The boys of Huaxia dream of pairing up with girls to pilot Chrysalises, giant transforming robots that can battle the mecha aliens that lurk beyond the Great Wall. It doesn't matter that the girls often die from the mental strain. When 18-year-old Zetian offers herself up as a concubine-pilot, it's to assassinate the ace male pilot responsible for her sister's death. But she gets her vengeance in a way nobody expected—she kills him through the psychic link between pilots and emerges from the cockpit unscathed. She is labeled an Iron Widow, a much-feared and much-silenced kind of female pilot who can sacrifice boys to power up Chrysalises instead.​ To tame her unnerving yet invaluable mental strength, she is paired up with Li Shimin, the strongest and most controversial male pilot in Huaxia​. But now that Zetian has had a taste of power, she will not cower so easily. She will miss no opportunity to leverage their combined might and infamy to survive attempt after attempt on her life, until she can figure out exactly why the pilot system works in its misogynist way—and stop more girls from being sacrificed.

Horror and myth collide when a Korean American teenager's grief summons something ancient: a water ghost that has been feeding on her family's sorrow for decades. Dark strands of hair crack the corners of my sight, suspended as always in the air, spidering and floating as if in liquid. Mul-gwishin. Water ghost. Gracie Russell feels she belongs nowhere. In suburban 1990s Washington, she is constantly at sea—struggling with her biracial identity, her father's violent alcoholism, and her mother's looming mortality. When Ji-eun dies, Gracie will lose her last chance to mend their relationship. But she can already feel her mother slipping away, pulled by the tides of memory back to authoritarian 1970s South Korea. The secret she buried there has awakened something in the deep. And now it is rising. As Ji-eun's body weakens and the autumn rains fall in torrents, the sound of dripping water haunts Gracie. Cracks form in the basement wall, exposing a crumbling passageway to a sea of liquid darkness, and Gracie is running out of time. The mul-gwishin is coming for her. For readers of Catriona Ward and Han Kang, Cracks is a harrowing vision of heritage, violence, and the histories that possess.

San Francisco, 1906: Fifteen-year-old Mercy Wong is determined to break from the poverty in Chinatown, and an education at St. Clare’s School for Girls is her best hope. Although St. Clare’s is off-limits to all but the wealthiest white girls, Mercy gains admittance through a mix of cunning and a little bribery, only to discover that getting in was the easiest part. Not to be undone by a bunch of spoiled heiresses, Mercy stands strong—until disaster strikes. On April 18, a historic earthquake rocks San Francisco, destroying Mercy’s home and school. With martial law in effect, she is forced to wait with her classmates for their families in a temporary park encampment. Though fires might rage, and the city may be in shambles, Mercy can’t sit by while they wait for the army to bring help—she still has the “bossy” cheeks that mark her as someone who gets things done. But what can one teenage girl do to heal so many suffering in her broken city?

By day, seventeen-year-old Jo Kuan works as a lady's maid for the cruel daughter of one of the wealthiest men in Atlanta. But by night, Jo moonlights as the pseudonymous author of a newspaper advice column for the genteel Southern lady, "Dear Miss Sweetie." When her column becomes wildly popular, she uses the power of the pen to address some of society's ills, but she's not prepared for the backlash that follows when her column challenges fixed ideas about race and gender. While her opponents clamor to uncover the secret identity of Miss Sweetie, a mysterious letter sets Jo off on a search for her own past and the parents who abandoned her as a baby. But when her efforts put her in the crosshairs of Atlanta's most notorious criminal, Jo must decide whether she, a girl used to living in the shadows, is ready to step into the light.

With the power of Educated and the emotional sweep of When Breath Becomes Air, Great and Unfortunate Things is the inspiring, underdog story of how an autistic, non-verbal boy who society had all but given up on found his voice, literally and figuratively, became one of the youngest professors in the University of Cambridge’s history and put himself in a position to give back.Jason Arday was born the second youngest of three boys and grew up in a colorful and lively section of South London. At three years old, he was diagnosed with autism and development delays. Experts told his parents that he would never be able to speak, write, or live independently. An institution would best serve his needs, it was suggested. His parents would have none of it. Instead, thinking outside the box and drawing on her faith, his extraordinary mother Giff embraced his neurodivergence and fiercely dedicated herself to helping her son realize a potential few others believed was possible. Giff drew on proverbs from her West African culture, popular music by the likes of Enya, and comedic television shows and movies to help Jason make sense of the world. In Great and Unfortunate Things, we see how Arday went from being nonverbal until he was eleven and illiterate until eighteen to becoming a professor at Cambridge. Without romanticizing the struggle, it’s a story of a son’s determination against insurmountable odds and how his family and a band of ordinary people with extraordinary compassion joined forces to encourage Jason to believe in himself and maximize his capabilities. This is the story we need right now, and Arday, who believes in paying it forward, is the kind of figure the world can use more of now more than ever.

How neurotypical hegemony reproduces a culture of exclusion—and how to overcome this with love, hope, and solidarityAbleism is embedded in our daily lives. Social life, education, work, and, especially, mental health have been organized around rigid ideas of the “ideal” and the “normal” citizen—ideas that always exclude neurodiversity. In this pathbreaking book, Chantelle Jessica Lewis and Jason Arday argue that the neurodiversity movement offers ways to mobilize against not only ableism but also other “isms” including racism and capitalism. By focusing on the prevalence of neurotypical dominance and power—or “neurotypical hegemony”—Lewis and Arday show the ways that neurotypical dominance has often been used to justify and normalize some of our more harmful cultures around productivity and value.Throughout the book, Lewis and Arday use theories of Blackness, feminism, class, and neurodivergence to offer a vision of solidarities across differences. They show that race, class, ethnicity, gender, and nation are just some of the social structures for which the politics of neurodiversity can produce an emancipatory analysis. This is a book about applying social theory in practice, taking seriously how academic research and theory can be used outside of academic spaces. With We See Things They’ll Never See, Lewis and Arday issue a call to action—and a call for understanding, acceptance, and humility.

