WOMB CITY imagines a dark and deadly future Botswana, rich with culture and true folklore, which begs the question: how far must one go to destroy the structures of inequality upon which a society was founded? How far must a mother go to save the life of her child? Nelah seems to have it all: wealth, fame, a husband, and a child on the way. But in a body her husband controls via microchip and the tailspin of a loveless marriage, her hopes and dreams come to a devastating halt. A drug-fueled night of celebration ends in a hit-and-run. To dodge a sentencing in a society that favors men, Nelah and her side-piece, Janith Koshal, finish the victim off and bury the body. But the secret claws its way into Nelah's life from the grave. As her victim's vengeful ghost begins exacting a bloody revenge on everyone Nelah holds dear, she'll have to unravel her society's terrible secrets to stop those in power, and become a monster unlike any other to quench the ghost's violent thirst.

Nearly 25 years after Housekeeping, Marilynne Robinson returns with an intimate tale of three generations, from the Civil War to the 20th century: a story about fathers and sons and the spiritual battles that still rage at America's heart. In the words of Kirkus, it is a novel "as big as a nation, as quiet as thought, and moving as prayer. Matchless and towering." GILEAD tells the story of America and will break your heart.

A bold, inventive, and fiercely original debut novel that begins with an uncle dead and his tween niece’s private confession to the reader—she and her sister killed him, and they blame the British. Summer, 1986. The Creel sisters, Georgie Ayyar and Agatha Krishna, welcome their aunt, uncle and young cousin—newly arrived from India—into their house in rural Wyoming where they’ll all live together. Because this is what families do. That is, until the sisters decide that it’s time for their uncle to die. According to Georgie, the British are to blame. And to understand why, you need to hear her story. She details the violence hiding in their house and history, her once-unshakeable bond with Agatha Krishna, and her understanding of herself as an Indian-American in the heart of the West. Her account is, at every turn, cheeky, unflinching, and infectiously inflected with the trappings of teendom, including the magazine quizzes that help her make sense of her life. At its heart, the tale she weaves is: a) a vivid portrait of an extended family b) a moving story of sisterhood c) a playful ode to the 80s d) a murder mystery (of sorts) e) an unexpected and unwaveringly powerful meditation on history and language, trauma and healing, and the meaning of independence Or maybe it’s really: f) all of the above.

A young attorney must choose between the prestige of partnership and  the American Dream that she — and her immigrant parents — have come so close to achieving in this riveting debut In the eyes of her corporate law firm, Ingrid Yung is a "two-fer." As a Chinese-American woman about to be ushered into the elite rank of partner, she's the face of Parsons Valentine & Hunt LLP's recruiting brochures--their treasured "Golden Girl." But behind the firm’s welcoming façade lies the scotch-sipping, cigar-smoking old-boy network that shuts out lawyers like Ingrid. To compensate, Ingrid gamely plays in the softball league, schmoozes in the corporate cafeteria, and puts in the billable hours — until a horrifically offensive performance at the law firm's annual summer outing throws the carefully constructed image way out of equilibrium. Scrambling to do damage control, Parsons Valentine announces a new "Diversity Initiative" and commands a reluctant Ingrid to spearhead the effort, taking her priority away from the enormous deal that was to be the final step in securing partnership. For the first time, Ingrid finds herself at odds with her colleagues — including her handsome, golden-boy boyfriend — in a clash of class, race, and sexual politics. "Smart, incisive, and fast-paced, THE PARTNER TRACK is a sparklingly readable look at the inner workings of a Wall Street law firm -- from the vantage point of a brainy, beautiful and self-doubting Asian-American associate. Wan has the remarkable ability to make you feel as if "you are there" -- inside the law firm, inside protagonist Ingrid Yung's head. I did not want to put this book down." –Susan Cain, New York Times bestselling author of "QUIET: The Power of Introverts in a World That Can't Stop Talking" "A wholly engrossing behind-the-scenes look at real life behind the pomp, power and prestige of a high-powered law firm that wants to still play by a 1950s rule book." –Emma McLaughlin & Nicola Kraus, co-authors of "Citizen Girl" "Hell hath no fury like Helen Wan's savvy heroine in this terrific debut. We all know women like Ingrid Yung: the well-educated over-achiever who does everything right to ensure a long, productive journey on a lucrative career path. But what happens when someone blows up the path? The Partner Track is a delicious, satisfying read for anyone who has fantasized about getting the better of the boss, the ex-lover, the corporate powers that be--or all three. Ingrid Yung has done it for all of us." –Kristin van Ogtrop, editor of REAL SIMPLE "Behind Helen Wan's wit and sparkling prose is a poignant and at times, painfully honest tale of loyalty, ambition and sacrifice. Funny, fragile, sometimes bold, often unsure, Ingrid Yung is one of those unforgettable heroines that you actually miss, like a dear friend, when the story’s over." –Ann Leary, New York Times bestselling author of "The Good House" "What a terrific debut novel. Ingrid Yung is a fresh, funny, and fearless heroine. Her razor-sharp wit and keen observations of gender, race and class politics in corporate America make THE PARTNER TRACK an entertaining, engrossing and ultimately deeply compelling read." –Cristina Alger, author of "The Darlings" "The Partner Track is a marvelous story about female ambition and power, about betrayal, identity, and the conflict between self-interest and desire. In short: all the big, human stuff. Read it." –Alison Clement, author of "Twenty Questions"

