By day, seventeen-year-old Jo Kuan works as a lady's maid for the cruel daughter of one of the wealthiest men in Atlanta. But by night, Jo moonlights as the pseudonymous author of a newspaper advice column for the genteel Southern lady, "Dear Miss Sweetie." When her column becomes wildly popular, she uses the power of the pen to address some of society's ills, but she's not prepared for the backlash that follows when her column challenges fixed ideas about race and gender. While her opponents clamor to uncover the secret identity of Miss Sweetie, a mysterious letter sets Jo off on a search for her own past and the parents who abandoned her as a baby. But when her efforts put her in the crosshairs of Atlanta's most notorious criminal, Jo must decide whether she, a girl used to living in the shadows, is ready to step into the light.

In a flat above a noisy north London market, translator Iona Kirkpatrick starts work on a Chinese letter: "Dearest Mu, The sun is piercing, old bastard sky. I am feeling empty and bare. Nothing is in my soul, apart from the image of you. I am writing to you from a place I cannot tell you about yet…" In a detention centre in Dover exiled Chinese musician Jian is awaiting an unknown fate. In Beijing his girlfriend Mu sends desperate letters to London to track him down, her last memory of them together a roaring rock concert and Jian the king on stage. Until the state police stormed in. As Iona unravels the story of these Chinese lovers from their first flirtations at Beijing University to Jian’s march in the Jasmine Revolution, Jian and Mu seem to be travelling further and further away from each other while Iona feels more and more alive. Intoxicated by their romance, Iona sets out to bring them back together, but time seems to be running out.

From the author of the smash-hit Around the World in 80 Trains comes a new globetrotting journey - this time celebrating the peculiar magic and mayhem of the night train.'Nobody writes trains like Monisha Rajesh' Irvine Welsh'Hugely entertaining' The Times'A moonlit express train to travel writing heaven. This is Monisha Rajesh's wittiest and most irresistible adventure yet' William DalrympleThe wonder of the night headlamps ablaze, passengers boarding after sunset and leaving before sunrise, slipping in and out of compartments unseen. For Monisha Rajesh, the singular thrill of sleeper trains inspired a new journey around the world – one filled with moonlit landscapes, cosy compartments and quirky companions.From Austria's Nightjet to the Caledonian Sleeper and the Santa Claus Express, Rajesh invites us on an adventure aboard the world's most wondrous night trains. Along the way, she samples reindeer stew in Scandinavia, retraces the original route of the Orient Express, sips on pisco sours aboard the Andean Explorer, and watches the sun rise over the Potomac River on the Silver Meteor to New York.A decade ago night trains were giving way to budget airlines and high-speed rail. But as people search for slower and more environmentally friendly ways to travel, night trains are in the midst of a renaissance. By turns romantic and hilarious, Moonlight Express brings us along for the ride – and drops us back at the platform before sunrise.

The boys of Huaxia dream of pairing up with girls to pilot Chrysalises, giant transforming robots that can battle the mecha aliens that lurk beyond the Great Wall. It doesn't matter that the girls often die from the mental strain. When 18-year-old Zetian offers herself up as a concubine-pilot, it's to assassinate the ace male pilot responsible for her sister's death. But she gets her vengeance in a way nobody expected—she kills him through the psychic link between pilots and emerges from the cockpit unscathed. She is labeled an Iron Widow, a much-feared and much-silenced kind of female pilot who can sacrifice boys to power up Chrysalises instead.​ To tame her unnerving yet invaluable mental strength, she is paired up with Li Shimin, the strongest and most controversial male pilot in Huaxia​. But now that Zetian has had a taste of power, she will not cower so easily. She will miss no opportunity to leverage their combined might and infamy to survive attempt after attempt on her life, until she can figure out exactly why the pilot system works in its misogynist way—and stop more girls from being sacrificed.

