Haimey Dz thinks she knows what she wants. She thinks she knows who she is. She is wrong. A routine salvage mission uncovers evidence of a terrible crime and relics of powerful ancient technology. Haimey and her small crew run afoul of pirates at the outer limits of the Milky Way, and find themselves on the run and in possession of universe-changing information. When authorities prove corrupt, Haimey realizes that she is the only one who can protect her galaxy-spanning civilization from the implications of this ancient technology—and the revolutionaries who want to use it for terror and war. Her quest will take her careening from the event horizon of the supermassive black hole at the galaxy’s core to the infinite, empty spaces at its edge. To save everything that matters, she will need to uncover the secrets of ancient intelligences lost to time—and her own lost secrets, which she will wish had remained hidden from her forever.

Set in the contemporary Paris of American  expatraites, liasons, and violence, a young man finds  himself caught between desire and conventional  morality. James Baldwin's brilliant narrative delves  into the mystery of loving with a sharp, probing  imagination, and he creates a moving, highly  controversial story of death and passion that reveals the  unspoken complexities of the heart.

Mycroft Canner is a convict. For his crimes he is required, as is the custom of the 25th century, to wander the world being as useful as he can to all he meets. Carlyle Foster is a sensayer--a spiritual counselor in a world that has outlawed the public practice of religion, but which also knows that the inner lives of humans cannot be wished away. The world into which Mycroft and Carlyle have been born is as strange to our 21st-century eyes as ours would be to a native of the 1500s. It is a hard-won utopia built on technologically-generated abundance, and also on complex and mandatory systems of labeling all public writing and speech. What seem to us normal gender distinctions are now distinctly taboo in most social situations. And most of the world's population is affiliated with globe-girdling clans of the like-minded, whose endless economic and cultural competition is carefully managed by central planners of inestimable subtlety. To us it seems like a mad combination of heaven and hell. To them, it seems like normal life. And in this world, Mycroft and Carlyle have stumbled on the wild card that may destablize the system: the boy Bridger, who can effortlessly make his wishes come true. Who can, it would seem, bring inanimate objects to life...

In the small Provençal town of Plassans, the day after the coup d'état from which the Second Empire was born, two teenagers, Miette and Silvère, join the insurgents. Their love story like the Republican uprising runs through the novel, but beyond them, it is also the birth of a family that is evoked: the Rougons at the same time as the Macquarts whose double lineage, legitimate and bastard, descends from Silvere's grandmother, Aunt Dide. And between Pierre Rougon and his half-brother Antoine Macquart, the fight will quickly begin. The first novel in the long Rougon-Macquart series, La Fortune des Rougon, which Zola published in 1871, is indeed the novel of origins. At the moment when the imperial regime that the writer slays is established, it is here that the patient conquest of power and money begins, a slow family rise which must make us forget the sordid beginnings, in poverty and in crime. “Your comedy is tragic,” wrote Hugo just after reading the book: “You have firm drawing, frank color, relief, truth, life. Continue these deep studies. » ❇❇❇❇❇❇❇❇❇❇❇❇❇❇❇❇❇❇❇❇❇❇❇❇❇❇❇❇❇❇❇❇❇❇❇❇❇❇❇❇ Dans la petite ville provençale de Plassans, au lendemain du coup d’Etat d’où va naître le Second Empire, deux adolescents, Miette et Silvère, se mêlent aux insurgés. Leur histoire d’amour comme le soulèvement des républicains traversent le roman, mais au-delà d’eux, c’est aussi la naissance d’une famille qui se trouve évoquée : les Rougon en même temps que les Macquart dont la double lignée, légitime et bâtarde, descend de la grand-mère de Silvère, Tante Dide. Et entre Pierre Rougon et son demi-frère Antoine Macquart, la lutte rapidement va s’ouvrir. Premier roman de la longue série des Rougon-Macquart, La Fortune des Rougon que Zola fait paraître en 1871 est bien le roman des origines. Au moment où s’installe le régime impérial que l’écrivain pourfend, c’est ici que commence la patiente conquête du pouvoir et de l’argent, une lente ascension familiale qui doit faire oublier les commencements sordides, dans la misère et dans le crime. « Votre comédie est tragique », écrit Hugo juste après avoir lu le livre : « Vous avez le dessin ferme, la couleur franche, le relief, la vérité, la vie. Continuez ces études profondes. »

It calls itself Murderbot, but only when no one can hear. It worries about the fragile human crew who've grown to trust it, but only where no one can see. It tells itself that they're only a professional obligation, but when they're captured and an old friend from the past requires urgent assistance, Murderbot must choose between inertia and drastic action. Drastic action it is, then.

The penultimate novel of the Rougon-Macquart cycle, La Debacle (1892) takes as its subject the dramatic events of the Franco-Prussian War and the Commune of 1870-1. During Zola's lifetime it was the bestselling of all his novels, praised by contemporaries for its epic sweep as well as for its attention to historical detail. La Debacle seeks to explain why the Second Empire ended in a crushing military defeat and revolutionary violence. It focuses on ordinary soldiers, showing their bravery and suffering in the midst of circumstances they cannot control, and includes some of the most powerful description Zola ever wrote. Zola skilfully integrates his narrative of events and the fictional lives of his characters to provide the finest account of this tragic chapter in the history of France. Often compared to War and Peace, La Debacle has been described as a "seminal" work for all modern depictions of war.

