A group of teen girls does Death incarnate's bidding in this haunting speculative young adult novel by the author of The Year of the Witching. Roslyn Volk isn’t herself anymore. It’s been a year since her sister, Adeline, died in the woods under mysterious circumstances, and Roslyn is still tormented by her absence. So when the elusive caravan of girls that Adeline spent her last summer with rolls back into town, Roslyn joins them to finally figure out what happened to her sister. Strange, beautiful, and intriguing, the girls are closed off from the world. And as it turns out, they’re brought together by a force more sinister than Roslyn’s nightmares could have conjured Death himself. Death has spared the girls from untimely endings, and to pay for their lives, the girls travel the country reaping souls on his behalf. Now Roslyn must decide if finding closure is worth the price of striking the same deal.

It’s the winter solstice in Shady Hollow, that magical time of year when creatures of all shapes and sizes come together to honor the season and eat as much pie as possible. Reporter Vera Vixen is eager to experience her first holiday in town and is especially looking forward to the unveiling of the solstice tree. But then disaster strikes. The year’s tree—the tallest in the forest—has disappeared without a trace. Can Vera, her best friend, Lenore, and Deputy Orville Braun find the tree and save the season? Or will this year’s solstice be especially dark?

The Conjuring of America tells the epic story of conjure women, who, through a mix of spiritual beliefs, herbal rituals, and therapeutic remedies gave rise to the rich tapestry of American culture we see today. Feminist philosopher, Lindsey Stewart, tells the stories of Negro Mammies of slavery; the Voodoo Queens and Blues Women of Reconstruction; and the Granny Midwives and textile weavers of the Jim Crow era. These women, in secrecy and subterfuge, courageously and devotedly continued their practices and worship for centuries and passed down their traditions.    Emerging first in the American South during slavery, these women were thrust into the heart of national conflicts over generations of African American life. They combined ancestral magic and hyperlocal resources to respond to Black struggles in real time, forging a secret well of health and power hidden to their oppressors. As a result, conjure informs our lives in ways remarkable and ordinary—from traditional medicines that informed the creation of Vicks VapoRub and the rise of Aunt Jemima’s Pancake Mix, to the original magic of Disney’s The Little Mermaid (2023), and the true origins of the all-American classic blue jean.   From the moment enslaved Africans first arrived on these shores, conjure was heavily regulated and even outlawed. Now, Stewart uncovers new contours of American history, sourcing letters from the enslaved, dispatches from the lore of Oshun and other African mystics. The Conjuring of America is a love letter to the real magic Black women used, their magic Black women, their herbs, food, textiles, song, and dance, used to sow rebellion, freedom, and hope.  

A "Who's Who" of fairyland, with entries by fairy name and additional legends, songs, and anecdotes within each entry.

Ellie never expected to see him again. Two years after the Unravelling revealed monsters and their hidden realm to the world, garden designer Ellie Harding seems to have her life together, living out her cottagecore dreams on the picturesque island of Motuwai, New Zealand. What she never expected was for Van Livingston, the wealthy American she grew up with every summer, to walk back into her life nine years after a tragic event destroyed their romantic relationship. What’s more, it turns out Van is a wolf — a hybrid werewolf/wolf-shifter, to be exact — with two wolves and two wolf forms. He’s just as handsome as ever, and without the glamour, his gold eyes and towering height have her feeling hot and bothered all over again. Van was her first love, and she could never blame him for how things ended… but that doesn’t mean Ellie’s ready to take him back. She has her own problems to sort out, including a secret that’s been eating away at her. Van’s wolves know that she’s his mate. He wasn’t supposed to find Ellie yet. After breaking away from his father’s pack, Van’s plan involved settling into his newly-purchased vineyard on the island of Motuwai. Only then did he plan on tracking Ellie down — to apologise, to grovel, and to beg for her forgiveness. But the moment he scents her in the unlikeliest of places, he’s done for. His wolves won’t let it go — Ellie is his fated mate — and this time around, he’s not going to ruin things. However, Ellie isn’t quite the same woman he used to know, and something sinister has been lurking in the shadows. Van’s alpha instincts drive him to protect her, but will it be enough to keep the danger at bay? A Wolf in the Garden is a first-person, dual POV novel, and the first in the Unravelling Monsters universe. It is a monster romance that features a female lead of mixed New Zealand European and Māori descent who is not afraid to love her man in both his human and his werewolf form. There is a HEA. CWs coming soon.

