A Korean Charlotte's Web This is the story of a hen named Sprout. No longer content to lay eggs on command, only to have them carted off to the market, she glimpses her future every morning through the barn doors, where the other animals roam free, and comes up with a plan to escape into the wild—and to hatch an egg of her own. An anthem for freedom, individuality and motherhood featuring a plucky, spirited heroine who rebels against the tradition-bound world of the barnyard, The Hen Who Dreamed She Could Fly is a novel of universal resonance that also opens a window on Korea, where it has captivated millions of readers. And with its array of animal characters—the hen, the duck, the rooster, the dog, the weasel—it calls to mind such classics in English as Animal Farm and Charlotte’s Web. Featuring specially-commissioned illustrations, this first English-language edition of Sun-mi Hwang’s fable for our times beautifully captures the journey of an unforgettable character in world literature.

An elderly artist and her six-year-old granddaughter while away a summer together on a tiny island in the gulf of Finland. Gradually, the two learn to adjust to each other's fears, whims and yearnings for independence, and a fierce yet understated love emerges—one that encompasses not only the summer inhabitants but the island itself, with its mossy rocks, windswept firs and unpredictable seas. Full of brusque humour and wisdom, The Summer Book is a profoundly life-affirming story. Tove Jansson captured much of her own experience and spirit in the book, which was her favourite of the novels she wrote for adults. This new edition sees the return of a European literary gem—fresh, authentic and deeply humane.

Persuasion is Jane Austen's last completed novel. She began it soon after she had finished Emma, completing it in August 1816. She died, aged 41, in 1817; Persuasion was published in December that year (but dated 1818). Persuasion is linked to Northanger Abbey not only by the fact that the two books were originally bound up in one volume and published together, but also because both stories are set partly in Bath, a fashionable city with which Austen was well acquainted, having lived there from 1801 to 1805. Besides the theme of persuasion, the novel evokes other topics, such as the Royal Navy, in which two of Jane Austen's brothers ultimately rose to the rank of admiral. As in Northanger Abbey, the superficial social life of Bath-well known to Austen, who spent several relatively unhappy and unproductive years there-is portrayed extensively and serves as a setting for the second half of the book. In many respects Persuasion marks a break with Austen's previous works, both in the more biting, even irritable satire directed at some of the novel's characters and in the regretful, resigned outlook of its otherwise admirable heroine, Anne Elliot, in the first part of the story. Against this is set the energy and appeal of the Royal Navy, which symbolises for Anne and the reader the possibility of a more outgoing, engaged, and fulfilling life, and it is this worldview which triumphs for the most part at the end of the novel.

A haunting short novel set during the Soviet invasion of Afghanistan follows Dastaguir, an elderly man who witnesses the destruction of his village and the deaths of his family, who sets out through the devastated landscape, accompanied by his young grandson Yassin, left deaf from the bombing, to search for the coal mine where the boy's father works. A first novel. 20,000 first printing.

A haunting short novel set during the Soviet invasion of Afghanistan follows Dastaguir, an elderly man who witnesses the destruction of his village and the deaths of his family, who sets out through the devastated landscape, accompanied by his young grandson Yassin, left deaf from the bombing, to search for the coal mine where the boy's father works. A first novel. 20,000 first printing.

A coming-of-age story about one boy’s journey across contemporary Afghanistan to find and bring home the family dog, blending the grit and immediacy of voice-driven fiction like We Need New Names with the mythmaking of One Thousand and One Nights. Twelve-year-old Marwand’s memories from his previous visit to Afghanistan six years ago center on his contentious relationship with Budabash, the terrifying but beloved dog who guards his extended family’s compound in Logar. Eager to find an ally in this place that’s meant to be “home,” Marwand approaches Budabash the way he would any dog on his American suburban block—and the results are disastrous: Marwand loses a finger and Budabash escapes. The resulting search for the family dog is an expertly told adventure, a ninety-nine-night quest that sends Marwand and his cousins across the landscape of Logar. Moving between celebrations and tragedies, deeply humorous and surprisingly tender, 99 Nights in Logar is a vibrant exploration of the power of stories—the ones we tell each other, and the ones we find ourselves in.

Persuasion is Jane Austen's last completed novel. She began it soon after she had finished Emma, completing it in August 1816. She died, aged 41, in 1817; Persuasion was published in December that year (but dated 1818). Persuasion is linked to Northanger Abbey not only by the fact that the two books were originally bound up in one volume and published together, but also because both stories are set partly in Bath, a fashionable city with which Austen was well acquainted, having lived there from 1801 to 1805. Besides the theme of persuasion, the novel evokes other topics, such as the Royal Navy, in which two of Jane Austen's brothers ultimately rose to the rank of admiral. As in Northanger Abbey, the superficial social life of Bath-well known to Austen, who spent several relatively unhappy and unproductive years there-is portrayed extensively and serves as a setting for the second half of the book. In many respects Persuasion marks a break with Austen's previous works, both in the more biting, even irritable satire directed at some of the novel's characters and in the regretful, resigned outlook of its otherwise admirable heroine, Anne Elliot, in the first part of the story. Against this is set the energy and appeal of the Royal Navy, which symbolises for Anne and the reader the possibility of a more outgoing, engaged, and fulfilling life, and it is this worldview which triumphs for the most part at the end of the novel.

The prequel to We Were Liars takes readers back to the story of another summer, another generation, and the secrets that will haunt them for decades to come. A windswept private island off the coast of Massachusetts. A hungry ocean, churning with secrets and sorrow. A fiery, addicted heiress. An irresistible, unpredictable boy. A summer of unforgivable betrayal and terrible mistakes. Welcome back to the Sinclair family. They were always liars.