Parallel plotlines, one told in text and one in art, inform each other as a young girl unravels the mystery of a ghost next door. Mary is an orphan at the Thornhill Institute for Children at the very moment that it's closing down for good. But when a bully goes too far, Mary's revenge will have a lasting effect on the bully, on Mary, and on Thornhill itself. Years later, Ella moves to a new town where she has a perfect view of the dilapidated, abandoned Thornhill Institute. Determined to befriend the mysterious, evasive girl she sees there, Ella resolves to unravel Thornhill's history and uncover its secrets. Ella's story is told through striking, bold art; Mary's is told through diary entries. Each informs the other until the two eventually intersect to reveal the truth behind Thornhill's shadowy past, once and for all. Strikingly told and masterfully illustrated, Pam Smy bends genres and expectations alike.

From a dazzling new international voice, an audacious, darkly funny novel about a young woman whose carefully crafted office persona threatens to crack when she’s forced to attend her company’s annual retreatOn the surface, Marisa's life looks enviable. She lives in a beautiful apartment in the center of Madrid, she has a hot neighbor who is always around to sleep with her, and she’s quickly risen through the ranks at a successful advertising agency. And yet she’s drowning in a dark hole of existential dread induced by the banality of corporate life. Marisa hates her job and everyone at it. She spends her working hours locked in her office hiding from her coworkers, bingeing YouTube videos, and getting high on tranquilizers. When she has the time, she escapes to her favorite museum where she contemplates the meaning of life while staring at Hieronymus Bosch paintings, or trying to get hit by a car so she can go on disability.But Marisa's dubious success, which is largely built on lies and work she's stolen from other people, is in danger of being exposed when she's forced to go on her company’s team-building retreat. Isolated in the Segovia forests, haunted by the deeply buried memory of a former coworker, and surrounded by psychopathic bosses, overzealous coworkers, flirty retreat staff, and an excess of drugs, Marisa finds herself acting on her wildest impulses and is pushed to the brink of a complete spiral.

A practical witch must sabotage her beloved son's ascension to the throne in order to keep the kingdom from ruin, in this delightful cozy fantasy from the author of The Ruthless Lady’s Guide to Wizardry.Once upon a time, a somewhat wicked witch named Gretsella lived in a cozy little cottage in the Dark Forest of Brigandale. She dispensed herbs and tinctures at reasonable prices, met with her slightly oddball coven on a regular basis, and had absolutely no need of any further company whatsoever, thank you very much. But then one afternoon, Gretsella came home to find a screaming infant on her doorstep.Against all her better judgement, she took the baby in. She named him Bradley. Eighteen years later, Bradley has grown into a bafflingly likable young man under Gretsella’s extremely tolerant—one might even say doting—eye. But the witch’s hopes for an unremarkable yet fulfilling life for her son are shattered when small woodland animals start prophesying that he is the lost prince and should ascend to the throne. Bradley ignores Gretsella’s advice that prophecies and talking chipmunks are to be avoided at all costs, and sets off for the capital. But soon confusion and chaos are reigning, and scheming courtiers are using Bradley for their own ends. Sometimes a witch has to roll up her sleeves and take matters into her own cauldron. So Gretsella sets off to bring about the downfall of her darling son…

A practical witch must sabotage her beloved son's ascension to the throne in order to keep the kingdom from ruin, in this delightful cozy fantasy from the author of The Ruthless Lady’s Guide to Wizardry.Once upon a time, a somewhat wicked witch named Gretsella lived in a cozy little cottage in the Dark Forest of Brigandale. She dispensed herbs and tinctures at reasonable prices, met with her slightly oddball coven on a regular basis, and had absolutely no need of any further company whatsoever, thank you very much. But then one afternoon, Gretsella came home to find a screaming infant on her doorstep.Against all her better judgement, she took the baby in. She named him Bradley. Eighteen years later, Bradley has grown into a bafflingly likable young man under Gretsella’s extremely tolerant—one might even say doting—eye. But the witch’s hopes for an unremarkable yet fulfilling life for her son are shattered when small woodland animals start prophesying that he is the lost prince and should ascend to the throne. Bradley ignores Gretsella’s advice that prophecies and talking chipmunks are to be avoided at all costs, and sets off for the capital. But soon confusion and chaos are reigning, and scheming courtiers are using Bradley for their own ends. Sometimes a witch has to roll up her sleeves and take matters into her own cauldron. So Gretsella sets off to bring about the downfall of her darling son…

Emily Wilde has spent her life studying faeries. A renowned dryadologist, she has documented hundreds of species of Folk in her Encyclopaedia of Faeries. Now she is about to embark on her most dangerous academic project studying the inner workings of a faerie realm-as its queen.Along with her former academic rival-now fiancé-the dashing and mercurial Wendell Bambleby, Emily is immediately thrust into the deadly intrigues of Faerie as the two of them seize the throne of Wendell's long-lost kingdom, which Emily finds a beautiful nightmare, filled with scholarly treasures.Emily has been obsessed with faerie stories her entire life, but at first she feels as ill-suited to Faerie as she did to the mortal world-how could an unassuming scholar like herself pass for a queen? Yet there is little time to settle in-Wendell's murderous stepmother has placed a deadly curse upon the land before vanishing without a trace. It will take all of Wendell's magic-and Emily's knowledge of stories-to unravel the mystery before they lose everything they hold dear.

