In this volume, which reaffirms the uncompromising brilliance of his mind, Cioran strips the human condition down to its most basic components, birth and death, suggesting that disaster lies not in the prospect of death but in the fact of birth, "that laughable accident." In the lucid, aphoristic style that characterizes his work, Cioran writes of time and death, God and religion, suicide and suffering, and the temptation to silence. In all his writing, Cioran cuts to the heart of the human experience.

最悪の状況から、一縷の望みを掴み取る――多次元空間で敦が見たものは!? 神人に斬られそうになった芥川を庇った敦は、神人の多次元空間に取り込まれてしまう。そこで、過去や己の内なる太宰と向き合う敦は、雨御前の謎に迫り…。反撃の糸口を掴むことはできるか…!?

The story revolves around two seemingly homeless men simply waiting for someone—or something—named Godot. Vladimir and Estragon wait near a tree, inhabiting a drama spun of their own consciousness. The result is a comical wordplay of poetry, dreamscapes, and nonsense, which has been interpreted as mankind’s inexhaustible search for meaning. Beckett’s language pioneered an expressionistic minimalism that captured the existential post-World War II Europe. His play remains one of the most magical and beautiful allegories of our time.

Often cited as the best work of short fiction ever written, Joyce's story details a New Year's Eve gathering in Dublin that is so evocative and beautiful that it prompts the protagonist's wife to make a shocking revelation to her husband—closing the story with an emotionally powerful epiphany that is considered one of the best in modern literature.

Heart of Darkness, a novel by Joseph Conrad, was originally a three-part series in Blackwood's Magazine in 1899. It is a story within a story, following a character named Charlie Marlow, who recounts his adventure to a group of men onboard an anchored ship. The story told is of his early life as a ferry boat captain. Although his job was to transport ivory downriver, Charlie develops an interest in investing an ivory procurement agent, Kurtz, who is employed by the government. Preceded by his reputation as a brilliant emissary of progress, Kurtz has now established himself as a god among the natives in “one of the darkest places on earth.” Marlow suspects something else of Kurtz: he has gone mad. A reflection on corruptive European colonialism and a journey into the nightmare psyche of one of the corrupted, Heart of Darkness is considered one of the most influential works ever written.

Heart of Darkness, a novel by Joseph Conrad, was originally a three-part series in Blackwood's Magazine in 1899. It is a story within a story, following a character named Charlie Marlow, who recounts his adventure to a group of men onboard an anchored ship. The story told is of his early life as a ferry boat captain. Although his job was to transport ivory downriver, Charlie develops an interest in investing an ivory procurement agent, Kurtz, who is employed by the government. Preceded by his reputation as a brilliant emissary of progress, Kurtz has now established himself as a god among the natives in “one of the darkest places on earth.” Marlow suspects something else of Kurtz: he has gone mad. A reflection on corruptive European colonialism and a journey into the nightmare psyche of one of the corrupted, Heart of Darkness is considered one of the most influential works ever written.

A riveting account of the astonishing experiences and discoveries made by linguist Daniel Everett while he lived with the Pirahã, a small tribe of Amazonian Indians in central Brazil. Everett, then a Christian missionary, arrived among the Pirahã in 1977—with his wife and three young children—intending to convert them. What he found was a language that defies all existing linguistic theories and reflects a way of life that evades contemporary understanding: The Pirahã have no counting system and no fixed terms for color. They have no concept of war or of personal property. They live entirely in the present. Everett became obsessed with their language and its cultural and linguistic implications, and with the remarkable contentment with which they live–so much so that he eventually lost his faith in the God he’d hoped to introduce to them. Over three decades, Everett spent a total of seven years among the Pirahã, and his account of this lasting sojourn is an engrossing exploration of language that questions modern linguistic theory. It is also an anthropological investigation, an adventure story, and a riveting memoir of a life profoundly affected by exposure to a different culture. Written with extraordinary acuity, sensitivity, and openness, it is fascinating from first to last, rich with unparalleled insight into the nature of language, thought, and life itself.

This carefully crafted ebook: “My Last Duchess (Unabridged)” is formatted for your eReader with a functional and detailed table of contents."My Last Duchess" is a poem, frequently anthologised as an example of the dramatic monologue. It first appeared in 1842 in Browning's Dramatic Lyrics. The poem is written in 28 rhymed couplets of iambic pentameter. The poem is set during the late Italian Renaissance. The speaker (presumably the Duke of Ferrara) is giving the emissary of the family of his prospective new wife (presumably a third or fourth since Browning could have easily written 'second' but did not do so) a tour of the artworks in his home. He draws a curtain to reveal a painting of a woman, explaining that it is a portrait of his late wife; he invites his guest to sit and look at the painting.Robert Browning (1812 - 1889) was an English poet and playwright whose mastery of dramatic verse, and in particular the dramatic monologue, made him one of the foremost Victorian poets. His poems are known for their irony, characterization, dark humor, social commentary, historical settings, and challenging vocabulary and syntax. The speakers in his poems are often musicians or painters whose work functions as a metaphor for poetry.