An epic love story one hundred years in the making… Leap years are a strange, enchanted time. And for some, even a single February can be life-changing. Ricki Wilde has many talents, but being a Wilde isn’t one of them. As the impulsive, artistic daughter of a powerful Atlanta dynasty, she’s the opposite of her famous socialite sisters. Where they’re long-stemmed roses, she’s a dandelion: an adorable bloom that’s actually a weed, born to float wherever the wind blows. In her bones, Ricki knows that somewhere, a different, more exciting life awaits her. When regal nonagenarian, Ms. Della, invites her to rent the bottom floor of her Harlem brownstone, Ricki jumps at the chance for a fresh beginning. She leaves behind her family, wealth, and chaotic romantic decisions to realize her dream of opening a flower shop. And just beneath the surface of her new neighborhood, the music, stories and dazzling drama of the Harlem Renaissance still simmers. One evening in February as the heady, curiously off-season scent of night-blooming jasmine fills the air, Ricki encounters a handsome, deeply mysterious stranger who knocks her world off balance in the most unexpected way. Set against the backdrop of modern Harlem and Renaissance glamour, A Love Song for Ricki Wilde is a swoon-worthy love story of two passionate artists drawn to the magic, romance, and opportunity of New York, and whose lives are uniquely and irreversibly linked.

A wise, playful, electric novel from the #1 New York Times bestselling, Booker Prize–winning author of Lincoln in the Bardo, taking place at the bedside of an oil company CEO, in the twilight hours of his life, as he is ferried from this world into the next. Not for the first time, Jill “Doll” Blaine finds herself hurtling toward earth, reconstituting as she falls, right down to her favorite black pumps. She plummets towards her newest charge, yet another soul she must usher into the afterlife, and lands headfirst in the circular drive of his ornate mansion. She has performed this sacred duty three hundred and forty-three times since her own death. Her charges, as a rule, have been greatly comforted in their final moments. But this charge, she soon discovers, isn’t like the The powerful K.J. Boone will not be consoled, because he has nothing to regret. He lived a big, bold life, and the world is better for it. Isn’t it? Vigil transports us, careening, through the wild final evening of an epic, complicated life. Crowds of people and animals—worldly and otherworldly, alive and dead—arrive, clamoring for a reckoning. Birds swarm the dying man’s room, a black calf grazes on the loveseat, a man from a distant drought-ravaged village materializes, two oil-business cronies from decades past show up with chilling plans for Boone’s post-death future. With the acuity and explosive imagination we’ve come to expect, George Saunders takes on the gravest issues of our time—the menace of corporate greed, the toll of capitalism, the environmental perils of progress—and, in the process, spins a tale that encompasses life and death, good and evil, and the thorny question of absolution.

A sweet sapphic romance takes a deadly dark turn in this sharp-as-a-knife novella from the New York Times bestselling author. Rosemary meets Ash at the farmers’ market. Ash—precise, pretty, and practically perfect—sells bars of soap in delicate pastel colors, sprinkle-spackled cupcakes stacked on scalloped stands, beeswax candles, jelly jars of honey, and glossy green plants. Ro has never felt this way about another woman; with Ash, she wants to be her and have her in equal measure. But as her obsession with Ash consumes her, she may find she’s not the one doing the devouring…

It’s the winter solstice in Shady Hollow, that magical time of year when creatures of all shapes and sizes come together to honor the season and eat as much pie as possible. Reporter Vera Vixen is eager to experience her first holiday in town and is especially looking forward to the unveiling of the solstice tree. But then disaster strikes. The year’s tree—the tallest in the forest—has disappeared without a trace. Can Vera, her best friend, Lenore, and Deputy Orville Braun find the tree and save the season? Or will this year’s solstice be especially dark?

Resurrecting a horrifying and romantic narrative that broke fresh ground for its genre, this newly rereleased novel sets a vampire story in contemporary Los Angeles—the pleasure dome of late 1990s sex, drugs, and rock 'n' roll culture. Unlike the vampires that came before her, Justine does not shun crosses, she watches horror movies on television, and she sets upon her prey in an almost apologetic way, never killing her victims but leaving them unconscious instead. She soon finds herself entwined in a very human sexual relationship with Keith, a down-on-his-luck rock guitarist whose hands have recently been mangled by a gang of drug dealers. Justine nurtures Keith out of his depression and drug addiction as he in turn becomes her lover and accomplice in her nocturnal predations. The relationship between the undead and the living is realistically and tragically portrayed as Keith acts both as Justine's enabler and unwitting nemesis and, in this classic role reversal, ends up having to destroy the one he loves in order to save her.