In the waning days of the South African apartheid, Milla, an elderly white woman, is silenced by a creeping paralysis. As she struggles to communicate with her maidservant turned caretaker, Agaat, the complicated history of their relationship is revealed. Life for white farmers in 1950s South Africa was full of promise. Young and newly married, Milla carved her own farm out of a swathe of Cape mountainside. She earned the respect of the male farmers in her community and raised a son. But forty years later all she has left are memories and the proud, contrary Agaat. With punishing precision, yet infinite tenderness, Agaat performs her duties, balancing anger with loyalty. As Milla’s white world and its certainties recede and Agaat faces the prospect of freedom, the shift of power between them mirrors the historic changes happening around them. Marlene van Niekerk’s epic masterpiece portrays how two women—and, perhaps, a nation—can forge a path toward understanding and reconciliation.

A provocative and thoroughly feminist “cult classic” (The New Yorker) about a smart, sensitive, yet deeply troubled young woman fighting to live on her own terms. I am glad I have the radiance. This time I am wiser. No one will know… The radiance drifts blue circles around my head. If I wanted to I could float up and through them. I am weightless. My brain is cool like rippling waves. Conflict does not exist. For a moment I cannot see—the lights are large orange flowers. Ellen has two lives. A single artist living alone on New York’s Upper West Side in the 1970s, she periodically descends into episodes she describes as “radiances.” While under the influence of the radiance, she becomes Princess Esmeralda, and West 72nd Street the kingdom over which she rules. Life as Esmeralda is a colorful, glorious, liberating experience for Ellen, and despite the chaos and stigma these episodes can bring, she relishes the respite from the confines of the everyday. And yet those around her, particularly the men in her life, are threatened by her incarnation as Esmeralda and the freedom it gives her. In what would turn to be her final published work, originally released in 1979, Elaine Kraf tackles a dark and disturbing subject in an utterly original, witty, and inventive manner. Provocative at the time of its publication and thoroughly iconoclastic, The Princess of 72nd Street is a remarkable portrait of an unforgettable woman.

2014: A great poem is read aloud and never heard again. For generations, people speculate about its message, but no copy has yet been found. 2119: The lowlands of the UK have been submerged by rising seas. Those who survive are haunted by the richness of the world that has been lost.Tom Metcalfe, an academic at the University of the South Downs, part of Britain’s remaining island archipelagos, pores over the archives of that distant era, captivated by the freedoms and possibilities of human life at its zenith. When he stumbles across a clue that may lead to the lost poem, a story is revealed of entangled loves and a crime that destroy his assumptions about people he thought he knew intimately well.What We Can Know is a masterpiece, a fictional tour de force that reclaims the present from our sense of looming catastrophe, and imagines a future world where all is not quite lost.

