Chava is a golem, a woman made of clay, able to hear the thoughts and longings of the people around her and compelled by her nature to help them. Ahmad is a jinni, a perpetually restless and free-spirited creature of fire, imprisoned in the shape of a man. Fearing they’ll be exposed as monsters, these magical beings hide their true selves and pretend to be human—just two more immigrants in the bustling world of 1900s Manhattan. Having encountered each other under calamitous circumstances, Chava and Ahmad’s lives are now entwined—but they’re not yet certain of what they mean to each other.  Each has unwittingly affected the humans around them. Park Avenue heiress Sophia Winston, whose brief encounter with Ahmad left her with a strange illness that makes her shiver with cold, travels to the Middle East to seek a cure. There she meets a tempestuous female jinni who’s been banished from her tribe. Back in New York, in a tenement on the Lower East Side, a little girl named Kreindel helps her rabbi father build a golem they name Yossele—not knowing that she’s about to be sent to an orphanage uptown, where the hulking Yossele will become her only friend and protector. Spanning the tumultuous years from the turn of the twentieth century to the beginning of World War I, The Hidden Palace follows these lives and others as they collide and interleave. Can Chava and Ahmad find their places in the human world while remaining true to each other? Or will their opposing natures and desires eventually tear them apart—especially once they encounter, thrillingly, other beings like themselves? In this enthralling historical epic, set in New York City and the Middle East in the years leading to World War I— the long-awaited follow-up to the acclaimed New York Times bestseller The Golem and the Jinni—Helene Wecker revisits her beloved characters Chava and Ahmad as they confront unexpected new challenges in a rapidly changing human world.

In The Golem and the Jinni, a chance meeting between mythical beings takes readers on a dazzling journey through cultures in turn-of-the-century New York. Chava is a golem, a creature made of clay, brought to life by a disgraced rabbi who dabbles in dark Kabbalistic magic and dies at sea on the voyage from Poland. Chava is unmoored and adrift as the ship arrives in New York harbor in 1899. Ahmad is a jinni, a being of fire born in the ancient Syrian desert, trapped in an old copper flask, and released in New York City, though still not entirely free. Ahmad and Chava become unlikely friends and soul mates with a mystical connection. Marvelous and compulsively readable, Helene Wecker's debut novel The Golem and the Jinni weaves strands of Yiddish and Middle Eastern literature, historical fiction and magical fable, into a wondrously inventive and unforgettable tale.

WANTED - Bloodmaid of exceptional taste. Must have a keen proclivity for life's finer pleasures. Girls of weak will need not apply. A young woman is drawn into the upper echelons of a society where blood is power, in this dark and enthralling gothic novel from the author of The Year of the Witching. Marion Shaw has been raised in the slums, where want and deprivation is all she knows. Despite longing to leave the city and its miseries, she has no real hope of escape until the day she spots a peculiar listing in the newspaper, seeking a bloodmaid. Though she knows little about the far north--where wealthy nobles live in luxury and drink the blood of those in their service--Marion applies to the position. In a matter of days, she finds herself the newest bloodmaid at the notorious House of Hunger. There, Marion is swept into a world of dark debauchery--and at the center of it all is her. Countess Lisavet, who presides over this hedonistic court, is loved and feared in equal measure. She takes a special interest in Marion. Lisavet is magnetic, and Marion is eager to please her new mistress. But when her fellow bloodmaids begin to go missing in the night, Marion is thrust into a vicious game of cat and mouse. She'll need to learn the rules of her new home--and fast--or its halls will soon become her grave.

The Cruel Prince meets Ninth House in this dangerously romantic dark academia fantasy, where a lost heiress must infiltrate an arcane society and live with the vampire she suspects killed her family and kidnapped her sister. It began long before my time, but something has always hunted our family. Orphaned heiress Kidan Adane grew up far from the arcane society she was born into, where human bloodlines gain power through vampire companionship. When her sister, June, disappears, Kidan is convinced a vampire stole her—the very vampire bound to their family, the cruel yet captivating Susenyos Sagad. To find June, Kidan must infiltrate the elite Uxlay University—where students study to ensure peaceful coexistence between humans and vampires and inherit their family legacies. Kidan must survive living with Susenyos—even as he does everything he can to drive her away. It doesn’t matter that Susenyos’s wickedness speaks to Kidan’s own violent nature and tempts her to surrender to a life of darkness. She must find her sister and kill Susenyos at all costs. When a murder mirroring June’s disappearance shakes Uxlay, Kidan sinks further into the ruthless underworld of vampires, risking her very soul. There she discovers a centuries-old threat—and June could be at the center of it. To save her sister, Kidan must bring Uxlay to its knees and either break free from the horrors of her own actions or embrace the dark entanglements of love—and the blood it requires.

