'This book is an act of excavation, and an act of remembering.'As Kim Willis drifts from the traditional path of marriage and motherhood, she yearns for a new set of stories to light her way. Here, she is pulled towards the source of the Severn, hearing whispers of ancient shape-shifting enchantresses, scaly nymphs and goddesses who once commanded our lands. These are no fair maidens, but powerful warrioresses and animalistic beasts, snaking along the edges of watery places where we meet the otherworld in the shadows.As she uncovers the ancient myths hidden in the rugged landscapes of the British Isles, the stories of women like Arianrhod, Melusine and Cerridwen awaken a forgotten power. Journeying from the Severn to Skye, Eryri to Northumberland, Kim discovers new magic in the tales of old, unveiling forgotten truths about grief and healing, while charting a new course through sisterhood and sexuality, fertility and freedom.Through the threads of folklore, history and landscape, Kim identifies a better way of being for modern women, and crafts a new vision for Britain where women are - and always were - a force of nature.

“Violent, smart, gruesome and wildly original, this novel pulls readers into a horrific world of murder and cannibalism while also critiquing misogyny, exploring Asian fetishization and stereotypes, sharing what it’s like to navigate two cultures and telling a touching story of a family in turmoil.” —New York Times Book Review Crying in H-Mart meets My Sister, the Serial Killer in this feminist psychological horror about the making of a female serial killer from a Korean-American perspective. Ji-won’s life tumbles into disarray in the wake of her appa’s extramarital affair and subsequent departure. Her mother, distraught. Her younger sister, hurt and confused. Her college freshman grades, failing. Her dreams, horrifying… yet enticing. In them, Ji-won walks through bloody rooms full of eyes. Succulent blue eyes. Salivatingly blue eyes. Eyes the same shape and shade as George’s, who is Umma’s obnoxious new boyfriend. George has already overstayed his welcome in her family’s claustrophobic apartment. He brags about his puffed-up consulting job, ogles Asian waitresses while dining out, and acts condescending toward Ji-won and her sister as if he deserves all of Umma’s fawning adoration. No, George doesn’t deserve anything from her family. Ji-won will make sure of that. For no matter how many victims accumulate around her campus or how many people she must deceive and manipulate, Ji-won’s hunger and her rage deserve to be sated. A brilliantly inventive, subversive novel about a young woman unraveling, Monika Kim’s The Eyes Are the Best Part is a story of a family falling apart and trying to find their way back to each other, marking a bold new voice in horror that will leave readers mesmerized and craving more.

Award-winning environment and science reporter Zoë Schlanger delivers a groundbreaking work of popular science that probes the hidden world of the plant kingdom and reveals the astonishing capabilities of the green life all around us. It takes tremendous biological creativity to be a plant. To survive and thrive while rooted in a single spot, plants have adapted ingenious methods of survival. In recent years, scientists have learned about their ability to communicate, recognize their kin and behave socially, hear sounds, morph their bodies to blend into their surroundings, store useful memories that inform their life cycle, and trick animals into behaving to their benefit, to name just a few remarkable talents. The Light Eaters is a deep immersion into the drama of green life and the complexity of this wild and awe-inspiring world that challenges our very understanding of agency, consciousness, and intelligence. In looking closely, we see that plants, rather than imitate human intelligence, have perhaps formed a parallel system. What is intelligent life if not a vine that grows leaves to blend into the shrub on which it climbs, a flower that shapes its bloom to fit exactly the beak of its pollinator, a pea seedling that can hear water flowing and make its way toward it? Zoë Schlanger takes us across the globe, digging into her own memories and into the soil with the scientists who have spent their waking days studying these amazing entities up close. What can we learn about life on Earth from the living things that thrive, adapt, consume, and accommodate simultaneously? More important, what do we owe these life forms once we come to understand their rich and varied abilities? Examining the latest epiphanies in botanical research, Schlanger spotlights the intellectual struggles among the researchers conceiving a wholly new view of their subject, offering a glimpse of a field in turmoil as plant scientists debate the tenets of ongoing discoveries and how they influence our understanding of what a plant is. We need plants to survive. But what do they need us for—if at all? An eye-opening and informative look at the ecosystem we live in, this book challenges us to rethink the role of plants—and our own place—in the natural world.