Meet the Mikkola sisters: Ina, Evelyn, and Anastasia. Their mother is a Tunisian carpet seller, their father a mysterious Swede who left them when they were young. Ina is tall, serious, a compulsive organizer. Evelyn is dreamy, magnetic, a smooth talker. Anastasia is moody, chaotic, a shape-shifting presence, quick to anger. Ina meets her future husband when her sisters drag her to a New Year’s rave, only to suffer the ultimate betrayal. Evelyn drifts through life before embarking on a wild career as an actor. And Anastasia runs off to Tunisia, where she falls in love with a woman who, years later, will transform her life. Following the sisters from afar is Jonas, the son of a Swedish mother and a Tunisian father. Over the course of three decades, his life intersects with the sisters, from a chance encounter in Tunis to the scene of a fighter jet crash in Stockholm. When Evelyn disappears on a trip to New York, Jonas manages to track her down—and helps her to break the curse that has been looming over the Mikkolas for decades. In the process, a shocking revelation changes everything about who they think they are.

The spellbinding story of two young people whose fates will intersect and diverge across continents and years—an epic of love and family, India and America, tradition and modernity by the Booker Prize-winning author of The Inheritance of LossBehind every love story are the myriad stories of two families.In the snowy mountains of Vermont, Sonia is lonely. A college student and aspiring writer homesick for India, she turns to an older artist for inspiration and intimacy, a man who will cast a dark spell on the next many years of her life. In Brooklyn, Sunny is lonely, too. A struggling journalist originally from Delhi, he is both beguiled and perplexed by his American girlfriend and the country in which he plans to find his future. As Sonia and Sunny each becomes more and more alienated, they begin to question their understanding of happiness, human connection, and where they belong.Back in India, Sonia and Sunny's extended families cannot fathom how anyone could be lonely in this great, bustling world. They arrange a meeting between the two—a clumsy meddling that only drives Sonia and Sunny apart before they have a chance to fall in love.  The Loneliness of Sonia and Sunny is the sweeping tale of two young people navigating the many forces that shape their country, class, race, history, and the complicated bonds that link one generation to the next. A love story, a family saga, and a rich novel of ideas, it is the most ambitious and accomplished work yet by one of our greatest novelists.

A groundbreaking investigation into a string of unsolved murders at America’s largest military base, and what the crimes reveal about drug-trafficking and impunity among elite special operations soldiers Two dead bodies were discovered in a forested area of Fort Bragg, North Carolina, in 2020. One, William “Billy” Lavigne, was a member of Delta Force, the most secretive “black ops” unit in the military. A long-serving veteran of America’s classified assassination program, Lavigne had done more than a dozen deployments, was addicted to crack cocaine, dealt drugs on base, and had committed a series of violent crimes before he was mysteriously killed. The other, Timothy Dumas, was a supply officer attached to the Special Forces who used his proximity to clandestine missions to steal guns and traffic drugs into the United States from abroad, and had written a blackmail letter threatening to expose criminality in the special operations task force in Afghanistan. As soon as Seth Harp, an Iraq war veteran and investigative reporter, begins looking into the double murder, he learns that there have been many more unexplained deaths at Fort Bragg recently, all with some apparent connection to drug-trafficking, as well as dozens of fatal overdoses. Drawing on trial transcripts, police records, and hundreds of interviews, Harp tells a scathing story of narco-trafficking in the Special Forces, drug conspiracies abetted by corrupt police, blatant military cover-ups, American complicity in the Afghan heroin trade, and the pernicious consequences of continuous war.

