From the #1 New York Times bestselling author Kelley Armstrong comes a new romantic thriller that will leave fans trembling for more. The only thing Winter Crane likes about Reeve's End is that soon she'll leave it. Like her best friend did. Like her sister did. Like most of the teens born in town have done. There's nothing for them there but abandoned mines and empty futures. They're better off taking a chance elsewhere. The only thing Winter will miss is the woods. Her only refuge. At least it was. Until the day she found Lennon left for dead, bleeding in a tree. But now Lennon is gone too. And he has Winter questioning what she once thought was true. What if nobody left at all? What if they're all missing? "Like Stephen King, who manages an under-the-covers, flashlight-in-face kind of storytelling without sounding ridiculous, Armstrong not only writes interesting page-turners, she has also achieved that unlikely goal, what all writers strive for: a genre of her own." —The Walrus

The most powerful force in the universe falls out of the sky and into the hands of a magicless thirteen-year-old girl. Lisa Robbie, a freckled, soon-to-be-eighth-grade girl from Keyport, New Jersey, happens upon a shooting star that isn’t merely space debris but is magic—the Agapéd Magic. This leads her to a whole new way of life where she learns she has the most powerful magic in all four galaxies, a power that the Guardians have waited 120 years for... and they are not too thrilled about it. The only person who sees her worthy enough to wield this magic is the 700-year-old brutish Wishing Star gardener, Gaius. Still, even he won't tell her the Agapéd’s true purpose—the purpose for Lisa’s life. Why don't they like me having this magic? What is so special about it? Why are they keeping me and this Agapéd Magic a secret? Curiosity takes Lisa down a path of nightmares as the Agapéd Magic begins to take a toll on her heart, and she must decide if this new way of life is worth all the pain and sorrow tagged along with it. . . . The Agapéd Wishing Stars is the beginning of the epic light-versus-darkness saga, a fantasy adventure perfect for those who enjoy constant tugging at their heartstrings and plenty of magical encounters.

Veil est plus un rêve que vous avez fait qu'une histoire que vous lisez, et elle persiste de la même manière, des détails flous mais des émotions qui flottent définitivement dans votre cœur. Entre livre d'illustrations et manga, cette histoire en deux volume est construite comme une représentation de petits moments de vie entre les deux protagonistes, interrompus par de sublimes illustrations offrant comme un sentiment de rêverie. L’homme est un officier de police, la femme est aveugle ou du moins n’ouvre jamais les yeux. Les noms, les lieux, l’époque n’ont pas d’importance, car notre plaisir consiste à simplement les regarder se rapprocher l’un de l’autre à travers les chapitres.

The most powerful force in the universe falls out of the sky and into the hands of a magicless thirteen-year-old girl. Lisa Robbie, a freckled, soon-to-be-eighth-grade girl from Keyport, New Jersey, happens upon a shooting star that isn’t merely space debris but is magic—the Agapéd Magic. This leads her to a whole new way of life where she learns she has the most powerful magic in all four galaxies, a power that the Guardians have waited 120 years for... and they are not too thrilled about it. The only person who sees her worthy enough to wield this magic is the 700-year-old brutish Wishing Star gardener, Gaius. Still, even he won't tell her the Agapéd’s true purpose—the purpose for Lisa’s life. Why don't they like me having this magic? What is so special about it? Why are they keeping me and this Agapéd Magic a secret? Curiosity takes Lisa down a path of nightmares as the Agapéd Magic begins to take a toll on her heart, and she must decide if this new way of life is worth all the pain and sorrow tagged along with it. . . . The Agapéd Wishing Stars is the beginning of the epic light-versus-darkness saga, a fantasy adventure perfect for those who enjoy constant tugging at their heartstrings and plenty of magical encounters.

If you had met me a few weeks ago, you probably would have described me as an average teenage girl - someone normal. Now my life has changed forever and I’m as far away from normal as it gets. A living science experiment - not only can I see ghosts, but I was genetically altered by a sinister organization called Edison Group. What does that mean? For starters. I'm a teenage necromancer whose powers are out of control: I raise the dead without even trying. Trust me, that is not a power you want to have. Ever. Now I’m running for my life with three of my supernatural friends - a charming sorcerer, a cynical werewolf, and a disgruntled witch - and we have to find someone who can help us before the Edison Group finds us first. Or die trying.

If you had met me a few weeks ago, you probably would have described me as an average teenage girl - someone normal. Now my life has changed forever and I’m as far away from normal as it gets. A living science experiment - not only can I see ghosts, but I was genetically altered by a sinister organization called Edison Group. What does that mean? For starters. I'm a teenage necromancer whose powers are out of control: I raise the dead without even trying. Trust me, that is not a power you want to have. Ever. Now I’m running for my life with three of my supernatural friends - a charming sorcerer, a cynical werewolf, and a disgruntled witch - and we have to find someone who can help us before the Edison Group finds us first. Or die trying.

