“Violent, smart, gruesome and wildly original, this novel pulls readers into a horrific world of murder and cannibalism while also critiquing misogyny, exploring Asian fetishization and stereotypes, sharing what it’s like to navigate two cultures and telling a touching story of a family in turmoil.” —New York Times Book Review Crying in H-Mart meets My Sister, the Serial Killer in this feminist psychological horror about the making of a female serial killer from a Korean-American perspective. Ji-won’s life tumbles into disarray in the wake of her appa’s extramarital affair and subsequent departure. Her mother, distraught. Her younger sister, hurt and confused. Her college freshman grades, failing. Her dreams, horrifying… yet enticing. In them, Ji-won walks through bloody rooms full of eyes. Succulent blue eyes. Salivatingly blue eyes. Eyes the same shape and shade as George’s, who is Umma’s obnoxious new boyfriend. George has already overstayed his welcome in her family’s claustrophobic apartment. He brags about his puffed-up consulting job, ogles Asian waitresses while dining out, and acts condescending toward Ji-won and her sister as if he deserves all of Umma’s fawning adoration. No, George doesn’t deserve anything from her family. Ji-won will make sure of that. For no matter how many victims accumulate around her campus or how many people she must deceive and manipulate, Ji-won’s hunger and her rage deserve to be sated. A brilliantly inventive, subversive novel about a young woman unraveling, Monika Kim’s The Eyes Are the Best Part is a story of a family falling apart and trying to find their way back to each other, marking a bold new voice in horror that will leave readers mesmerized and craving more.

Edie is just trying to survive. She’s messing up in her dead-end admin job in her all-white office, is sleeping with all the wrong men, and has failed at the only thing that meant anything to her, painting. No one seems to care that she doesn’t really know what she’s doing with her life beyond looking for her next hook-up. And then she meets Eric, a white middle-aged archivist with a suburban family, including a wife who has sort-of-agreed to an open marriage and an adopted black daughter who doesn’t have a single person in her life who can show her how to do her hair. As if navigating the constantly shifting landscape of sexual and racial politics as a young black woman wasn’t already hard enough, with nowhere else left to go, Edie finds herself falling head-first into Eric’s home and family. Razor-sharp, provocatively page-turning and surprisingly tender, Luster by Raven Leilani is a painfully funny debut about what it means to be young now.

Librarian's Note: An alternate cover edition can be found here In April, 1992, a young man from a well-to-do family hitchhiked to Alaska and walked alone into the wilderness north of Mt. McKinley. His name was Christopher Johnson McCandless. He had given $25,000 in savings to charity, abandoned his car and most of his possessions, burned all the cash in his wallet, and invented a new life for himself. Four months later, a party of moose hunters found his decomposed body. How McCandless came to die is the unforgettable story of Into the Wild. Immediately after graduating from college in 1991, McCandless had roamed through the West and Southwest on a vision quest like those made by his heroes Jack London and John Muir. In the Mojave Desert he abandoned his car, stripped it of its license plates, and burned all of his cash. He would give himself a new name, Alexander Supertramp, and, unencumbered by money and belongings, he would be free to wallow in the raw, unfiltered experiences that nature presented. Craving a blank spot on the map, McCandless simply threw away the maps. Leaving behind his desperate parents and sister, he vanished into the wild.

A captivating and utterly original fairy tale about a girl cursed to be poisonous to the touch, and who discovers what power might lie in such a curse...There was and there was not, as all stories begin, a princess cursed to be poisonous to the touch. But for Soraya, who has lived her life hidden away, apart from her family, safe only in her gardens, it’s not just a story. As the day of her twin brother’s wedding approaches, Soraya must decide if she’s willing to step outside of the shadows for the first time. Below in the dungeon is a demon who holds knowledge that she craves, the answer to her freedom. And above is a young man who isn’t afraid of her, whose eyes linger not with fear, but with an understanding of who she is beneath the poison. Soraya thought she knew her place in the world, but when her choices lead to consequences she never imagined, she begins to question who she is and who she is becoming...human or demon. Princess or monster.