An illuminating new essay collection from one of the most distinctive, exciting and acclaimed writers of her generation, Zadie Smith‘Zadie Smith is a wonderful essayist. She is a natural. She writes as she thinks, and she thinks crisply and exactly’ – Tessa Hadley, GuardianIn this keenly awaited new collection, Zadie Smith brings her unique skills as an essayist to bear on a range of subjects which have captured her attention in recent years.She takes an exhilaratingly close look at artists Toyin Ojih Odutola, Kara Walker and Celia Paul. She invites us along to the movies, to see and to think about Tár, and to Glastonbury to witness the ascendance of Stormzy. She takes us on a walk down Kilburn High Road in her beloved North West London and invites us to mourn with her the passing of writers Joan Didion, Martin Amis, Hilary Mantel, Philip Roth and Toni Morrison. She considers changes of government on both sides of the Atlantic – and the meaning of ‘the commons’ in all our lives.Throughout this thrilling collection, Zadie Smith shows us once again her unrivalled ability to think through critically and humanely some of the most urgent preoccupations and tendencies of our troubled times.

'I could see that she was still terribly afraid, but I didn't soften anything; instead, seeing that she was afraid I deliberately intensified it.' In this short story, Dostoyevsky masterfully depicts desperation, greed, manipulation and suicide. Introducing Little Black Classics: 80 books for Penguin's 80th birthday. Little Black Classics celebrate the huge range and diversity of Penguin Classics, with books from around the world and across many centuries. They take us from a balloon ride over Victorian London to a garden of blossom in Japan, from Tierra del Fuego to 16th-century California and the Russian steppe. Here are stories lyrical and savage; poems epic and intimate; essays satirical and inspirational; and ideas that have shaped the lives of millions. Fyodor Dostoyevsky (1821-1881). Dostoyevsky's works available in Penguin Classics are Crime and Punishment, The Idiot, The Double, The Gambler and Other Stories, The Grand Inquisitor, Notes From The Underground, Netochka Nezvanova, The House of The Dead, The Brothers Karamazov and The Village of Stepanchikovo.

Nobel Prize recipient Yasunari Kawabata's Snow Country is widely considered to be the writer's masterpiece, a powerful tale of wasted love set amid the desolate beauty of western Japan. At an isolated mountain hot spring, with snow blanketing every surface, Shimamura, a wealthy dilettante meets Komako, a lowly geisha. She gives herself to him fully and without remorse, despite knowing that their passion cannot last and that the affair can have only one outcome. In chronicling the course of this doomed romance, Kawabata has created a story for the ages, a stunning novel dense in implication and exalting in its sadness.

'Strangely enough, I mistook it for a gentleman at first. Fortunately I had my spectacles with me so I could see it was really a nose.' With this pair of absurd, comic stories Gogol indulges his imagination and delights readers. Contains 'The Nose' and 'The Carriage'.

My love for him felt so total and so annihilating that it was often impossible for me to see him clearly at all. Years ago, Sukie moved in with Nathan because her mother was dead and her father was difficult, and she had nowhere else to go. Now they are on the brink of the inevitable. Sally Rooney is one of the most acclaimed young talents of recent years. With her minute attention to the power dynamics in everyday speech, she builds up sexual tension and throws a deceptively low-key glance at love and death.

When Mr. Earnshaw, master of Wuthering Heights, returns from a trip with an unkempt orphan in tow, he announces that the child, Heathcliff, is now a member of the family. While young Catherine Earnshaw becomes close with Heathcliff, her older brother, Hindley, sinks into bitter resentment. As Catherine and Heathcliff mature, and their affection blossoms into desire, Hindley’s resentment boils over into hatred, setting the stage for a tragic drama whose aftermath will shake the foundations of their world.

‘For a very long time, the days went by, each just like the day before, then I began to think, and everything changed’ Deep underground, thirty-nine women live imprisoned in a cage. Watched over by guards, the women have no memory of how they got there, no notion of time, and only vague recollection of their lives before. As the burn of electric light merges day into night and numberless years pass, a young girl - the fortieth prisoner - sits alone and outcast in the corner. Soon she will show herself to be the key to the others' escape and survival in the strange world that awaits them above ground.