An epic love story one hundred years in the making… Leap years are a strange, enchanted time. And for some, even a single February can be life-changing. Ricki Wilde has many talents, but being a Wilde isn’t one of them. As the impulsive, artistic daughter of a powerful Atlanta dynasty, she’s the opposite of her famous socialite sisters. Where they’re long-stemmed roses, she’s a dandelion: an adorable bloom that’s actually a weed, born to float wherever the wind blows. In her bones, Ricki knows that somewhere, a different, more exciting life awaits her. When regal nonagenarian, Ms. Della, invites her to rent the bottom floor of her Harlem brownstone, Ricki jumps at the chance for a fresh beginning. She leaves behind her family, wealth, and chaotic romantic decisions to realize her dream of opening a flower shop. And just beneath the surface of her new neighborhood, the music, stories and dazzling drama of the Harlem Renaissance still simmers. One evening in February as the heady, curiously off-season scent of night-blooming jasmine fills the air, Ricki encounters a handsome, deeply mysterious stranger who knocks her world off balance in the most unexpected way. Set against the backdrop of modern Harlem and Renaissance glamour, A Love Song for Ricki Wilde is a swoon-worthy love story of two passionate artists drawn to the magic, romance, and opportunity of New York, and whose lives are uniquely and irreversibly linked.

Deciphers the history of “Black capitalist” rhetoric― and how it serves to enrich a minuscule few at the expense of the many In his 1970 book The Myth of Black Capitalism , Earl Ofari Hutchinson laid out a rigorous challenge to the presumption that capitalism, in any shape or form, has the potential to rectify the stark injustices endured by Black people in America. Ofari engaged in a diligent historical review of the participation of African Americans in commercial activity in this capitalist country, demonstrating conclusively that the creation of a class of Black capitalists failed to ameliorate the extreme inequity faced by African Americans. Even “Buy Black” campaigns which aimed to “keep resources in the community,” he showed, reinforced a Black bourgeoisie which often enough exploited the Black underclass to increase their own wealth. Whether Black capitalists dared to go up against, or merely tried to find their place amongst, giant monopoly corporations, Ofari argued they would make little substantive progress in the lives of Black people. And whether calls for “Black capitalism” came from within the Black Power movement for Black economic autonomy, or were appropriated by the old-line Black elite, in the end the promotion of the myth of “Black capitalism” was a project of the Black elite which solely served the interests of the capitalist managerial class. It was Richard Nixon who first introduced the notion of “Black capitalism” into mainstream American discourse, coopting the term at a time when African Americans comprised only 3% of the nation’s employers. That number dwindled thereafter, and yet the term only gained cachet following the election of Barack Obama and the increased visibility of the Black elite. Thankfully, just as the rhetoric of ‘Black capitalism” is being resuscitated, it is being confronted once more. In this second edition of Earl Ofari’s pathbreaking book, a Monthly Review Press classic, the author adds a new Introduction, which shows both the enduring strength of the ideology of Black capitalism and its continued inability to change the nature of what has always been a racialized system of production and distribution. Ofari reveals “Black capitalism" for what it really a diversion from the struggle for liberation that works at cross purposes with the fight against exploitation, and a fantasy which enriches a minuscule few at the expense of the many. The Myth of Black Capitalism argues definitively that only a direct assault on the oppression of Black people and the capitalist system itself can bring this exploitation to an end.

When the snow falls, she will be free… The invitations always arrive the same way – without warning, appearing around the city on the first snowfall of the year, simply inscribed with ‘Tonight.’ When struggling artist, Forster, finds an invitation, he’s bewitched by the magic of the evening, swept up in the glamour of this notorious annual party and intrigued as to who is behind them. Determined to find out more about the mysterious host, Forster discovers an abandoned manor house silent with secrets and a cursed woman who is desparate to be free…

Noah, Jack, and Phil are three average guys who collect horror memorabilia and have a running competition to see who can come up with the most extreme or repulsive horror movie for their weekly guys’ night. When one of the friends gets the opportunity to steal tickets to an exclusive club that touts offering a realistic, immersive torture simulation, he jumps on the opportunity. Once they arrive at the theater they quickly realize that it isn't a simulation at all, and they have delved into an underground world that they don’t belong in. They have to uphold their stolen identities while trying to escape and not die (or kill anyone else) in the process.

