Mary Karr grew up in a swampy East Texas refinery town in a volatile and defiantly loving family. In this funny, devastating, haunting memoir and with a raw and often painful honesty, she looks back at life with a painter mother, seven times married, whose outlaw spirit could tip over into psychosis, and a hard-drinking, fist-swinging father who liked nothing better than to spin tales with his cronies at the Liars' Club.

From Latin America’s literary prankster Mario a novella that puzzles from the first page with its liminal, Lynchian atmosphere. In an unnamed country by the sea, a grieving kleptomaniac known only as Our Woman is determined to reach the House. There, she will be able to listen to her childhood voice. As she winds her way through a day replete with odd choices and unresolved conclusions, the losses that define Our Woman take clearer shape, while the circumstances of her world turn more opaque. Inhabitants form poetry salons and line up for measly food distributions. Authoritarian landladies maintain an iron-grip on their complexes, men in blue overcoats roam the streets, and train stations remain deserted. Perpetual Law thwarts convention, casting a mysterious pallor over typical narrative what is happening here, and why? A patron to all that is subversive and unruly, Mario Bellatin’s work beckons to engage with the reality of borders, linguistic exile, and the types of self-estrangement that can barely be articulated. Translated into English by Stephen Beachy, Perpetual Law is familiar as it is disturbing; enrapturing as it is challenging. It is an important key to Bellatin’s complex body of work.

Translated by Amanda De Lisio and Bruna Dantas Lobato (So What) If I’m a Puta?, originally published on author Amara Moira’s popular blog of the same name, consists of 44 crônicas that wryly portray her experiences as a trans sex worker in Brazil. In a brazen, funny, and at times heartbreaking voice, Moira explores the political and personal textures of her encounters with the men who buy sex from her, and the complex reality of her labor of a sort of love. Woven through Moira’s essays are reflections on transition, safe sex, desire, whorephobia, consent—in the grim context of Brazil’s record rates of violence against trans women. Ultimately, Moira writes to “give a voice to us prostitutes” and center trans sex workers in Brazil’s putafeminist movement, modeling a feminism that envisions inclusivity, safety, self-determination, and joy for us all.

Nightwood, Djuna Barnes' strange and sinuous tour de force, "belongs to that small class of books that somehow reflect a time or an epoch" (TLS). That time is the period between the two World Wars, and Barnes' novel unfolds in the decadent shadows of Europe's great cities, Paris, Berlin, and Vienna—a world in which the boundaries of class, religion, and sexuality are bold but surprisingly porous. The outsized characters who inhabit this world are some of the most memorable in all of fiction—there is Guido Volkbein, the Wandering Jew and son of a self-proclaimed baron; Robin Vote, the American expatriate who marries him and then engages in a series of affairs, first with Nora Flood and then with Jenny Petherbridge, driving all of her lovers to distraction with her passion for wandering alone in the night; and there is Dr. Matthew-Mighty-Grain-of-Salt-Dante-O'Connor, a transvestite and ostensible gynecologist, whose digressive speeches brim with fury, keen insights, and surprising allusions. Barnes' depiction of these characters and their relationships (Nora says, "A man is another person—a woman is yourself, caught as you turn in panic; on her mouth you kiss your own") has made the novel a landmark of feminist and lesbian literature. Most striking of all is Barnes' unparalleled stylistic innovation, which led T. S. Eliot to proclaim the book "so good a novel that only sensibilities trained on poetry can wholly appreciate it." Now with a new preface by Jeanette Winterson, Nightwood still crackles with the same electric charge it had on its first publication in 1936.

When Myriam, a French-Moroccan lawyer, decides to return to work after having children, she and her husband look for the perfect caretaker for their two young children. They never dreamed they would find Louise: a quiet, polite and devoted woman who sings to their children, cleans the family's chic apartment in Paris's upscale tenth arrondissement, stays late without complaint and is able to host enviable birthday parties. The couple and nanny become more dependent on each other. But as jealousy, resentment and suspicions increase, Myriam and Paul's idyllic tableau is shattered...

Butler's Lives of the Saints is the most revered Catholic book after the Bible, the Missal and The Imitation of Christ. A Saint or two for each day of the calendar. Great for a daily meditation; each life is followed by a "lesson" from the life to help us apply the virtues of the Saint to ourselves. Great for the entire family. Includes famous Saints since Fr. Butler's time; all recounted in the same beautiful, reverent spirit that was his.

A unique compilation of short fiction by Pulitzer Prize-winning author Willa Cather Best known for the distinctive portraits of the people and land of the American West in her prairie novels, Willa Cather is one of the greatest American writers of this century. The fourteen short stories in this richly diverse collection, along with an exemplary introduction by author Cynthia Griffin Wolff, allow for a more complex view of Cather. As a writer she was intrigued by nature's ruthlessness and mankind's limitless potential for brutality and had a passion for the beauty of art. Ranging from the simplicity of Cather's first published story, "Peter" (1892), to the extraordinary eroticism of "Coming, Aphrodite!" (1920), this Twentieth-Century Classics collection is an engaging and triumphant testament to the genius of an American literary icon.