* NEW YORK TIMES BESTSELLER!* An immersive historical novel inspired by the true story of a woman physician in 15th-century China. According to Confucius, “an educated woman is a worthless woman,” but Tan Yunxian—born into an elite family, yet haunted by death, separations, and loneliness—is being raised by her grandparents to be of use. Her grandmother is one of only a handful of female doctors in China, and she teaches Yunxian the pillars of Chinese medicine, the Four Examinations—looking, listening, touching, and asking—something a man can never do with a female patient. From a young age, Yunxian learns about women’s illnesses, many of which relate to childbearing, alongside a young midwife-in-training, Meiling. The two girls find fast friendship and a mutual purpose—despite the prohibition that a doctor should never touch blood while a midwife comes in frequent contact with it—and they vow to be forever friends, sharing in each other’s joys and struggles. No mud, no lotus , they tell from adversity beauty can bloom. But when Yunxian is sent into an arranged marriage, her mother-in-law forbids her from seeing Meiling and from helping the women and girls in the household. Yunxian is to act like a proper wife—embroider bound-foot slippers, recite poetry, give birth to sons, and stay forever within the walls of the family compound, the Garden of Fragrant Delights. How might a woman like Yunxian break free of these traditions and lead a life of such importance that many of her remedies are still used five centuries later? How might the power of friendship support or complicate these efforts? A captivating story of women helping each other, Lady Tan’s Circle of Women is a triumphant reimagining of the life of one person who was remarkable in the Ming dynasty and would be considered remarkable today.

A ground-breaking collection applying Crenshaw's concept of intersectionality to the black diasporic experience in Britain.In the 1980s, Professor Kimberlé Crenshaw first coined the term 'intersectionality'. Since then, the concept has spread across national and disciplinary boundaries, and has had a transformative impact on the way in which we understand identity and the experience of discrimination. But outside the US, the application of intersectional theory has largely been disconnected from any analysis of 'Blackness', despite intersectionality's origins in critical race theory (CRT). Curated by Crenshaw, Andrews and Wilson as well as several of the leading scholars of CRT, this collection bridges that gap, and is the first to apply both these concepts to contexts outside the US. Focusing on Blackness in Britain, the contributors examine how scholars and activists are employing intersectionality to foreground Black British experiences. Its essays encompass key issues such as gender and Black womanhood, issues of representation within contemporary British culture, and the position of Black Britons within institutions such as the family, education and health. The book also looks to the role intersectionality can play in shaping future political activism, and in forging links beyond 'Blackness' to other social movements.

Thirty years ago, Prof. Kimberlé Crenshaw coined the term intersectionality. Since then, she has impacted social justice movements across the globe in unprecedented ways. With the publication, “Reach Everyone on the Planet …,”the Center for Intersectional Justice (CIJ) and the Gunda Werner Institute want to honor Kimberlé Crenshaw’s contribution not only to social justice movements but also to the lives of people located at the intersections of several axes of oppression. This book gathers texts from prominent activists, critical thinkers and academics in Germany and Europe. table of contents: Welcome, Introduction and foreword Why intersectionality can’t wait - Kimberlé Crenshaw Intersectionality is a concept that has never been a concept in my life - Mîran Newroz Çelik Kimberlé Crenshaw’s influence on my thinking with regard to transformative justice - Maisha-Maureen Auma Ableism and intersectionality - Elena Chamorro Intersectionality—a weighty concept with history - Sabine Hark Racial capitalism: hierarchies of belonging - Fatima El-Tayeb Imagining community: Kimberlé Crenshaw and queer/trans of color politics - Jin Haritaworn Where are the Black female professors in Europe? - Iyiola Solanke A flight of butterflies - Emilia Roig A reflection: on migration, difference and living a feminist life - Clementine Ewokolo Burnley Kimberlé Crenshaw at the German Federal Constitutional Court: religion at the crossroads between race and gender - Nahed Samour What’s in a word? - Amandine Gay Kimberlé Crenshaw’s influence on my pedagogical action - Katja Kinder Can we get a witness? - Julia Phillips The German make-a-wish discourse - Dania Thaler When Kimberlé Crenshaw came to Paris… - Christelle Gomis The trouble with the female universalists - Rokhaya Diallo Language matters - Sharon Dodua Otoo Reading antidiscrimination law with Crenshaw, but without Rasse? - Cengiz Barskanmaz Political intersectionality as a healing proposal - Peggy Piesche

Despite the watershed election of Barack Obama―and the claims that racial history ended that day―the painful reality of racism in America has been thrust into the headlines over the past year. The Race Track dispenses with the myth of post-racial America, explaining not only why race matters more than ever but also how we can fashion twenty-first-century solutions to combating racial injustice. The celebrated authors of this timely intervention chart the long history of racism in law, health care, housing, criminal justice, employment, economic crises (including the subprime crisis), and school admissions. In accessible terms, they then provide a framework for understanding how and why structural racism thrives in the in systematic racial profiling, the school-to-prison pipeline, housing segregation, and widespread “implicit bias.” Arguing that there is no magic bullet, no one-size-fits-all solution to racial injustice, The Race Track champions an “intersectional” path―pioneered by Kimberlé Crenshaw―one that will appeal to people of all races who want to know how to speak the language of racial justice in an environment where many stubbornly claim we have already achieved it.