Newlyweds Tricia and Ethan are searching for the house of their dreams. But when they visit the remote manor that once belonged to Dr. Adrienne Hale, a renowned psychiatrist who vanished without a trace four years earlier, a violent winter storm traps them at the estate… with no chance of escape until the blizzard comes to an end. In search of a book to keep her entertained until the snow abates, Tricia happens upon a secret room. One that contains audio transcripts from every single patient Dr. Hale has ever interviewed. As Tricia listens to the cassette tapes, she learns about the terrifying chain of events leading up to Dr. Hale’s mysterious disappearance. Tricia plays the tapes one by one, late into the night. With each one, another shocking piece of the puzzle falls into place, and Dr. Adrienne Hale’s web of lies slowly unravels. And then Tricia reaches the final cassette. The one that reveals the entire horrifying truth.

The eagerly awaited follow-up to Pulitzer Prize-finalist Tommy Orange’s breakout best seller There There —winner of the PEN/Hemingway Award, the John Leonard Prize, the American Book Award, and one of the New York Times 10 Best Books of 2018— Wandering Stars traces the legacies of the Sand Creek Massacre of 1864 and the Carlisle Indian Industrial School through to the shattering aftermath of Orvil Red Feather’s shooting in There There. Colorado, 1864. Star, a young survivor of the Sand Creek Massacre, is brought to the Fort Marion Prison Castle, where he is forced to learn English and practice Christianity by Richard Henry Pratt, an evangelical prison guard who will go on to found the Carlisle Indian Industrial School, an institution dedicated to the eradication of Native history, culture, and identity. A generation later, Star’s son, Charles, is sent to the school, where he is brutalized by the man who was once his father’s jailer. Under Pratt’s harsh treatment, Charles clings to moments he shares with a young fellow student, Opal Viola, as the two envision a future away from the institutional violence that follows their bloodlines. Oakland, 2018. Opal Viola Victoria Bear Shield is barely holding her family together after the shooting that nearly took the life of her nephew Orvil. From the moment he awakens in his hospital bed, Orvil begins compulsively googling school shootings on YouTube. He also becomes emotionally reliant on the prescription medications meant to ease his physical trauma. His younger brother, Lony, suffering from PTSD, is struggling to make sense of the carnage he witnessed at the shooting by secretly cutting himself and enacting blood rituals that he hopes will connect him to his Cheyenne heritage. Opal is equally adrift, experimenting with Ceremony and peyote, searching for a way to heal her wounded family. Extending his constellation of narratives into the past and future, Tommy Orange once again delivers a story that is by turns shattering and wondrous, a book piercing in its poetry, sorrow, and rage—a masterful follow-up to his already-classic first novel, and a devastating indictment of America’s war on its own people.

It's 2034 and Jake Greenwood is a storyteller and a liar, an overqualified tour guide babysitting ultra-rich vacationers in one of the world's last remaining forests. It's 2008 and Liam Greenwood is a carpenter, fallen from a ladder and sprawled on his broken back, calling out from the concrete floor of an empty mansion. It's 1974 and Willow Greenwood is out of jail, free after being locked up for one of her endless series of environmental protests: attempts at atonement for the sins of her father's once vast and violent timber empire. It's 1934 and Everett Greenwood is alone, as usual, in his maple syrup camp squat when he hears the cries of an abandoned infant and gets tangled up in the web of a crime that will cling to his family for decades. And throughout, there are trees: thrumming a steady, silent pulse beneath Christie's effortless sentences and working as a guiding metaphor for withering, weathering, and survival. A shining, intricate clockwork of a novel, Greenwood is a rain-soaked and sun-dappled story of the bonds and breaking points of money and love, wood and blood—and the hopeful, impossible task of growing toward the light.

By day, seventeen-year-old Jo Kuan works as a lady's maid for the cruel daughter of one of the wealthiest men in Atlanta. But by night, Jo moonlights as the pseudonymous author of a newspaper advice column for the genteel Southern lady, "Dear Miss Sweetie." When her column becomes wildly popular, she uses the power of the pen to address some of society's ills, but she's not prepared for the backlash that follows when her column challenges fixed ideas about race and gender. While her opponents clamor to uncover the secret identity of Miss Sweetie, a mysterious letter sets Jo off on a search for her own past and the parents who abandoned her as a baby. But when her efforts put her in the crosshairs of Atlanta's most notorious criminal, Jo must decide whether she, a girl used to living in the shadows, is ready to step into the light.

In a flat above a noisy north London market, translator Iona Kirkpatrick starts work on a Chinese letter: "Dearest Mu, The sun is piercing, old bastard sky. I am feeling empty and bare. Nothing is in my soul, apart from the image of you. I am writing to you from a place I cannot tell you about yet…" In a detention centre in Dover exiled Chinese musician Jian is awaiting an unknown fate. In Beijing his girlfriend Mu sends desperate letters to London to track him down, her last memory of them together a roaring rock concert and Jian the king on stage. Until the state police stormed in. As Iona unravels the story of these Chinese lovers from their first flirtations at Beijing University to Jian’s march in the Jasmine Revolution, Jian and Mu seem to be travelling further and further away from each other while Iona feels more and more alive. Intoxicated by their romance, Iona sets out to bring them back together, but time seems to be running out.