Joanna Russ's On Strike Against God is remarkable for its deft intertwining of many themes: not only the overt one of coming out, but many intricately (and inevitably) interlaced stories of alienation, a search for community and rebellion against how our society defines women.

As Bolaño’s friend and literary executor, Ignacio Echevarría, once suggested, Antwerp can be viewed as the Big Bang of Roberto Bolaño’s fictional universe. Reading this novel, the reader is present at the birth of Bolaño’s enterprise in prose: all the elements are here, highly compressed, at the moment when his talent explodes. From this springboard—which Bolaño chose to publish in 2002, twenty years after he’d written it (“and even that I can’t be certain of”)—as if testing out a high dive, he would plunge into the unexplored depths of the modern novel. Antwerp’s fractured narration in 54 sections—voices from a dream, from a nightmare, from passers by, from an omniscient narrator, from “Roberto Bolaño” all speak—moves in multiple directions and cuts to the bone.

"It is the horrible texture of a fabric that should be woven of ships' cables and hawsers. A Polar wind blows through it, and birds of prey hover over it." So Melville wrote of his masterpiece, one of the greatest works of imagination in literary history. In part, Moby-Dick is the story of an eerily compelling madman pursuing an unholy war against a creature as vast and dangerous and unknowable as the sea itself. But more than just a novel of adventure, more than an encyclopaedia of whaling lore and legend, the book can be seen as part of its author's lifelong meditation on America. Written with wonderfully redemptive humour, Moby-Dick is also a profound inquiry into character, faith, and the nature of perception. This edition of Moby-Dick, which reproduces the definitive text of the novel, includes invaluable explanatory notes, along with maps, illustrations, and a glossary of nautical terms.

The Mayan god of death sends a young woman on a harrowing, life-changing journey in this one-of-a-kind fairy tale inspired by Mexican folklore. The Jazz Age is in full swing, but Casiopea Tun is too busy cleaning the floors of her wealthy grandfather’s house to listen to any fast tunes. Nevertheless, she dreams of a life far from her dusty small town in southern Mexico. A life she can call her own. Yet this new life seems as distant as the stars, until the day she finds a curious wooden box in her grandfather’s room. She opens it—and accidentally frees the spirit of the Mayan god of death, who requests her help in recovering his throne from his treacherous brother. Failure will mean Casiopea’s demise, but success could make her dreams come true. In the company of the strangely alluring god and armed with her wits, Casiopea begins an adventure that will take her on a cross-country odyssey from the jungles of Yucatán to the bright lights of Mexico City—and deep into the darkness of the Mayan underworld. Alternate cover edition of ISBN 9780525620754

Yadriel has summoned a ghost, and now he can’t get rid of him. When his traditional Latinx family has problems accepting his gender, Yadriel becomes determined to prove himself a real brujo. With the help of his cousin and best friend Maritza, he performs the ritual himself, and then sets out to find the ghost of his murdered cousin and set it free. However, the ghost he summons is actually Julian Diaz, the school’s resident bad boy, and Julian is not about to go quietly into death. He’s determined to find out what happened and tie up some loose ends before he leaves. Left with no choice, Yadriel agrees to help Julian, so that they can both get what they want. But the longer Yadriel spends with Julian, the less he wants to let him leave.

The fiercest, most powerful novel of 2025. For what do you hunger . . .?Lenore is the wife of steel magnate Henry, but ten years into their marriage the relationship has soured, and no child has arrived to fill the distance growing between them. Henry's ambitions take them from London to Sheffield, and with his success hinged on a hunt, an old tradition looms over the home; the hunt is a time to settle old scores. If a bullet finds a human home, then it is only that they were foolish to become prey. In the weeks leading up to the hunt, a carriage accident near their remote home brings the mysterious Carmilla into Lenore's life. Carmilla, who is weak and pale during the day but vibrant at night, Carmilla who will not eat meals with the family, Carmilla who stirs up a hunger deep within Lenore. Soon girls from local villages begin to fall sick before being consumed by a terrible hunger . . .Set against the violent wilderness of the Peaks and the uncontrolled appetite of the industrial revolution HUNGERSTONE is a compulsive feminist reworking of CARMILLA, the book that inspired a captivating story of appetite and desire.

The winner of two Lambda Literary Awards (fiction and science fiction) The Gilda Stories is a very lesbian American odyssey. Escaping from slavery in the 1850s Gilda's longing for kinship and community grows over two hundred years. Her induction into a family of benevolent vampyres takes her on an adventurous and dangerous journey full of loud laughter and subtle terror.