A hilarious, surreal, and devastating journey into the mind of Reality Kahn, a young woman on a quest to be the greatest girlfriend of all time.It was decreed from the moment she was born. Twenty-three-year-old Reality Kahn would embark on a quest so great, so bold. She would become the greatest girlfriend of all time. She would be a zine maker, an aspiring notary, the greatest waterslide commercial actress on the Eastern Seaboard. She would receive messages from the beyond in the form of advice from the esteemed and ancient ladies magazine, Girlfriend Weekly. When she attends a party in Gowanus at a punk venue known as “Paradise,” Reality meets Ariel, who will become her boyfriend. She bravely works for his everlasting affection and joins a clinical trial created by Dr. Zweig Altmann to help her become a more perfect girlfriend. She stars in a new commercial. She learns how to become an indelible host. But Reality will also learn that sheer will and determination, and a very open heart, are not always enough to make true love manifest. At turns laugh-out-loud funny, tragic, and jarring, Reality’s quest grows ever complicated as the men in her Ariel, her waterpark commercial agent Jethro, and Dr. Altmann himself prove treacherous. Paradise Logic is a thrilling, psychosexual breakdown of our obsession with authentic true love, asking whether that is even possible in a patriarchal world, and announces Sophie Kemp as a wholly original, transformative, and brilliant new voice in fiction.

A riveting and heartwarming memoir by the actor of White Lotus and Euphoria that details his upbringing in the west coast—including a broken family, struggles with addiction, sex, borderline personality disorder—and his commitment to being the center of attention at all times, even as he actually becomes a star. Lukas Gage was having one of the shittiest weeks of his life. His beloved grandmother was dying. And Lukas was sitting next to his father, a man who had been mostly absent in his son’s childhood—except when talking to Lukas about tits because he loved nothing more than tits, and listening to Howard Stern on the radio. They were across the street from a building in Century City, where months prior, Lukas had to grapple with the dissolution of his marriage. This week had it all: death, divorce, and daddy issues. In that room, Lukas did the smartest thing anyone can do in a crisis: doom scroll to see what random people on the internet were saying about him. People were calling him an attention whore—and they were absolutely right. Lukas Gage was no stranger to going viral. He loved attention. As a toddler, he set his room on fire. As a child, he hugged and flirted with women at Hooters to his father’s delight. As a teen, he stole handles of alcohol and cherry cough syrup. He had sex at a restroom in Chili’s, and fell hopelessly in love with a girl who wore an ankle monitor. He became an actor and filmed that scene in White Lotus (if you know, you know). Lukas was scared of attention and yet he craved it more than anything in the world. I Wrote This for Attention is a riveting, exquisite memoir full of heart that chronicles Lukas’s coming of age in the haunting underbelly of San Diego and clawing his way to stardom. Lukas captures the universal anxieties of transitioning from innocence to adulthood, of feeling too much and nothing at all. Sex and death, fame and familial strife, drug abuse and Raya, I Wrote This for Attention is a remarkable achievement of healing, of vaping through therapy sessions, and of having the courage to forgive the family that hurt you and set yourself free.

From the Whiting and O. Henry–winning author of Private Citizens (“the first great millennial novel,” New York Magazine), an electrifying novel-in-stories that follows a cast of intricately linked characters as rejection throws their lives and relationships into chaos. Sharply observant and outrageously funny, Rejection is a provocative plunge into the touchiest problems of modern life. The seven connected stories seamlessly transition between the personal crises of a complex ensemble and the comic tragedies of sex, relationships, identity, and the internet. In “The Feminist,” a young man’s passionate allyship turns to furious nihilism as he realizes, over thirty lonely years, that it isn’t getting him laid. A young woman’s unrequited crush in “Pics” spirals into borderline obsession and the systematic destruction of her sense of self. And in “Ahegao; or, The Ballad of Sexual Repression,” a shy late bloomer’s flailing efforts at a first relationship leads to a life-upending mistake. As the characters pop up in each other’s dating apps and social media feeds, or meet in dimly lit bars and bedrooms, they reveal the ways our delusions can warp our desire for connection. These brilliant satires explore the underrated sorrows of rejection with the authority of a modern classic and the manic intensity of a manifesto. Audacious and unforgettable, Rejection is a stunning mosaic that redefines what it means to be rejected by lovers, friends, society, and oneself.

