A heart-pounding tale of faith and family, with a devastating twist“A great day is upon us. He is coming. The world will be washed away.”On the wind-battered isle of Altnaharra, off the wildest coast of Scotland, a clan prepares to bring about the end of the world and its imminent rebirth.The Adder is coming and one of their number will inherit its powers. They all want the honor, but young Eve is willing to do anything for the distinction.A reckoning beyond Eve’s imagination begins when Chief Inspector Black arrives to investigate a brutal murder and their sacred ceremony goes terribly wrong.And soon all the secrets of Altnaharra will be uncovered.

This is almost a love story. Ellis and Michael are twelve when they first become friends, and for a long time it is just the two of them, cycling the streets of Oxford, teaching themselves how to swim, discovering poetry, and dodging the fists of an overbearing father. And then one day this closest of friendships grows into something more. But then we fast forward a decade or so, to find that Ellis is married to Annie, and Michael is nowhere in sight. Which leads to the question, what happened in the years between? This is almost a love story. But it's not as simple as that.

Spread Me is a darkly seductive tale of survival from Sarah Gailey, after a routine probe at a research station turns deadly when the team discovers a strange specimen in search of a warm place to stay. Kinsey has the perfect job as the team lead in a remote research outpost. She loves the solitude, and the way the desert keeps her far away from the temptations teeming out in the civilian world. When her crew discovers a mysterious specimen buried deep in the sand, Kinsey breaks quarantine and brings it into the hab. But the longer it's inside, the more her carefully controlled life begins to unravel. Temptation has found her after all, and it can't be ignored any longer. One by one, Kinsey's team realizes the thing they're studying is in search of a new host—and one of them is the perfect candidate....

This blistering debut by "perhaps the best writer of Arabic fiction alive” (The Guardian)is the first major literary work about the Iraq War from an Iraqi perspective. Showing us the war as we have never seen it before, here is a world not only of soldiers and assassins, hostages and car bombers, refugees and terrorists, but also of madmen and prophets, angels and djinni, sorcerers and spirits. Blending shocking realism with flights of fantasy, The Corpse Exhibition offers us a pageant of horrors, as haunting as the photos of Abu Ghraib and as difficult to look away from, but shot through with a gallows humor that yields an unflinching comedy of the macabre. Gripping and hallucinatory, this is a new kind of storytelling forged in the crucible of war.

Africa Is Not A Country is a bright portrait of modern Africa that pushes back against harmful stereotypes to tell a more comprehensive story. You already know these stereotypes. So often Africa is depicted simplistically as an arid red landscape of famines and safaris, uniquely plagued by poverty and strife. In this funny and insightful book, Dipo Faloyin offers a much-needed corrective. He examines each country's colonial heritage, and explores a wide range of subjects, from chronicling urban life in Lagos and the lively West African rivalry over who makes the best Jollof rice, to the story of democracy in seven dictatorships and the dangers of stereotypes in popular culture. By turns intimate and political, Africa Is Not A Country brings the story of the continent towards reality, celebrating the energy and fabric of its different cultures and communities in a way that has never been done before.

A natural history of the wilderness in our homes, from the microbes in our showers to the crickets in our basements Even when the floors are sparkling clean and the house seems silent, our domestic domain is wild beyond imagination. In Never Home Alone , biologist Rob Dunn introduces us to the nearly 200,000 species living with us in our own homes, from the Egyptian meal moths in our cupboards and camel crickets in our basements to the lactobacillus lounging on our kitchen counters. You are not alone. Yet, as we obsess over sterilizing our homes and separating our spaces from nature, we are unwittingly cultivating an entirely new playground for evolution. These changes are reshaping the organisms that live with us -- prompting some to become more dangerous, while undermining those species that benefit our bodies or help us keep more threatening organisms at bay. No one who reads this engrossing, revelatory book will look at their homes in the same way again.

A debut collection of stories set in a hauntingly reimagined Lagos where characters vie for freedom from ancestral ties. ’Pemi Aguda opens her collection of twelve stories with the chilling tale of a woman who uncannily resembles her sinister, deceased grandmother. When the woman shows a capacity for deadly violence, she wonders—can evil be genetic, passed from generation to generation? Set in Lagos, Nigeria, Aguda’s stories unfold against a spectral cityscape where the everyday business of living—the birth of a baby, a market visit, a conversation between mothers and daughters—is charged with an air of supernatural menace. In “Breastmilk” a new mother’s inability to lactate takes on preternatural overtones. In “24, Alhaji Williams Street” a mysterious disease wreaks havoc with frightening precision. In “The Hollow,” an architect stumbles on a vengeful house. Evocative, strange, and yet familiar, “the speculative conceits of these stories are elegantly balanced with the gorgeous fullness of human emotion, all the hunger and longing and fear and delight of being a human in the world” (Lauren Groff).