High in his attic bedroom, twelve-year-old David mourns the death of his mother, with only the books on his shelf for company. But those books have begun to whisper to him in the darkness. Angry and alone, he takes refuge in his imagination and soon finds that reality and fantasy have begun to meld. While his family falls apart around him, David is violently propelled into a world that is a strange reflection of his own -- populated by heroes and monsters and ruled by a faded king who keeps his secrets in a mysterious book, The Book of Lost Things. Taking readers on a vivid journey through the loss of innocence into adulthood and beyond, New York Times bestselling author John Connolly tells a dark and compelling tale that reminds us of the enduring power of stories in our lives.

When Gerta’s friend Kay is stolen away by the mysterious Snow Queen, it’s up to Gerta to find him. Her journey will take her through a dangerous land of snow and witchcraft, accompanied only by a bandit and a talking raven. Can she win her friend’s release, or will following her heart take her to unexpected places? A strange, sly retelling of Hans Christian Andersen’s "Snow Queen," by T. Kingfisher, author of "Bryony and Roses" and "The Seventh Bride."

Working at the local processing plant, Marcos is in the business of slaughtering humans —though no one calls them that anymore. His wife has left him, his father is sinking into dementia, and Marcos tries not to think too hard about how he makes a living. After all, it happened so quickly. First, it was reported that an infectious virus has made all animal meat poisonous to humans. Then governments initiated the “Transition.” Now, eating human meat—“special meat”—is legal. Marcos tries to stick to numbers, consignments, processing. Then one day he’s given a gift: a live specimen of the finest quality. Though he’s aware that any form of personal contact is forbidden on pain of death, little by little he starts to treat her like a human being. And soon, he becomes tortured by what has been lost—and what might still be saved.

Follow the river Liss to the small town of Thistleford, on the edge of Faerie, and meet two sisters who cannot be separated, even in death. “Oh what is stronger than a death? Two sisters singing with one breath.” In the small town of Thistleford, on the edge of Faerie, dwells the mysterious Hawthorn family. There, they tend and harvest the enchanted willows and honour an ancient compact to sing to them in thanks for their magic. None more devotedly than the family’s latest daughters, Esther and Ysabel, who cherish each other as much as they cherish the ancient trees. But when Esther rejects a forceful suitor in favor of a lover from the land of Faerie, not only the sisters’ bond but also their lives will be at risk…

December 1962, a small village near Bristol. Eric and Irene and Bill and Rita. Two young couples living next to each other, the first in a beautiful cottage - suitable for a newly appointed local doctor - the second in a rundown, perennially under-heated farm. Despite their apparent differences, the two women (both pregnant) strike an easy friendship - a connection that comes as a respite from the surprising tediousness of married life, with its unfulfilled expectations, growing resentments and the ghosts of a recent past.But as one of the coldest winters on record grips England in a never-ending frost and as the country is enveloped in a thick, soft, unmoving layer of snow, the two couples find themselves cut off from the rest of the world. And without the small distractions of everyday existence, suddenly old tensions and shocking new discoveries threaten to change the course of their lives forever.A masterful, page-turning examination of the minutiae of life, The Land in Winter is a masterclass in storytelling - proof yet again that Andrew Miller is one of Britain's most dazzling chroniclers of the human heart.

Ukraine, 2022. Yeva is a loner and a maverick biologist who lives out of her mobile lab. She scours the country’s forests and valleys, trying and failing to breed rare snails while her relatives urge her to give up, settle down, and start a family. What they don’t know: Yeva already dates plenty of men—not for love, but to fund her work—entertaining Westerners who come to Ukraine on guided romance tours believing they’ll find docile brides uninfluenced by feminism and modernity. Nastia and her sister Solomiya are also entangled in the booming marriage industry, posing as a hopeful bride and her translator while secretly searching for their missing mother—a flamboyant protestor who vanished after years of fierce activism against the romance tours. So begins a journey of a lifetime across hundreds of miles: three angry women, a truckful of kidnapped bachelors, and Lefty, a last-of-his-kind snail with one final shot at perpetuating his species. But their plans come to a screeching halt as Russia invades.

From Booker Prize finalist David Szalay, a propulsive, hypnotic novel, about a man whose future is derailed by a series of events that he is unable to control.Teenaged István lives with his mother in a quiet apartment complex in Hungary. Shy and new in town, he is a stranger to the social rituals practiced by his classmates and soon becomes isolated, with his neighbor—a married woman close to his mother’s age, whom he begrudgingly helps with errands—as his only companion. But as these periodical encounters shift into a clandestine relationship that István himself can barely understand, his life soon spirals out of control, ending in a violent accident that leaves a man dead. What follows is a rocky trajectory that sees István emigrate from Hungary to London, where he moves from job to job before finding steady work as a driver for London’s billionaire class. At each juncture, his life is affected by the goodwill or self-interest of strangers. Through it all, István is a calm, detached observer of his own life, and through his eyes we experience a tragic twist on an immigrant “success story,” brightened by moments of sensitivity, softness, and Szalay’s keen observation. Fast-paced and immersive, Flesh reveals István’s life through intimate moments, with lovers, employers, and family members, charted over the course of decades. As the story unfolds, the tension between what is seen and unseen, what can and cannot be said, hurtles forward until finally—with everything at stake—sudden tragedy again throws life as István knows it in jeopardy. Spare and penetrating, Flesh traces the imperceptible but indelible contours of unresolved trauma and its aftermath amid the precarity and violence of an ever-globalizing Europe with incisive insight, unyielding pathos, and startling humanity.

SEASCRAPER is a mesmerising portrait of a young man hemmed in by his class and the ghosts of his family's past, dreaming of artistic fulfilment. It confirms Benjamin Wood as an exceptional talent in British literature. 'A huge talent' Hilary Mantel 'Benjamin Wood is a magnificent writer and I intend to read everything he has written' Douglas Stuart Thomas lives a slow, deliberate life with his mother in Longferry, working his grandpa’s trade as a shanker. He rises early to take his horse and cart to the grey, gloomy beach and scrape for shrimp, spending the afternoon selling his wares, trying to wash away the salt and scum, pining for Joan Wyeth down the street, and rehearsing songs on his guitar. At heart, he is a folk musician, but it remains a private dream. When a striking visitor turns up, bringing the promise of Hollywood glamour, Thomas is shaken from the drudgery of his days and begins to see a different future. But how much of what the American claims is true, and how far can his inspiration carry Thomas? Haunting and timeless, this is the story of a young man hemmed in by his circumstances, striving to achieve fulfilment far beyond the world he knows.​​​​ 'Powerful, poignant and poetic. I can’t recommend it enough' Benjamin Myers 'It is a sensuous treat, this novel. So much care has been given to every detail – of shrimps and sea mists and sinkpits, of work and music. A language of the sea washes over every page' Ross Raisin