This carefully crafted ebook: “My Last Duchess (Unabridged)” is formatted for your eReader with a functional and detailed table of contents."My Last Duchess" is a poem, frequently anthologised as an example of the dramatic monologue. It first appeared in 1842 in Browning's Dramatic Lyrics. The poem is written in 28 rhymed couplets of iambic pentameter. The poem is set during the late Italian Renaissance. The speaker (presumably the Duke of Ferrara) is giving the emissary of the family of his prospective new wife (presumably a third or fourth since Browning could have easily written 'second' but did not do so) a tour of the artworks in his home. He draws a curtain to reveal a painting of a woman, explaining that it is a portrait of his late wife; he invites his guest to sit and look at the painting.Robert Browning (1812 - 1889) was an English poet and playwright whose mastery of dramatic verse, and in particular the dramatic monologue, made him one of the foremost Victorian poets. His poems are known for their irony, characterization, dark humor, social commentary, historical settings, and challenging vocabulary and syntax. The speakers in his poems are often musicians or painters whose work functions as a metaphor for poetry.

A one-stop, no-nonsense introduction to the core of postmodern theory, particularly its impact on queer and gender studies. Nationally known gender activist Riki Wilchins combines straightforward prose with concrete examples from LGBT and feminist politics, as well as her own life, to guide the reader through the ideas that have forever altered our understanding of bodies, sex and desire. This is that rare postmodern theory book that combines accessibility, passion, personal experience and applied politics, noting at every turn why these ideas matter and how they can affect your daily life.Riki Wilchins is the founding executive director of the Gender Public Advocacy Coalition. The author of Read My Lips and GenderQueer. She was selected by Time magazine as one of "100 Civic Innovators for the 21st Century."

This unique volume features the most terrifying tale from Alexandre Dumas The Thousand and One Ghosts and presents the gothic vampire tale as a stand-alone short story that is sure to keep you up at night. The Pale Lady is a gripping vampire tale following Hedwig, a Polish lady, who is sent to a monastery in the Carpathian Mountains for safety. She draws the attention of two very different brothers and soon finds herself in more danger than ever before. A supernatural story featuring creepy castles, misty monasteries, and tragic romance. From the remarkable author of The Three Musketeers and The Count of Monte Cristo, The Pale Lady has been translated from the original French and is the perfect dark read for fans of horror and the supernatural.

Stephen is an ideal child of aristocratic parents—a fencer, a horse rider and a keen scholar. Stephen grows to be a war hero, a bestselling writer and a loyal, protective lover. But Stephen is a woman, and her lovers are women. As her ambitions drive her, and society confines her, Stephen is forced into desperate actions. The Well of Loneliness was banned for obscenity when published in 1928. It became an international bestseller, and for decades was the single most famous lesbian novel. It has influenced how love between women is understood, for the twentieth century and beyond.

She knows not what the curse may be... 'The Lady of Shalott' is a lyrical ballad by the 19th-century English poet Alfred Tennyson. Inspired by the short prose text 'La Damigella di Scalot' from the 13th-century, it tells the tragic story of Elaine of Astolat, a young noblewoman stranded in a tower up the river from Camelot. It is one of Tennyson's most famous and memorable works, with its lucid medieval romanticism, as well as enigmatic symbolism. Alfred Tennyson (1809–1892), invariably known as Alfred Lord Tennyson, was born in Somersby, UK. At the age of 18, he published his first book, 'Poems by Two Brothers' with his brother, later followed by 'Poems Chiefly Lyrical' (1830). In 1850, Tennyson was appointed Poet Laureate and married his childhood friend, Emily Sellwood. In 1884, as a great favorite of both Queen Victoria and Prince Albert, he was given the title of Baron Tennyson of Aldworth, the first Englishman to be granted such a high rank solely for his literary faculty. Tennyson continued to write poetry throughout his life. He died in 1892 at the age of 83, to be then buried in Westminster Abbey.

A riveting account of the astonishing experiences and discoveries made by linguist Daniel Everett while he lived with the Pirahã, a small tribe of Amazonian Indians in central Brazil. Everett, then a Christian missionary, arrived among the Pirahã in 1977—with his wife and three young children—intending to convert them. What he found was a language that defies all existing linguistic theories and reflects a way of life that evades contemporary understanding: The Pirahã have no counting system and no fixed terms for color. They have no concept of war or of personal property. They live entirely in the present. Everett became obsessed with their language and its cultural and linguistic implications, and with the remarkable contentment with which they live–so much so that he eventually lost his faith in the God he’d hoped to introduce to them. Over three decades, Everett spent a total of seven years among the Pirahã, and his account of this lasting sojourn is an engrossing exploration of language that questions modern linguistic theory. It is also an anthropological investigation, an adventure story, and a riveting memoir of a life profoundly affected by exposure to a different culture. Written with extraordinary acuity, sensitivity, and openness, it is fascinating from first to last, rich with unparalleled insight into the nature of language, thought, and life itself.

Aurora Leigh (1856) is an epic novel/poem by Elizabeth Barrett Browning. The poem is written in blank verse and encompasses nine books (the woman's number, the number of the prophetic books of the Sibyl). It is a first person narration, from the point of view of Aurora; its other heroine, Marian Erle, is an abused self-taught child of itinerant parents. The poem is set in Florence, Malvern, London and Paris. The author uses her knowledge of Hebrew and Greek, while also playing off modern novels, such as Corinne ou l'Italie by Anne Louise Germaine de Staël and the novels by George Sand. As far as Book 5, Aurora narrates her past, from her childhood to the age of about 27; in Books 6-9, the narrative has caught up with her, and she reports events in diary form. Elizabeth Barrett Browning styled the poem "a novel in verse", and referred to it as "the most mature of my works, and the one into which my highest convictions upon Life and Art have entered." Scholar Deirdre David asserts that Barrett Browning's work in Aurora Leigh has made her into "a major figure in any consideration of the nineteenth-century woman writer and of Victorian poetry in general."[1] John Ruskin called it the greatest long poem of the nineteenth century.[2]