The stakes are even higher in this epic, romantic conclusion to the New York Times bestselling Crimson Moth duology. A WITCH... Rune Winters is on the run. Ever since the boy she loved, Gideon Sharpe, revealed who she was and delivered her into enemy hands, everyone wants her dead. If Rune hopes to survive, she must ally herself with the cruel and dangerous Cressida Roseblood, who’s planning to take back the Republic and reinstate a Reign of Witches—something Cressida needs Rune to accomplish. A WITCH HUNTER... Apparently it wasn’t enough for Rune to deceive Gideon; she’s now betrayed him by allying herself with the witch who made his life a living hell. Gideon won’t allow the Republic to fall to the witches and be plunged back into the nightmares of the past. In order to protect this new world he fought for, every last witch must die—especially Rune Winters. AN IMPOSSIBLE CHOICE... When Rune makes Gideon an offer he can’t refuse, the two must pair up to accomplish dangerous goals. The more they’re forced into each other’s company, the more Gideon realizes the feelings he had for Rune aren’t as dead and buried as he thought. Now he’s faced with a terrible choice: sacrifice the girl he loves to stop a monster taking back power, or let Rune live and watch the world he fought so hard for burn. In Kristen Ciccarelli's Rebel Witch, the exciting conclusion to The Crimson Moth duology, love has never been so deadly.

Natsuo Kirino's novel tells a story of random violence in the staid Tokyo suburbs, as a young mother who works a night shift making boxed lunches brutally strangles her deadbeat husband and then seeks the help of her co-workers to dispose of the body and cover up her crime. The ringleader of this cover-up, Masako Katori, emerges as the emotional heart of Out and as one of the shrewdest, most clear-eyed creations in recent fiction. Masako's own search for a way out of the straitjacket of a dead-end life leads her, too, to take drastic action. The complex yet riveting narrative seamlessly combines a convincing glimpse into the grimy world of Japan's yakuza with a brilliant portrayal of the psychology of a violent crime and the ensuing game of cat-and-mouse between seasoned detectives and a group of determined but inexperienced criminals. Kirino has mastered a Thelma and Louise kind of graveyard humor that illuminates her stunning evocation of the pressures and prejudices that drive women to extreme deeds and the friendship that bolsters them in the aftermath.

From the #1 New York Times bestselling author of Killers of the Flower Moon, a page-turning story of shipwreck, survival, and savagery, culminating in a court martial that reveals a shocking truth. The powerful narrative reveals the deeper meaning of the events on the Wager, showing that it was not only the captain and crew who ended up on trial, but the very idea of empire. On January 28, 1742, a ramshackle vessel of patched-together wood and cloth washed up on the coast of Brazil. Inside were thirty emaciated men, barely alive, and they had an extraordinary tale to tell. They were survivors of His Majesty's Ship the Wager, a British vessel that had left England in 1740 on a secret mission during an imperial war with Spain. While the Wager had been chasing a Spanish treasure-filled galleon known as "the prize of all the oceans," it had wrecked on a desolate island off the coast of Patagonia. The men, after being marooned for months and facing starvation, built the flimsy craft and sailed for more than a hundred days, traversing nearly 3,000 miles of storm-wracked seas. They were greeted as heroes. But then . . . six months later, another, even more decrepit craft landed on the coast of Chile. This boat contained just three castaways, and they told a very different story. The thirty sailors who landed in Brazil were not heroes - they were mutineers. The first group responded with countercharges of their own, of a tyrannical and murderous senior officer and his henchmen. It became clear that while stranded on the island the crew had fallen into anarchy, with warring factions fighting for dominion over the barren wilderness. As accusations of treachery and murder flew, the Admiralty convened a court martial to determine who was telling the truth. The stakes were life-and-death--for whomever the court found guilty could hang. The Wager is a grand tale of human behavior at the extremes told by one of our greatest nonfiction writers. Grann's recreation of the hidden world on a British warship rivals the work of Patrick O'Brian, his portrayal of the castaways' desperate straits stands up to the classics of survival writing such as The Endurance, and his account of the court martial has the savvy of a Scott Turow thriller. As always with Grann's work, the incredible twists of the narrative hold the reader spellbound.

