In this stunning debut novel—a tale of self-discovery and feminist awakening—a feisty Nigerian-Ghanaian girl growing up amid the political upheaval of late 1960s postcolonial Ghana begins to question the hypocrisy of her patriarchal society, and the restrictions and unrealistic expectations placed on women. Young Esi Agyekum is the unofficial “secret keeper” of her family, as tight-lipped about her father's adultery as she is about her half-sisters’ sex lives. But after she is humiliated and punished for her own sexual exploration, Esi begins to question why women's secrets and men's secrets bear different consequences. It is the beginning of a journey of discovery that will lead her to unexpected places. As she navigates her burgeoning womanhood, Esi tries to reconcile her own ideals and dreams with her family’s complicated past and troubled present, as well as society’s many double standards that limit her and other women. Against a fraught political climate, Esi fights to carve out her own identity, and learns to manifest her power in surprising and inspiring ways.  Funny, fresh, and fiercely original, The Teller of Secrets marks the American debut of one of West Africa's most exciting literary talents. 

It is the story of four seekers who arrive at a notoriously unfriendly pile called Hill House: Dr. Montague, an occult scholar looking for solid evidence of a "haunting"; Theodora, the lighthearted assistant; Eleanor, a friendless, fragile young woman well acquainted with poltergeists; and Luke, the future heir of Hill House. At first, their stay seems destined to be merely a spooky encounter with inexplicable phenomena. But Hill House is gathering its powers—and soon it will choose one of them to make its own.

Alternate cover edition for 9780802135162 This is the story of Jeanette, adopted and brought up by her mother as one of God's elect. Zealous and passionate, she seems destined for life as a missionary, but then she falls for one of her converts. At sixteen, Jeanette decides to leave the church, her home and her family, for the young woman she loves. Innovative, punchy and tender, Oranges Are Not the Only Fruit is a few days ride into the bizarre outposts of religious excess and human obsession.

Serrano is an isolated village where a madwoman roams. But is she really mad or is she marginalized because she is wise and a woman? Could her babbling be prophecy? One day a girl falls from the sky and is found in the forest by Jeronimo. The villagers are suspicious of the newcomer, but Jeronimo falls in love with her. When she gives birth and disappears, Jeronimo takes care of the child, naming her Filipa. Years later, estranged from Jeronimo after being taken from the village in mysterious circumstances, Filipa is a successful businesswoman in the city. Her memories of growing up in Serrano and her friendship with the madwoman become increasingly vivid. When the madwoman's warnings come true and Serrano's sheltered existence is threatened by plans to build a dam, Jeronimo heads for the city himself. Will he and Filipa finally be reunited?

Cat St. Clair is ready for her messy love triangle era now that she’s in an open relationship. But she didn’t foresee a forbidden love triangle with the only two people who are her boyfriend’s best friend and his girlfriend. Being a twenty-something writer who lives for plot, she falls for them anyway, with deliciously disastrous consequences, in this electric literary debut for fans of Xochitl Gonzalez, Coco Mellors, Lily King, and Raven Leilani.It’s the fall of 2024, and twenty-four-year-old Cat isn’t asking for too all she wants is three boyfriends, to write her little novels, and to survive another chaotic presidential election. She’s in an open relationship with her college sweetheart Jay, but nonmonogamy isn’t just a hot trend she’s trying. It’s her sliver of freedom in a world eager to wrestle it from her for being a Black woman going after what she wants with reckless abandon. While political tensions roil the campus where Cat is slowly earning her creative writing degree, she finds herself drawn Jay’s best friend, Tristan, who’s smart, super hot, and…in a monogamous relationship. And then she meets Tristan’s girlfriend, Nia, a captivating art student with her own gravitational pull. Friends and family urge her to just be happy with Jay, but Cat is determined to have it all—or blow up her life trying. As she falls for all the wrong people, racking up lies, betrayals, and terrible drafts of her novel, she tries to write her way to a happy ending. But in art, politics, and love, true liberation may take more than rewriting the old scripts. It may mean inventing something entirely new.

Prize-winning novel by one of the foremost writers of her generation, explores the horror and beauty of being sixteen-years-old. In a Norwegian November, when it is dark at waking and dark at sleeping, a novelist in her sixties sits next to a teenaged girl at the opera, and through their padded jackets feels a dreadfully familiar tension conducted from the parents seated on her far side. She thinks back to her sixteenth year. The year she first got drunk and the year she first had sex with a boy. A year of being circled by an anxious, hawkish mother and, at a notable distance, her silent father. The year her family made an unspoken decision, and an unspeakable sacrifice.