From the New York Times bestselling author of Bird Box and Malorie, a novella collection in which every story reveals a sinister secret about a mysterious small town Goblin seems like any other ordinary small town. But with the master storyteller Josh Malerman as your tour guide, you'll discover the secrets that hide behind its closed doors. These six novellas tell the story of a place where the rain is always falling, nighttime is always near, and your darkest fears and desires await. Welcome to Goblin. . . . A Man in Slices: A man proves his "legendary love" to his girlfriend with a sacrifice even more daring than Vincent van Gogh's--and sends her more than his heart. Kamp: Walter Kamp is afraid of everything, but most afraid of being scared to death. As he sets traps around his home to catch the ghosts that haunt him, he learns that nothing is more terrifying than fear itself. Happy Birthday, Hunter!: A famed big-game hunter is determined to capture--and kill--the ultimate prey: the mythic Great Owl who lives in Goblin's dark forests. But this mysterious creature is not the only secret the woods are keeping. Presto: All Peter wants is to be like his hero, Roman Emperor, the greatest magician in the world. When the famous magician comes to Goblin, Peter discovers that not all magic is just an illusion. A Mix-Up at the Zoo: The new zookeeper feels a mysterious kinship with the animals in his care . . . and finds that his work is freeing dark forces inside him. The Hedges: When his wife dies, a man builds a hedge maze so elaborate no one ever solves it--until a little girl resolves to be the first to find the mysteries that wait at its heart.

From A.C. Wise, the acclaimed author of Wendy, Darling, comes a brand new collection of horror stories, The Ghost Sequences. "A haunting is a moment of trauma, infinitely repeated. It extends forward and backward in time. It is the hole grief makes. It is a house built by memory in-between your skin and bones." A lush and elegant collection of tales—many having appeared in various "Best Of..." anthologies—teeming with frightful and tragic events, yet profoundly and intimately human. These chilling tales will engross and enthrall. For readers of Kelly Link, Carmen Maria Machado, and Angela Carter, this is a must have collection of ghostly tales set to deliver a frisson of terror and glee.

As if Marguerite Duras wrote Convenience Store Woman - a beautiful, unexpected novel from a debut French Korean author It’s winter in Sokcho, a tourist town on the border between South and North Korea. The cold slows everything down. Bodies are red and raw, the fish turn venomous, beyond the beach guns point out from the North’s watchtowers. A young French Korean woman works as a receptionist in a tired guesthouse. One evening, an unexpected guest arrives: a French cartoonist determined to find inspiration in this desolate landscape. The two form an uneasy relationship. When she agrees to accompany him on trips to discover an ‘authentic’ Korea, they visit snowy mountaintops and dramatic waterfalls, and cross into North Korea. But he takes no interest in the Sokcho she knows – the gaudy neon lights, the scars of war, the fish market where her mother works. As she’s pulled into his vision and taken in by his drawings, she strikes upon a way to finally be seen. An exquisitely-crafted debut, which won the Prix Robert Walser, Winter in Sokcho is a novel about shared identities and divided selves, vision and blindness, intimacy and alienation. Elisa Shua Duspain’s voice is distinctive and unmistakable.

