For fans of Madeline Miller, a stunning debut following Clytemnestra, the most notorious villainess of the ancient world and the events that forged her into the legendary queen. As for queens, they are either hated or forgotten. She already knows which option suits her best... You were born to a king, but you marry a tyrant. You stand by helplessly as he sacrifices your child to placate the gods. You watch him wage war on a foreign shore, and you comfort yourself with violent thoughts of your own. Because this was not the first offence against you. This was not the life you ever deserved. And this will not be your undoing. Slowly, you plot. But when your husband returns in triumph, you become a woman with a choice. Acceptance or vengeance, infamy follows both. So, you bide your time and force the gods' hands in the game of retribution. For you understood something long ago that the others never did. If power isn't given to you, you have to take it for yourself. A blazing novel set in the world of Ancient Greece, this is a thrilling tale of power and prophecies, of hatred, love, and of an unforgettable Queen who fiercely dealt out death to those who wronged her.

Losing people you love is hard. Aurora De La Torre knows moving back to a place that was once home isn’t going to be easy. Starting your whole life over probably isn’t supposed to be. But a small town in the mountains might be the perfect remedy for a broken heart. Checking out her landlord across the driveway just might cure it too.

Spanning three centuries, the novel opens as Orlando, a young nobleman in Elizabeth's England, awaits a visit from the Queen and traces his experience with first love as England under James I lies locked in the embrace of the Great Frost. At the midpoint of the novel, Orlando, now an ambassador in Constantinople, awakes to find that he is now a woman, and the novel indulges in farce and irony to consider the roles of women in the 18th and 19th centuries.

A propulsive and nostalgic coming-of-age novel about the relationship between two teammates on a rural high school basketball team, from the author of I Keep My Exoskeletons to Myself.Star point guard Mack Morris’s senior year of high school begins with twin the death of her father and the arrival of transfer student Liv Cooper. On the court, Mack and Liv discover an exhilarating, game-winning chemistry; off the court, they fall into an equally intoxicating more-than-friendship that is out of bounds for their small Pennsylvania town in 2004, and especially, for Liv’s conservative mother. As Mack’s desire and grief collide with drugs, sex, and the looming college signing deadline, she is forced to reckon with the disconnects between her past and her future—and fight for the life she wants for herself, whether or not Liv will be on the court beside her.Written with the lush longing of Andre Aciman’s Call Me By Your Name and the obsessive attention of Jean Kyoung Frazier’s Pizza Girl, and with all the romance and feeling of the beloved 2000 movie Love & Basketball, Crane’s sophomore novel is a voice-driven, literary treatment of the big feelings of first love, intimacy, heartbreak, grief, and of course, sports.

"After procuring several fervent assurances that his wife would apologize sincerely and deeply for his absence from Rosings that evening, Mr Collins reluctantly died." Thus begins THE UNLIKELY PURSUIT OF MARY BENNET, a sapphic romance between recently widowed Charlotte Lucas and grown-up scientist Mary Bennet. You'll laugh, you'll cry, you'll wonder at the sheer sturdiness of a well-built pianoforte. The Unlikely Pursuit of Mary Bennet by Lindz McLeod will be available Apr 29, 2025.

A spellbinding story of forbidden love in the 1950s, now a major movie starring Anna Paquin and Holliday Grainger A secret love which has a whole town talking ... and a small boy very worried. Lydia Weekes is distraught at the break-up of her marriage. When her young son, Charlie, makes friends with the local doctor, Jean Markham, her life is turned upside down. Charlie tells his secrets to no one but the bees, but even he can't keep his mother's friendship to himself. The locals don't like things done differently. As Lydia and the doctor become closer, the rumours start to fly and threaten to shatter Charlie's world.

Alternate cover edition for 9780802135162 This is the story of Jeanette, adopted and brought up by her mother as one of God's elect. Zealous and passionate, she seems destined for life as a missionary, but then she falls for one of her converts. At sixteen, Jeanette decides to leave the church, her home and her family, for the young woman she loves. Innovative, punchy and tender, Oranges Are Not the Only Fruit is a few days ride into the bizarre outposts of religious excess and human obsession.

Award-winning author Malinda Lo returns to the Bay Area with another masterful coming-of-queer-age story, this time set against the backdrop of the first major Supreme Court decisions legalizing gay marriage. And almost sixty years after the end of Last Night at the Telegraph Club, Lo's new novel also offers a glimpse into Lily and Kath's lives since 1955. Aria Tang West was looking forward to a summer on Martha's Vineyard with her best friends—one last round of sand and sun before college. But after a graduation party goes wrong, Aria's parents exile her to California to stay with her grandmother, artist Joan West. Aria expects boredom, but what she finds is Steph Nichols, her grandmother's gardener. Soon, Aria is second-guessing who she is and what she wants to be, and a summer that once seemed lost becomes unforgettable—for Aria, her family, and the working-class queer community Steph introduces her to. It's the kind of summer that changes a life forever.

Edie is just trying to survive. She’s messing up in her dead-end admin job in her all-white office, is sleeping with all the wrong men, and has failed at the only thing that meant anything to her, painting. No one seems to care that she doesn’t really know what she’s doing with her life beyond looking for her next hook-up. And then she meets Eric, a white middle-aged archivist with a suburban family, including a wife who has sort-of-agreed to an open marriage and an adopted black daughter who doesn’t have a single person in her life who can show her how to do her hair. As if navigating the constantly shifting landscape of sexual and racial politics as a young black woman wasn’t already hard enough, with nowhere else left to go, Edie finds herself falling head-first into Eric’s home and family. Razor-sharp, provocatively page-turning and surprisingly tender, Luster by Raven Leilani is a painfully funny debut about what it means to be young now.

