本格的、豪華ZQNアンソロジー かつてない豪華な執筆陣が集まった、 ZQNをテーマにした アイアムアヒーロー公式アンソロジーコミック。 それは、息をするのか。 それは、何か思うのか。 それは、しあわせな記憶はあるのか。 それは、恋をするのか。 個性が爆裂する作家陣が、それぞれの得意分野を活かしたZQNを描き出します。 参加作家: 水沢悦子(『花のズボラ飯』『ヤコとポコ』) 伊藤潤二(『富江』『うずまき』) 石黒正数(『それでも町は廻っている』『木曜日のフルット』) 乃木坂太郎(『医龍』『幽霊塔』) オジロマコト(『冨士山さんは思春期』『カテキン』) 横槍メンゴ(『クズの本懐』『レトルトパウチ!』) 鳥飼茜(『先生の白い嘘』『地獄のガールフレンド』) 吉本浩二(『ブラック・ジャック創作秘話』『カツシン』)

When a demonic presence awakens deep in a Mexican silver mine, the young woman it seizes must turn to the one man she shouldn’t trust… from bestselling author Isabel Cañas. In 1765, plague sweeps through Zacatecas. Alba flees with her wealthy merchant parents and fiancé, Carlos, to his family’s isolated mine for refuge. But safety proves fleeting as other dangers soon bare their teeth: Alba begins suffering from strange hallucinations, sleepwalking, and violent convulsions. She senses something cold lurking beneath her skin. Something angry. Something wrong. Elías, haunted by a troubled past, came to the New World to make his fortune and escape his family’s legacy of greed. Alba, as his cousin’s betrothed, is none of his business. Which is of course why he can’t help but notice her every time she enters a room or the growing tension between them… and why he notices her deteriorate when the demon’s thirst for blood grows stronger.

本格的、豪華ZQNアンソロジー かつてない豪華な執筆陣が集まった、 ZQNをテーマにした アイアムアヒーロー公式アンソロジーコミック。 それは、息をするのか。 それは、何か思うのか。 それは、しあわせな記憶はあるのか。 それは、恋をするのか。 個性が爆裂する作家陣が、それぞれの得意分野を活かしたZQNを描き出します。 参加作家: 水沢悦子(『花のズボラ飯』『ヤコとポコ』) 伊藤潤二(『富江』『うずまき』) 石黒正数(『それでも町は廻っている』『木曜日のフルット』) 乃木坂太郎(『医龍』『幽霊塔』) オジロマコト(『冨士山さんは思春期』『カテキン』) 横槍メンゴ(『クズの本懐』『レトルトパウチ!』) 鳥飼茜(『先生の白い嘘』『地獄のガールフレンド』) 吉本浩二(『ブラック・ジャック創作秘話』『カツシン』)

Ten children, abducted in broad daylight—and buried alive. Sage and her sister won’t make it home from school today. Neither will the other children on Bus 315. But that’s only the beginning of the nightmare.New bus driver Jessa blames herself for what happened. She couldn’t protect the kids she was supposed to deliver to daycare, just like she couldn’t protect her own daughter three years ago. But this time, everything will be different. It has to be.Trapped in a shipping container buried twenty feet underground, Jessa and the children do their best to stay calm. The kidnappers insist that if everyone behaves, they’ll be freed when the ransom is paid. But Sage isn’t sure they’ll last that long. Neither is Jessa. It’s dark and cramped, and with every passing minute it’s getting harder to breathe.With time—and air—running thin, Jessa and the children must find a way to outsmart their captors, or face an unthinkable fate.Such Quiet Girls was inspired by actual events.

So, then. You want a story and I will tell you one...Afghanistan, 1952. Abdullah and his sister Pari live with their father and stepmother in the small village of Shadbagh. Their father, Saboor, is constantly in search of work and they struggle together through poverty and brutal winters. To Abdullah, Pari - as beautiful and sweet-natured as the fairy for which she was named - is everything. More like a parent than a brother, Abdullah will do anything for her, even trading his only pair of shoes for a feather for her treasured collection. Each night they sleep together in their cot, their heads touching, their limbs tangled. One day the siblings journey across the desert to Kabul with their father. Pari and Abdullah have no sense of the fate that awaits them there, for the event which unfolds will tear their lives apart; sometimes a finger must be cut to save the hand. Crossing generations and continents, moving from Kabul, to Paris, to San Francisco, to the Greek island of Tinos, with profound wisdom, depth, insight and compassion, Khaled Hosseini writes about the bonds that define us and shape our lives, the ways in which we help our loved ones in need, how the choices we make resonate through history and how we are often surprised by the people closest to us.

In this unflinching account of the ardent love affair between the author and her painting teacher, which began in the 1970s when she was a teenager and he was married with two children, Jill Ciment reflects on how their love ignited and interrogates her 1996 memoir on the subject, Half a Life. She asks herself whether she told the whole truth back then. What did truth look like to her in the era of love-bead curtains, when no one asked who was served by the permissibility of May-December romance? With new understanding about the imbalance of power between an older man and a minor girl, Ciment re-explores the erotic wild ride and intellectual flowering that shaped an improbable but blissful marriage that lasted for forty-five years, until her husband’s death at age ninety-three.