A scalding, darkly humorous debut following an enmeshed mother-daughter duo, both best friends and enemies, and the plastic surgery addiction that warps their lives into a perilous spiral At twenty-six, Linli Feng is still trying to escape her mother Fanny’s orbit. But after three years of estrangement, just when Linli has been accepted into a prestigious graduate program, she is dragged back by Fanny’s latest medical catastrophe and forced to return home. For decades, Fanny has been addicted to plastic surgery, getting bargain procedures in the basements of LA’s bootleg beauty industry. Now Fanny’s disfigured face is in dangerous revolt, infected and collapsing yet again from black-market injectables. But even as Linli wades through the wreck of family finances and juggles her mother’s medical care, Fanny has another secret in store. Fanny has won a spot on America’s Beauty Extreme, a reality television competition in which botched plastic surgery addicts compete for reconstructive surgery as riveted audiences tune in. When Linli attempts to rescue Fanny from the sinister subculture that has already claimed her mother’s face, she must at last confront the corrosive reality of American success that is at the fraught heart of their relationship.

The rich and deeply personal debut memoir by an award-winning Palestinian American writer, whose experience of motherhood via surrogacy forces her to reckon with her own past, and the legacy of her family’s exile and displacement, shaping the stories that will build her future.After a decade of yearning for a child, years marked by miscarriage after miscarriage, Hala Alyan makes the decision to use a surrogate. As her baby grows in the body of another woman, in another country, Hala finds her own life unraveling—her husband wants to leave; her mental health grows brittle; the city of her youth, Beirut, is collapsing. She turns to the stories of her family, of her grandmothers long gone, and maps their jagged paths from Palestine, Kuwait, Syria, Lebanon, summoning memories and tales of invading armies, midnight escapes across deserts, places of refuge that proved temporary. She recalls the contradictions of a Midwestern childhood and years spent throughout the Arab world; the identities she tried on like outfits; the stories of men who walked away and those of women who disappeared in less obvious ways; the decisions they’d all have to make again and again—what to take and what to leave behind. Meanwhile, as the baby grows from the size of a poppyseed to that of a grain of rice, then a lime, and on and on, Hala gathers these stories that are her legacy, setting down the ones that no longer serve her, holding close those that will set her free. It is emotionally charged, painstaking work, but now the stakes are much larger, extending beyond her own existence. How does one impart love for people who are no longer here, for places that one cannot touch? How to become someone else’s home, someone else’s safe place, when home and safety have eluded you? A stunningly lyrical, raw, and powerful quest for motherhood, selfhood, and peoplehood, I’ll Tell You When I’m Home is an indelible story of unraveling and becoming, of destruction and redemption, and of homelands lost and recreated.

The pioneering novel of physical disability, transatlantic travel, and black international politics. A vital document of black modernism and one of the earliest overtly queer fictions in the African American tradition. Published for the first time. Buried in the archive for almost ninety years, Claude McKay's Romance in Marseille traces the adventures of a rowdy troupe of dockworkers, prostitutes, and political organizers--collectively straight and queer, disabled and able-bodied, African, European, Caribbean, and American. Set largely in the culture-blending Vieux Port of Marseille at the height of the Jazz Age, the novel takes flight along with Lafala, an acutely disabled but abruptly wealthy West African sailor. While stowing away on a transatlantic freighter, Lafala is discovered and locked in a frigid closet. Badly frostbitten by the time the boat docks, the once-nimble dancer loses both of his lower legs, emerging from life-saving surgery as what he terms "an amputated man." Thanks to an improbably successful lawsuit against the shipping line, however, Lafala scores big in the litigious United States. Feeling flush after his legal payout, Lafala doubles back to Marseille and resumes his trans-African affair with Aslima, a Moroccan courtesan. With its scenes of black bodies fighting for pleasure and liberty even when stolen, shipped, and sold for parts, McKay's novel explores the heritage of slavery amid an unforgiving modern economy. This first-ever edition of Romance in Marseille includes an introduction by McKay scholars Gary Edward Holcomb and William J. Maxwell that places the novel within both the "stowaway era" of black cultural politics and McKay's challenging career as a star and skeptic of the Harlem Renaissance.

From the National Book Award–longlisted author of The Need comes an extraordinary novel about a wife and mother who—after losing her job to AI—undergoes a procedure that renders her undetectable to surveillance…but at what cost? In a city addled by climate change and populated by intelligent robots called “hums,” May loses her job to artificial intelligence. In a desperate bid to resolve her family’s debt and secure their future for another few months, she becomes a guinea pig in an experiment that alters her face so it cannot be recognized by surveillance. Seeking some reprieve from her recent hardships and from her family’s addiction to their devices, she splurges on passes that allow them three nights’ respite inside the Botanical Garden: a rare green refuge where forests, streams, and animals flourish. But her insistence that her son, daughter, and husband leave their devices at home proves far more fraught than she anticipated, and the lush beauty of the Botanical Garden is not the balm she hoped it would be. When her children come under threat, May is forced to put her trust in a hum of uncertain motives as she works to restore the life of her family. Written in taut, urgent prose, Hum is a work of speculative fiction that unflinchingly explores marriage, motherhood, and selfhood in a world compromised by global warming and dizzying technological advancement, a world of both dystopian and utopian possibilities. As New York Times bestselling author Jeff VanderMeer says, “Helen Phillips, in typical bravura fashion, has found a way to make visible uncomfortable truths about our present by interrogating the near-future.”