A magnetic, stirring debut novel about an adrift young woman whose growing fascination with her boyfriend’s cat ushers her into the possibilities of her own life—but not without first threatening to unravel it. Katie is far from home and fresh out of college, desperate to skirt adulthood’s demands, and all too willing to let her wealthy boyfriend James make decisions for them both. It doesn’t help that she’s no longer speaking to her mother. Or that her roommate has abruptly moved out of their New York City apartment. But when James takes Katie on vacation to his family’s seaside house, he brings Silver, his childhood cat, and Katie discovers a sudden, strange, and giddy sense of connection. Silver doesn’t mind that Katie can’t seem to get a job, hold her own at dinner parties, or make amends with her mother. Silver, who gets to lie around all day, misbehave spectacularly, be cute, gross, and still get fed, seems to have the life Katie increasingly longs for. Soon enough, they’re inseparable, and something inside Katie begins to crack open, or maybe just…crack. Because if Katie has learned anything from her estranged mother, it’s that devotion comes at a price. As Katie’s affection for Silver deepens, all of her other relationships begin to falter. Soon, Katie must confront what it is she desires from her life, and what she might have to risk to get it. Both darkly playful and unexpectedly heartfelt, this debut from a major new voice in fiction is a timeless reckoning with the uncertainty of becoming a person in a world that is as disorienting as it is full of hope and promise.

Rippling with humor, warmth, and style, Lost Lambs is a new vision of the charms and pitfalls of family dysfunction. The Flynn family is coming undone. Catherine and Bud's open marriage has reached its breaking point as their daughters spiral in their own chaotic Abigail, the eldest, is dating a man in his twenties nicknamed War Crime Wes; Louise, the middle child, maintains a secret correspondence with an online terrorist; the brilliant youngest, Harper, is being sent to wilderness reform camp due to her insistence that someone—or something—is monitoring the town’s citizens. Casting a shadow across their lives, and their small coastal town, is Paul Alabaster, a billionaire shipping magnate. Rumors of corruption circulate, but no one dares dig too deep. No one except Harper, whose obsession with a mysterious shipping container sends the family hurtling into a criminal conspiracy—one that may just bring them closer together. Irreverent and addictive, pinging between the voices of the Flynn family and those of the panorama of characters around them, Madeline Cash’s Lost Lambs is a debut novel of quick-witted observation and surprising tenderness. With Lost Lambs, Cash has crafted a family saga for the twenty-first century, all held together with crazy glue.

Exes discover they’ve both inherited the restaurant they love in this sparkling, emotional new novel from the USA Today bestselling author of A Love like the Sun. Olivia owes everything to Celia's Place. It’s where she learned how to be a great chef. It’s also where she first fell in love. But at nineteen, Olivia had a wanderlust she couldn’t deny. And Carmello, whose mother owned the restaurant, couldn’t leave Celia's Place behind any more than he could force Olivia to stay. Now, ten years later, Olivia is a successful personal chef. Her job allows her to travel the world, and she has never stayed in the same place for too long. When Carmello learns that his mother left shares of her beloved restaurant to both him and Olivia, he plans to buy her portion of the shares back quickly and painlessly. That is until Olivia shows up at the restaurant, ready to help run it. Carmello sees an drive Olivia away from his restaurant so that she will want to sign over her shares. But Olivia sees things a bit differently. She finally has the chance to stay in one place and build a home after years on the move, and perhaps now is the right time to explore whether that home can be with the one who got away. Soon enough, sparks begin to fly, but can Olivia and Carmello avoid the mistakes of the past?

A stand-in girlfriend and a handsome business heir find that their fake summer fling is feeling way too real in this new romance by USA Today bestselling author Kristina Forest.Noelle Lewis doesn’t have time for long walks on the beach, brunch with the girls, or summer vacations. She’s too busy saving up to go back to college. After recently getting laid off from her bookseller job, her main gig is now serving as a “stand-in” bridesmaid, which doesn’t pay enough for the upcoming semester’s tuition. But then the perfect, if not unconventional, opportunity arises…Jeremiah Smith II, grandson of the founder of Smith’s Sweets—a well-known baked goods company—once lived a life of frivolity. Since his grandfather’s death, Jeremiah’s tried to clean up his act, but it’s hard to focus when his family requests that he join them at their summer house in Heart Beach, New Jersey, where his most painful memory lies. To avoid going there, Jeremiah claims he already has plans with his girlfriend, and of course, his family tells him to bring her. The problem? Jeremiah doesn’t have a girlfriend. After a chance meeting, Noelle and Jeremiah come to an agreement. He’ll hire her to be his stand-in girlfriend for the weekend, and she’ll use that money toward her tuition. She figures it will be quick, easy money, but as it turns out, Jeremiah’s family is lovely, and Jeremiah is even lovelier. Soon, a weekend agreement turns into an entire summer, and Noelle and Jeremiah will have to keep their hearts in check, or else it’s sink or swim for them both.

