Heartstopper meets A Knight’s Tale in this queer medieval rom-com YA debut about love, friendship, and being brave enough to change the course of history. It’s been hundreds of years since King Arthur’s reign. His descendant, Arthur, a future Lord and general gadabout, has been betrothed to Gwendoline, the quick-witted, short-tempered princess of England, since birth. The only thing they can agree on is that they despise each other. They’re forced to spend the summer together at Camelot in the run-up to their nuptials, and within 24 hours, Gwen has discovered Arthur kissing a boy, and Arthur has gone digging for Gwen's childhood diary and found confessions about her crush on the kingdom's only lady knight, Bridget Leclair. Realizing they might make better allies than enemies, Gwen and Art make a reluctant pact to cover for each other, and as things heat up at the annual royal tournament, Gwen is swept off her feet by her knight, and Arthur takes an interest in Gwen's royal brother. Lex Croucher's Gwen & Art Are Not in Love is chock full of sword-fighting, found family, and romantic shenanigans destined to make readers fall in love.

A bottle of Romanée-Conti sells for $785,000, while bodies are dug by hand from earthquake rubble in Indonesia because the local government couldn't afford the earthmoving equipment to do so while people were still alive. Elephants are shot and skinned by poachers and remote Indigenous communities are shut down for want of infrastructural funding. And with tenderness and humility, a simple gift of peanuts to magpies, sheep, and a tentative rat reframes the place of the human in the world. David Brooks' longstanding concerns for justice and the relationship between human and non-human animals infuse and enliven his work. Wise, lyrical, and timely, The Other Side of Daylight distils a long and honoured poetry career with a marvellous selection from his five previous volumes and The Peanut Vendor, a collection of forty-eight luminous new poems.

Lennon: Rule number one: Committing crimes is not a group project. Rule number two: Don’t start fights. Finish them. Rule number three: Don’t try to hustle a hustler. I should have walked away. I should have ignored that sweet-talking cowboy. Good things don’t happen to people like me. Good people stay away from people like me. But that cowboy wouldn’t leave me alone. He should have known better. After all, if you can’t stand the heat, get out of the kitchen. Carson James: Rule number one: When you’re holding a grudge, don’t think about how attractive the object of your hatred is. Rule number two: When you do think about how attractive she is, ignore it. It’ll go away. Probably. Rule number three: When you’re stealing a car, it helps to have the keys. That girl was trouble. I knew it from the moment I laid eyes on her bruised knuckles in the bar. The last thing I expected was for her to show up on the ranch and bring that trouble to my front door. I always liked playing with fire, but apparently, so did she. Only time will tell which one of us is going to get burned. Fire Line is the final book in the Griffith Brothers series. Get ready for a romance jam-packed with lust, heat, and danger.

The incredible true story of the women who fought America's Undark dangerThe Curies' newly discovered element of radium makes gleaming headlines across the nation as the fresh face of beauty, and wonder drug of the medical community. From body lotion to tonic water, the popular new element shines bright in the otherwise dark years of the First World War.Meanwhile, hundreds of girls toil amidst the glowing dust of the radium-dial factories. The glittering chemical covers their bodies from head to toe; they light up the night like industrious fireflies. With such a coveted job, these "shining girls" are the luckiest alive—until they begin to fall mysteriously ill.But the factories that once offered golden opportunities are now ignoring all claims of the gruesome side effects, and the women's cries of corruption. And as the fatal poison of the radium takes hold, the brave shining girls find themselves embroiled in one of the biggest scandals of America's early 20th century, and in a groundbreaking battle for workers' rights that will echo for centuries to come.Written with a sparkling voice and breakneck pace, The Radium Girls fully illuminates the inspiring young women exposed to the "wonder" substance of radium, and their awe-inspiring strength in the face of almost impossible circumstances. Their courage and tenacity led to life-changing regulations, research into nuclear bombing, and ultimately saved hundreds of thousands of lives.

