Raised to be my father’s weapon against the Coven that took away his sister and his birthright, I would do anything to protect my younger brother from suffering the same fate. My duty forces me to the secret town of Crystal Hollow and the prestigious Hollow’s Grove University—where the best and brightest of my kind learn to practice their magic free from human judgment. There are no whispered words here. No condemnation for the blood that flows through my veins. The only animosity I face comes from the beautiful and infuriating Headmaster, Alaric Grayson Thorne, a man who despises me just as much as I loathe him and everything he stands for. But that doesn’t mean secrets don’t threaten to tear the school in two. No one talks about the bloody massacre that forced it to close decades prior, only the opportunity it can afford to those fortunate enough to attend. Because for the first time in fifty years, the Coven will open its wards to the Thirteen: thirteen promising students destined to change the world. If the ghosts of Hollow’s Groves’ victims don’t kill them first... The Coven is book one in the Coven of Bones series and ends on a cliffhanger. This is a gothic, dark-academia, paranormal romance and includes elements that may be triggering to some listeners.

A darkly comic suspense in the vein of All’s Well and Yellowface, She’s a Lamb! is an edgy and incisive novel that marches toward showtime with a growing unease about the dangers of magical thinking and the depths of delusion Jessamyn St. Germain is meant to be a star. Not an actor who occasionally books yogurt commercials and certainly not a lowly usher at one of Vancouver’s smallest regional theaters. No, she is bound for greatness, and that’s why the part of Maria in the theater’s upcoming production of The Sound of Music is hers. Or it’s going to be. Jessamyn may have been relegated to the position of childminder for the little brats playing the von Trapp children, but it’s so obvious she’s there for a different reason — the director wants her close to the role so when Samantha, the lead, inevitably fails, Jessamyn will be there to take her place in the spotlight. This must be it. Because if it isn’t, well, then every skipped meal, every brutal rehearsal, every inch won against a man attempting to drag her down will have all been for nothing. Sharp, relentless, and darkly funny, She’s a Lamb! is a cutting satire about the grotesque pall patriarchy casts over one woman’s delusional quest to achieve her dreams and the depths she will sink to for a chance at the life she’s convinced she deserves.

A traditional American woman, a beautiful wife and mother who sells her pioneer lifestyle of raw milk and farm-fresh eggs to her millions of social media followers, suddenly awakens cold, filthy, and terrified in the brutal reality of 1805—where she must unravel whether this living nightmare is an elaborate hoax, a twisted reality show, or something far more sinister in this sensational debut novel. My name was Natalie Heller Mills, and I was perfect at being alive. Natalie lives a traditional lifestyle. Her charming farmhouse is rustic, her husband a handsome cowboy, her six children each more delightful than the last. So what if there are nannies and producers behind the scenes, her kitchen hiding industrial-grade fridges and ovens, her husband the Republican equivalent of a Kennedy? What Natalie’s followers—all 8 million of them—don’t know won’t hurt them. And The Angry Women? The privileged, Ivy League, coastal elite haters who call her an antifeminist iconoclast? They’re sick with jealousy. Because Natalie isn’t simply living the good life, she’s living the ideal—and just so happens to be building an empire from it. Until one morning she wakes up in a life that isn’t hers. Her home, her husband, her children—they’re all familiar, but something’s off. Her kitchen is warmed by a sputtering fire rather than electricity, her children are dirty and strange, and her soft-handed husband is suddenly a competent farmer. Just yesterday Natalie was curating photos of homemade jam for her Instagram, and now she’s expected to haul firewood and handwash clothes until her fingers bleed. Has she become the unwitting star of a brutal reality show? Could it really be time travel? Is she being tested by God? By Satan? When Natalie suffers a brutal injury in the woods, she realizes two things: This is not her beautiful life, and she must escape by any means possible. A gripping, electrifying novel that is as darkly funny as it is frightening, Yesteryear is a gimlet-eyed look at tradition, fame, faith, and the grand performance of womanhood.

To lonely eight-year-old Kay Washington the worst thing in the world is silence. That’s why Eddie Video makes the perfect imaginary friend. He’s smart, rambunctious, and loves pulling pranks. But most important, he’s never ever quiet. Forty-something, immigrant Ivanon is a contract killer with an unusual imaginary friends who’ve overstayed their welcome. His only rule, no kids—kids need their imaginary friends. But when one of Eddie Video’s “pranks” goes too far and lands Kay in the hospital, Ivanon agrees maybe exceptions can be made. After all, rent is due. But Ivanon and Kay will soon learn Eddie Video is no ordinary imaginary friend; he is something much, much darker.A balance of comedy and catharsis, this dual-narrative tackles both the fear of growing up and the scars our childhood leaves behind.

This collection of stories is about women and their experiences in society, about bodies and the bodily, mapping the skin and bones of its characters through their experiences of isolation, obsession and love. Throughout the collection, women become insects, men turn to stone, a city becomes insomniac and bodies are picked apart to make up better ones. The mundane worlds of schools and sea side towns are invaded and transformed by the physical, creating a landscape which is constantly shifting to hold on to the bodies of its inhabitants. Blending the mythic and the fantastic, the collection considers characters in motion – turning away, turning back or simply turning into something new. From the winner of The White Review Short Story Prize 2018, salt slow is an extraordinary collection of short stories that are sure to dazzle and shock.