You can find an alternative cover edition for this ISBN here and here. When Jonathan Harker visits Transylvania to help Count Dracula with the purchase of a London house, he makes a series of horrific discoveries about his client. Soon afterwards, various bizarre incidents unfold in England: an apparently unmanned ship is wrecked off the coast of Whitby; a young woman discovers strange puncture marks on her neck; and the inmate of a lunatic asylum raves about the 'Master' and his imminent arrival. In Dracula, Bram Stoker created one of the great masterpieces of the horror genre, brilliantly evoking a nightmare world of vampires and vampire hunters and also illuminating the dark corners of Victorian sexuality and desire. This Norton Critical Edition includes a rich selection of background and source materials in three areas: Contexts includes probable inspirations for Dracula in the earlier works of James Malcolm Rymer and Emily Gerard. Also included are a discussion of Stoker's working notes for the novel and "Dracula's Guest," the original opening chapter to Dracula. Reviews and Reactions reprints five early reviews of the novel. "Dramatic and Film Variations" focuses on theater and film adaptations of Dracula, two indications of the novel's unwavering appeal. David J. Skal, Gregory A. Waller, and Nina Auerbach offer their varied perspectives. Checklists of both dramatic and film adaptations are included. Criticism collects seven theoretical interpretations of Dracula by Phyllis A. Roth, Carol A. Senf, Franco Moretti, Christopher Craft, Bram Dijkstra, Stephen D. Arata, and Talia Schaffer. A Chronology and a Selected Bibliography are included.

In a world invaded by demons, one girl will face the ultimate test when she is forced to enter into an ancient, deadly competition for the chance to save her mother's soul… before she loses her forever. From the New York Times bestselling author of Song of Silver, Flame Like Night comes the beginning of a dark and opulent fantasy duology, perfect for fans of Throne of Glass. Nine years ago, the war between the Kingdom of Night and the Kingdom of Rivers tore Àn’yīng’s family apart, leaving her mother barely alive and a baby sister to fend for. Now the mortal realm is falling into eternal night, and mó—beautiful, ravenous demons—roam the land, feasting on the flesh of humans and drinking their souls. Àn’yīng is no longer a helpless child, though. Armed with her crescent blades and trained in the ancient art of practitioning, she has decided to enter the Immortality Trials, which are open to any mortal who can survive the journey to the immortal realm. Those who complete the Trials are granted a pill of eternal life—the one thing Àn’yīng knows can heal her dying mother. But to attain the prize, she must survive the competition. Death is common in the Trials. Yet oddly, Àn’yīng finds that someone is helping her stay alive. A rival contestant. Powerful and handsome, Yù’chén is as secretive about his past as he is about his motives for protecting Àn’yīng. The longer she survives the Trials, the clearer it becomes that all is not right in the immortal realm. To save her mother and herself, Àn’yīng will need to figure out whether she can truly trust the stranger she’s falling for or if he’s the most dangerous player of all . . . for herself and for all the realms.

SciFi’s favorite antisocial A.I. is again on a mission. The case against the too-big-to-fail GrayCris Corporation is floundering, and more importantly, authorities are beginning to ask more questions about where Dr. Mensah’s SecUnit is. And Murderbot would rather those questions went away. For good.

A swoon-worthy debut queer Victorian romance in which two debutantes distract themselves from having to seek husbands by setting up their widowed parents, and instead find their perfect match in each other—the lesbian Bridgerton/Parent Trap you never knew you needed! Gwen has a brilliant beyond brilliant idea. It’s 1857, and anxious debutante Beth has just one season to snag a wealthy husband, or she and her mother will be out on the street. But playing the blushing ingenue makes Beth’s skin crawl and she’d rather be anywhere but here. Gwen, on the other hand, is on her fourth season and counting, with absolutely no intention of finding a husband, possibly ever. She figures she has plenty of security as the only daughter of a rakish earl, from whom she’s gotten all her flair, fun, and less-than-proper party games. “Let’s get them together,” she says. It doesn’t take long for Gwen to hatch her latest scheme: rather than surrender Beth to courtship, they should set up Gwen’s father and Beth’s newly widowed mother. Let them get married instead. “It’ll be easy” she says. There’s just…one, teeny, tiny problem. Their parents kind of seem to hate each other. But no worries. Beth and Gwen are more than up to the challenge of a little twenty-year-old heartbreak. How hard can parent-trapping widowed ex-lovers be? Of course, just as their plan begins to unfold, a handsome, wealthy viscount starts calling on Beth, offering up the perfect, secure marriage. Beth’s not mature enough for this… Now Gwen must face the prospect of sharing Beth with someone else, forever. And Beth must reckon with the fact that she’s caught feelings, hard, and they’re definitely not for her potential fiancé. That’s the trouble with matchmaking: sometimes you accidentally fall in love with your best friend in the process.

