Alaska, 1974. Unpredictable. Unforgiving. Untamed. For a family in crisis, the ultimate test of survival. Ernt Allbright, a former POW, comes home from the Vietnam war a changed and volatile man. When he loses yet another job, he makes an impulsive decision: he will move his family north, to Alaska, where they will live off the grid in America’s last true frontier. Thirteen-year-old Leni, a girl coming of age in a tumultuous time, caught in the riptide of her parents’ passionate, stormy relationship, dares to hope that a new land will lead to a better future for her family. She is desperate for a place to belong. Her mother, Cora, will do anything and go anywhere for the man she loves, even if it means following him into the unknown. At first, Alaska seems to be the answer to their prayers. In a wild, remote corner of the state, they find a fiercely independent community of strong men and even stronger women. The long, sunlit days and the generosity of the locals make up for the Allbrights’ lack of preparation and dwindling resources. But as winter approaches and darkness descends on Alaska, Ernt’s fragile mental state deteriorates and the family begins to fracture. Soon the perils outside pale in comparison to threats from within. In their small cabin, covered in snow, blanketed in eighteen hours of night, Leni and her mother learn the terrible truth: they are on their own. In the wild, there is no one to save them but themselves. In this unforgettable portrait of human frailty and resilience, Kristin Hannah reveals the indomitable character of the modern American pioneer and the spirit of a vanishing Alaska―a place of incomparable beauty and danger. The Great Alone is a daring, beautiful, stay-up-all-night story about love and loss, the fight for survival, and the wildness that lives in both man and nature.

In love we find out who we want to be. In war we find out who we are. FRANCE, 1939 In the quiet village of Carriveau, Vianne Mauriac says good-bye to her husband, Antoine, as he heads for the Front. She doesn’t believe that the Nazis will invade France…but invade they do, in droves of marching soldiers, in caravans of trucks and tanks, in planes that fill the skies and drop bombs upon the innocent. When a German captain requisitions Vianne’s home, she and her daughter must live with the enemy or lose everything. Without food or money or hope, as danger escalates all around them, she is forced to make one impossible choice after another to keep her family alive. Vianne’s sister, Isabelle, is a rebellious eighteen-year-old, searching for purpose with all the reckless passion of youth. While thousands of Parisians march into the unknown terrors of war, she meets Gaëtan, a partisan who believes the French can fight the Nazis from within France, and she falls in love as only the young can…completely. But when he betrays her, Isabelle joins the Resistance and never looks back, risking her life time and again to save others.

The Descent meets The Ritual in a cult aquatic horror about a group of academics trapped in a sea cave who must reckon with eldritch horrors as they are forced to atone for their greatest sins. ATONE OR DIE. Grad student Caro has no idea what she wants to do with her life, but when an opportunity arises to act as a research assistant on an anthropological expedition for her professor and lover, Edward Beck, she doesn't hesitate. Beck assembles a team of academics and professionals to study the ancient sea-based Cult of the Leviathan, and the expedition descends into the sea caves where the cult are said to have dwelt. But when the cave entrance collapses, trapping them inside, the expedition will find they are not alone in the darkness. Surrounded by strange artefacts and scattered bones, an ancient trial has been set in motion. One by one, the members of the expedition will be tested and forced to atone for their greatest sin. . . or die.

In love we find out who we want to be. In war we find out who we are. FRANCE, 1939 In the quiet village of Carriveau, Vianne Mauriac says good-bye to her husband, Antoine, as he heads for the Front. She doesn’t believe that the Nazis will invade France…but invade they do, in droves of marching soldiers, in caravans of trucks and tanks, in planes that fill the skies and drop bombs upon the innocent. When a German captain requisitions Vianne’s home, she and her daughter must live with the enemy or lose everything. Without food or money or hope, as danger escalates all around them, she is forced to make one impossible choice after another to keep her family alive. Vianne’s sister, Isabelle, is a rebellious eighteen-year-old, searching for purpose with all the reckless passion of youth. While thousands of Parisians march into the unknown terrors of war, she meets Gaëtan, a partisan who believes the French can fight the Nazis from within France, and she falls in love as only the young can…completely. But when he betrays her, Isabelle joins the Resistance and never looks back, risking her life time and again to save others.

From the author of The Perfect Place to Die and Don't Go to Sleep comes another chilling horror that explores the eerie story of America's first serial killer family. Warren Bullock always thought he was a decent person. But lately he's been haunted by a sinister voice in his head urging him to commit unspeakable acts of violence against the people around him. And then the rumors start... There have been a string of disappearances in southeastern Kansas, and his father's friend is one of the missing travelers. When Warren's father leaves to investigate and doesn't return, Warren knows this is his chance to prove that he is stronger than his darkest impulses. As he makes his way through Kansas, he finds himself at a suspicious inn run by the Benders, a family with deeply unsettling mannerisms. They watch every move he makes, stand over him in his sleep, and the daughter seems to be able to see into both the past and future. As he delves further into the disappearances, he realizes one or all of the Benders may be responsible for all the missing people―and might be the reason his father never came home. It's up to Warren to set things right, even if that means giving into the voice he has been working so hard to ignore.

