Dopo aver perso il padre in quello che ha tutta l’aria di essere stato un doppio suicidio d’amore, Yoshie si trasferisce dalla sua casa di Meguro a un minuscolo e vecchio appartamento a Shimokitazawa, un quartiere di Tokyo famoso per le sue stradine chiuse al traffico, i ristoranti, i negozietti, nonché meta degli alternativi della capitale. Qui Yoshie spera, aiutata dall’atmosfera vivace, di superare il dolore e dare una nuova direzione alla sua vita. Un giorno, però, sua madre le si presenta a casa all’improvviso con una borsa Birkin di Hermès e qualche sacchetto. Inizia così una bizzarra convivenza che unisce le due donne lungo il percorso di elaborazione del lutto che le ha colpite, le pone di fronte a verità inaspettate, le aiuta a scorgere fiochi lumi di speranza nel buio di una quotidianità ferita.Moshi moshi – “pronto” al telefono – è il racconto di una rinascita, la favola delicata e struggente della vita di un quartiere, la storia di una madre, di una figlia, di un grande dolore e di qualche piccola felicità inattesa.

Gilbert Markham is deeply intrigued by Helen Graham, a beautiful and secretive young woman who has moved into nearby Wildfell Hall with her young son. He is quick to offer Helen his friendship, but when her reclusive behaviour becomes the subject of local gossip and speculation, Gilbert begins to wonder whether his trust in her has been misplaced. It is only when she allows Gilbert to read her diary that the truth is revealed and the shocking details of the disastrous marriage she has left behind emerge. Told with great immediacy, combined with wit and irony, The Tenant of Wildfell Hall is a powerful depiction of a woman's fight for domestic independence and creative freedom.

Ryland Grace is the sole survivor on a desperate, last-chance mission—and if he fails, humanity and the earth itself will perish. Except that right now, he doesn’t know that. He can’t even remember his own name, let alone the nature of his assignment or how to complete it. All he knows is that he’s been asleep for a very, very long time. And he’s just been awakened to find himself millions of miles from home, with nothing but two corpses for company. His crewmates dead, his memories fuzzily returning, Ryland realizes that an impossible task now confronts him. Hurtling through space on this tiny ship, it’s up to him to puzzle out an impossible scientific mystery—and conquer an extinction-level threat to our species. And with the clock ticking down and the nearest human being light-years away, he’s got to do it all alone. Or does he?

Presenting the complete texts of eight of the world’s greatest plays, this important volume illuminates the changing concept of tragedy from Sophocles to O’Neill.   Some of the world’s greatest dramas unfold on these pages. In the powerful and famous plays of Sophocles, Aeschylus, and Euripedes, Oedipus makes his disastrous marriage, Prometheus struggles against Zeus to break his painful chains, and the Love Goddess, Aphrodite, takes her revenge on the Theban prince who slighted her. Shakespeare’s King Lear suffers at the hands of his two evil daughters. The great Scandinavian dramatists Ibsen and Strindberg fearlessly present stories of infidelity and social disease, while Desire under the Elms , Eugene O’Neill’s savage picture of primitive desires in modern New England, rounds out this excellent anthology. Including important essays by noteworthy critics and philosophers, this book is an ideal companion to the editors’ Eight Great Comedies .   Featured Prometheus Unbound (Aeschylus) Oedipus the King (Sophocles) Hippolytus (Euripedes) King Lear (William Shakespeare) Ghosts (Henrik Ibsen) Miss Julie (August Strindberg) On Baile’s Strand (William Butler Yeats) Desire under the Elms (Eugene O’Neill)   Also includes essays by Aristotle, Hume, Emerson, Tillyard, Richards, and Krutch.