Blue skies, empty land—and enough wide-open space to hide a horrifying secret. A woman with a past, a mysterious trunk, a town on the edge of nowhere, and an “absorbing, powerful” ( BuzzFeed ) new vision of the American West, from the award-winning author of The Changeling . Adelaide Henry carries an enormous steamer trunk with her wherever she goes. It’s locked at all times. Because when the trunk opens, people around Adelaide start to disappear. The year is 1915, and Adelaide is in trouble. Her secret sin killed her parents, forcing her to flee California in a hellfire rush and make her way to Montana as a homesteader. Dragging the trunk with her at every stop, she will become one of the “lone women” taking advantage of the government’s offer of free land for those who can tame it—except that Adelaide isn’t alone. And the secret she’s tried so desperately to lock away might be the only thing that will help her survive the harsh territory. Crafted by a modern master of magical suspense, Lone Women blends shimmering prose, an unforgettable cast of adventurers who find horror and sisterhood in a brutal landscape, and a portrait of early-twentieth-century America like you’ve never seen. And at its heart is the gripping story of a woman desperate to bury her past—or redeem it.

Welcome to the Grand Dragonfly Theatre. Violet Ashmore is an aspiring playwright who lives in her sister’s shadow. While Iris performs onstage, Violet hides forbidden magic. Should anyone discover the powers she’s hidden her whole life, she would be conscripted to fight in the same war that stole away their parents years ago. Iris Ashmore is a starlet who longs for a bigger stage than her uncle’s theatre, but she swore to protect her sister from the Crown. Without powers of her own, the best way she can do that is through the clever deception of sleight-of-hand tricks, pulling the spotlight away from Violet with dazzling performances. Alec Morgan owes a debt to a bounty hunter. To remain free, he must infiltrate the mysterious Grand Dragonfly Theatre and discover its secrets. But his mission becomes more complicated as Alec falls for the leading lady, while learning there is more to the theatre, and the sisters, than meets the eye. For readers who enjoy Caraval by Stephanie Garber, The Night Circus by Erin Morgenstern, Where Dreams Descend by Janella Angeles, and Hotel Magnifique by Emily J. Taylor.

Ghostalker and magician Ropa Moyo returns in this spellbinding fourth instalment of the Edinburgh Nights series by T. L. Huchu.’Alluring . . . hints of sophisticated academic magic will draw you in'- Olivie Blake, author of The Atlas Six on The Library of the DeadGhoststalker Ropa Moyo learns a shocking truth about her family. But after she confronts her grandmother with the revelation, Gran is murdered and Ropa is now the prime suspect on top of dealing with her loss.Ropa races to uncover the real murderer, and soon finds a connection to an old magical cult. They are trying to take control of Scotland by resurrecting an army of the dead, led by a dark lord. She'll have to use all her magic and hard-won skills in her biggest challenge yet.Praise for the Edinburgh Nights series'Fast-moving and entertaining . . . Stupendously engaging'- Ben Aaronovitch, author of the Rivers of London series'I highly recommend The Library of the Dead'- Charlaine Harris, author of the Sookie Stackhouse series

In this elegant gothic horror tale set in post-revolutionary Russia, two formerly aristocratic sisters race to uncover their family’s long-buried secrets in a house haunted by a past dangerous—and deadly—to remember. It is the summer of 1921, and a group of Bolsheviks have taken over Irina and Lili Goliteva’s ancestral home in Moscow, a stately mansion falling into disrepair and decay. The remaining members of their family are ordered to move into the cramped attic, while the officials take over an entire wing of grand rooms downstairs. The sisters understand it is the way of things and know they must forget their noble upbringing to make their way in this new Soviet Russia. But the house begins to whisper of a traumatic past not as dead as they thought. Eager to escape it and their unwelcome new landlords, Irina and Lili find jobs with the recently arrived American Relief Administration, meant to ease the post-revolutionary famine in Russia. For the sisters, the ARA provides much-needed food and employment, as well as a chance for sensible Irina to help those less fortunate and artistic Lili to express herself for a good cause. It might just lead them to love, too. But at home, the spirits of their deceased family awaken, desperate to impart what really happened to them during the Revolution. Soon one of the officials living in the house is found dead. Was his death caused by something supernatural, or by someone all too human? And are Irina and Lili and their family next? Only unearthing the frightening secrets of Moscow House will reveal all. But this means the sisters must dig deep into a past no one in Russia except the dead are allowed to remember.

