‘If you had not already realised it, this is a very strange house you are come to.’ The Scions of the House of Werth are all born normal. It is what happens afterwards that sets them apart. It is not easy being the most supernatural family in England. Nell talks to the dead; Lord Werth is too often to be found out in the churchyard at the dead of night; and the less said about Lord Bedgberry, the better. Only Miss Gussie Werth has missed out on the family curse. She sups on chocolate, not blood; she's blissfully oblivious to spectres (except for Great-Aunt Honoria, of course); and she hasn't the smallest inclination to turn into a beast upon the full moon, and go ravening about the countryside. But there's more to the Wyrde than meets the eye. When a visit to a neighbouring family goes spectacularly, deliciously wrong, Gussie's ideas about her own nature undergo a swift and serious change. Far from being the most ordinary of the bunch, she may just prove to be the most disastrous Werth of them all... Refined Regency manners meet gothic comedy to delightfully absurd effect in Wyrde and Wayward, a fresh new series from the author of Modern Magick and the Malykant Mysteries.

‘I may not be blessed wi’ magic, but I do like to keep things nice and tidy.’ Deep in the Lincolnshire Wolds in the year 1812, Bessie Bell slaves away as a housemaid for a merciless employer. Being smart of mouth and a dab hand with a bucket, she makes short work of an assailant — only to be thrown out into the drenching fog of a cold October night. That’s when things turn... strange. Swept away into a wild adventure, stout-hearted Bessie’s fazed by nothing. Not by destitution, even with the winter coming on. Not by mysterious gentleman wandering the night, even if Mr. Green does seem to be out of his wits. Not even by ghostly horses with firelit eyes, no matter that the thing’s nightmare incarnate. Except that this goblin horse is a monarch’s own steed, and his royal master’s never far behind him... Can an ordinary human girl hold her own against the Goblin King himself?

On Arth, the future of finance revolves around deep politics, hidden interests, and dark magic. Notably absent is actual money. Crypt currency is the future. The enchantments are reliable. The aethernet infrastructure is sound. And despite the fact the currency is stored in something called a pocket crypt, relies on phantoms of the dead, and often involves a worrying green glow, experts agree it has nothing to do with necromancy. All of the big crypt magnates say so. Then pocket crypts unleash sorcerous chaos at a funeral. Then a necromantic blight begins rotting the countryside. Then Gorm Ingerson, guild auditor and professionally skeptical Dwarf, starts following the money that isn’t money, and learns that economics is far more deadly than advertised. Along the way, Gorm will discover that there are no real experts in noncorporeal cash, Dwarven cultural identity, nor matters of the heart. He’ll need to navigate all three if he and his friends are to survive a crisis that’s rapidly becoming less financial and more apocalyptic. Because when crypt currency crashes, the dead don't stay dead—they come to collect. A novel set on Arth, the world of the award-winning Dark Profit Saga

This a previously-published edition of ISBN 9780140621334 "We agree that we are overworked, and need a rest - A week on the rolling deep? - George suggests the river -" And with the co-operation of several hampers of food and a covered boat, the three men (not forgetting the dog) set out on a hilarious voyage of mishaps up the Thames. When not falling in the river and getting lost in Hampton Court Maze, Jerome K. Jerome finds time to express his ideas on the world around - many of which have acquired a deeper fascination since the day at the end of the 19th century when this excursion was so lightly undertaken.