Bestselling young adult author Mary H.K. Choi debuts a brilliantly observed adult novel about mothers, daughters and the complexity of family set against the backdrop of Hollywood.Stevie Moon cannot escape her mother. Abandoning college plans to work a dead-end job, her days are a purgatorial bore. Many dream of moving to L.A. and into the spotlight, but Stevie can’t wait to move away from it, and her mother’s orbit, to start over.Delilah (not her real name) or “Moon” (as everyone calls her) is many an out-of-work actress, a former alcoholic, whatever a mistress becomes when she’s widowed, and a mother. Reeling in the aftermath of her lover and TV husband’s death, Moon struggles to process her grief. And the last thing she expects is for Stevie to leave her too.Unable to afford their home, Moon and Stevie rent it out and live in their glass pool house. But when Adam, Moon’s former TV son and Stevie’s forever crush, arrives for the funeral, the three are pulled into a messy orbit, moving back into the ‘Big House’ and playacting a picture-perfect family even as tensions rise and relationships unravel.POOL HOUSE is a course charted through the wilderness of motherhood, a story about the challenges of navigating class, fame, burgeoning sexuality, and grief as two women grapple with what it means to grow up and grow older in Tinseltown.

A bold, poignant essay collection that treats women’s friendships as the love stories they truly are, from the critically acclaimed author of Negative Space. Lilly Dancyger always thought of her closest friendships as great loves, complex and profound as any romance. When her beloved cousin was murdered just as both girls were entering adulthood, Dancyger felt a new urgency in her devotion to the women in her life—a desire to hold her friends close while she still could. In First Love, this urgency runs through a striking exploration of the bonds between women, from the intensity of adolescent best friendship and fluid sexuality to mothering and chosen family. Each essay in this incisive collection is grounded in a close female friendship in Dancyger’s life, reaching outward to dissect cultural assumptions about identity and desire, and the many ways women create space for each other in a world that wants us small. Seamlessly weaving personal experience with literature and pop culture—ranging from fairytales to true crime, from Anaïs Nin and Sylvia Plath to Heavenly Creatures and the “sad girls” of Tumblr—Dancyger’s essays form a kaleidoscopic story of a life told through friendships, and an expansive interrogation of what it means to love each other. Though friendship will never be enough to keep us safe from the dangers of the world, Dancyger reminds us that love is always worth the risk, and that when tragedy strikes, it’s our friends who will help us survive. In First Love, these essential bonds get their due.

Call Me By Your Name meets Elena Ferrante in this debut coming-of-age novel about a young girl who spends summers working at her family’s timeworn Italian agriturismo, the tragedy that rends her life into “before” and “after,” and her romance with an American girl, which has unexpected consequencesTo ten-year-old Leo, life is a collection. She spends her mornings tidying the rooms of her Nonna Tina’s timeworn Italian agriturismo, carefully accumulating the curious bits of left-behind detritus from guests—a pearl earring, a lock of hair. Her nights are suffused with gathering the stories that flow from her father’s lips—liquor-spun tales of Odysseus and the Trojans in secret battle. But when an accident rips the gentle membrane of Leo’s childhood, she is left vulnerable to the pains and pleasures of growing up. Years later, in a sultry summer not unlike the many that came before, the agriturismo is the only thing that remains the same. Nonna Tina has grown older, Leo’s brother Max is intractable and mercurial, and the curiosity Leo so loved to feed as a child has turned into something more confusing. When she meets Dolores, an American girl made brilliant by Leo’s perception of her, she can’t help but gather all the experiences first love promises, while shedding parts of the past she no longer fits into. Embroidering the atmospheric yearning of Call Me By Your Name with the precise, elevated prose of Elena Ferrante, Sofia Montrone’s jaw-dropping debut revels in the exuberant highs and awkward lows of girlhood and captures the universal experiences of trying to hold on to what is elusive, to deny what cannot be faced, and to say what cannot be said.