Woman or man? This internationally acclaimed novel looks at the world through the eyes of Jess Goldberg, a masculine girl growing up in the "Ozzie and Harriet" McCarthy era and coming out as a young butch lesbian in the pre-Stonewall gay drag bars of a blue-collar town. Stone Butch Blues traces a propulsive journey, powerfully evoking history and politics while portraying an extraordinary protagonist full of longing, vulnerability, and working-class grit. This once-underground classic takes the reader on a roller-coaster ride of gender transformation and exploration and ultimately speaks to the heart of anyone who has ever suffered or gloried in being different.

The acclaimed New York Times bestselling author of A Woman Is No Man returns with a striking exploration of the expectations of Palestinian-American women, the meaning of a fulfilling life, and the ways our unresolved pasts affect our presents. Raised in a conservative and emotionally volatile Palestinian family in Brooklyn, Yara thought she would finally feel free when she married a charming entrepreneur who took her to the suburbs. She’s gotten to follow her dreams, completing an undergraduate degree in Art and landing a good job at the local college. As a traditional wife, she also raises their two school-aged daughters, takes care of the house, and has dinner ready when her husband gets home. With her family balanced with her professional ambitions, Yara knows that her life is infinitely more rewarding than her own mother’s. So why doesn’t it feel like enough? After her dream of chaperoning a student trip to Europe evaporates and she responds to a colleague’s racist provocation, Yara is put on probation at work and must attend mandatory counseling to keep her position. Her mother blames a family curse for the trouble she’s facing, and while Yara doesn’t really believe in old superstitions, she still finds herself growing increasingly uneasy with her mother’s warning and the possibility of falling victim to the same mistakes. Shaken to the core by these indictments of her life, Yara finds her carefully constructed world beginning to implode. To save herself, Yara must reckon with the reality that the difficulties of the childhood she thought she left behind have very real—and damaging—implications not just on her own future but that of her daughters.

From one of Turkey’s most acclaimed and outspoken writers, a novel about the tangled histories of two families. In her second novel written in English, Elif Shafak confronts her country’s violent past in a vivid and colorful tale set in both Turkey and the United States. At its center is the “bastard” of the title, Asya, a nineteen-year-old woman who loves Johnny Cash and the French Existentialists, and the four sisters of the Kazanci family who all live together in an extended household in Istanbul: Zehila, the zestful, headstrong youngest sister who runs a tattoo parlor and is Asya’s mother; Banu, who has newly discovered herself as a clairvoyant; Cevriye, a widowed high school teacher; and Feride, a hypochondriac obsessed with impending disaster. Their one estranged brother lives in Arizona with his wife and her Armenian daughter, Armanoush. When Armanoush secretly flies to Istanbul in search of her identity, she finds the Kazanci sisters and becomes fast friends with Asya. A secret is uncovered that links the two families and ties them to the 1915 Armenian deportations and massacres. Full of vigorous, unforgettable female characters, The Bastard of Istanbul is a bold, powerful tale that will confirm Shafak as a rising star of international fiction.

The exhilarating dystopian novel that inspired George Orwell's 1984 and foreshadowed the worst excesses of Soviet Russia Yevgeny Zamyatin's We is a powerfully inventive vision that has influenced writers from George Orwell to Ayn Rand. In a glass-enclosed city of absolute straight lines, ruled over by the all-powerful 'Benefactor', the citizens of the totalitarian society of OneState live out lives devoid of passion and creativity - until D-503, a mathematician who dreams in numbers, makes a discovery: he has an individual soul. Set in the twenty-sixth century AD, We is the classic dystopian novel and was the forerunner of works such as George Orwell's 1984 and Aldous Huxley's Brave New World. It was suppressed for many years in Russia and remains a resounding cry for individual freedom, yet is also a powerful, exciting and vivid work of science fiction. Clarence Brown's brilliant translation is based on the corrected text of the novel, first published in Russia in 1988 after more than sixty years' suppression.

Norveçli büyük romancı Knut Hamsun'un kişiliğini ve ününü oluşturan en büyük romanı Açlık'tır. Ünlü bir yazar olma sevdasıyla yanıp tutuşurken, bir yandan da açlıkla pençeleşen bir gencin, gerçekten duygulandırıcı öyküsü olan bu kitap, dünya edebiyatının başyapıtları arasında anılmaktadır. Behçet Necatigil'in usta kaleminden, örnek bir çeviri okuyacaksınız bu ciltte.

