A brand new twisted thriller that will have you cheering "good for her!" from the #1 New York Times bestselling and global sensation Freida McFadden, author of The Housemaid! Sometimes, enough is enough… Debbie Mullen is losing it. For years, she has compiled all of her best advice into her column, Dear Debbie, where the wives of New England come for sympathy and neighborly advice. Through her work, Debbie has heard from countless women who are ignored, belittled, or even abused by their husbands. And Debbie does her best to guide them in the right direction. Or at least, she did. These days, Debbie’s life seems to be spiraling out of control. She just lost her job. Something strange is happening with her teenage daughters. And her husband is keeping secrets, according to the tracking app she installed on his phone. Now, Debbie’s done being the bigger person. She’s done being reasonable and practical. It’s time to take her own advice. And now it’s time for payback against all the people in her life who deserve it the most. From #1 New York Times and international bestselling author Freida McFadden comes a biting, subversive thriller about what happens when women finally choose to take justice into their own hands – with killer results.

WHAT HAPPENS WHEN AN INNOCENT PRANK GOES HORRIBLY WRONG? Natasha, Riya, Anjali and Katherine were best friends in college—each different from the other yet inseparable—until that night. It was the night that began with a bottle of whisky and a game of Ouija but ended with the death of Sania, their unlikeable hostel mate. The friends had vowed never to discuss that fateful night, a pact that kept their friendship and guilt dormant for the last twenty years. But now, someone has begun to mess with them, threatening to reveal the truth that only Sania knew. Is it a hacker playing on their guilt, or has Sania’s ghost really returned to avenge her death? As the faceless enemy closes in on them, the friends come together once again to recount what really happened that night. But when the story is retold by each of them, the pieces don’t match. Because none of them is telling the whole truth . . . That Night is a dark, twisted tale of friendship and betrayal that draws you in and confounds you at every turn.

Enveloped in the serene surroundings of Sage Valmiki’s ashram, resides a quiet story; a story of a woman that encompasses love, struggles, and separation. She raises her twin sons, who remain blissfully unaware of her extraordinary past—her true name, her divine origins, or even the blotched truth of her renunciation as the forsaken wife of the beloved and divine king of Ayodhya. But as destiny plays its twisted games, her young boys are to encounter their father— both unaware of their connection to sing in his honour. As she grapples with the reality of truth coming to light, she is forced to revisit all the memories. In the pages of Valmiki’s Ramayana lay the bare facts of her life, her husband’s galore triumphs and the injustice that life put her through. As painful as those memories are, she still has a way to go. For years, she spent her life raising her boys with the thought of it all being over, only for fate to yet again puts her through the unimaginable. This is the story of Sita. A story of revelations, reunions and renunciations.

Bombay, 1921: Perveen Mistry, the daughter of a respected Zoroastrian family, has just joined her father's law firm, becoming one of the first female lawyers in India. Armed with a legal education from Oxford, Perveen also has a tragic personal history that makes her especially devoted to championing and protecting women's rights. Mistry Law is handling the will of Mr. Omar Farid, a wealthy Muslim mill owner who has left three widows behind. But as Perveen goes through the papers, she notices something strange: all three have signed over their inheritance to a charity. What will they live on if they forefeet what their husband left them? Perveen is suspicious. The Farid widows live in purdah: strict seclusion, never leaving the women's quarters or speaking to any men. Are they being taken advantage of by an unscrupulous guardian? Perveen tries to investigate and realizes her instincts about the will were correct when tensions escalate to murder. It's her responsibility to figure out what really happened on Malabar Hill, and to ensure that nobody is in further danger.