Which is more dangerous, a gun or a swimming pool? What do schoolteachers and sumo wrestlers have in common? Why do drug dealers still live with their moms? How much do parents really matter? What kind of impact did Roe v. Wade have on violent crime? Freakonomics will literally redefine the way we view the modern world. These may not sound like typical questions for an economist to ask. But Steven D. Levitt is not a typical economist. He is a much heralded scholar who studies the stuff and riddles of everyday life -- from cheating and crime to sports and child rearing -- and whose conclusions regularly turn the conventional wisdom on its head. He usually begins with a mountain of data and a simple, unasked question. Some of these questions concern life-and-death issues; others have an admittedly freakish quality. Thus the new field of study contained in this book: freakonomics. Through forceful storytelling and wry insight, Levitt and co-author Stephen J. Dubner show that economics is, at root, the study of incentives -- how people get what they want, or need, especially when other people want or need the same thing. In Freakonomics, they set out to explore the hidden side of ... well, everything. The inner workings of a crack gang. The truth about real-estate agents. The myths of campaign finance. The telltale marks of a cheating schoolteacher. The secrets of the Ku Klux Klan. What unites all these stories is a belief that the modern world, despite a surfeit of obfuscation, complication, and downright deceit, is not impenetrable, is not unknowable, and -- if the right questions are asked -- is even more intriguing than we think. All it takes is a new way of looking. Steven Levitt, through devilishly clever and clear-eyed thinking, shows how to see through all the clutter. Freakonomics establishes this unconventional premise: If morality represents how we would like the world to work, then economics represents how it actually does work. It is true that readers of this book will be armed with enough riddles and stories to last a thousand cocktail parties. But Freakonomics can provide more than that. It will literally redefine the way we view the modern world. (front flap)

All martyrdoms are difficult. Elfreda Raughn will avoid pregnancy if it kills her, and one way or another, it will kill her. Though she’s able to stomach her gruesome day-to-day duties, the reality of preserving the Sisterhood of Aytrium’s magical bloodline horrifies her. She wants out, whatever the cost. So when a shadowy cabal approaches Elfreda with an offer of escape, she leaps at the opportunity. As their spy, she gains access to the highest reaches of the Sisterhood, and enters a glittering world of opulent parties, subtle deceptions, and unexpected bloodshed. A phantasmagorical indictment of hereditary power, Star Eater takes readers deep into a perilous and uncanny world where even the most powerful women are forced to choose what sacrifices they will make, so that they might have any choice at all.

Enid is obsessed with space. She can tell you all about black holes and their ability to spaghettify you without batting an eye in fear. Her one major phobia? Bald men. But she tries to keep that one under wraps. When she’s not listening to her favorite true crime podcasts on a loop, she’s serially dating a rotation of women from dating apps. At the same time, she’s trying to forge a new relationship with her estranged half-sisters after the death of her absent father. When she unwittingly plunges into her first serious romantic entanglement, Enid starts to believe that someone is following her. As her paranoia spirals out of control, Enid must contend with her mounting suspicion that something is seriously wrong with her. Because at the end of the day there’s only one person she can’t outrun—herself. Brimming with quirky humor, charm, and heart, Interesting Facts about Space effortlessly shows us the power of revealing our secret shames, the most beautifully human parts of us all.

“Violent, smart, gruesome and wildly original, this novel pulls readers into a horrific world of murder and cannibalism while also critiquing misogyny, exploring Asian fetishization and stereotypes, sharing what it’s like to navigate two cultures and telling a touching story of a family in turmoil.” —New York Times Book Review Crying in H-Mart meets My Sister, the Serial Killer in this feminist psychological horror about the making of a female serial killer from a Korean-American perspective. Ji-won’s life tumbles into disarray in the wake of her appa’s extramarital affair and subsequent departure. Her mother, distraught. Her younger sister, hurt and confused. Her college freshman grades, failing. Her dreams, horrifying… yet enticing. In them, Ji-won walks through bloody rooms full of eyes. Succulent blue eyes. Salivatingly blue eyes. Eyes the same shape and shade as George’s, who is Umma’s obnoxious new boyfriend. George has already overstayed his welcome in her family’s claustrophobic apartment. He brags about his puffed-up consulting job, ogles Asian waitresses while dining out, and acts condescending toward Ji-won and her sister as if he deserves all of Umma’s fawning adoration. No, George doesn’t deserve anything from her family. Ji-won will make sure of that. For no matter how many victims accumulate around her campus or how many people she must deceive and manipulate, Ji-won’s hunger and her rage deserve to be sated. A brilliantly inventive, subversive novel about a young woman unraveling, Monika Kim’s The Eyes Are the Best Part is a story of a family falling apart and trying to find their way back to each other, marking a bold new voice in horror that will leave readers mesmerized and craving more.