A young, queer Palestinian American woman pieces together her great aunt’s secrets in this sweeping debut, a family saga confronting questions of sexual identity, exile, and lineage. In a Pacific Northwest hospital far from the Rummani family’s ancestral home in Palestine, the heart of a stillborn baby begins to beat and her skin turns a vibrant, permanent cobalt blue. On the same day, the Rummanis’ centuries-old soap factory in Nablus is destroyed in an air strike. The family matriarch and keeper of all Rummani lore, Aunt Nuha, believes that the blue girl embodies their sacred history, harkening to a time when the Rummanis were among the wealthiest soap-makers and their blue soap was a symbol of a legendary love. Decades later, Betty returns to her Aunt Nuha’s gravestone, faced with a difficult decision: Should she stay in the only country she’s every known or should she follow her heart for the woman she loves, perpetuating her family’s cycle of exile? Betty finds her answer in partially translated notebooks that reveal her aunt’s complex life and struggle with her own sexuality, which Nuha hid to help the family emigrate to the U.S. But as Betty soon discovers, her aunt hid much more than that. The Skin and Its Girl is a searing, poetic tale about desire and identity and a provocative exploration of how we let stories divide, unite, and define us—and even wield the power to restore a broken family. Sarah Cypher is that rare debut novelist who writes with the mastery and flair of a seasoned storyteller.

Lennon: Rule number one: Committing crimes is not a group project. Rule number two: Don’t start fights. Finish them. Rule number three: Don’t try to hustle a hustler. I should have walked away. I should have ignored that sweet-talking cowboy. Good things don’t happen to people like me. Good people stay away from people like me. But that cowboy wouldn’t leave me alone. He should have known better. After all, if you can’t stand the heat, get out of the kitchen. Carson James: Rule number one: When you’re holding a grudge, don’t think about how attractive the object of your hatred is. Rule number two: When you do think about how attractive she is, ignore it. It’ll go away. Probably. Rule number three: When you’re stealing a car, it helps to have the keys. That girl was trouble. I knew it from the moment I laid eyes on her bruised knuckles in the bar. The last thing I expected was for her to show up on the ranch and bring that trouble to my front door. I always liked playing with fire, but apparently, so did she. Only time will tell which one of us is going to get burned. Fire Line is the final book in the Griffith Brothers series. Get ready for a romance jam-packed with lust, heat, and danger.

On May 2, 1973, Black Panther Assata Shakur (aka JoAnne Chesimard) lay in a hospital, close to death, handcuffed to her bed, while local, state, and federal police attempted to question her about the shootout on the New Jersey Turnpike that had claimed the life of a white state trooper. Long a target of J. Edgar Hoover's campaign to defame, infiltrate, and criminalize Black nationalist organizations and their leaders, Shakur was incarcerated for four years prior to her conviction on flimsy evidence in 1977 as an accomplice to murder. This intensely personal and political autobiography belies the fearsome image of JoAnne Chesimard long projected by the media and the state. With wit and candor, Assata Shakur recounts the experiences that led her to a life of activism and portrays the strengths, weaknesses, and eventual demise of Black and White revolutionary groups at the hand of government officials. The result is a signal contribution to the literature about growing up Black in America that has already taken its place alongside The Autobiography of Malcolm X and the works of Maya Angelou. Two years after her conviction, Assata Shakur escaped from prison. She was given political asylum by Cuba, where she now resides.

In a faraway land where members of the royal family are named for the virtues they embody, one young boy will become a walking enigma. Born on the wrong side of the sheets, Fitz, son of Chivalry Farseer, is a royal bastard, cast out into the world, friendless and lonely. Only his magical link with animals - the old art known as the Wit - gives him solace and companionship. But the Wit, if used too often, is a perilous magic, and one abhorred by the nobility. So when Fitz is finally adopted into the royal household, he must give up his old ways and embrace a new life of weaponry, scribing, courtly manners; and how to kill a man secretly, as he trains to become a royal assassin.