Tim Wu explores how today’s dominant platforms manipulate attention, extract wealth, and deepen inequality—urging us to recognize their influence and reclaim control to create a balanced economy that works for all.“The magic of Tim Wu’s The Age of Extraction is its simplicity. Wu deftly breaks down one of the greatest challenges of our age—the unaccountable power of tech platforms—into such digestible pieces that the solutions for what to do become dead obvious. Essential reading.”—Karen Hao, author of Empire of Dreams and Nightmares in Sam Altman’s OpenAI "It’s not just in your head—your online life is draining your wallet.... [The Age of Extraction is] a sharp and eye-opening introduction to how we arrived at platform capitalism—where no good click goes unmonetized.”—Kirkus Reviews Our world is dominated by a handful of tech platforms. They provide great conveniences and entertainment, but also stand as some of the most effective instruments of wealth extraction ever invented, seizing immense amounts of money, data, and attention from all of us. An economy driven by digital platforms and AI influence offers the potential to enrich us, and also threatens to marginalize entire industries, widen the wealth gap, and foster a two-class nation. As technology evolves and our markets adapt, can society cultivate a better life for everyone? Is it possible to balance economic growth and egalitarianism, or are we too far gone?Tim Wu—the preeminent scholar and former White House official who coined the phrase “net neutrality”—explores the rise of platform power and details the risks and rewards of working within such systems. The Age of Extraction tells the story of an Internet that promised widespread wealth and democracy in the 1990s and 2000s, only to create new economic classes and aid the spread of autocracy instead.  Wu frames our current moment with lessons from recent history—from generative AI and predictive social data to the antimonopoly and crypto movements—and envisions a future where technological advances can serve the greatest possible good. Concise and hopeful, The Age of Extraction offers consequential proposals for taking back control in order to achieve a better economic balance and prosperity for all.

Tim Wu explores how today’s dominant platforms manipulate attention, extract wealth, and deepen inequality—urging us to recognize their influence and reclaim control to create a balanced economy that works for all.“The magic of Tim Wu’s The Age of Extraction is its simplicity. Wu deftly breaks down one of the greatest challenges of our age—the unaccountable power of tech platforms—into such digestible pieces that the solutions for what to do become dead obvious. Essential reading.”—Karen Hao, author of Empire of Dreams and Nightmares in Sam Altman’s OpenAI "It’s not just in your head—your online life is draining your wallet.... [The Age of Extraction is] a sharp and eye-opening introduction to how we arrived at platform capitalism—where no good click goes unmonetized.”—Kirkus Reviews Our world is dominated by a handful of tech platforms. They provide great conveniences and entertainment, but also stand as some of the most effective instruments of wealth extraction ever invented, seizing immense amounts of money, data, and attention from all of us. An economy driven by digital platforms and AI influence offers the potential to enrich us, and also threatens to marginalize entire industries, widen the wealth gap, and foster a two-class nation. As technology evolves and our markets adapt, can society cultivate a better life for everyone? Is it possible to balance economic growth and egalitarianism, or are we too far gone?Tim Wu—the preeminent scholar and former White House official who coined the phrase “net neutrality”—explores the rise of platform power and details the risks and rewards of working within such systems. The Age of Extraction tells the story of an Internet that promised widespread wealth and democracy in the 1990s and 2000s, only to create new economic classes and aid the spread of autocracy instead.  Wu frames our current moment with lessons from recent history—from generative AI and predictive social data to the antimonopoly and crypto movements—and envisions a future where technological advances can serve the greatest possible good. Concise and hopeful, The Age of Extraction offers consequential proposals for taking back control in order to achieve a better economic balance and prosperity for all.

Cartography enthusiasts rejoice: the bestselling author of the Just My Type reveals the fascinating relationship between man and map. Simon Garfield’s Just My Type illuminated the world of fonts and made everyone take a stand on Comic Sans and care about kerning. Now Garfield takes on a subject even dearer to our fanatical human hearts: maps. Imagine a world without maps. How would we travel? Could we own land? What would men and women argue about in cars? Scientists have even suggested that mapping—not language—is what elevated our prehistoric ancestors from ape-dom. Follow the history of maps from the early explorers’ maps and the awe-inspiring medieval Mappa Mundi to Google Maps and the satellite renderings on our smartphones, Garfield explores the unique way that maps relate and realign our history—and reflect the best and worst of what makes us human. Featuring a foreword by Dava Sobel and packed with fascinating tales of cartographic intrigue, outsize personalities, and amusing “pocket maps” on an array of subjects from how to fold a map to the strangest maps on the Internet, On the Map is a rich historical tapestry infused with Garfield’s signature narrative flair. Map-obsessives and everyone who loved Just My Type will be lining up to join Garfield on his audacious journey through time and around the globe.

A portrait of flourishing desire in a body ever-changing As she examines her life experience and traumas with great care, Delporte faces the questions about gender and sexuality that both haunt and entice her. Deeply informed by her personal relationships as much as queer art and theory, Portrait of a Body is both a joyous and at times hard meditation on embodiment―a journey to be reunited with the self in an attempt to heal pain and live more authentically. Delporte's idyllic colored pencil drawings contrast with the near urgency that structures her confessional memoir. Each page is laden with revelation and enveloped in organic, natural shapes―rocks, flowers, intertwined bodies, women's hair blowing in the wind―captured with devotion. The vitality of these forms interspersed with Delporte’s flowing handwriting hold space for her vivid and affecting observations. Skillfully translated by Helge Dascher and Karen Houle, Portrait of a Body provokes us to remain open to the lessons our bodies have on offer.