A disease of unparalleled destructive force has sprung up almost simultaneously in every corner of the globe, all but destroying the human race. One survivor, strangely immune to the effects of the epidemic, ventures forward to experience a world without man. What he ultimately discovers will prove far more astonishing than anything he'd either dreaded or hoped for.

“An extraordinary real picture of human beings numbed by catastrophe but still driven by the unconquerable determination of living creatures to keep on being alive.” — The New Yorker The classic apocalyptic novel by Pat Frank, first published in 1959 at the height of the Cold War, with an introduction by award-winning science fiction writer and scientist David Brin. “Alas, Babylon.” Those fateful words heralded the end. When the unthinkable nightmare of nuclear holocaust ravaged the United States, it was instant death for tens of millions of people; for survivors, it was a nightmare of hunger, sickness, and brutality. Overnight, a thousand years of civilization were stripped away. But for one small Florida town, miraculously spared against all the odds, the struggle was only just beginning, as the isolated survivors—men and women of all ages and races—found the courage to come together and confront the harrowing darkness.

This book is fantastic and frightening, but entirely plausible. It doesn't just seem scientifically possible, but its characters are living people shaken out of the civilization they know into the horror of a world dominated by triffids. The triffids are grotesque and dangerous plants, over seven feet tall, originally cultivated for their yield of high-grade oil. So long as conditions give the mastery to their human directors, they are a valuable asset to mankind. But when a sudden universal disaster turns those conditions upside down, then the triffids, seizing their opportunity, become an active and dreadful menace. The story of what happens is told here by one of the few people lucky enough to escape the disaster.

Violet is a typical, down-on-her-luck millennial: mid-twenties, over-educated and drowning in debt, on the verge of moving into her parent’s basement. When a lifeline appears in the form of a very unconventional job in neighboring Cambric Creek, she has no choice but to grab at it with both hands. Morning Glory Milking Farm offers full-time hours, full benefits, and generous pay with no experience needed . . . there’s only one catch. The clientele is Grade A certified prime beef, with the manly, meaty endowments to match. Milking minotaurs isn’t something Violet ever considered as a career option, but she’s determined to turn the opportunity into a reversal of fortune. When a stern, deep-voiced client begins to specially request her for his milking sessions, maintaining her professionalism and keeping him out of her dreams is easier said than done. Violet is resolved to make a dent in her student loans and afford name-brand orange juice, and a one-sided crush on an out-of-her-league minotaur is not a part of her plan—unless her feelings aren’t so one-sided after all. Morning Glory Milking Farm is a short human/monster romance novel, featuring a high heat slow burn with a lot of heart, and a guaranteed HEA. CWs include: cock milking, non-human anatomy, size difference, and a lot of fluid. It is the first book in the Cambric Creek monster romance series, and can be read as a standalone.

She thought she was in a romance. Fate threw her into a thriller. Will happily-ever-after still be on the cards when fiction and reality blur for Roxie? When Roxie makes a tongue-in-cheek wish to live out the plot of her favorite author’s next novel, she has romance in mind—namely, the sweet, safe, swoon-worthy storylines Anna Matthews is known for. It should be a dream come true when her wish is granted and she finds herself swept into a first date with a handsome stranger who seems designed to take her breath away. Except for one little hiccup: That handsome stranger tries to take her breath away. Literally. With a knife. The thing is, Roxie may be the new Anna Matthews protagonist—but this time, Anna is writing a crime thriller. Thrown into a perilous genre she’s never read, Roxie is desperate for help. So when her escape takes her straight into the path of Grant Hoffman, an anxious English professor with a convenient love of crime novels, she decides that kidnapping a grown man is a small price to pay for her own survival. Together, Roxie and Grant navigate a madcap story in which the lines between fiction and reality blur. They’ll find out if they have what it takes to make it to The End—or maybe even Happily Ever After.

A former true-crime podcaster faces three guys--one is a fun date, one will be the love of her life, and one is a serial killer--in this fabulous fun romantic thriller perfect for fans of Tessa Bailey's My Killer Vacation.

From the award-winning, bestselling author of The Circle comes an exciting new follow-up. When the world's largest search engine/social media company, the Circle, merges with the planet's dominant ecommerce site, it creates the richest and most dangerous--and, oddly enough, most beloved--monopoly ever known: the Every. Delaney Wells is an unlikely new hire at the Every. A former forest ranger and unwavering tech skeptic, she charms her way into an entry-level job with one goal in mind: to take down the company from within. With her compatriot, the not-at-all-ambitious Wes Makazian, they look for the Every's weaknesses, hoping to free humanity from all-encompassing surveillance and the emoji-driven infantilization of the species. But does anyone want what Delaney is fighting to save? Does humanity truly want to be free? Studded with unforgettable characters, outrageous outfits, and lacerating set-pieces, this companion to The Circle blends absurdity and terror, satire and suspense, while keeping the reader in apprehensive excitement about the fate of the company--and the human animal.

***Pre-order this cosy romance now!*** The perfect read for fans of Pumpkin Spice Café and Legends and Lattes! When Saphira opened up her café for baby dragons and their humans, she wasn’t expecting it to be so difficult to keep the fires burning. It turns out, young dragons are not the best magical animals to keep in a café, and replacing all that burnt furniture is costing Saphira more than she can afford from selling dragon-roasted coffee. Aiden is a local gardener, and local heart-throb, more interested in his plants than actually spending time with his disobedient baby dragon. When Aiden walks into Saphira’s café, he has a genius idea – he'll ask Saphira to train his baby dragon, and he'll pay her enough to keep the café afloat. Saphira’s happy-go-lucky attitude doesn’t seem to do anything but irritate the grumpy-but-gorgeous Aiden, except that everywhere she goes, she finds him there. But can this dragon café owner turn her fortunes around, and maybe find love along the way?