A single Black lawyer puts her career and personal moral code at risk when she moves in with her coffee entrepreneur boyfriend and his doomsday-prepping roommates in a novel that’s packed with tension, curiosity, humor, and wit from a writer with serious comedy credentials. In the wake of her parents’ death, Aretha, a habitually single Black lawyer, has had only one obsession in life—success—until she falls for Aaron, a coffee entrepreneur. Moving into his Brooklyn brownstone to live along with his Hurricane Sandy-traumatized, illegal-gun-stockpiling, optimized-soy-protein-eating, bunker-building roommates, Aretha finds that her dreams of making partner are slipping away, replaced by an underground world, one of selling guns and training for a doomsday that’s maybe just around the corner. For readers of Victor LaValle’s The Changeling, Paul Beatty’s The Sellout, and Zakiya Harris’s The Other Black Girl, The Survivalists is a darkly humorous novel from a smart and relevant new literary voice that’s packed with tension, curiosity and wit, and unafraid to ask the questions most relevant to a new generation of Americans: Does it make sense to climb the corporate ladder? What exactly are the politics of gun ownership? And in a world where it’s nearly impossible for young people to earn enough money to afford stable housing, what does it take in order to survive?

Plunge into this hypnotic tale of female sexuality and power Two women arrive in a village on the Spanish coast. Rose is suffering from a strange illness and her doctors are mystified. Her daughter Sofia has brought her here to find a cure with the infamous and controversial Dr Gomez - a man of questionable methods and motives. Intoxicated by thick heat and the seductive people who move through it, both women begin to see their lives clearly for the first time in years. Through the opposing figures of mother and daughter, Deborah Levy explores the strange and monstrous nature of womanhood. Dreamlike and utterly compulsive, Hot Milk is a delirious fairy tale of feminine potency, a story both modern and timeless.

My Brilliant Friend meets Blue is the Warmest Color in this lyrical debut novel set in a working-class neighborhood of the Canary Islands—a story about two girls coming of age in the early aughts and a friendship that simmers into erotic desire over the course of one hot summer. High near the volcano of northern Tenerife, an endless ceiling of cloud cover traps the working class in an abject, oppressive heat. Far away from the island’s posh resorts, two girls dream of hitching a ride down to the beach and escaping their horizonless town. It’s summer, 2005, and our ten-year-old narrator is consumed by thoughts of her best friend Isora. Isora is rude and bossy, but she’s also vivacious and brave; grownups prefer her, and boys do, too. That's why sometimes she gets jealous of Isora, who already has hair on her vagina and soft, round breasts. But she's definitely not jealous that Isora’s mother is dead, nor that Isora's fat, foul-mouthed grandmother has her on a diet, so that she is constantly sticking her fingers down her throat. Besides, she would do anything for Isora: gorge herself on cakes when her friend wants to watch, follow her to the bathroom when she takes a shit, log into chat rooms to swap dirty instant messages with strangers. But increasingly, our narrator finds it hard to keep up with Isora, who seems to be growing up at full tilt without her—and as her submissiveness veers into a painful sexual awakening, desire grows indistinguishable from intimate violence. Braiding prose poetry with bachata lyrics and the gritty humor of Canary dialect, Dogs of Summer is a story of exquisite yearning, a brutal picture of girlhood and a love song written for the vital community it portrays.

First published in 1990, The Sexual Politics of Meat is a landmark text in the ongoing debates about animal rights. In the two decades since, the book has inspired controversy and heated debate.Praise for The Sexual Politics of Meat:CAROL J. ADAMS is the author of The Pornography of Meat (Continuum, 2004), and co-author of Beyond Animal Rights (Continuum, 2000), and The Bedside, Bathtub, and Armchair Companion to Jane Austen (Continuum, 2008). She has toured as a speaker throughout the United States, Canada, and Europe. More information can be found at her website: http://www.triroc.com/caroladams

The surrogacy industry is worth over 1 billion dollars a year, and many of its surrogates work in terrible conditions, while many gestate babies for no pay at all. Should it be illegal to pay someone to gestate a baby for you? Full Surrogacy Now brings a fresh and unique perspective to the debate. Rather than making surrogacy illegal or allowing it to continue as is, Sophie Lewis argues we should be looking to radically transform it. Surrogates should be put front and centre, and their rights towards the babies they gestate should be expanded to acknowledge that surrogates are more than mere vessels. In doing so, we break down our assumptions that children necessarily belong to those whose genetics they share. This might sound like a radical proposal, but expanding our idea of who children belong to would be a good thing. Taking collective responsibility for children, rather than only caring for the ones we share DNA with, would radically transform notions of kinship. Adopting this expanded concept of surrogacy helps us see that it always, as the saying goes, takes a village to raise a child.

Masks takes its name from the Noh masks of Japanese dramas, and much is made of spirit possession. This is a curiously elegant and scandalous tale of sexual deception and revenge. Ibuki loves widow Yasuko who is young, charming and sparkling with intelligence as well as beauty. His friend, Mikame, desires her too but that is not the difficulty. What troubles Ibuki is the curious bond that has grown between Yasuko and her mother-in-law, Mieko, a handsome, cultivated yet jealous woman in her fifties, who is manipulating the relationship between Yasuko and the two men who love her.