In this gorgeous stand-alone fantasy romance perfect for fans of Margaret Rogerson and Allison Saft, a rebellious witch undertakes a last-ditch quest to restore magic to medieval Wales—as two princes vie for her heart. Ffion is the last hedgewitch in Foxhall. To work her magic, she takes only what nature can spare, unlike the witches of the powerful Foxhall coven, who sacrifice whole forests to fuel their spells. But across the warring kingdoms of Wales, all magic is fading. Even the dragons have vanished. Prince Taliesin would love nothing more than to watch magic die. But when his father charges Tal and his brother, Dafydd, with destroying King Offa’s dyke—the massive earthen wall raised by their Mercian enemies to the east, which may be the cause of magic’s disappearance—he begrudgingly seeks aid from a witch. Because whichever prince succeeds in destroying the dyke will win the throne, and Tal is willing to do whatever it takes to become king. Even if the Foxhall coven refuses to help him. Even if he’s forced to team up with a spitfire hedgewitch who hates him almost as much as he hates her magic. And even if Dafydd proves to be a worthier rival than he anticipated…for the crown, and for Ffion’s heart.

Lucy isn’t a normal girl. Ghost. Victim. Killer. She’s a doll on a mission—to find the man who killed her and return the favor. Lucy McQuinn has been murdered, but she’s not about to go quietly. If she doesn’t get to keep breathing, then neither does Kyle, her killer. Possessing the body of an antique doll, she sets out on a quest for revenge. But it’s hard when you’re eighteen inches tall and made of porcelain. For help, she turns to Nicola, a human and fellow outsider with her own reasons to hate Kyle. But in their small idyllic town, no one wants to hear the truth, especially not about such a promising young man. If they can’t expose his crimes, Lucy will have to roll up her lacy little sleeves and teach him a lesson the old-fashioned way—as slowly and painfully as possible. From LA Times bestselling author Barbara Truelove, She’s a Doll is a ghoulish and gleeful tribute to the unstoppable power of female rage and a love letter to the friends who have our back—in this life and the next.

This bold and genre-defying prose debut by the prizewinning poet incorporates social, historical, and supernatural elements to create a collection that is both contemporary and timeless, communal and deeply intimate. Kimberly Blaeser's singular stories center Anishinaabe characters who bring traditional tribal stories into contemporary experiences and break the stereotypes too often used to portray them. Here, we experience an Indigenous America inhabited by fancy dog contests, social protests, tree doctors, monsters, mosquitoes, and facial recognition software, all while blending, in the most exciting ways, the genre elements of magical realism, humor, horror, and speculative literary fiction. At the heart of the collection is the story ''Red Ants'', which opens on the rez between a jump rope chant and a test proctor's smile, where two girls learn how easily a life can be reduced to numbers, and how quickly those numbers can tilt ordinary days into something mythic, unsettling, and deeply human. Blaeser delves into the complexities of kinship and survival, exploring how the smallest moments of cruelty or tenderness can shape generations. For readers of Night of the Living Rez and Crooked Hallelujah speaking to larger issues of race, culture, and history, Red Ants explores alienation, displacement, and loneliness elevated through the precision of language, fierce emotional intelligence, and the haunting sense of place that permeates every page.

A highly anticipated, sweeping debut set in a unified Korea that tells the story of three estranged siblings—two human, one robot—as they collide against the backdrop of a murder investigation to settle old scores and make sense of their shattered childhood, perfect for fans of Klara and the Sun and We Are All Completely Beside Ourselves.In a reunified Korea of the future, robots have been integrated into society as surrogates, servants, children, and even lovers. Though boundaries between bionic and organic frequently blur, these robots are decidedly second-class citizens. Jun and Morgan, two siblings estranged for many years, are haunted by the memory of their lost brother, Yoyo, who was warm, sensitive, and very nearly human. Jun, a war veteran turned detective of the lowly Robot Crimes Unit in Seoul, becomes consumed by an investigation that reconnects him with his sister Morgan, now a prominent robot designer working for a top firm, who is, embarrassingly, dating one of her creations in secret. On the other side of Seoul in a junkyard filled with abandoned robots, eleven-year-old Ruijie sifts through scraps looking for robotic parts that might support her failing body. When she discovers a robot boy named Yoyo among the piles of trash, an unlikely bond is formed since Yoyo is so lifelike, he’s unlike anything she’s seen before. While Morgan prepares to launch the most advanced robot-boy of her career, Jun’s investigation sparks a journey through the underbelly of Seoul, unearthing deeper mysteries about the history of their country and their family. The three siblings must find their way back to each other to reckon with their pasts and the future ahead of them in this poignant and remarkable exploration of what it really means to be human.