A Muscogee pop star and a cowboy who couldn’t be more different come together to strike a deal in this new romantic comedy by Danica Nava, author of The Truth According to Ember.Pop singer Avery Fox has become a national joke after posing scantily clad on the cover of Rolling Stone in a feather warbonnet. What was meant to be a statement of her success as a Native American singer has turned her into a social pariah and dubbed her a fake. With threats coming from every direction and her career at a standstill, she escapes to her estranged grandmother Lottie’s ranch in Oklahoma. Living on the rez is new to Avery—not only does she have to work in the blazing summer heat to earn her keep, but the man who runs Lottie’s horse ranch despises her and wants her gone.Red Fox Ranch has been home to Lucas Iron Eyes since he was sixteen years old. He has lived by three rules to keep himself out of 1) preserve the culture, 2) respect the horses, and 3) stick to himself. When he is tasked with picking up Lottie’s granddaughter at the bus station, the last person he expected to see is the Avery Fox. Lucas can’t stand what she represents, but when he’s forced to work with her on the ranch, he can’t get her out of his sight—or his head. He reminds himself to keep to his rules, especially after he finds out the ranch is under threat of being shut down.It’s clear Avery doesn’t belong here, but they form a tentative truce and make a Avery will help raise funds to save the ranch, and in exchange, Lucas will show her what it really means to be an Indian. It’s purely transactional, absolutely no horsing around…but where’s the fun in that?

As bombs rained down on Gaza in October 2023, images of mass death and destruction gripped the world, and openly genocidal statements from Israeli leaders foretold the magnitude of horrors to come. But the US media was quick to downplay, obscure, and repackage an emerging campaign of extermination into a slick “war on terror” framework.  How to Sell a Genocide is a thorough indictment of US corporate media's role in enabling—and, at times, directly inciting—one of the most devastating campaigns of mass killing in modern memory. Johnson unpacks how major news outlets like The New York Times, CNN, and MSNBC systematically sanitised Israel's war crimes, hid the US’s central role, and dehumanised the Palestinian people. Drawing from deep, original data-driven analysis, Johnson dissects the mechanics of propaganda, from the selective empathy, strategic omissions, overt racism and repetition of state-sanctioned falsehoods, to the demonisation of humanitarian workers and dishonest coverage of campus protests. With clarity and moral force, Johnson argues that the genocide could not have been sustained without the active, sustained complicity of the US media.

Eros and Alienation delves into the underexplored relationship between alienated labour and sexuality. Our deeply human drive to shape the world around us and fulfil ourselves through labour is subverted by capitalist alienation, leaving us to find fulfilment elsewhere. As a result, our erotic drives become the central focus for transformation and life-making, but are themselves restricted and fuelled by whatever energy is left after completing the monetised or social reproductive work required to survive. This alienation encounters ongoing resistance, as life-making activity can never be fully separated from the person who labours. Alan Sears explores the ways this alienation frames the processes of gender and sexual formation, showing how the organisation of work contributes to the development of a dominant regime of gendered sexualities, defined by a binary gender mapping of desire as heterosexual, homosexual or bisexual.

In the years since #MeToo, misogyny, sexism and gender based violence have flooded the news and our social media timelines. Anti-privilege politics and intersectionality have entered the mainstream—systematically trolled on one end of the spectrum; embraced, to questionable ends, on the other. But what has this increased visibility entailed, other than the marketisation of the feminist struggle? Feminism for the World argues that we have been witnessing an erasure of feminism as a long-term tradition, with its many conflicting histories and geographies of struggle elided and forgotten. In this ground-breaking collection, eight leading international figures of contemporary feminism highlight feminist struggles and traditions from the Global South, presenting feminism as a project that is impossible without international solidarity from the West. In doing so they revive an authentic internationalism and propose paths for present and future generations.

A Muscogee pop star and a cowboy who couldn’t be more different come together to strike a deal in this new romantic comedy by Danica Nava, author of The Truth According to Ember.Pop singer Avery Fox has become a national joke after posing scantily clad on the cover of Rolling Stone in a feather warbonnet. What was meant to be a statement of her success as a Native American singer has turned her into a social pariah and dubbed her a fake. With threats coming from every direction and her career at a standstill, she escapes to her estranged grandmother Lottie’s ranch in Oklahoma. Living on the rez is new to Avery—not only does she have to work in the blazing summer heat to earn her keep, but the man who runs Lottie’s horse ranch despises her and wants her gone.Red Fox Ranch has been home to Lucas Iron Eyes since he was sixteen years old. He has lived by three rules to keep himself out of 1) preserve the culture, 2) respect the horses, and 3) stick to himself. When he is tasked with picking up Lottie’s granddaughter at the bus station, the last person he expected to see is the Avery Fox. Lucas can’t stand what she represents, but when he’s forced to work with her on the ranch, he can’t get her out of his sight—or his head. He reminds himself to keep to his rules, especially after he finds out the ranch is under threat of being shut down.It’s clear Avery doesn’t belong here, but they form a tentative truce and make a Avery will help raise funds to save the ranch, and in exchange, Lucas will show her what it really means to be an Indian. It’s purely transactional, absolutely no horsing around…but where’s the fun in that?