When Among Crows is swift and striking, drawing from the deep well of Slavic folklore and asking if redemption and atonement can be found in embracing what we most fear. We bear the sword, and we bear the pain of the sword. Pain is Dymitr’s calling. His family is one in a long line of hunters who sacrifice their souls to slay monsters. Now he’s tasked with a deadly mission: find the legendary witch Baba Jaga. To reach her, Dymitr must ally with the ones he’s sworn to kill. Pain is Ala’s inheritance. A fear-eating zmora with little left to lose, Ala awaits death from the curse she carries. When Dymitr offers her a cure in exchange for her help, she has no choice but to agree. Together they must fight against time and the wrath of the Chicago underworld. But Dymitr’s secrets—and his true motives—may be the thing that actually destroys them.

The Turn of the Screw is an 1898 horror novella by Henry James that first appeared in serial format in Collier's Weekly magazine (January 27 - April 16, 1898). In October 1898 it appeared in The Two Magics, a book published by Macmillan in New York City and Heinemann in London. A very young woman's first job: governess for two weirdly beautiful, strangely distant, oddly silent children, Miles and Flora, at a forlorn estate... An estate haunted by a beckoning evil. Half-seen figures who glare from dark towers and dusty windows- silent, foul phantoms who, day by day, night by night, come closer, ever closer. With growing horror, the helpless governess realizes the fiendish creatures want the children, seeking to corrupt their bodies, possess their minds, own their souls. But worse-much worse- the governess discovers that Miles and Flora have no terror of the lurking evil. For they want the walking dead as badly as the dead want them. Excerpt: I remember the whole beginning as a succession of flights and drops, a little seesaw of the right throbs and the wrong. After rising, in town, to meet his appeal, I had at all events a couple of very bad days - found myself doubtful again, felt indeed sure I had made a mistake. In this state of mind I spent the long hours of bumping, swinging coach that carried me to the stopping place at which I was to be met by a vehicle from the house.

A multiverse-hopping outsider discovers a secret that threatens her home world and her fragile place in it--a stunning sci-fi debut that's both a cross-dimensional adventure and a powerful examination of identity, privilege, and belonging. CARA IS DEAD ON THREE HUNDRED AND SEVENTY-FOUR WORLDS. The multiverse business is booming, but there's just one catch: no one can visit a world where their counterpart is still alive. Enter Cara, whose parallel selves happen to be exceptionally good at dying--from diseases, from turf wars, from vendettas they couldn't outrun. But on this earth, Cara's survived. And she's reaping the benefits, thanks to the well-heeled Wiley City scientists who ID'd her as an outlier and plucked her from the dirt. Now she's got a new job collecting offworld data, a path to citizenship, and a near-perfect Wiley City accent. Now she can pretend she's always lived in the city she grew up staring at from the outside, even if she feels like a fraud on either side of its walls. But when one of her eight remaining doppelgangers dies under mysterious circumstances, Cara is plunged into a new world with an old secret. What she discovers will connect her past and future in ways she never could have imagined--and reveal her own role in a plot that endangers not just her world, but the entire multiverse.

It's America in 1962. Slavery is legal once again. The few Jews who still survive hide under assumed names. In San Francisco, the I Ching is as common as the Yellow Pages. All because some twenty years earlier the United States lost a war — and is now occupied by Nazi Germany and Japan. This harrowing, Hugo Award-winning novel is the work that established Philip K. Dick as an innovator in science fiction while breaking the barrier between science fiction and the serious novel of ideas. In it Dick offers a haunting vision of history as a nightmare from which it may just be possible to wake.

Odd-mannered, obsessive, withdrawn, Aster has little to offer folks in the way of rebuttal when they call her ogre and freak. She's used to the names; she only wishes there was more truth to them. If she were truly a monster, as they accuse, she'd be powerful enough to tear down the walls around her until nothing remained of her world, save for stories told around the cookfire. Aster lives in the low-deck slums of the HSS Matilda, a space vessel organized much like the antebellum South. For generations, the Matilda has ferried the last of humanity to a mythical Promised Land. On its way, the ship's leaders have imposed harsh moral restrictions and deep indignities on dark-skinned sharecroppers like Aster, who they consider to be less than human. When the autopsy of Matilda's sovereign reveals a surprising link between his death and her mother's suicide some quarter-century before, Aster retraces her mother's footsteps. Embroiled in a grudge with a brutal overseer and sowing the seeds of civil war, Aster learns there may be a way off the ship if she's willing to fight for it.

From the award-winning author of Our Wives Under the Sea, a speculative reimagining of King Lear, centering three sisters navigating queer love and loss in a drowning world It’s been raining for a long time now, so long that the land has reshaped itself and arcane rituals and religions are creeping back into practice. Sisters Isla, Irene, and Agnes have not spoken in some time when their father dies. An architect as cruel as he was revered, his death offers an opportunity for the sisters to come together in a new way. In the grand glass house they grew up in, their father’s most famous creation, the sisters sort through the secrets and memories he left behind, until their fragile bond is shattered by a revelation in his will. More estranged than ever, the sisters’ lives spin out of control: Irene’s relationship is straining at the seams; Isla’s ex-wife keeps calling; and cynical Agnes is falling in love for the first time. But something even more sinister might be unfolding, something related to their mother’s long-ago disappearance and the strangers who have always seemed unusually interested in the sisters’ lives. Soon, it becomes clear that the sisters have been chosen for a very particular purpose, one with shattering implications for their family and their imperiled world.