"I believe that the reader will discover here the essential nature of one of the strangest and most awful chapters in human history," Arthur Miller wrote of his classic play about the witch-hunts and trials in seventeenth-century Salem, Massachusetts. Based on historical people and real events, Miller's drama is a searing portrait of a community engulfed by hysteria. In the rigid theocracy of Salem, rumors that women are practicing witchcraft galvanize the town's most basic fears and suspicions; and when a young girl accuses Elizabeth Proctor of being a witch, self-righteous church leaders and townspeople insist that Elizabeth be brought to trial. The ruthlessness of the prosecutors and the eagerness of neighbor to testify against neighbor brilliantly illuminates the destructive power of socially sanctioned violence. Written in 1953, The Crucible is a mirror Miller uses to reflect the anti-communist hysteria inspired by Senator Joseph McCarthy's "witch-hunts" in the United States. Within the text itself, Miller contemplates the parallels, writing, "Political opposition... is given an inhumane overlay, which then justifies the abrogation of all normally applied customs of civilized behavior. A political policy is equated with moral right, and opposition to it with diabolical malevolence." WIth an introduction by Christopher Bigsby. (back cover)

"I believe that the reader will discover here the essential nature of one of the strangest and most awful chapters in human history," Arthur Miller wrote of his classic play about the witch-hunts and trials in seventeenth-century Salem, Massachusetts. Based on historical people and real events, Miller's drama is a searing portrait of a community engulfed by hysteria. In the rigid theocracy of Salem, rumors that women are practicing witchcraft galvanize the town's most basic fears and suspicions; and when a young girl accuses Elizabeth Proctor of being a witch, self-righteous church leaders and townspeople insist that Elizabeth be brought to trial. The ruthlessness of the prosecutors and the eagerness of neighbor to testify against neighbor brilliantly illuminates the destructive power of socially sanctioned violence. Written in 1953, The Crucible is a mirror Miller uses to reflect the anti-communist hysteria inspired by Senator Joseph McCarthy's "witch-hunts" in the United States. Within the text itself, Miller contemplates the parallels, writing, "Political opposition... is given an inhumane overlay, which then justifies the abrogation of all normally applied customs of civilized behavior. A political policy is equated with moral right, and opposition to it with diabolical malevolence." WIth an introduction by Christopher Bigsby. (back cover)

Oliver Marks has just served ten years in jail - for a murder he may or may not have committed. On the day he's released, he's greeted by the man who put him in prison. Detective Colborne is retiring, but before he does, he wants to know what really happened a decade ago. As one of seven young actors studying Shakespeare at an elite arts college, Oliver and his friends play the same roles onstage and off: hero, villain, tyrant, temptress, ingenue, extra. But when the casting changes, and the secondary characters usurp the stars, the plays spill dangerously over into life, and one of them is found dead. The rest face their greatest acting challenge yet: convincing the police, and themselves, that they are blameless.

“I can be your practice makes perfect.” ASHVIN didn’t mean to join the Penang State Synchronized Swimming team. He didn’t mean to go viral when he jumped into that pool and danced with that girl. It all started as a dare to ask his crush to prom, but all it takes is one dare, one wrong choice, to turn his world upside down. JUNE will do anything to get to the Malaysian national team, even if it means performing a duet with the most annoying boy she’s ever met. With less than three months to win over the council and save her stadium from closing, she needs his help. In exchange, she teaches him how to ask out the girl of his dreams from her own (zero) love experience. After all, like synchronized swimming, practice makes perfect. Even in love. Right?

Oliver Marks has just served ten years in jail - for a murder he may or may not have committed. On the day he's released, he's greeted by the man who put him in prison. Detective Colborne is retiring, but before he does, he wants to know what really happened a decade ago. As one of seven young actors studying Shakespeare at an elite arts college, Oliver and his friends play the same roles onstage and off: hero, villain, tyrant, temptress, ingenue, extra. But when the casting changes, and the secondary characters usurp the stars, the plays spill dangerously over into life, and one of them is found dead. The rest face their greatest acting challenge yet: convincing the police, and themselves, that they are blameless.

“I can be your practice makes perfect.” ASHVIN didn’t mean to join the Penang State Synchronized Swimming team. He didn’t mean to go viral when he jumped into that pool and danced with that girl. It all started as a dare to ask his crush to prom, but all it takes is one dare, one wrong choice, to turn his world upside down. JUNE will do anything to get to the Malaysian national team, even if it means performing a duet with the most annoying boy she’s ever met. With less than three months to win over the council and save her stadium from closing, she needs his help. In exchange, she teaches him how to ask out the girl of his dreams from her own (zero) love experience. After all, like synchronized swimming, practice makes perfect. Even in love. Right?