Return to #1 New York Times bestseller Brandon Sanderson's Mistborn world of Scadrial as its second era, which began with The Alloy of Law, comes to its earth-shattering conclusion in The Lost Metal. For years, frontier lawman turned big-city senator Waxillium Ladrian has hunted the shadowy organization the Set—with his late uncle and his sister among their leaders—since they started kidnapping people with the power of Allomancy in their bloodlines. When Detective Marasi Colms and her partner, Wayne, find stockpiled weapons bound for the Outer City of Bilming, this opens a new lead. Conflict between the capital, Elendel, and the Outer Cities only favors the Set, and their tendrils now reach to the Elendel Senate—whose corruption Wax and his wife, Steris, have sought to expose—and Bilming is even more entangled. After Wax discovers a new type of explosive that can unleash unprecedented destruction and realizes that the Set must already have it, an immortal kandra serving Scadrial's god, Harmony, reveals that Bilming has fallen under the influence of another god: Trell, worshipped by the Set. And Trell isn't the only factor at play from the larger Cosmere—Marasi is recruited by offworlders with strange abilities who claim their goal is to protect Scadrial . . . at any cost. Wax must choose whether to set aside his rocky relationship with God and once again become the Sword that Harmony has groomed him to be. If no one steps forward to be the hero Scadrial needs, the planet and its millions of people will come to a sudden and calamitous ruin.

Also available in Arcanum Unbounded: The Cosmere Collection. Mistborn: Secret History is a companion story to the original Mistborn trilogy. As such, it contains HUGE SPOILERS for the books Mistborn (The Final Empire), The Well of Ascension, and The Hero of Ages. It also contains very minor spoilers for the book The Bands of Mourning. Mistborn: Secret History builds upon the characterization, events, and worldbuilding of the original trilogy. Reading it without that background will be a confusing process at best. In short, this isn’t the place to start your journey into Mistborn. (Though if you have read the trilogy—but it has been a while—you should be just fine, so long as you remember the characters and the general plot of the books.) Saying anything more here risks revealing too much. Even knowledge of this story’s existence is, in a way, a spoiler. There’s always another secret.

Three hundred years after the events of the Mistborn trilogy, Scadrial is now on the verge of modernity, with railroads to supplement the canals, electric lighting in the streets and the homes of the wealthy, and the first steel-framed skyscrapers racing for the clouds. The Bands of Mourning are the mythical metal minds owned by the Lord Ruler, said to grant anyone who wears them the powers that the Lord Ruler had at his command. Hardly anyone thinks they really exist. A kandra researcher has returned to Elendel with images that seem to depict the Bands, as well as writings in a language that no one can read. Waxillium Ladrian is recruited to travel south to the city of New Seran to investigate. Along the way he discovers hints that point to the true goals of his uncle Edwarn and the shadowy organization known as The Set.

Someone is thinking about Margaret. "I wondered about Margaret, and what she would do next. I didn't care unless she went the route of drugs. They make her try and get at me sometimes, and that can be bothersome. She is so terribly afraid of me." Who so casually draws Margaret to the brink of hysteria - then, just as casually, tries to walk away? Her subconsciousness does, when it becomes a living, breathing personality with an ego all its own - setting the stage for a remarkable transformation scarcely envisioned by the science of man.

It has influenced William Gibson and been listed as one of the ten essential works of science fiction. Most importantly, Joanna Russ's THE FEMALE MAN is a suspenseful, surprising and darkly witty chronicle of what happens when Jeannine, Janet, Joanna, and Jael—four alternative selves from drastically different realities—meet.

Published in 1932 as an 'entertainment', Graham Greene's gripping spy thriller unfolds aboard the majestic Orient Express as it crosses Europe from Ostend to Istanbul. Weaving a web of subterfuge, murder and politics along the way, the novel focuses upon the disturbing relationship between Myatt, the pragmatic Jew, and naive chorus girl Coral Musker as they engage in a desperate, angst-ridden pas-de-deux before a chilling turn of events spells an end to the unlikely interlude. Exploring the many shades of despair and hope, innocence and duplicity, Stamboul Train offers a poignant testimony to Greene's extraordinary powers of insight into the human condition.

Winner of FC2’s American Book Review/Ronald Sukenick Innovative Fiction Prize A monogrammed cube appears in your town. Your landlord cheats you out of first place in the annual Christmas decorating contest. You need to learn how to love and care for your mate—a paring knife. These situations and more reveal the wondrous play and surreal humor that make up the stories in Amelia Gray’s stunning collection of stories: Museum of the Weird. Acerbic wit and luminous prose mark these shorts, while sickness and death lurk amidst the humor. Characters find their footing in these bizarre scenarios and manage to fall into redemption and rebirth. Museum of the Weirdinvites you into its hallways, then beguiles, bewitches, and reveals a writer who has discovered a manner of storytelling all her own.

Often likened to Kafka's The Castle, The Tartar Steppe is both a scathing critique of military life and a meditation on the human thirst for glory. It tells of young Giovanni Drogo, who is posted to a distant fort overlooking the vast Tartar steppe. Although not intending to stay, Giovanni suddenly finds that years have passed, as, almost without his noticing, he has come to share the others' wait for a foreign invasion that never happens. Over time the fort is downgraded and Giovanni's ambitions fade until the day the enemy begins massing on the desolate steppe...