In this “dazzling” speculative debut, a London-based Pakistani translator furthers her stalled career by attending a mysterious language school that boasts near-instant fluency—but at a secret, sinister cost (Gillian Flynn) Anisa Ellahi dreams of being a translator of “great works of literature,” but mostly spends her days subtitling Bollywood movies and living off her parents’ generous allowance. Adding to her growing sense of inadequacy, her mediocre white boyfriend, Adam, has successfully leveraged his savant-level aptitude for languages into an enviable career. But when Adam learns to speak Urdu practically overnight, Anisa forces him to reveal his secret.  Adam begrudgingly tells her about The Centre, an elite, invite-only program that guarantees complete fluency in any language, in just ten days. This sounds, to Anisa, like a step toward the life she’s always wanted. Stripped of her belongings and all contact with the outside world, she enrolls and undergoes The Centre’s strange and rigorous processes. But as Anisa enmeshes herself further within the organization, seduced by all that it’s made possible, she soon realizes the hidden cost of its services. By turns darkly comic and surreal, and with twists as page-turning as they are shocking,  The Centre  journeys through Karachi, London, and New Delhi, interro-gating the sticky politics of language, translation, and appropriation along the way. Through Anisa’s addictive tale of striving and self-actualization, Ayesha Manazir Siddiqi ultimately asks the reader: What is the real price we pay in our scramble to the center?

‘For a very long time, the days went by, each just like the day before, then I began to think, and everything changed’ Deep underground, thirty-nine women live imprisoned in a cage. Watched over by guards, the women have no memory of how they got there, no notion of time, and only vague recollection of their lives before. As the burn of electric light merges day into night and numberless years pass, a young girl - the fortieth prisoner - sits alone and outcast in the corner. Soon she will show herself to be the key to the others' escape and survival in the strange world that awaits them above ground.

'A hauntingly lyrical, fairytale-like horror'– Kalynn Bayron, New York Times bestselling author Once upon a time, on the edge of a forest, there was a lonely child with only his older sister for company. So his sister made him a playmate — Daye, a girl woven from carefully selected flowers and words. And finally, this boy, Rory, had a friend.Rory is gloriously happy, until he learns that Daye is a seasonal creature. At the end of each season, she must be woven back together or fall gruesomely apart. And when, one autumn, his sister fails to return home from university in time, Rory has no choice but to watch his best friend slowly crumble, not knowing until the last second if she can be pieced together again.Realizing he can no longer rely on his sister to keep Daye alive, Rory determines he must leave home to learn how to do it himself. And the more he learns, the more he starts to Why can’t Daye survive more than one season? Can he do anything to break this cycle of bloom and decay? But as Rory grows older, his thoughts turn darker too . . .While Rory sinks deeper into research and experiments, ensconced in libraries and hunched in university labs, Daye is left to wait for his return. Alone. Sometimes, the silence seems to seep all the way to her branch-bones. Sometimes, the company of birds is the only thing to remind her that she is still alive. And as Rory keeps pushing his experiments further and further, Daye starts to wonder – how far is too far?An entrancing, inventive and unsettling reimagining of the story of Blodeuwedd from Welsh mythology, Honeysuckle is a feminist Frankenstein with flowers; a deliciously dark, twisted, horror-tinged fairytale with rot at its heart . . .

Within every woman, there lives a powerful force, filled with good instincts, passionate creativity, and ageless knowing. She is the Wild Woman, who represents the instinctual nature of women. But she is an endangered species. For though the gifts of wildish nature belong to us at birth, society's attempt to "civilize" us into rigid roles has muffled the deep, life-giving messages of our own souls. In "Women Who Run With the Wolves," Dr Estes unfolds rich intercultural myths, fairytales and stories, many from her own family, in order to help women reconnect with the fierce, healthy, visionary attributes of this instinctual nature. Through the stories and commentaries in this remarkable book, we retrieve, examine, love, and understand the Wild Woman, and hold her against our deep psyches as one who is both magic and medicine. Dr Estes has created a new lexicon for describing the female psyche. Fertile and life-giving, it is a psychology of women in the truest sense, a knowing of the soul.

"Me siento oscura y luminosa, provinciana y newyorka, violada y violadora; traigo ganas de usarlo para estrellarme contra una pared. Violetta tiene quince años cuando cruza la frontera con más de cien mil dólares robados a sus padres, asimismo excelentes amigos de lo ajeno. Azarosamente desembarcada en Nueva York, sobrevive durante cuatro años a todo tren, gastando montones de dinero en caprichos caros y descabellados. Para mantener semejante tren de vida, acelerado todavía más por el polvo blanco que introduce por su nariz en cantidades generosas, se enseña a enganchar hombres en lobbies de hoteles lujosos. No sabe, ni le interesa, la cantidad de leyes, límites y preceptos a los que pasa por encima. Tampoco sabe que Nefastófeles, el supuesto rico heredero que la deslumbra, será como una daga clavada en su bella espalda hasta que, ya de vuelta en México, se tope con Pig, y llegue entonces la hora del Diablo Guardián. Pero lo que Violetta sí sabe es que es tiempo de arrojar los dados y cerrar los ojos, casi con ganas de que a todo se lo lleve el diablo; y que, generalmente, eso lo haces sólo cuando de plano crees que ya te va a llevar.