A collection of fairy tales annotated by T. Kingfisher and the complete Toad Words anthology.

A thrilling and monumental new history of the CIA that reveals how women have always played crucial, often unacknowledged roles in American spycraft, a hidden “sisterhood” of spies, analysts, operatives, and manhunters who, over a half-century, kept the free world safe and, more than once, saved it—from the New York Times bestselling author of Code Girls Upon its creation in 1947, the Central Intelligence Agency instantly became one of the most important spy services in the world. Like every male-dominated workplace in Eisenhower America, the growing intelligence agency needed women to type memos, send messages, manipulate expense accounts, and keep secrets. Despite discrimination—even because of it—these clerks and secretaries rose to become some of the shrewdest, toughest operatives the agency employed. Because women were seen as unimportant, they moved unnoticed on the streets of Bonn, Geneva, and Moscow, stealing secrets under the noses of the KGB. Back at headquarters, they built the CIA’s critical archives—first by hand, then by computer. These women also battled institutional stereotyping and beat it. Men argued they alone could run spy rings. But the women proved they could be spymasters, too. During the Cold War, women made critical contributions to U.S. intelligence, sometimes as officers, sometimes as unpaid spouses, working together as their numbers grew. The women also made unique sacrifices, giving up marriage, children, even their own lives. They noticed things that the men at the top didn’t see. In the final years of the twentieth century, it was a close-knit network of female CIA analysts who warned about the rising threat of Al Qaeda. After the 9/11 attacks, women rushed to join the fight as a new job, “targeter,” came to prominence. They showed that painstaking data analysis would be crucial to the post-9/11 national security landscape—an effort that culminated spectacularly in the CIA’s successful efforts to track down and kill Osama Bin Laden and, later, Ayman al-Zawahiri. With the same meticulous reporting and storytelling verve that she brought to her New York Times bestseller Code Girls, Liza Mundy has written an indispensable and sweeping history that reveals how women at the CIA ushered in the modern intelligence age.

50th Anniversary Edition, with a new introduction by David Mitchell and a new afterword by Charlie Jane Anders Ursula K. Le Guin’s groundbreaking work of science fiction—winner of the Hugo and Nebula Awards. A lone human ambassador is sent to the icebound planet of Winter, a world without sexual prejudice, where the inhabitants’ gender is fluid. His goal is to facilitate Winter’s inclusion in a growing intergalactic civilization. But to do so he must bridge the gulf between his own views and those of the strange, intriguing culture he encounters... Embracing the aspects of psychology, society, and human emotion on an alien world, The Left Hand of Darkness stands as a landmark achievement in the annals of intellectual science fiction.

Candace Chen, a millennial drone self-sequestered in a Manhattan office tower, is devoted to routine. So she barely notices when a plague of biblical proportions sweeps New York. Then Shen Fever spreads. Families flee. Companies halt operations. The subways squeak to a halt. Soon entirely alone, still unfevered, she photographs the eerie, abandoned city as the anonymous blogger NY Ghost. Candace won’t be able to make it on her own forever, though. Enter a group of survivors, led by the power-hungry IT tech Bob. They’re traveling to a place called the Facility, where, Bob promises, they will have everything they need to start society anew. But Candace is carrying a secret she knows Bob will exploit. Should she escape from her rescuers? A send-up and takedown of the rituals, routines, and missed opportunities of contemporary life, Ling Ma’s Severance is a quirky coming-of-adulthood tale and satire.

In Adrian Tchaikovsky's Elder Race, a junior anthropologist on a distant planet must help the locals he has sworn to study to save a planet from an unbeatable foe.Lynesse is the lowly Fourth Daughter of the queen, and always getting in the way.But a demon is terrorizing the land, and now she’s an adult (albeit barely) and although she still gets in the way, she understands that the only way to save her people is to invoke the pact between her family and the Elder sorcerer who has inhabited the local tower for as long as her people have lived here (though none in living memory has approached it).But Elder Nyr isn’t a sorcerer, and he is forbidden to help, for his knowledge of science tells him the threat cannot possibly be a demon…

When the young members of a British acid-folk band are compelled by their manager to record their unique music, they hole up at Wylding Hall, an ancient country house with dark secrets. There they create the album that will make their reputation, but at a terrifying cost: Julian Blake, the group’s lead singer, disappears within the mansion and is never seen or heard from again. Now, years later, the surviving musicians, along with their friends and lovers—including a psychic, a photographer, and the band’s manager—meet with a young documentary filmmaker to tell their own versions of what happened that summer. But whose story is true? And what really happened to Julian Blake?