From the author of The Perfect Place to Die and Don't Go to Sleep comes another chilling horror that explores the eerie story of America's first serial killer family. Warren Bullock always thought he was a decent person. But lately he's been haunted by a sinister voice in his head urging him to commit unspeakable acts of violence against the people around him. And then the rumors start... There have been a string of disappearances in southeastern Kansas, and his father's friend is one of the missing travelers. When Warren's father leaves to investigate and doesn't return, Warren knows this is his chance to prove that he is stronger than his darkest impulses. As he makes his way through Kansas, he finds himself at a suspicious inn run by the Benders, a family with deeply unsettling mannerisms. They watch every move he makes, stand over him in his sleep, and the daughter seems to be able to see into both the past and future. As he delves further into the disappearances, he realizes one or all of the Benders may be responsible for all the missing people―and might be the reason his father never came home. It's up to Warren to set things right, even if that means giving into the voice he has been working so hard to ignore.

One of the great appeals of Florida has always been the sense that the minute you get here you have permission to collapse.The Kingdom of Sand is a poignant tale of desire and dread—Andrew Holleran’s first new book in sixteen years. The nameless narrator is a gay man who moved to Florida to look after his aging parents—during the height of the AIDS epidemic—and has found himself unable to leave after their deaths. With gallows humor, he chronicles the indignities of growing old in a small town.At the heart of the novel is the story of his friendship with Earl, whom he met cruising at the local boat ramp. For the last twenty years, he has been visiting Earl to watch classic films together and critique the neighbors. Earl is the only person in town with whom he can truly be himself. Now Earl’s health is failing, and our increasingly misanthropic narrator must contend with the fact that once Earl dies, he will be completely alone. He distracts himself with sexual encounters at the video porn store and visits to Walgreens. All the while, he shares reflections on illness and death that are at once funny and heartbreaking.Holleran’s first novel, Dancer from the Dance, is widely regarded as a classic work of gay literature. The Kingdom of Sand displays all of Holleran’s considerable gifts; it’s an elegy to sex and a stunningly honest exploration of loneliness and the endless need for human connection, especially as we count down our days.

#1 New York Times and USA TODAY bestselling author Natasha Preston is back with another pulse-pounding, twisty read!"Few authors can do YA thrillers as well as Natasha Preston."—PasteIt's hard to find books that readers consider an instant-buy more than Natasha Preston's, and this next exhilarating installment in her line of killer standalones promises to scare and thrill her fans more than ever before.

One of the great appeals of Florida has always been the sense that the minute you get here you have permission to collapse.The Kingdom of Sand is a poignant tale of desire and dread—Andrew Holleran’s first new book in sixteen years. The nameless narrator is a gay man who moved to Florida to look after his aging parents—during the height of the AIDS epidemic—and has found himself unable to leave after their deaths. With gallows humor, he chronicles the indignities of growing old in a small town.At the heart of the novel is the story of his friendship with Earl, whom he met cruising at the local boat ramp. For the last twenty years, he has been visiting Earl to watch classic films together and critique the neighbors. Earl is the only person in town with whom he can truly be himself. Now Earl’s health is failing, and our increasingly misanthropic narrator must contend with the fact that once Earl dies, he will be completely alone. He distracts himself with sexual encounters at the video porn store and visits to Walgreens. All the while, he shares reflections on illness and death that are at once funny and heartbreaking.Holleran’s first novel, Dancer from the Dance, is widely regarded as a classic work of gay literature. The Kingdom of Sand displays all of Holleran’s considerable gifts; it’s an elegy to sex and a stunningly honest exploration of loneliness and the endless need for human connection, especially as we count down our days.

#1 New York Times and USA TODAY bestselling author Natasha Preston is back with another pulse-pounding, twisty read!"Few authors can do YA thrillers as well as Natasha Preston."—PasteIt's hard to find books that readers consider an instant-buy more than Natasha Preston's, and this next exhilarating installment in her line of killer standalones promises to scare and thrill her fans more than ever before.

Three brothers. Two deaths. One girl, caught in the middle. The Abbott boys, fraternal triplets Henry, Bram, and Adam, live in a mansion on the outskirts of Silver Creek. For decades, their family's been at odds with the town, long before Mariana Flores died in a fiery accident on the Abbott property last year . The police ruled out foul play, but ask anyone in Silver Creek about it and they'll say one of the Abbott boys killed her. They just don't know which one. But Hayden, the girl who lives next door to the Abbotts, swears they're innocent. After all, Henry's her best friend—maybe he could be more. She's been worried about Adam ever since he was injured in the accident that killed Mariana. As for Bram, he's a little complicated, but he and Mariana had been in love. When the new school year brings a new victim—a popular girl, found dead in the woods—the hunt for a monster begins anew. The security camera footage doesn't show the face of the boy she was last seen with, but from his hoodie he could be any one of the Abbott brothers. To clear their names, Hayden starts investigating the new death, but the deeper she digs, the more uncertain she becomes. Is one of the Abbott brothers a killer? Or could they all be monsters? And what will the boys do to protect themselves and the truth?