelation threatens: the couple has been caught on a spycam amid Korea's growing molka epidemic, and the video is all over the internet. When Hyukjoon flees the country to avoid the intense public scrutiny, Dahye is left to grapple with the ramifications on her own; and the demons from her childhood, long dormant, begin to surface. Amid the chaos, she catches the attention of Junyoung, a nerdy, introverted IT tech at work. Junyoung harbours a dark secret: he has been spying on the women at work with his own hidden cameras. As Dahye's life begins to unravel, she unknowingly becomes the sole target of Junyoung's perverse obsession. When the facts surrounding the invasion of her privacy come to light, Dahye is faced with the humiliating truth. Her pain and hurt turn to rage as she faces her past. Her desire for vengeance is insatiable, and she will not rest until the men who have wronged her have paid in blood...

There is no salvation within these pages. Only the lingering taste— sweet, sour, and searing—of sadness gone septic. In Sorrow Like Sour Candy, Chandler Morrison, author of Dead Inside and American Narcissus, delivers a collection of stories where ecstasy and ruin are inseparable. Humanity becomes an infestation spreading across the cosmos. Lovers contaminate each other in search of transcendence. Desire twists into obsession; obsession dissolves into ash. Beneath Los Angeles lights and motel gloom, bodies and souls unravel in prose both brutal and hypnotic. At once literary and vicious, lyrical and profane, these stories strip glamour down to its bones and expose the rot beneath. Morrison writes with the precision of a scalpel and the ferocity of a blade dragged across glass, capturing characters who are beautiful, broken, and unforgettable. Beauty curdles. Desire corrodes. Love tastes like something you shouldn’ t swallow but do anyway. Everything ends. The aftertaste endures.