Bombay, 1921: Perveen Mistry, the daughter of a respected Zoroastrian family, has just joined her father's law firm, becoming one of the first female lawyers in India. Armed with a legal education from Oxford, Perveen also has a tragic personal history that makes her especially devoted to championing and protecting women's rights. Mistry Law is handling the will of Mr. Omar Farid, a wealthy Muslim mill owner who has left three widows behind. But as Perveen goes through the papers, she notices something strange: all three have signed over their inheritance to a charity. What will they live on if they forefeet what their husband left them? Perveen is suspicious. The Farid widows live in purdah: strict seclusion, never leaving the women's quarters or speaking to any men. Are they being taken advantage of by an unscrupulous guardian? Perveen tries to investigate and realizes her instincts about the will were correct when tensions escalate to murder. It's her responsibility to figure out what really happened on Malabar Hill, and to ensure that nobody is in further danger.

Two Truths and a Lie. The girls played it all the time in their tiny cabin at Camp Nightingale. Vivian, Natalie, Allison, and first-time camper Emma Davis, the youngest of the group. The games ended when Emma sleepily watched the others sneak out of the cabin in the dead of night. The last she--or anyone--saw of them was Vivian closing the cabin door behind her, hushing Emma with a finger pressed to her lips. Now a rising star in the New York art scene, Emma turns her past into paintings--massive canvases filled with dark leaves and gnarled branches that cover ghostly shapes in white dresses. The paintings catch the attention of Francesca Harris-White, the socialite and wealthy owner of Camp Nightingale. When Francesca implores her to return to the newly reopened camp as a painting instructor, Emma sees an opportunity to try to find out what really happened to her friends. Yet it's immediately clear that all is not right at Camp Nightingale. Already haunted by memories from fifteen years ago, Emma discovers a security camera pointed directly at her cabin, mounting mistrust from Francesca and, most disturbing of all, cryptic clues Vivian left behind about the camp's twisted origins. As she digs deeper, Emma finds herself sorting through lies from the past while facing threats from both man and nature in the present. And the closer she gets to the truth about Camp Nightingale, the more she realizes it may come at a deadly price. In the new novel from the bestselling author of Final Girls, The Last Time I Lied follows a young woman as she returns to her childhood summer camp to uncover the truth about a tragedy that happened there fifteen years ago.

Two Truths and a Lie. The girls played it all the time in their tiny cabin at Camp Nightingale. Vivian, Natalie, Allison, and first-time camper Emma Davis, the youngest of the group. The games ended when Emma sleepily watched the others sneak out of the cabin in the dead of night. The last she--or anyone--saw of them was Vivian closing the cabin door behind her, hushing Emma with a finger pressed to her lips. Now a rising star in the New York art scene, Emma turns her past into paintings--massive canvases filled with dark leaves and gnarled branches that cover ghostly shapes in white dresses. The paintings catch the attention of Francesca Harris-White, the socialite and wealthy owner of Camp Nightingale. When Francesca implores her to return to the newly reopened camp as a painting instructor, Emma sees an opportunity to try to find out what really happened to her friends. Yet it's immediately clear that all is not right at Camp Nightingale. Already haunted by memories from fifteen years ago, Emma discovers a security camera pointed directly at her cabin, mounting mistrust from Francesca and, most disturbing of all, cryptic clues Vivian left behind about the camp's twisted origins. As she digs deeper, Emma finds herself sorting through lies from the past while facing threats from both man and nature in the present. And the closer she gets to the truth about Camp Nightingale, the more she realizes it may come at a deadly price. In the new novel from the bestselling author of Final Girls, The Last Time I Lied follows a young woman as she returns to her childhood summer camp to uncover the truth about a tragedy that happened there fifteen years ago.

*** This book was previously published as The Darkness Beneath *** The darkest minds hide the deepest secrets… Lizzie Kent wasn't supposed to babysit the night she was murdered. She was covering for her best friend, Nell. Nell has lived with the guilt ever since. Eighteen years later Nell returns to the area, desperate to escape a bad relationship after inheriting her aunt's rundown guesthouse. But her return isn't welcomed by everyone - in particular Sam Kent, who blames Nell for his sister's death. And after a few unsettling incidents, it becomes apparent that someone is trying to scare her. Is Sam responsible or has Nell's abusive ex-boyfriend managed to track her down? Or is someone else, with a more sinister agenda, responsible?