A traditional American woman, a beautiful wife and mother who sells her pioneer lifestyle of raw milk and farm-fresh eggs to her millions of social media followers, suddenly awakens cold, filthy, and terrified in the brutal reality of 1805—where she must unravel whether this living nightmare is an elaborate hoax, a twisted reality show, or something far more sinister in this sensational debut novel. My name was Natalie Heller Mills, and I was perfect at being alive. Natalie lives a traditional lifestyle. Her charming farmhouse is rustic, her husband a handsome cowboy, her six children each more delightful than the last. So what if there are nannies and producers behind the scenes, her kitchen hiding industrial-grade fridges and ovens, her husband the Republican equivalent of a Kennedy? What Natalie’s followers—all 8 million of them—don’t know won’t hurt them. And The Angry Women? The privileged, Ivy League, coastal elite haters who call her an antifeminist iconoclast? They’re sick with jealousy. Because Natalie isn’t simply living the good life, she’s living the ideal—and just so happens to be building an empire from it. Until one morning she wakes up in a life that isn’t hers. Her home, her husband, her children—they’re all familiar, but something’s off. Her kitchen is warmed by a sputtering fire rather than electricity, her children are dirty and strange, and her soft-handed husband is suddenly a competent farmer. Just yesterday Natalie was curating photos of homemade jam for her Instagram, and now she’s expected to haul firewood and handwash clothes until her fingers bleed. Has she become the unwitting star of a brutal reality show? Could it really be time travel? Is she being tested by God? By Satan? When Natalie suffers a brutal injury in the woods, she realizes two things: This is not her beautiful life, and she must escape by any means possible. A gripping, electrifying novel that is as darkly funny as it is frightening, Yesteryear is a gimlet-eyed look at tradition, fame, faith, and the grand performance of womanhood.

In this remarkable and harrowing debut novel, three extraordinary women—a mother, her daughter, and their maid—are each forced on a journey to survival during the Japanese occupation of Hong Kong in World War II.1941. Following the Japanese invasion of Shanghai, the wealthy Tang family has settled in Hong Kong, believing it to be protected under British occupation. As the First Wife of the family, Mingzhu leads a glamorous, if at times lonely, existence—mothering the son of her husband’s concubine, overseeing her daughter Qiang’s education, and directing their household of servants, including her long-time confidante, Biyu.But when the Japanese invade Hong Kong, the three women’s paths wildly diverge. Although Mingzhu’s affinity for languages spares her from physical labor, she finds herself coerced to either work for the enemy or face certain death. Qiang and Biyu scrape through days of factory work and meager food supplies, constantly on the run from newly unfolding dangers until an encounter with the East River Column Resistance fighters separates them. The longer these women become embroiled in the brutal occupation that engulfs the region, the more determined they are to resist—but can they support the resistance and still find their way back to each other?At once monumental and intimate, When Sleeping Women Wake powerfully explores how ordinary people are capable of extraordinary things, and the unwavering hope that love can carry us through even the darkest of times. 'With vivid historicity and deeply relatable characters, When Sleeping Women Wake is a lushly romantic and impassioned story of women's agency and resilience' JUHEA KIM, internationally bestselling author of Beasts of a Little Land 'Compelling, beautiful, and deeply moving, When Sleeping Women Wake is a powerful tribute to the forgotten women and men who fought and resisted during a dark period of Hong Kong's history . . . Emma Pei Yin is a talent to watch!' WEINA DAI RANDEL, award-winning author of The Master Jeweler 'A breathtaking, important story of family, love and endurance told with unflinching clarity and beauty, this is historical fiction at its finest. I urge you to read this book.' WIZ WHARTON, author of Ghost Girl, Banana 'A spellbinding tale of transformation, resilience, and the quiet power of awakening . . . When Sleeping Women Wake lingers in the mind long after the final page' AYESHA INOON, award-winning author of Untethered 'Heart-rending, transportive, action-packed . . . Brimming with intrigue and fascinating history, this sweeping story of resistance and resilience brings to life beautifully-drawn characters and paints a gripping portrait of the strength of women's bonds' ASHTON LATTIMORE, author of All We Were Promised 'A fast-paced, gripping tale' JENNIFER RYAN, bestselling author of The Underground Library 'All the things I love in a book: strong women, untold history and a rollicking story.' VICTORIA PURMAN, author of The Women's Pages 'A skilfully written epic that sheds light on a little-known corner of history . . . Emma Pei Yin breathes exquisite life into this tale of romance, resistance and self-discovery' LAUREN CHATER, author of The Lace Weaver