Life’s funny. One minute you're jobless, deep in debt and on the verge of eviction; the next you’re in a fight with a monster and getting a job working for a Paranormal Detective with the head of a Jack-o-Lantern. It’s an age-old story. In one afternoon, Ellie discovers that monsters are real, she has latent psychic powers, and a well dressed man with a pumpkin for a head wants her to be his partner. It’s a lot to take in. Now the clumsy but determined Ellie and her Pumpkin-headed boss Ichabod have to team up and fight the things that go bump in the night. Before she can say “boo,” Ellie finds herself tangled up in a magical world where monsters are real, demons tend bar, and psychic conversations take place in a super unsettling mystical void. And there are even more dangerous forces at work, just out of sight. This volume collects Season 1 of the bewitching WEBTOON comic Third Shift Society .

A captivating debut novel about a classics professor immersed in research for a new book on a prophecy in the ancient world who confronts chilling questions about her own life just as the pandemic descends—for readers of Jenny Offill, Ottessa Moshfegh, and Sally Rooney. Covid-19 has arrived in London, and the entire world quickly succumbs to the surreal, chaotic mundanity of screens, isolation, and the disasters big and small that have plagued recent history. As our unnamed narrator—a classics professor immersed in her studies of ancient prophecies—navigates the tightening grip of lockdown, a marriage in crisis, and a ten-year-old son who seems increasingly unreachable, she becomes obsessed with predicting the future. Shifting her focus from chiromancy (prophecy by palm reading) to zoomancy (prophecy by animal behavior) to oenomancy (prophecy by wine), she fails to notice the future creeping into the heart of her very own home, and when she finally does, the threat has already breached the gates. Brainy and ominous, imaginative and funny, Delphi is a snapshot and a time capsule—it vividly captures our current moment and places our reality in the context of myth. Clare Pollard has delivered one of our first great pandemic novels, a mesmerizing and richly layered story about how we keep on living in a world that is ever-more uncertain and absurd.

Virginia Woolf's Orlando 'The longest and most charming love letter in literature', playfully constructs the figure of Orlando as the fictional embodiment of Woolf's close friend and lover, Vita Sackville-West. Spanning three centuries, the novel opens as Orlando, a young nobleman in Elizabeth's England, awaits a visit from the Queen and traces his experience with first love as England under James I lies locked in the embrace of the Great Frost. At the midpoint of the novel, Orlando, now an ambassador in Constantinople, awakes to find that he is now a woman, and the novel indulges in farce and irony to consider the roles of women in the 18th and 19th centuries. As the novel ends in 1928, a year consonant with full suffrage for women. Orlando, now a wife and mother, stands poised at the brink of a future that holds new hope and promise for women.