小さな村の少女・ココは、昔から魔法使いにあこがれを抱いていた。だが、生まれた時から魔法を使えない人は魔法使いになれないし、魔法をかける瞬間を見てはならない……。そのため、魔法使いになる夢は諦めていた。だが、ある日、村を訪れた魔法使い・キーフリーが魔法を使うところを見てしまい……。これは少女に訪れた、絶望と希望の物語。

Shannon Chakraborty, the bestselling author of The City of Brass, spins a new trilogy of magic and mayhem on the high seas in this tale of pirates and sorcerers, forbidden artifacts and ancient mysteries, in one woman’s determined quest to seize a final chance at glory—and write her own legend. Amina al-Sirafi should be content. After a storied and scandalous career as one of the Indian Ocean’s most notorious pirates, she’s survived backstabbing rogues, vengeful merchant princes, several husbands, and one actual demon to retire peacefully with her family to a life of piety, motherhood, and absolutely nothing that hints of the supernatural. But when she’s tracked down by the obscenely wealthy mother of a former crewman, she’s offered a job no bandit could refuse: retrieve her comrade’s kidnapped daughter for a kingly sum. The chance to have one last adventure with her crew, do right by an old friend, and win a fortune that will secure her family’s future forever? It seems like such an obvious choice that it must be God’s will. Yet the deeper Amina dives, the more it becomes alarmingly clear there’s more to this job, and the girl’s disappearance, than she was led to believe. For there’s always risk in wanting to become a legend, to seize one last chance at glory, to savor just a bit more power…and the price might be your very soul.

Once upon a time, Andrew had cut out his heart and given it to this boy, and he was very sure Thomas had no idea that Andrew would do anything for him. Protect him. Lie for him. Kill for him. High school senior Andrew Perrault finds refuge in the twisted fairytales that he writes for the only person who can ground him to reality—Thomas Rye, the boy with perpetually ink-stained hands and hair like autumn leaves. And with his twin sister, Dove, inexplicably keeping him at a cold distance upon their return to Wickwood Academy, Andrew finds himself leaning on his friend even more. But something strange is going on with Thomas. His abusive parents have mysteriously vanished, and he arrives at school with blood on his sleeve. Thomas won’t say a word about it, and shuts down whenever Andrew tries to ask him questions. Stranger still, Thomas is haunted by something, and he seems to have lost interest in his artwork—whimsically macabre sketches of the monsters from Andrew’s wicked stories. Desperate to figure out what’s wrong with his friend, Andrew follows Thomas into the off-limits forest one night and catches him fighting a nightmarish monster—Thomas’s drawings have come to life and are killing anyone close to him. To make sure no one else dies, the boys battle the monsters every night. But as their obsession with each other grows stronger, so do the monsters, and Andrew begins to fear that the only way to stop the creatures might be to destroy their creator…

The Emperor needs necromancers. The Ninth Necromancer needs a swordswoman. Gideon has a sword, some dirty magazines, and no more time for undead bullshit. Brought up by unfriendly, ossifying nuns, ancient retainers, and countless skeletons, Gideon is ready to abandon a life of servitude and an afterlife as a reanimated corpse. She packs up her sword, her shoes, and her dirty magazines, and prepares to launch her daring escape. But her childhood nemesis won't set her free without a service. Harrowhark Nonagesimus, Reverend Daughter of the Ninth House and bone witch extraordinaire, has been summoned into action. The Emperor has invited the heirs to each of his loyal Houses to a deadly trial of wits and skill. If Harrowhark succeeds she will become an immortal, all-powerful servant of the Resurrection, but no necromancer can ascend without their cavalier. Without Gideon's sword, Harrow will fail, and the Ninth House will die. Of course, some things are better left dead.

An original and darkly comedic murder mystery about a female personified Death whose sabbatical in modern-day London is rudely interrupted by a string of unplanned murders. Perfect for fans of Good Omens, The Good Place and Sophie Kinsella.Her job is to die for. Literally.Most people think that when they meet Death, it’ll be a skeleton in a black potato sack. Maybe with a scythe. Truth is, she’s just a woman doing a job and she’s very good at it.But when Death takes a much-needed break to live on earth, things start to go terribly wrong. Someone’s killing people not on her list (well, not yet anyway) and it's down to her to find the culprit before it’s too late.To make matters worse, her sanctimonious sister, Life – whom Death hasn’t got on with in millennia – won’t stop blaming her . . . And then there’s the slight problem of the charming (sexy) parasitologist she’s suspicious of.But she’ll be fine, right?After all, who better to investigate a murder than Death herself?Quirky, fun and witty, this is Death like you've never seen her before. A lover of bright colours, a fierce protector of nature and a human falling in love for the first time. Death's sharp voice will linger in your mind long after you've read.