Carpet specialist Dorothy Armstrong tells the stories surrounding twelve of the world’s most fascinating carpets. Dorothy Armstrong’s Threads of Empire is a spellbinding look at the history of the world through the stories of twelve carpets. Beautiful, sensuous, and enigmatic, great carpets follow power. Emperors, shahs, sultans and samurai crave them as symbols of earthly domination. Shamans and priests desire them to evoke the spiritual realm. The world’s 1% hunger after them as displays of extreme status. And yet these seductive objects are made by poor and illiterate weavers, using the most basic materials and crafts; hedgerow plants for dyes, fibers from domestic animals, and the millennia-old skills of interweaving warps, wefts and knots. In Threads of Empire, Armstrong tells the histories of some of the world’s most fascinating carpets, exploring how these textiles came into being then were transformed as they moved across geography and time in the slipstream of the great. She shows why the world’s powerful were drawn to them, but also asks what was happening in the weavers’ lives, and how they were affected by events in the world outside their tent, village or workshop. In its wide-ranging examination of these dazzling objects, from the 5th century BCE contents of the tombs of Scythian chieftains, to the carpets under the boots of Stalin, Roosevelt and Churchill at the 1945 Yalta Peace Conference, Threads of Empire uncovers a new, hitherto hidden past right beneath our feet.

Taking readers on a global journey through human history, historian Natasha Tidd examines how lies can change the world around us, from Julius Caesar’s deceptive PR machine to the cover ups that caused Chernobyl. From forgeries that created centuries worth of conflict and domination, such as The Donation of Constantine, the Protocols of Zion and the mysterious Testament of Peter the Great, to mass political and press cover ups including Britain’s Boer War concentration camps, a Pulitzer Prize winning whitewash of the Ukraine Famine and France’s infamous Dreyfus Affair. Alongside these are examinations of how our retellings of history can turn fiction into fact , including The Spanish Inquisition’s deceitful legacy and the demonization of Chinese Empress, Wu Zetian. Plus, an in-depth look at how historic lies can still impact our lives today, such as the deadly legacy of America’s Tuskegee Experiment. A Short History of the World in 50 Lies details the profound impact of this secretive side of history and shows that the truth really is stranger – and far more dangerous – than any fiction.

A sweeping and captivatingly told history of clothing and the stuff it's made of--an unparalleled deep dive into how we've made what we wear, and how our garments have transformed our societies, our planet, and our lives. In this ambitious, panoramic social history, Sofi Thanhauser brilliantly tells five stories--Linen, Cotton, Silk, Synthetics, Wool--about the clothes we wear and where they come from, illuminating our world in unexpected ways. She takes us from the opulent court of Louis Quatorze to the labor camps in modern-day Chinese-occupied Xinjiang. We see how textiles were once dyed from lichen, shells, bark, saffron, and beetles, displaying distinctive regional weaves and knits, and how the modern Western garment industry has refashioned our attire into the homogenous and disposable uniforms popularized by fast fashion brands. Thanhauser makes clear how the clothing industry has become one of the planet's worst polluters, relying on chronically underpaid and exploited laborers. But she also shows us how micro-communities and companies of textile and clothing makers in every corner of the world are rediscovering ancestral and ethical methods for making what we wear. Drawn from years of intensive research and reporting from around the world, and brimming with fascinating anecdotal material, Worn reveals to us that our clothing comes not just from the countries listed on the tags or ready-made from our factories--it comes, as well, from deep in our histories.

The first book in CWA Gold Dagger Award-winning British espionage series starring a team of MI5 agents united by one common bond: They've screwed up royally and will do anything to redeem themselves. London, England: Slough House is where the washed-up MI5 spies go to while away what's left of their failed careers. The "slow horses," as they’re called, have all disgraced themselves in some way to get relegated here. Maybe they messed up an op badly and can't be trusted anymore. Maybe they got in the way of an ambitious colleague and had the rug yanked out from under them. Maybe they just got too dependent on the bottle—not unusual in this line of work. One thing they all have in common, though, is they all want to be back in the action. And most of them would do anything to get there─even if it means having to collaborate with one another. River Cartwright, one such “slow horse,” is bitter about his failure and about his tedious assignment transcribing cell phone conversations. When a young man is abducted and his kidnappers threaten to broadcast his beheading live on the Internet, River sees an opportunity to redeem himself. But is the victim who he first appears to be? And what’s the kidnappers’ connection with a disgraced journalist? As the clock ticks on the execution, River finds that everyone has his own agenda.