Cee has been trapped on an abandoned island for three years without any recollection of how she arrived, or memories from her life prior. All she knows is that somewhere out there, beyond the horizon, she has a sister named Kay, and it’s up to Cee to cross the ocean and find her. In a world apart, 16-year-old STEM prodigy Kasey Mizuhara lives in an eco-city built for people who protected the planet―and now need protecting from it. With natural disasters on the rise due to climate change, eco-cities provide clean air, water, and shelter. Their residents, in exchange, must spend at least a third of their time in stasis pods, conducting business virtually whenever possible to reduce their environmental footprint. While Kasey, an introvert and loner, doesn’t mind the lifestyle, her sister Celia hated it. Popular and lovable, Celia much preferred the outside world. But no one could have predicted that Celia would take a boat out to sea, never to return. Now it’s been three months since Celia’s disappearance, and Kasey has given up hope. Logic says that her sister must be dead. But nevertheless, she decides to retrace Celia’s last steps. Where they’ll lead her, she does not know. Her sister was full of secrets. But Kasey has a secret of her own.

From three-time Shirley Jackson, World Fantasy, and Nebula Award-winning author Elizabeth Hand comes the first-ever authorized novel to return to the world of Shirley Jackson's  The Haunting of Hill House:  a suspenseful, contemporary, and terrifying story of longing and isolation all its own.   Holly Sherwin has been a struggling playwright for years, but now, after receiving a grant to develop her play, The Witch of Edmonton, she may finally be close to her big break. All she needs is time and space to bring her vision to life. When she stumbles across Hill House on a weekend getaway upstate, she is immediately taken in by the ornate, if crumbling, gothic mansion, nearly hidden outside a remote village. It’s enormous, old, and ever-so eerie—the perfect place to develop and rehearse her play.   Despite her own hesitations, Holly’s girlfriend, Nisa, agrees to join Holly in renting the house out for a month, and soon a troupe of actors, each with ghosts of their own, arrive. Yet as they settle in, the house’s peculiarities are made known: strange creatures stalk the grounds,  disturbing sounds echo throughout the halls, and time itself seems to shift.  All too soon, Holly and her friends find themselves at odds not just with one another, but with the house itself. It seems something has been waiting in Hill House all these years, and it no longer intends to walk alone . . .   

Edie is just trying to survive. She’s messing up in her dead-end admin job in her all-white office, is sleeping with all the wrong men, and has failed at the only thing that meant anything to her, painting. No one seems to care that she doesn’t really know what she’s doing with her life beyond looking for her next hook-up. And then she meets Eric, a white middle-aged archivist with a suburban family, including a wife who has sort-of-agreed to an open marriage and an adopted black daughter who doesn’t have a single person in her life who can show her how to do her hair. As if navigating the constantly shifting landscape of sexual and racial politics as a young black woman wasn’t already hard enough, with nowhere else left to go, Edie finds herself falling head-first into Eric’s home and family. Razor-sharp, provocatively page-turning and surprisingly tender, Luster by Raven Leilani is a painfully funny debut about what it means to be young now.

"Finally we have a lovely, melancholic, sensual romance between two of the Bible's greatest villains—Judas Iscariot and the Devil. Between lush, decadent prose, Morgan Dante weaves together a queer love story, a gorgeous homage to The Divine Comedy, and thoughts on finding love in the damned shadow of God. A hellish, sacrilegious must-read." — rafael nicolás, author of Angels Before ManTwo of the Bible's greatest villains...After his betrayal with a kiss, Judas Iscariot dies in despair and goes to Hell. When Christ saves other souls during the Harrowing of Hell, he leaves Judas behind—but not alone in the ninth circle, where the most detestable traitors go. Callous, resigned, and abandoned by God long ago, the Devil sees Judas as a pathetic wretch, but he soon finds a kindred spirit. As the centuries pass, they struggle to find even a sliver of happiness in Hell.Doomed by the narrative, will they find happiness, or will their story continue to be a tragedy?

The winner of the 2023 Pacific Northwest Book Award for her memoir, Red Paint , Sasha taqʷšəblu LaPointe returns with a razor-sharp, clear-eyed selection of essays on what it means to be a proudly queer, indigenous woman in America today. Drawing on a rich family archive as well as the anthropological work of her late great-grandmother, Sasha taqʷšəblu LaPointe explores themes ranging from indigenous identity and stereotypes to cultural displacement and environmental degradation to understand what our experiences teach us about the power of community, commitment, and conscientious honesty. Unapologetically punk, the essays in Thunder Song segue between the miraculous and the mundane, the spiritual and the physical, as they examine the role of art--in particular music--and community in helping a new generation of indigenous people claim the strength of their heritage while defining their own path in the contemporary world.

