In HYSTERIA, we meet a young woman an hour into yet another alcohol-fueled, masochistic, sexual bender at her local bar. There is a new bartender working this time, one she hasn't seen before, and who can properly make a drink. He looks familiar, and as she is consumed by shame from her behavior the previous week— hooking up with her parents' colleague and her roommate's brother— she also becomes convinced that her Brooklyn bartender is actually Sigmund Freud. They embark on a relationship, and she is forced to confront her past through the prism of their complex, revealing, and sometimes shocking meetings. With the help of Freud—or whoever he is—she begins to untangle her Oedipal leanings, her upbringing, and her desires. Jessica Gross's debut is unflinchingly perceptive and honest, darkly funny, and unafraid of mining the deepest fears of contemporary lives.

In HYSTERIA, we meet a young woman an hour into yet another alcohol-fueled, masochistic, sexual bender at her local bar. There is a new bartender working this time, one she hasn't seen before, and who can properly make a drink. He looks familiar, and as she is consumed by shame from her behavior the previous week— hooking up with her parents' colleague and her roommate's brother— she also becomes convinced that her Brooklyn bartender is actually Sigmund Freud. They embark on a relationship, and she is forced to confront her past through the prism of their complex, revealing, and sometimes shocking meetings. With the help of Freud—or whoever he is—she begins to untangle her Oedipal leanings, her upbringing, and her desires. Jessica Gross's debut is unflinchingly perceptive and honest, darkly funny, and unafraid of mining the deepest fears of contemporary lives.

What do you want, when no one is watching? What do you want, when the lights are off? What do you want, when you are anonymous? When we talk about sex, we talk about womanhood and motherhood, infidelity and exploitation, consent and respect, fairness and egalitarianism, love and hate, pleasure and pain. And yet for many reasons – some complicated, some not – so many of us don't talk about it. Our deepest, most intimate fears and fantasies remain locked away inside of us, until someone comes along with the key. Here's the key. In this generation-defining book, Gillian Anderson collects and introduces the anonymous letters of hundreds of women from around the world (along with her own anonymous letter). Want reveals how women feel about sex when they have the freedom to be totally anonymous.

What do you want, when no one is watching? What do you want, when the lights are off? What do you want, when you are anonymous? When we talk about sex, we talk about womanhood and motherhood, infidelity and exploitation, consent and respect, fairness and egalitarianism, love and hate, pleasure and pain. And yet for many reasons – some complicated, some not – so many of us don't talk about it. Our deepest, most intimate fears and fantasies remain locked away inside of us, until someone comes along with the key. Here's the key. In this generation-defining book, Gillian Anderson collects and introduces the anonymous letters of hundreds of women from around the world (along with her own anonymous letter). Want reveals how women feel about sex when they have the freedom to be totally anonymous.

A playful and daring tale about a teenage ghost who falls in love with the writer George Sand.In 1473, fourteen-year-old Blanca dies in a hilltop monastery in Mallorca. Nearly four hundred years later, when George Sand, her two children, and her lover Frederic Chopin arrive in the village, Blanca is still there: a spirited, funny, righteous ghost, she’s been hanging around the monastery since her accidental death, spying on the monks and the townspeople and keeping track of her descendants. Blanca is enchanted the moment she sees George, and the magical novel unfolds as a story of deeply felt, unrequited longing—a teenage ghost pining for a woman who can’t see her and doesn’t know she exists. As George and Chopin, who wear their unconventionality, in George’s case, literally on their sleeves, find themselves in deepening trouble with the provincial, 19th-century villagers, Blanca watches helplessly and reflects on the circumstances of her own death (which involved an ill-advised love affair with a monk-in-training). Charming, original, and emotionally moving -- gorgeous and surprising exploration of artistry, desire, and life after death.

A playful and daring tale about a teenage ghost who falls in love with the writer George Sand.In 1473, fourteen-year-old Blanca dies in a hilltop monastery in Mallorca. Nearly four hundred years later, when George Sand, her two children, and her lover Frederic Chopin arrive in the village, Blanca is still there: a spirited, funny, righteous ghost, she’s been hanging around the monastery since her accidental death, spying on the monks and the townspeople and keeping track of her descendants. Blanca is enchanted the moment she sees George, and the magical novel unfolds as a story of deeply felt, unrequited longing—a teenage ghost pining for a woman who can’t see her and doesn’t know she exists. As George and Chopin, who wear their unconventionality, in George’s case, literally on their sleeves, find themselves in deepening trouble with the provincial, 19th-century villagers, Blanca watches helplessly and reflects on the circumstances of her own death (which involved an ill-advised love affair with a monk-in-training). Charming, original, and emotionally moving -- gorgeous and surprising exploration of artistry, desire, and life after death.

A controversial Los Angeles author attempts to revive her career and finally find true love in this hilarious nod to 1950s lesbian pulp fiction. Having recently moved both herself and her formidable perfume bottle collection into a tiny bungalow in Los Angeles, mid-list author Astrid Dahl finds herself back in the Zoom writer’s group she cofounded, Sapphic Scribes, after an incident that leaves her and her career lightly canceled. But she temporarily forgets all that by throwing herself into a few sexy distractions—like Ivy, a grad student who smells like metallic orchids and is researching 1950s lesbian pulp, or her new neighbor, Penelope, who smells like patchouli. Penelope, a painter living off Urban Outfitters settlement money, immediately ingratiates herself in Astrid’s life, bonding with her best friends and family, just as Astrid and Ivy begin to date in person. Astrid feels judged and threatened by Penelope, a responsible older vegan, but also finds her irresistibly sexy. When Astrid receives an unexpected call from her agent with the news that actress and influencer Kat Gold wants to adapt her previous novel for TV, Astrid finally has a chance to resurrect her waning career. But the pressure causes Astrid’s worst vice to rear its head—the Patricia Highsmith, a blend of Adderall, alcohol, and cigarettes—and results in blackouts and a disturbing series of events. Unapologetically feminine yet ribald, steamy yet hilarious, Anna Dorn has crafted an exquisite homage to the lesbian pulp of yore, reclaiming it for our internet- and celebrity-obsessed world.