A Lesson Before Dying is set in a small Cajun community in the late 1940s. Jefferson, a young black man, is an unwitting party to a liquor store shoot out in which three men are killed; the only survivor, he is convicted of murder and sentenced to death. Grant Wiggins, who left his hometown for the university, has returned to the plantation school to teach. As he struggles with his decision whether to stay or escape to another state, his aunt and Jefferson's godmother persuade him to visit Jefferson in his cell and impart his learning and his pride to Jefferson before his death. In the end, the two men forge a bond as they both come to understand the simple heroism of resisting and defying the expected. Ernest J. Gaines brings to this novel the same rich sense of place, the same deep understanding of the human psyche, and the same compassion for a people and their struggle that have informed his previous, highly praised works of fiction.

A bold, clever, and sublimely sinister collection that dares to ask the question: “Are you ready to be un-settled?” Featuring stories by: Norris Black • Amber Blaeser-Wardzala • Phoenix Boudreau • Cherie Dimaline • Carson Faust • Kelli Jo Ford • Kate Hart • Shane Hawk • Brandon Hobson • Darcie Little Badger • Conley Lyons • Nick Medina • Tiffany Morris • Tommy Orange • Mona Susan Power • Marcie R. Rendon • Waubgeshig Rice • Rebecca Roanhorse • Andrea L. Rogers • Morgan Talty • D.H. Trujillo • Theodore C. Van Alst Jr. • Richard Van Camp • David Heska Wanbli Weiden • Royce Young Wolf • Mathilda Zeller Many Indigenous people believe that one should never whistle at night. This belief takes many forms: for instance, Native Hawaiians believe it summons the Hukai’po, the spirits of ancient warriors, and Native Mexicans say it calls Lechuza, a witch that can transform into an owl. But what all these legends hold in common is the certainty that whistling at night can cause evil spirits to appear—and even follow you home. These wholly original and shiver-inducing tales introduce readers to ghosts, curses, hauntings, monstrous creatures, complex family legacies, desperate deeds, and chilling acts of revenge. Introduced and contextualized by bestselling author Stephen Graham Jones, these stories are a celebration of Indigenous peoples’ survival and imagination, and a glorious reveling in all the things an ill-advised whistle might summon.

This is a graphic novel about death and suicide… but not in the way you think. It’s about death that can be reversable, when and if the right angels are looking. The dead person here is Catalina, a self-absorbed student who kills herself out of heartbreak. The angel is Karmen, an angel of the facetious, unusual sort. Her capacity for empathy is so great that she leads “her” dead on a journey toward redemption and, believe it or not, back to life! Full of surprises, metaphysics, and beautiful women, this graphic novel is tender and not devoid of humor.

A trailblazing conversation-starting history of women's health--from Ancient Greece to hormones and autoimmune diseases--brought together in a fascinating sweeping narrative In thirteenth-century Europe, Roman Catholicism decreed that menstruation was the curse of Eve, part of the punishment issued by God to all earthly women. In the 1860s, female circumcision was considered a respective cure for misunderstood diseases including endometriosis and epilepsy. At the University of Oklahoma School of Medicine, between 1950 and 1954, three women aged twenty-eight, thirty-two, and forty-three and identified only as housewives, underwent prefrontal lobotomies as cures for ulcerative colitis. Initial clinical trials of birth control were conducted in Puerto Rico, on some of the poorest residents of the United States. Of those who participated in the trial, many suffered debilitating side effects and three died--but their deaths were never reported in the subsequent release of the pill. In Unwell Women, Elinor Cleghorn explores this almost unbelievable history of how medicine has failed women, and shows how the legacy of disenfranchisement and discrimination is alive and well in the contemporary relationship between women and sickness. When Cleghorn was finally correctly diagnosed with an autoimmune disease after years of being told her symptoms were anything from psychosomatic to a possible pregnancy, she was inspired to unpack the roots of the perpetual misunderstanding, mystification, and misdiagnosis of women's bodies. The result is an authoritative and groundbreaking history of the relationship between women and medical practice, from the wandering womb of Ancient Greece to the rise of witch trials across Europe, and from the dawn of hysteria as a catchall for difficult-to-diagnose disorders to the first forays into autoimmunity and the shifting understanding of hormones, menstruation, and menopause. Packed with character studies and case histories of women who have suffered, challenged, and rewritten medical orthodoxy--and the men who controlled their fate--this is a revolutionary examination of the relationship between women, illness, and medicine. With these case histories, Elinor pays homage to the women whose bodies were sacrificed to make strides in this still-evolving area of medicine and to show how far we still have to go in terms of understanding the female body.