« Le 3 avril 2018, sur le chemin de notre maison, un homme, un quadragénaire multirécidiviste est venu percuter si violemment ma voiture que nos vies ont basculé dans l'horreur. Mes filles, Lila, trois ans et demi et Adélaïde vingt-six mois n'ont pas survécu. Quant à mon fils Isaac, âgé d'à peine un mois à l'époque ainsi que moi-même, nous aurons des séquelles à vie. Ce livre n'est pas le récit d'un accident de la route mais la description d'un acte de violence avec une voiture, totalement prévisible. Car oui, utilisée n'importe comment, une voiture devient, comme tout autre objet, une arme. Nous apprenons chaque jour à nos enfants à ne faire de mal à personne mais nos actes sont-ils toujours à la hauteur de nos paroles ? Nos valeurs peuvent-elles être correctement diffusées lorsque nous-mêmes ne les respectons pas ? Chaque fois que nous prenons le volant, posons-nous ces questions : ne suis-je pas en train de commettre un abus au point de me mettre en danger et de mettre en danger les autres ? Pourrai-je embrasser mes enfants ce soir ou permettre aux autres usagers de le faire en agissant de la sorte ? Levez le pied, soyez prudents, pensez à vous, pensez aux autres, respectez-vous, respectez les autres, aimez-vous et aimez les autres... Elles, elles s'aimaient très très fort... »

Set in the post-martial-law era of late 1980s Taipei, Notes of a Crocodile depicts the coming-of-age of a group of queer misfits discovering love, friendship, and artistic affinity while hardly studying at Taiwan's most prestigious university. Told through the eyes of an anonymous lesbian narrator nicknamed Lazi, Qiu Miaojin's cult classic novel is a postmodern pastiche of diaries, vignettes, mash notes, aphorisms, exegesis, and satire by an incisive prose stylist and countercultural icon. Afflicted by her fatalistic attraction to Shui Ling, an older woman, Lazi turns for support to a circle of friends that includes a rich kid turned criminal and his troubled, self-destructive gay lover, as well as a bored, mischievous overachiever and her alluring slacker artist girlfriend. Illustrating a process of liberation from the strictures of gender through radical self-inquiry, Notes of a Crocodile is a poignant masterpiece of social defiance by a singular voice in contemporary Chinese literature.

In his journal, Nobel Prize winner John Steinbeck called East of Eden “the first book,” and indeed it has the primordial power and simplicity of myth. Set in the rich farmland of California’s Salinas Valley, this sprawling and often brutal novel follows the intertwined destinies of two families—the Trasks and the Hamiltons—whose generations helplessly reenact the fall of Adam and Eve and the poisonous rivalry of Cain and Abel. Adam Trask came to California from the East to farm and raise his family on the new rich land. But the birth of his twins, Cal and Aaron, brings his wife to the brink of madness, and Adam is left alone to raise his boys to manhood. One boy thrives nurtured by the love of all those around him; the other grows up in loneliness enveloped by a mysterious darkness. First published in 1952, East of Eden is the work in which Steinbeck created his most mesmerizing characters and explored his most enduring themes: the mystery of identity, the inexplicability of love, and the murderous consequences of love's absence. A masterpiece of Steinbeck's later years, East of Eden is a powerful and vastly ambitious novel that is at once a family saga and a modern retelling of the Book of Genesis.

From New York Times bestselling author Ayana Gray comes a new kind of villain origin story, reimagining one of the most iconic monsters in Greek mythology as a provocative and powerful young heroine. Meddy has spent her whole life as a footnote in someone else’s story. Out of place next to her beautiful, immortal sisters and her parents—both gods, albeit minor ones—she dreams of leaving her family’s island for a life of adventure. So when she catches the eye of the goddess Athena, who invites her to train as an esteemed priestess in her temple, Meddy leaps at the chance to see the world beyond her home. In the colorful market streets of Athens and the clandestine chambers of the temple, Meddy flourishes in her role as Athena’s favored acolyte, getting her first tastes of purpose and power. But when she is noticed by another Olympian, Poseidon, the course of Meddy’s promising future is suddenly and irrevocably altered. When her locs are transformed into snakes as punishment for a crime she did not commit, Medusa must embrace a new identity—not as a victim, but as a vigilante—and with it, the chance to write her own story as mortal, martyr, and myth. Exploding with rage, heartbreak, and love, I, Medusa portrays a young woman caught in the crosscurrents between her heart’s deepest desires and the cruel, careless games the Olympian gods play.

Un texte fulgurant, entre poésie et pornographie, sur le désir lesbien. " Je serre ton poignet, je serre les jambes, je les ouvre grand. J'attends tes doigts que je ne sens presque plus puisqu'ils glissent directement, puisqu'ils se perdent en moi. Et ton souffle ; je respire ton souffle. Respirer ton odeur et lécher tes aisselles. Goûter tes poils et revenir à ta bouche. Ta bouche sans cesse. Creuser le désir pour les miennes et en étaler la texture, aller nous chercher dans la chair. " Dans ce court texte composé d'éclats en prose, Déborah Costes raconte ses relations sexuelles avec des femmes, son désir, le leur, comment il naît, sur quel type de rapports il débouche, parfois passionnels, parfois tendres. Surtout, elle cherche ici à célébrer l'euphorie du sexe lesbien. Déborah Costes est travailleuse du sexe et autrice. Ses autres romans, entre témoignages et essais, décortiquent et critiquent les mécanismes de honte et de silenciation. Dans Te rappeler que nous sommes chiennes, elle s'essaie à un nouveau genre, mélangeant la poésie et la pornographie.