What if you woke up one morning and found you’d acquired another self―a double who was almost you and yet not you at all? What if that double shared many of your preoccupations but, in a twisted, upside-down way, furthered the very causes you’d devoted your life to fighting against? Not long ago, the celebrated activist and public intellectual Naomi Klein had just such an experience―she was confronted with a doppelganger whose views she found abhorrent but whose name and public persona were sufficiently similar to her own that many people got confused about who was who. Destabilized, she lost her bearings, until she began to understand the experience as one manifestation of a strangeness many of us have come to know but struggle to define: AI-generated text is blurring the line between genuine and spurious communication; New Age wellness entrepreneurs turned anti-vaxxers are scrambling familiar political allegiances of left and right; and liberal democracies are teetering on the edge of absurdist authoritarianism, even as the oceans rise. Under such conditions, reality itself seems to have become unmoored. Is there a cure for our moment of collective vertigo? Naomi Klein is one of our most trenchant and influential social critics, an essential analyst of what branding, austerity, and climate profiteering have done to our societies and souls. Here she turns her gaze inward to our psychic landscapes, and outward to the possibilities for building hope amid intersecting economic, medical, and political crises. With the assistance of Sigmund Freud, Jordan Peele, Alfred Hitchcock, and bell hooks, among other accomplices, Klein uses wry humor and a keen sense of the ridiculous to face the strange doubles that haunt us―and that have come to feel as intimate and proximate as a warped reflection in the mirror. Combining comic memoir with chilling reportage and cobweb-clearing analysis, Klein seeks to smash that mirror and chart a path beyond despair. Doppelganger What do we neglect as we polish and perfect our digital reflections? Is it possible to dispose of our doubles and overcome the pathologies of a culture of multiplication? Can we create a politics of collective care and undertake a true reckoning with historical crimes? The result is a revelatory treatment of the way many of us think and feel now―and an intellectual adventure story for our times.

Natsuo Kirino's novel tells a story of random violence in the staid Tokyo suburbs, as a young mother who works a night shift making boxed lunches brutally strangles her deadbeat husband and then seeks the help of her co-workers to dispose of the body and cover up her crime. The ringleader of this cover-up, Masako Katori, emerges as the emotional heart of Out and as one of the shrewdest, most clear-eyed creations in recent fiction. Masako's own search for a way out of the straitjacket of a dead-end life leads her, too, to take drastic action. The complex yet riveting narrative seamlessly combines a convincing glimpse into the grimy world of Japan's yakuza with a brilliant portrayal of the psychology of a violent crime and the ensuing game of cat-and-mouse between seasoned detectives and a group of determined but inexperienced criminals. Kirino has mastered a Thelma and Louise kind of graveyard humor that illuminates her stunning evocation of the pressures and prejudices that drive women to extreme deeds and the friendship that bolsters them in the aftermath.

As darkness falls after sunset, the corelings rise—demons who possess supernatural powers and burn with a consuming hatred of humanity. For hundreds of years the demons have terrorized the night, slowly culling the human herd that shelters behind magical wards—symbols of power whose origins are lost in myth and whose protection is terrifyingly fragile. It was not always this way. Once, men and women battled the corelings on equal terms, but those days are gone. Night by night the demons grow stronger, while human numbers dwindle under their relentless assault. Now, with hope for the future fading, three young survivors of vicious demon attacks will dare the impossible, stepping beyond the crumbling safety of the wards to risk everything in a desperate quest to regain the secrets of the past. Together, they will stand against the night.

Asha is dead. Years of medical treatment were not enough to heal her. The only way 17-year-old Calico can save her younger sister now is by joining her in death - at least until modern medicine can bring them both back to healthy life. Cryogenics is the Scientific. Legal. Safe. Or so Dr Fates would have her believe. He plans to preserve the sisters' bodies until his biotechnology research finds a cure for Asha. But when Calico is brought back to life, she's in a low-tech, sub-fertile future, trapped in a research facility. She's at risk of being sold off to a sinister enforced breeding programme. And worst of all - Asha is missing. Calico must find a way to save her sister, herself, and the new friends she's made among the other test subjects. But first she has to unravel the secrets the facility is hiding and reveal the lies she has been part of. In this striking debut, Kathryn Clark raises poignant questions about the ethics of medical science, humans playing god, the consequences of our choices, and the place of consent in healthcare.

From the bestselling author of the Kingdom of Lies series comes a slow-burn romantasy set in a Roman-inspired world ruled by merciless vampires. Filled with breathtaking combat, vengeful gods, and magical creatures, We Who Will Die is the epic first installment in an enthralling new series perfect for fans of Carissa Broadbent, Jasmine Mas, and Rebecca Yarros. Life in the perilous Thorn district is a constant battle for Arvelle and her younger brothers. And the vampire standing on her doorstep is about to turn their world upside down. Faced with an unthinkable choice, Arvelle makes a magically binding vow to do the impossible: kill the emperor, an ancient vampire created by the god Umbros. But first, she must enter the Sundering—an arena where only the fastest, strongest, and deadliest survive long enough to be selected for the emperor’s elite guard. She quickly draws the ire of the Primus, the powerful figure charged with protecting the emperor. But the vampire under the armor is the last person Arvelle expects to encounter in the emperor’s court. With her brothers’ lives in the balance, Arvelle has no choice but to ally with the man who once shattered her heart… and with the emperor’s sadistic son, Rorrik—two vampires whose motives are impossible to pin down. Rorrik holds the key to understanding the powers Arvelle is developing—abilities that would put a price on her head if discovered by the emperor. To survive the arena and complete her mission, Arvelle must get to the bottom of a conspiracy that will change everything she thought she knew about herself—and the two vampires who are deeply entwined with her destiny…