Call Me By Your Name meets Elena Ferrante in this debut coming-of-age novel about a young girl who spends summers working at her family’s timeworn Italian agriturismo, the tragedy that rends her life into “before” and “after,” and her romance with an American girl, which has unexpected consequencesTo ten-year-old Leo, life is a collection. She spends her mornings tidying the rooms of her Nonna Tina’s timeworn Italian agriturismo, carefully accumulating the curious bits of left-behind detritus from guests—a pearl earring, a lock of hair. Her nights are suffused with gathering the stories that flow from her father’s lips—liquor-spun tales of Odysseus and the Trojans in secret battle. But when an accident rips the gentle membrane of Leo’s childhood, she is left vulnerable to the pains and pleasures of growing up. Years later, in a sultry summer not unlike the many that came before, the agriturismo is the only thing that remains the same. Nonna Tina has grown older, Leo’s brother Max is intractable and mercurial, and the curiosity Leo so loved to feed as a child has turned into something more confusing. When she meets Dolores, an American girl made brilliant by Leo’s perception of her, she can’t help but gather all the experiences first love promises, while shedding parts of the past she no longer fits into. Embroidering the atmospheric yearning of Call Me By Your Name with the precise, elevated prose of Elena Ferrante, Sofia Montrone’s jaw-dropping debut revels in the exuberant highs and awkward lows of girlhood and captures the universal experiences of trying to hold on to what is elusive, to deny what cannot be faced, and to say what cannot be said.

In this debut novel, a young woman in the Rocky Mountains, separated from the ancestral rhythms of her home in Scotland, turns to ancient rituals to find solace and connection. With shades of Olga Tokarczuk, Ali Smith, and Rachel Cusk, Hovel is a book for those fascinated by female interiority. Homesickness takes many forms. Alone in the mountains because of her husband’s job, occupied by little more than online video captioning she calls “kitten work,” our narrator becomes fascinated by the not-long-gone life of her Scottish ancestors, a time when the lamplighter took the night off for the full moon, girls bathed their faces in morning dew, and people sang to the seals. Her husband, however, is unsure of the emotional efficacy of cooking by candlelight, peeing in the woods, and writing vexed letters to the mayor about the birds living in the doomed aspens behind their apartment building. Especially because the letters are being read, out loud, at the town meetings attended by unimpressed neighbours. But our narrator is bewitched by the liminality of memory. In a novel of compelling poetic precision and depth, Ross captures the lengths we go to for connection when we’re alone, following threads of personal history and fascination to conclusions one can only reach when there’s too much time on one’s hands and it’s too cold to go outside.

From the USA Today bestselling author of The Book Eaters comes The Girl with a Thousand Faces, a Gothic tale set in a historical Hong Kong that meshes ancient myths and local legends into a haunting story of ghosts, grief, and women who will not forgive. When Mercy Chan washed up on the shores of Hong Kong with no family, no money, and no memories, she was thrust into the horrors of World War II. She only survived by hiding in Kowloon Walled City, an infamous, ghost-infested slum full of lost and traumatized civilians. Since the end of the war, she has rebuilt her life and found work with the local triad as a ghost-talker, dealing with the angry and bitter spirits who haunt this place. These days, the filthy gutters and cramped alleyways of Kowloon feel like home. But the past she can’t remember won’t let her go. An unusually powerful ghost has infested Kowloon’s waterways, drowning innocents and threatening the district. Unnervingly, it claims to know Mercy―and her forgotten childhood. As Mercy is drawn into a deadly cat-and-mouse game with this malignant spirit, she begins to realize that the monster she fights within these walls may well be one of her own making. 33 years before, mere days ahead of the Japanese invasion, Sung Siu Yin and her mother flee Hong Kong, intending to hide out on her mother's ancestral island home. It’s beautiful, tranquil, and remote. . . but also inhabited by ghosts ever since the entire village drowned in a storm many years ago. Still, it’s better than living under occupation. But as the war drags on and isolation sets in, Siu Yin is increasingly drawn into the island's grim past―a past that may still have a hold on the present. There is a darkness lurking beneath that idyllic ocean, and it has been waiting many years for someone to return. "The Girl With a Thousand Faces confirms Sunyi Dean as one of the most interesting voices in genre fiction.”―Gareth Brown, USA Today bestselling author of The Book of Doors