Shortlisted for the Weatherglass Novella Prize 2024 The Secret History meets Stranger Things Ali Smith says: “Some teenage girls have – yes – performed a spell and hexed the moon. Now the moon, smooth-skinned, street-smart, dryly witty, seductive, powerful beyond belief, is literally hanging out in one of their bedrooms. Pitch Perfect gone cosmic: in stylish sleight of hand and with pleasurable bravado this pop song of a novella reveals the huge issues, importances, losses, survivals, impotence and potencies in the everyday existence of a group of best friends and their families. Full of young-adult wisdom, braiding dark and light together, it’s a charmer.”

A haunting debut story collection on friendship, mothers and daughters, and the deep-rooted truths of our homelands, centered on Latinas of indigenous ancestry that shines a new light on the American West. Kali Fajardo-Anstine’s magnetic story collection breathes life into her Latina characters of indigenous ancestry and the land they inhabit. Set against the remarkable backdrop of Denver, Colorado–a place that is as fierce as it is exquisite–these women navigate the land the way they navigate their lives: with caution, grace, and quiet force. In “Sugar Babies,” ancestry and heritage are hidden inside the earth but tend to rise during land disputes. “Any Further West” follows a sex worker and her daughter as they leave their ancestral home in southern Colorado only to find a foreign and hostile land in California. In “Tomi,” a woman leaves prison and finds herself in a gentrified city that is a shadow of the one she remembers from her childhood. And in the title story, “Sabrina & Corina,” a Denver family falls into a cycle of violence against women, coming together only through ritual. Sabrina & Corina is a moving narrative of unrelenting feminine power and an exploration of the universal experiences of abandonment, heritage, and an eternal sense of home.

From the nationally bestselling author of The Luminous Dead and The Death of Jane Lawrence, a transfixing, intensely atmospheric fever dream of medieval horror. Aymar Castle has been under siege for six months. Food is running low and there has been no sign of rescue. But just as the survivors consider deliberately thinning their number, the castle stores are replenished. The sick are healed. And the divine figures of the Constant Lady and her Saints have arrived, despite the barricaded gates, offering succor in return for adoration. Soon, the entire castle is under the sway of their saviors, partaking in intoxicating feasts of terrible origin. The war hero Ser Voyne gives her allegiance to the Constant Lady. Phosyne, a disorganized, paranoid nun-turned-sorceress, races to unravel the mystery of these new visitors and exonerate her experiments as their source. And in the bowels of the castle, a serving girl, Treila, is torn between her thirst for a secret vengeance against Voyne and the desperate need to escape from the horrors that are unfolding within Aymar’s walls. As the castle descends into bacchanalian madness—forgetting the massed army beyond its walls in favor of hedonistic ecstasy—these three women are the only ones to still see their situation for what it is. But they are not immune from the temptations of the castle’s new masters… or each other; and their shifting alliances and entangled pasts bring violence to the surface. To save the castle, and themselves, will take a reimagining of who they are, and a reorganization of the very world itself.

A year into her dream job at a cutthroat Silicon Valley startup, Cassie finds herself trapped in a corporate nightmare. In addition to the long hours, toxic bosses, and unethical projects, she struggles to reconcile the glittering promise of a city where obscene wealth lives alongside abject poverty. Ivy League grads complain about the snack selection from a conference room with a view of unhoused people bathing in the bay. Startup burnouts leap into the paths of commuter trains, and men set themselves on fire in the streets. Though isolated, Cassie is never alone. From her earliest memory, a miniature black hole has been her constant companion. It feeds on her depression and anxiety, its size changing in relation to her distress. The black hole watches, but it also waits. Its relentless pull draws Cassie ever-closer as the world around her unravels. When her CEO’s demands cross an illegal threshold and she ends up unexpectedly pregnant, Cassie must decide whether the tempting fruits of Silicon Valley are really worth it. Sharp but vulnerable, funny yet unsettling, Ripe portrays one millennial woman’s journey through a late-capitalist hellscape and offers an incisive look at the absurdities of modern life.