The author of the widely praised Wordslut analyzes the social science of cult influence: how cultish groups from Jonestown and Scientology to SoulCycle and social media gurus use language as the ultimate form of power. What makes “cults” so intriguing and frightening? What makes them powerful? The reason why so many of us binge Manson documentaries by the dozen and fall down rabbit holes researching suburban moms gone QAnon is because we’re looking for a satisfying explanation for what causes people to join—and more importantly, stay in—extreme groups. We secretly want to know: could it happen to me? Amanda Montell’s argument is that, on some level, it already has . . . Our culture tends to provide pretty flimsy answers to questions of cult influence, mostly having to do with vague talk of “brainwashing.” But the true answer has nothing to do with freaky mind-control wizardry or Kool-Aid. In Cultish, Montell argues that the key to manufacturing intense ideology, community, and us/them attitudes all comes down to language. In both positive ways and shadowy ones, cultish language is something we hear—and are influenced by—every single day. Through juicy storytelling and cutting original research, Montell exposes the verbal elements that make a wide spectrum of communities “cultish,” revealing how they affect followers of groups as notorious as Heaven’s Gate, but also how they pervade our modern start-ups, Peloton leaderboards, and Instagram feeds. Incisive and darkly funny, this enrapturing take on the curious social science of power and belief will make you hear the fanatical language of “cultish” everywhere.

Fyodor Mihayloviç Dostoyevski (1821-1881): İlk romanı İnsancıklar’ın çarpıcı konusu ve farklı kurgusuyla dikkatleri çekti. İnsan ruhunun derinliklerini sergileyiş gücüyle önemli bir yazar olarak ün kazandı. Ancak daha sonra yayımlanan eserleri o dönemde fazla ilgi görmedi. Dostoyevski 1849’da I.Nikolay’ın baskıcı rejimine muhalif Petraşevski grubunun üyesi olduğu gerekçesiyle tutuklandı. Kurşuna dizilmek üzereyken cezası sürgün ve zorunlu askerliğe çevrildi. Sibirya sürgününden sonra yazdığı romanlarla tekrar eski ününe kavuştu. 1864’de Vremya dergisinde yayımladığı Yeraltından Notlar gerçek dünyadan kendini soyutlamış bir kişinin iç çatışmalarını ve hezeyanlarını konu alır. Bu roman Dostoyevski’nin daha sonra yazacağı büyük romanların ipuçlarını taşımaktadır. Nihal Yalaza Taluy (1900-1963): Cumhuriyet’in ilk kuşağının önde gelen Rusça çevirmenlerindendir. Dostoyevski ve Tolstoy’un yanı sıra Puşkin, Gogol ve Turgenyev çevirileri de beğeniyle okunan Taluy’un çeviri külliyatı otuz kitabı aşmaktadır.

It was a clear spring day, Monday, March 20, 1995, when five members of the religious cult Aum Shinrikyo conducted chemical warfare on the Tokyo subway system using sarin, a poison gas twenty-six times as deadly as cyanide. The unthinkable had happened, a major urban transit system had become the target of a terrorist attack. In an attempt to discover why, Haruki Murakami, internationally acclaimed author of The Wind-Up Bird Chronicle and arguably Japan’s most important contemporary novelist, talked to the people who lived through the catastrophe—from a Subway Authority employee with survivor guilt, to a fashion salesman with more venom for the media than for the perpetrators, to a young cult member who vehemently condemns the attack though he has not quit Aum. Through these and many other voices, Murakami exposes intriguing aspects of the Japanese psyche. And as he discerns the fundamental issues leading to the attack, we achieve a clear vision of an event that could occur anytime, anywhere. Hauntingly compelling and inescapably important, Underground is a powerful work of journalistic literature from one of the world’s most perceptive writers.