Your magickal practice has the power to support and guide you through even the darkest of times. We all go through difficult times. We all feel loss and confusion, and we struggle with seeminglyinsurmountable problems. For any witch sitting in the light of a candle flame, at a low place in theirlife, this book shows how magickal practice can be a powerful support.Following on from the hugely successful Rebel Witch, Witch in Darkness offers tons of practical, step-by-step workings to show practitioners how to customise and optimise their craft to use as armourto survive the toughest times you can go through. It offers empathy, encouragement and a hugecollection of ideas ranging from simple mindset shifts to weird, rare workings. The book reminds you that witchcraft has alchemical power. It can help you find joyful sovereignty inloneliness, and it brings you home to yourself when you’re not sure who you are and where you’regoing. This is a manual for getting back on track, magickally and spiritually.

A bold and inventive novel about real romance in the virtual workplace—​bringing Castillo's trademark wit and sharp cultural criticism to an irresistible story about the possible future of love.Girlie Delmundo is the greatest content moderator in the world, and despite the setbacks of financial crises, climate catastrophe, and a global pandemic, she’s going she’s getting a promotion. Now thanks to her parent company Paragon’s purchase of Fairground—the world’s preeminent virtual reality content provider—she’s on the way to becoming an elite VR moderator, playing in the big leagues and, if her enthusiastic bosses are to be believed, moderating the next stage of human interaction. Despite the isolation that virtual reality requires from colleagues, friends, and family, the unbelievable perks of her new job mean she can solve a lot of her family's problems with money and mobility. She doesn't have to think about the childhood home they lost back in the Bay Area, or history at all—she can just pay any debts that come due. But when she meets William Cheung, Playground’s wry, reticent co-founder (now Chief Product Officer) and slowly unearths some of his secrets, and finds herself somehow falling in love, she’ll learn that history might be impossible to moderate and the future utterly impossible to control.

She's a catwalk model who has everything: a boyfriend, a career, a loyal best friend. But when a sudden motor 'accident' leaves her disfigured and incapable of speech, she goes from being the beautiful centre of attention to being an invisible monster, so hideous that no one will acknowledge she exists. Enter Brandy Alexander, Queen Supreme, one operation away from being a real woman, who will teach her that reinventing yourself means erasing your past and making up something better, and that salvation hides in the last place you'll ever want to look. The narrator must exact revenge upon Evie, her best friend and fellow model; kidnap Manus, her two-timing ex-boyfriend; and hit the road with Brandy in search of a brand-new past, present and future.

The people of Uztar have long looked to the sky with hope and wonder. Nothing in their world is more revered than the birds of prey and no one more honored than the falconers who call them to their fists. Brysen strives to be a great falconer--while his twin sister, Kylee, rejects her ancient gifts for the sport and wishes to be free of falconry. She's nearly made it out, too, but a war is rolling toward their home in the Six Villages, and no bird or falconer will be safe. Together the twins must journey into the treacherous mountains to trap the Ghost Eagle, the greatest of the Uztari birds and a solitary killer. Brysen goes for the boy he loves and the glory he's long craved, and Kylee to atone for her past and to protect her brother's future. But both are hunted by those who seek one thing: power.