On May 2, 1973, Black Panther Assata Shakur (aka JoAnne Chesimard) lay in a hospital, close to death, handcuffed to her bed, while local, state, and federal police attempted to question her about the shootout on the New Jersey Turnpike that had claimed the life of a white state trooper. Long a target of J. Edgar Hoover's campaign to defame, infiltrate, and criminalize Black nationalist organizations and their leaders, Shakur was incarcerated for four years prior to her conviction on flimsy evidence in 1977 as an accomplice to murder. This intensely personal and political autobiography belies the fearsome image of JoAnne Chesimard long projected by the media and the state. With wit and candor, Assata Shakur recounts the experiences that led her to a life of activism and portrays the strengths, weaknesses, and eventual demise of Black and White revolutionary groups at the hand of government officials. The result is a signal contribution to the literature about growing up Black in America that has already taken its place alongside The Autobiography of Malcolm X and the works of Maya Angelou. Two years after her conviction, Assata Shakur escaped from prison. She was given political asylum by Cuba, where she now resides.

Bloodhoof is the re-casting into compulsively spare modern verse of an ancient Eddic poem - but this only begins to hint at its attractions. It is a minimalist epic telling of the abduction of Gerdur Gymisdottir from the land of giants to the court of Freyr of the 'wolf-grey eyes', and the subsequent events culminating in the birth of her son and her hopes of being saved by her own kin. It is full of iron-hard rocks and ice, serpents in the breast gnawing at the harness of hope, but also wide-reaching fields of corn whispering in the breeze and a throne carved with beasts and dragons-heads. You could read the whole book in perhaps half an hour but it will take many months or years to begin to clear the ghosts and long-dead heroes from your mind.

A magnificent new novel from the bestselling, award-winning author of An American Marriage—Tayari Jones has written an unforgettable novel that sparkles with wit and intelligence and deep feeling about two lifelong friends whose worlds converge after many years apart in the face of a devastating tragedyVernice and Annie, two motherless daughters raised in Honeysuckle, Louisiana, have been best friends and neighbors since earliest childhood, but are fated to live starkly different lives. Raised by a fierce aunt determined to give her a stable home in the wake of her mother’s death, Vernice leaves Atlanta at eighteen for Spelman College, where she joins a sisterhood of powerfully connected Black women and marries into an affluent family. Annie, abandoned by her dissolute mother as a child, and fixated on the idea of finding her and filling the bottomless hole left by her absence, sets off on a journey that will take her into a world of peril and adversity, as well as love and adventure, and culminate in a battle for her life.A novel about mothers and daughters, about friendship and sisterhood, and the complexities of being a woman in the American South, Kin is an exuberant, emotionally rich, unforgettable work from one of the brightest and most irresistible voices in contemporary fiction.

Some poems are written. Others are living. Poems for Cigarettes by Priyanshu Modi is a collection born from quiet moments, heavy emotions, and the versions of ourselves we rarely put into words. Every poem carries a memory, a feeling, and a piece of the journey from escape to self-discovery. If you've ever found comfort in words, this book might feel like it was written for you. Priyanshu Modi is a poet and filmmaker from Delhi, India. He has been writing poems for most of his life. First, they were an escape. Then, a way to express. Then, a way to observe. And eventually, a way of being himself.