From Bram Stoker Award‑nominated author Craig DiLouie comes a darkly humorous horror novel that sees a famous 80s slasher director set out to shoot the most terrifying horror movie ever made using an occult camera that might be (and probably is) demonic. Horror isn’t horror unless it’s real. Max Maury should be on top of the world. He’s a famous horror director. Actors love him. Hollywood needs him. He’s making money hand over fist. But it’s the 80s, and he’s directing cheap slashers for audiences who only crave more blood, not real art. Not real horror. And Max’s slimy producer refuses to fund any of his new ideas. Sally Priest dreams of being the Final Girl. She knows she’s got what it takes to score the lead role, even if she’s only been cast in small parts so far. When Sally meets Max at his latest wrap party, she sets out to impress him and prove her scream queen prowess. But when Max discovers an old camera that filmed a very real Hollywood horror, he knows that he has to use this camera for his next movie. The only problem is that it came with a cryptic warning and sometimes wails. By the time Max discovers the true evil lying within, he’s already dead set on finishing the scariest movie ever put to film, and like it or not, it’s Sally’s time to shine as the Final Girl.

From the lauded author of The Queen of the Cicadas (which picked up starred reviews from PW, Kirkus and Booklist who called her "a dynamic and innovative voice") comes a short story collection of nightmares, dreams, desire and visions focused on the Chicana experience. V.Castro weaves urban legend, folklore, life experience and heartache in this personal journey beginning in south Texas: a bar where a devil dances the night away; a street fight in a neighborhood that may not have been a fight after all; a vengeful chola at the beginning of the apocalypse; mind swapping in the not so far future; satan who falls and finds herself in a brothel in Amsterdam; the keys to Mictlan given to a woman after she dies during a pandemic. The collection finishes with two longer tales: The Final Porn Star is a twist on the final girl trope and slasher, with a creature from Mexican folklore; and Truck Stop is an erotic horror romance with two hearts: a video store and a truck stop.

It has Hikaru’s face. It has Hikaru’s voice. It even has Hikaru’s memories. But whatever came down from the mountains six months ago isn’t Yoshiki’s best friend. Whatever it is, it’s dangerous. Carrying on at school and hanging out as if nothing has changed―as if Hikaru isn’t gone―would be crazy...but when it looks so very like Hikaru...and acts so very like Hikaru...

“Five of us sat in a circle doing our best to emulate the girls in The Craft, hoping to unleash some power to take us all away from our home to the place of our dreams. But we weren’t witches. We were five Chicanas living in San Antonio, Texas, one year out of high school.” One hot summer night, best friends Lourdes, Fernanda, Ana, Perla, and Pauline hold a séance. It’s all fun and games at first, but their tipsy laughter turns to terror when the flames burn straight through their prayer candles and Fernanda starts crawling toward her friends and chanting in Nahuatl, the language of their Aztec ancestors. Over the next few weeks, shy, modest Fernanda starts acting strangely—smearing herself in black makeup, shredding her hands on rose thorns, sucking sin out of the mouths of the guilty. The local priest is convinced it's a demon, but Lourdes begins to suspect it’s something else—something far more ancient and powerful. As Father Moreno's obsession with Fernanda grows, Lourdes enlists the help of her “bruja Craft crew” and a professor, Dr. Camacho, to understand what is happening to her friend in this unholy tale of possession-gone-right.

“Five of us sat in a circle doing our best to emulate the girls in The Craft, hoping to unleash some power to take us all away from our home to the place of our dreams. But we weren’t witches. We were five Chicanas living in San Antonio, Texas, one year out of high school.” One hot summer night, best friends Lourdes, Fernanda, Ana, Perla, and Pauline hold a séance. It’s all fun and games at first, but their tipsy laughter turns to terror when the flames burn straight through their prayer candles and Fernanda starts crawling toward her friends and chanting in Nahuatl, the language of their Aztec ancestors. Over the next few weeks, shy, modest Fernanda starts acting strangely—smearing herself in black makeup, shredding her hands on rose thorns, sucking sin out of the mouths of the guilty. The local priest is convinced it's a demon, but Lourdes begins to suspect it’s something else—something far more ancient and powerful. As Father Moreno's obsession with Fernanda grows, Lourdes enlists the help of her “bruja Craft crew” and a professor, Dr. Camacho, to understand what is happening to her friend in this unholy tale of possession-gone-right.

This World is Not Yours by USA Today bestseller Kemi Ashing-Giwa is the perfect blend of S.A. Barnes' space horror and Cassandra Khaw's beautiful but macabre worlds. An action-packed, inventive novella about a toxic polycule consumed by jealousy and their attempts to survive on a hostile planet. After fleeing her controlling and murderous family with her fiancée Vinh, Amara embarks on a colonization project, New Belaforme, along with her childhood friend, Jesse. The planet, beautiful and lethal, produces the Gray, a “self-cleaning” mechanism that New Belaforme’s scientists are certain only attacks invasive organisms, consuming them. Humans have been careful to do nothing to call attention to themselves until a rival colony wakes the Gray. As Amara, Vinh, and Jesse work to carve out a new life together, each is haunted by past betrayals that surface, expounded by the need to survive the rival colony and the planet itself. There’s more than one way to be eaten alive.

This World is Not Yours by USA Today bestseller Kemi Ashing-Giwa is the perfect blend of S.A. Barnes' space horror and Cassandra Khaw's beautiful but macabre worlds. An action-packed, inventive novella about a toxic polycule consumed by jealousy and their attempts to survive on a hostile planet. After fleeing her controlling and murderous family with her fiancée Vinh, Amara embarks on a colonization project, New Belaforme, along with her childhood friend, Jesse. The planet, beautiful and lethal, produces the Gray, a “self-cleaning” mechanism that New Belaforme’s scientists are certain only attacks invasive organisms, consuming them. Humans have been careful to do nothing to call attention to themselves until a rival colony wakes the Gray. As Amara, Vinh, and Jesse work to carve out a new life together, each is haunted by past betrayals that surface, expounded by the need to survive the rival colony and the planet itself. There’s more than one way to be eaten alive.

A beautifully crafted, devastating short fiction collection from the Bram-Stoker finalist and author of Things Have Gotten Worse Since We Last Spoke and Other Misfortunes. Eight stories of literary dark fiction from a master storyteller. Exploring the shadow side of love, these are tales of grief, obsession, control. Intricate examinations of trauma and tragedy in raw, poetic prose. In these narratives, a woman imagines horrific scenarios whilst caring for her infant niece; on-line posts chronicle a cancer diagnosis; a couple in the park with their small child encounter a stranger with horrific consequences; a toxic relationship reaches a terrifying resolution… Originally published under the title The Strange Thing We Become and Other Dark Tales, this is a much-praised collection of deeply unsettling, painfully dark tales.