This is an alternate cover edition of ISBN 9780679750154 The Sailor Who Fell from Grace with the Sea tells the tale of a band of savage thirteen-year-old boys who reject the adult world as illusory, hypocritical and sentimental, and train themselves in a brutal callousness they call "objectivity." When the mother of one of them begins an affair with a ship's officer, he and his friends idealize the man at first; but it is not long before they conclude that he is in fact soft and romantic. They regard their disappointment in him as an act of betrayal on his part, and react violently.

This is an alternate cover edition of ISBN 9780679750154 The Sailor Who Fell from Grace with the Sea tells the tale of a band of savage thirteen-year-old boys who reject the adult world as illusory, hypocritical and sentimental, and train themselves in a brutal callousness they call "objectivity." When the mother of one of them begins an affair with a ship's officer, he and his friends idealize the man at first; but it is not long before they conclude that he is in fact soft and romantic. They regard their disappointment in him as an act of betrayal on his part, and react violently.

Set on the coast of England against the vivid background of the sea, The Waves introduces six characters—three men and three women—who are grappling with the death of a beloved friend, Percival. Instead of describing their outward expressions of grief, Virginia Woolf draws her characters from the inside, revealing them through their thoughts and interior soliloquies. As their understanding of nature’s trials grows, the chorus of narrative voices blends together in miraculous harmony, remarking not only on the inevitable death of individuals but on the eternal connection of everyone. The novel that most epitomizes Virginia Woolf’s theories of fiction in the working form, The Waves is an amazing book very much ahead of its time. It is a poetic dreamscape, visual, experimental, and thrilling.

Two high school geniuses scheme to get the other to confess their love first. Two geniuses. Two brains. Two hearts. One battle. Who will confess their love first…?! Will a mysterious love letter to Kaguya make Miyuki jealous? Is drinking from a coffee cup with Kaguya’s lipstick on the rim a virtual kiss? How will Miyuki react when Kaguya says she’s “done it” before? Then, Miyuki’s phobia is revealed, the VP of Shuchiin Academy’s sister school in France displays epic Gallic rudeness and the student council tries on some costumes… Nobody can resist cat ears.

Set on the coast of England against the vivid background of the sea, The Waves introduces six characters—three men and three women—who are grappling with the death of a beloved friend, Percival. Instead of describing their outward expressions of grief, Virginia Woolf draws her characters from the inside, revealing them through their thoughts and interior soliloquies. As their understanding of nature’s trials grows, the chorus of narrative voices blends together in miraculous harmony, remarking not only on the inevitable death of individuals but on the eternal connection of everyone. The novel that most epitomizes Virginia Woolf’s theories of fiction in the working form, The Waves is an amazing book very much ahead of its time. It is a poetic dreamscape, visual, experimental, and thrilling.

PRE-ORDER THIS FIERCE, WITCHY RETELLING OF IRISH MYTHOLOGY, FROM AN UNFORGETTABLE NEW VOICE IN MYTHIC FICTIONRULER. MOTHER. GODDESS. WARRIOR.PERFECT FOR FANS OF ELODIE HARPER'S THE WOLF DEN, ROSIE HEWLETT'S MEDEA AND COSTANZA CASATI'S CLYTEMNESTRA-----They called me The Morrigan. I was magnificent. I was multitudes.They twisted my story, stripped me away. But I will tell it now in my own voice.It begins, as all the best stories do, in darkness.From an ancient, storm-tossed sea, a tribe of gods reach the rocky shores of Ireland.Among them, a strange, hungry, red-haired girl. A girl who can change shape, from bird to beast to goddess. A girl who dreams of battle, of blood, of death and power.She does not know yet that a woman who seeks to rule will always be in danger – or that there are far more treacherous figures in this land than the gods who raised her.She does not know that one day love will burn so deep in her heart that its scars will never heal. That she will know pain so raw and pure it will almost tear her apart.She does not know that her journey will take a thousand years. That her name will be remembered for a thousand more.She is The Morrigan, and she is a girl with rage coiled in her chest. Beautiful, powerful, ravenous rage. A rage that will live forever.An electric debut retelling of Ireland’s mythic goddess of war, from a bold and powerful new voice.

The story of Chernobyl is more complex, more human, and more terrifying than the Soviet myth. Adam Higginbotham has written a harrowing and compelling narrative which brings the 1986 disaster to life through the eyes of the men and women who witnessed it firsthand. Drawing on hundreds of hours of interviews conducted over the course of more than ten years, as well as letters, unpublished memoirs, and documents from recently-declassified archives, this book makes for a masterful non-fiction thriller. Chernobyl has become lodged in the collective nightmares of the world: shorthand for the spectral horrors of radiation poisoning, for a dangerous technology slipping its leash, for ecological fragility, and for what can happen when a dishonest and careless state endangers not only its own citizens, but all of humanity. It is a story that has long remained in dispute, clouded from the beginning in secrecy, propaganda, and misinformation. Midnight In Chernobyl is an indelible portrait of history's worst nuclear disaster, of human resilience and ingenuity and the lessons learned when mankind seeks to bend the natural world to his will - lessons which, in the face of climate change and other threats - remain not just vital but necessary. Now, Higginbotham brings us closer to the truth behind this colossal tragedy.

As leaders of their prestigious academy’s student council, Kaguya and Miyuki are the elite of the elite! But it’s lonely at the top… Luckily for them, they’ve fallen in love! There’s just one problem—they both have too much pride to admit it. And so begins the daily scheming to get the object of their affection to confess their romantic feelings first… Love is a war you win by losing.

Slaughterhouse-Five, an American classic, is one of the world’s great antiwar books. Centering on the infamous World War II firebombing of Dresden, the novel is the result of what Kurt Vonnegut described as a twenty-three-year struggle to write a book about what he had witnessed as an American prisoner of war. It combines historical fiction, science fiction, autobiography, and satire in an account of the life of Billy Pilgrim, a barber’s son turned draftee turned optometrist turned alien abductee. As Vonnegut had, Billy experiences the destruction of Dresden as a POW. Unlike Vonnegut, he experiences time travel, or coming “unstuck in time.” An instant bestseller, Slaughterhouse-Five made Kurt Vonnegut a cult hero in American literature, a reputation that only strengthened over time, despite his being banned and censored by some libraries and schools for content and language. But it was precisely those elements of Vonnegut’s writing—the political edginess, the genre-bending inventiveness, the frank violence, the transgressive wit—that have inspired generations of readers not just to look differently at the world around them but to find the confidence to say something about it. Fifty years after its initial publication at the height of the Vietnam War, Vonnegut's portrayal of political disillusionment, PTSD, and postwar anxiety feels as relevant, darkly humorous, and profoundly affecting as ever, an enduring beacon through our own era’s uncertainties.