The acclaimed, prize-winning #1 New York Times bestselling writer returns with a moving, luminous novel that reminds us of the sweetness and impermanence of life and the power of connection to defy time. When Daphne Fuller and her husband Jonathan visit the Metropolitan Museum of Art, they notice an older, white-haired gentleman following them. The man turns out to be Eddie Triplett, her former stepfather, who had been married to her mother for a little more than year when Daphne was nine. Now fifty-three, Daphne hasn’t seen Eddie for many years, not since the fateful event that changed the direction of both their lives. Meeting again, time falls away; while their relationship was brief, it had a profound impact on them both, and now that they are reunited, they have no intention of ever being separated again. Whistler is a story about two adults looking back over the choices they made, and the choices that were made for them. It’s a story about bravery, memory, the often small yet consequential moments that define our lives, and the endless stream of loss that in time comes for us all. Beautiful in its simplicity, it is ultimately about how love endures, and how the feeling of being known by one other person, even for a short period of time, can change everything.

A mesmerizing, fable-like debut novel about a mysterious young Black woman whose arrival in an insular neighborhood threatens to shake its foundationsWhen Baby appears in Original Hill, her name is on everyone's lips. A young Black woman is a rare sight in this part of town, and she sits all day on the Foxes’ garden wall, swinging her bare feet and speaking to no one. That is, until the charismatic Lucius “Lucky” Foote comes along and touches her, sparking their romance. Arm-in-arm with Baby, who seems to exert a seemingly supernatural pull on the other residents, Lucky is confident he will secure the open city council seat away from Baby’s uncle Eugene Fox, the back-from-retirement white incumbent.With protestors reopening old wounds around the Black neighborhood that was leveled by the nearby highway decades ago and Lucky threatening his position, Fox believes it’s not just a city council seat at stake, but the “soul” of Original Hill.As Baby is woven further into the unraveling community, she begins to stray from Fox’s strict rules and question everything, from where she came from to who—and what—she truly is.

As if Marguerite Duras wrote Convenience Store Woman - a beautiful, unexpected novel from a debut French Korean author It’s winter in Sokcho, a tourist town on the border between South and North Korea. The cold slows everything down. Bodies are red and raw, the fish turn venomous, beyond the beach guns point out from the North’s watchtowers. A young French Korean woman works as a receptionist in a tired guesthouse. One evening, an unexpected guest arrives: a French cartoonist determined to find inspiration in this desolate landscape. The two form an uneasy relationship. When she agrees to accompany him on trips to discover an ‘authentic’ Korea, they visit snowy mountaintops and dramatic waterfalls, and cross into North Korea. But he takes no interest in the Sokcho she knows – the gaudy neon lights, the scars of war, the fish market where her mother works. As she’s pulled into his vision and taken in by his drawings, she strikes upon a way to finally be seen. An exquisitely-crafted debut, which won the Prix Robert Walser, Winter in Sokcho is a novel about shared identities and divided selves, vision and blindness, intimacy and alienation. Elisa Shua Duspain’s voice is distinctive and unmistakable.

Ichabod Crane, a schoolteacher, came to Tarry Town in the glen of Sleepy Hollow to ply his trade in educating young minds. He was a gullible and excitable fellow, often so terrified by locals' stories of ghosts that he would hurry through the woods on his way home, singing to keep from hysterics. Until late one night, he finds that maybe they're not just stories. What is that dark, menacing figure riding behind him on a horse? And what does it have in its hands? And why wasn't schoolteacher Crane ever seen in Sleepy Hollow again?