‘For a very long time, the days went by, each just like the day before, then I began to think, and everything changed’ Deep underground, thirty-nine women live imprisoned in a cage. Watched over by guards, the women have no memory of how they got there, no notion of time, and only vague recollection of their lives before. As the burn of electric light merges day into night and numberless years pass, a young girl - the fortieth prisoner - sits alone and outcast in the corner. Soon she will show herself to be the key to the others' escape and survival in the strange world that awaits them above ground.

In The Power the world is a recognizable place: There's a rich Nigerian boy who lounges around the family pool; a foster kid whose religious parents hide their true nature; an ambitious American politician; and a tough London girl from a tricky family. But then a vital new force takes root and flourishes, causing their lives to converge with devastating effect. Teenage girls now have immense physical power: They can cause agonizing pain and even death. With this small twist of nature, the world drastically resets.

A young woman in Belle Epoque France is cursed to relive a doomed love affair through many lifetimes, as both troubled muse and frustrated artist. In 1895, sixteen-year-old Juliet LaCompte has a passionate, doomed romance with the married Parisian painter Auguste Marchant. When her mother — a witch — botches a curse on Marchant, she unwittingly binds Juliet to the artist through time, damning her to re-live her affair and die tragically young lifetime after lifetime as the star-crossed lovers reincarnate through history. Luke Varner, the worldly demon tasked with maintaining this badly crafted curse, has been helplessly in love with his charge, in all her reincarnations, since 19th century France. He’s in love with Nora, a silver screen starlet in 1930s Hollywood. He’s in love with Sandra, a struggling musician in 1970s Los Angeles. And he’s in love with Helen, a magazine exec in present-day DC who has the power to “suggest” others do her bidding. In this life, Helen starts to recall the curse and her tragic previous lives. But this time, she might have the power to break the cycle… A Witch in Time is perfect for fans of A Secret History of Witches, Outlander, and The Time Traveler’s Wife.

From the author of A Witch in Time comes a haunting tale of ambition, obsession, and the eternal mystery and magic of film. 1968: Actress Gemma Turner once dreamed of stardom. Unfortunately, she’s on the cusp of slipping into obscurity. When she’s offered the lead in a radical new horror film, Gemma believes her luck has finally changed. But L’Etrange Lune’s set is not what she expected. The director is eccentric, and the script doesn’t make sense. Gemma is determined to make this work. It’s her last chance to achieve her dream—but that dream is about to derail her life. One night, between the shadows of an alleyway, Gemma disappears on set and is never seen again. Yet, Gemma is still alive. She’s been transported into the film and the script—and the monsters within it—are coming to life. She must play her role perfectly if she hopes to survive. 2015: Gemma Turner’s disappearance is one of film history’s greatest mysteries—one that’s haunted film student Christopher Kent ever since he saw his first screening of L’Etrange Lune. The screenings only happen once a decade and each time there is new, impossible footage of Gemma long after she vanished. Desperate to discover the truth, Christopher risks losing himself. He’ll have to outrun the cursed legacy of the film—or become trapped by it forever.

SciFi’s favorite antisocial A.I. is again on a mission. The case against the too-big-to-fail GrayCris Corporation is floundering, and more importantly, authorities are beginning to ask more questions about where Dr. Mensah’s SecUnit is. And Murderbot would rather those questions went away. For good.

It has a dark past--one in which a number of humans were killed. A past that caused it to christen itself “Murderbot." But it has only vague memories of the massacre that spawned that title, and it wants to know more. Teaming up with a Research Transport vessel named ART (you don’t want to know what the “A” stands for), Murderbot heads to the mining facility where it went rogue. What it discovers will forever change the way it thinks. Alternate cover of ISBN 9781250186928. Another cover edition can be found here