“All magic is beautiful,” she said, “and terrible. Do you not see the beauty in yours, or the terror in mine? You can stop a heart, and I can stop your breath.” She is heir to a Sultanate that once ruled the world. He is an unwanted prince with the power to destroy. She is order and intellect, a woman fit to rule in a man's place. He is chaos and violence and will stop at nothing to protect his people. His magic answers hers with shadow for light. They need each other, but the cost of balance may be too high a price. Magic is dying and the only way to save it is to enlist mages who wield the forbidden power of death, mages cast out centuries ago in a brutal and bloody war. Now, a new war is coming. Science and machines to replace magic and old religion. They must find a way to save their people from annihilation and balance the sacred Wheel—but first, they will have to balance their own forbidden passion. His peace for her tempest, his restlessness for her calm… Night and day, dusk and dawn, the end, and the beginning.

An epic love story one hundred years in the making… Leap years are a strange, enchanted time. And for some, even a single February can be life-changing. Ricki Wilde has many talents, but being a Wilde isn’t one of them. As the impulsive, artistic daughter of a powerful Atlanta dynasty, she’s the opposite of her famous socialite sisters. Where they’re long-stemmed roses, she’s a dandelion: an adorable bloom that’s actually a weed, born to float wherever the wind blows. In her bones, Ricki knows that somewhere, a different, more exciting life awaits her. When regal nonagenarian, Ms. Della, invites her to rent the bottom floor of her Harlem brownstone, Ricki jumps at the chance for a fresh beginning. She leaves behind her family, wealth, and chaotic romantic decisions to realize her dream of opening a flower shop. And just beneath the surface of her new neighborhood, the music, stories and dazzling drama of the Harlem Renaissance still simmers. One evening in February as the heady, curiously off-season scent of night-blooming jasmine fills the air, Ricki encounters a handsome, deeply mysterious stranger who knocks her world off balance in the most unexpected way. Set against the backdrop of modern Harlem and Renaissance glamour, A Love Song for Ricki Wilde is a swoon-worthy love story of two passionate artists drawn to the magic, romance, and opportunity of New York, and whose lives are uniquely and irreversibly linked.

Deciphers the history of “Black capitalist” rhetoric― and how it serves to enrich a minuscule few at the expense of the many In his 1970 book The Myth of Black Capitalism , Earl Ofari Hutchinson laid out a rigorous challenge to the presumption that capitalism, in any shape or form, has the potential to rectify the stark injustices endured by Black people in America. Ofari engaged in a diligent historical review of the participation of African Americans in commercial activity in this capitalist country, demonstrating conclusively that the creation of a class of Black capitalists failed to ameliorate the extreme inequity faced by African Americans. Even “Buy Black” campaigns which aimed to “keep resources in the community,” he showed, reinforced a Black bourgeoisie which often enough exploited the Black underclass to increase their own wealth. Whether Black capitalists dared to go up against, or merely tried to find their place amongst, giant monopoly corporations, Ofari argued they would make little substantive progress in the lives of Black people. And whether calls for “Black capitalism” came from within the Black Power movement for Black economic autonomy, or were appropriated by the old-line Black elite, in the end the promotion of the myth of “Black capitalism” was a project of the Black elite which solely served the interests of the capitalist managerial class. It was Richard Nixon who first introduced the notion of “Black capitalism” into mainstream American discourse, coopting the term at a time when African Americans comprised only 3% of the nation’s employers. That number dwindled thereafter, and yet the term only gained cachet following the election of Barack Obama and the increased visibility of the Black elite. Thankfully, just as the rhetoric of ‘Black capitalism” is being resuscitated, it is being confronted once more. In this second edition of Earl Ofari’s pathbreaking book, a Monthly Review Press classic, the author adds a new Introduction, which shows both the enduring strength of the ideology of Black capitalism and its continued inability to change the nature of what has always been a racialized system of production and distribution. Ofari reveals “Black capitalism" for what it really a diversion from the struggle for liberation that works at cross purposes with the fight against exploitation, and a fantasy which enriches a minuscule few at the expense of the many. The Myth of Black Capitalism argues definitively that only a direct assault on the oppression of Black people and the capitalist system itself can bring this exploitation to an end.