One of the most influential public intellectuals in the world and the architect of the two biggest ideas to reshape the American conversation about fairness offers the intimate story of how her life gave birth to these ideas. It is not very often that someone comes along and permanently reshapes the way Americans think about two of the most important issues of the day. In this case: race and gender. But that is what Kimberlé Crenshaw did when she articulated two concepts that would forever change national and global debates about equality: intersectionality and critical race theory. Backtalker is the powerful and intimate story of how a little girl from Canton, Ohio, came up with a new way to look at the world. Crenshaw’s memoir traces the way her lived experience made her see things others didn’t as the daughter of a strong-minded teacher and a pathbreaking public servant, and as the sister of a protective, yet bullying older brother. She starts to talk back, and that backtalking has continued throughout her life. It happens when she is denied a role in the kindergarten school play. When she is escorted to the back door of a private club. When Anita Hill is exiled for testifying against Clarence Thomas. When OJ Simpson goes on trial. When Obama launches My Brother’s Keeper, a movement focused on boys of color only. When the movement against police violence overlooks Black women. Crenshaw is there for all of it. In the vein of Ta-Nehisi Coates and Bryan Stevenson, Crenshaw evokes each time and place like a gifted novelist with extreme honesty and specificity, making her book a series of awe-inspiring, deep revelations. As a result of her work, Crenshaw has become a force to be reckoned with across America—at schools, in the workplace, at dinner tables, and, of course, in our public square.

Six critically acclaimed, bestselling, and award-winning authors bring the glowing warmth and electricity of Black teen love to this interlinked novel of charming, hilarious, and heartwarming stories that shine a bright light through the dark. A summer heatwave blankets New York City in darkness. But as the city is thrown into confusion, a different kind of electricity sparks… A first meeting.  Long-time friends.  Bitter exes.  And maybe the beginning of something new. When the lights go out, people reveal hidden truths. Love blossoms, friendship transforms, and new possibilities take flight. Beloved authors—Dhonielle Clayton, Tiffany D. Jackson, Nic Stone, Angie Thomas, Ashley Woodfolk, and Nicola Yoon—celebrate the beauty of six couples and the unforgettable magic that can be found on a sweltering starry night in the city.

From the award-winning New York Times and Indie bestselling author of Ace of Spades comes a mystery about five teen geniuses, their billionaire father, and the aftermath of his murder—perfect for fans of The Inheritance Games, Holly Jackson, and How to Get Away with Murder!Five prodigies, one dead father, a mansion full of suspects…Octavius the Maestro.Fola the Brain.Bilal the Olympian.Perdita the Artist.Romeo the Failure.These are the five heirs of the illustrious billionaire Leontes Button. Adopted and viciously trained with their father’s infamous “Button Method” to prove his hypothesis for creating prodigies—child geniuses—the Button siblings have had no choice but to be brilliant according to their father's impossibly high standards.Until he is murdered at his annual Prodigy Ball.Now, all who attended the ball are required to stay in the Button Manor while the police investigate. But the officers have their work cut out for them—each of the Button siblings has something to hide, but The Heirs aren't the only ones with secrets. After all, Leontes Button was especially good at making enemies. . .

Head Chef Jun Li keeps a mermaid in a run-down Morningside Heights bathroom, where he carves him up, piece by piece, at the behest of the wealthy Winslow family who funded his rise from his parents’ Flushing restaurant to Michelin-starred chef. As he butchers to satisfy the family’s increasingly voracious appetite, the neurotoxic flesh drives the family toward paranoia, sexual obsession, and madness, while an unsettling intimacy blooms between chef and ingredient. Jun must decide how much of himself—and his captive—he’s willing to sacrifice to prove he belongs among Manhattan’s gilded elite, all with a second Michelin star hanging in the balance. For fans of Tender is the Flesh by Agustina Bazterrica, Our Wives Under the Sea by Julia Armfield and Mark Mylod’s film The Menu, this stunning literary horror, with a satirical edge, is a delightfully dark journey through desire and greed that begs to be talked about.