From the former prime minister of New Zealand, then the world’s youngest female head of government and just the second to give birth in office, comes a deeply personal memoir chronicling her extraordinary rise and offering inspiration to a new generation of leaders. What if we could redefine leadership? What if kindness came first? Jacinda Ardern grew up the daughter of a police officer in small-town New Zealand, but as the 40th Prime Minister of her country, she commanded global respect for her empathetic leadership that put people first. This is the remarkable story of how a Mormon girl plagued by self-doubt made political history and changed our assumptions of what a global leader can be. When Jacinda Ardern became Prime Minister at age thirty-seven, the world took notice. But it was her compassionate yet powerful response to the 2019 Christchurch mosque attacks, resulting in swift and sweeping gun control laws, that demonstrated her remarkable leadership. She guided her country through unprecedented challenges—a volcanic eruption, a major biosecurity breach, and a global pandemic—while advancing visionary new policies to address climate change, reduce child poverty, and secure historic international trade deals. She did all this while juggling first-time motherhood in the public eye. Ardern exemplifies a new kind of leadership—proving that leaders can be caring, empathetic, and effective. She has become a global icon, and now she is ready to share her story, from the struggles to the surprises, including for the first time the full details of her decision to step down during her sixth year as Prime Minister. Through her personal experiences and reflections, Jacinda is a model for anyone who has ever doubted themselves, or has aspired to lead with compassion, conviction, and courage. A Different Kind of Power is more than a political memoir; it’s an insight into how it feels to lead, ultimately asking: What if you, too, are capable of more than you ever imagined?

From the New York Times bestselling author of Empire of Pain and Say Nothing - a stunning story of corruption and tragedy in one of the world's great London."A new book by Keefe means drop everything and close the blinds; you'll be turning pages for hours" Los Angeles Times'Patrick Radden Keefe [is] one of the top narrative nonfiction authors of his generation' TIMEIn 2019, a London teenager, Zac Brettler, mysteriously fell to his death from a luxury apartment building on the banks of the Thames. When his grieving parents began their desperate quest to understand how their son had died, they made a terrible Zac had been leading a fantasy life, posing as the son of a wealthy Russian oligarch.In his inimitably gripping and forensic prose, Baillie Gifford Prize winner and New Yorker writer Patrick Radden Keefe follows Zac's parents on a dark journey to find out what brought Zac to the balcony that night - and how a teenager's world of make-believe drew him into the city's terrifying underworld.London Falling is at once a devastating family tragedy, a riveting story of greed, power and deception, and an indictment of the culture that has transformed London into a haven for the malignant forces that have come to influence us all.

Before the nightmare, Yeong-hye and her husband lived an ordinary life. But when splintering, blood-soaked images start haunting her thoughts, Yeong-hye decides to purge her mind and renounce eating meat. In a country where societal mores are strictly obeyed, Yeong-hye's decision to embrace a more “plant-like” existence is a shocking act of subversion. And as her passive rebellion manifests in ever more extreme and frightening forms, scandal, abuse, and estrangement begin to send Yeong-hye spiraling deep into the spaces of her fantasy. In a complete metamorphosis of both mind and body, her now dangerous endeavor will take Yeong-hye—impossibly, ecstatically, tragically—far from her once-known self altogether.

Diagnosed by her physician husband with a “temporary nervous depression—a slight hysterical tendency” after the birth of her child, a woman is urged to rest for the summer in an old colonial mansion. Forbidden from doing work of any kind, she spends her days in the house’s former nursery, with its barred windows, scratched floor, and peeling yellow wallpaper. In a private journal, the woman records her growing obsession with the “horrid” wallpaper. Its strange pattern mutates in the moonlight, revealing what appears to be a human figure in the design. With nothing else to occupy her mind, the woman resolves to unlock the mystery of the wallpaper. Her quest, however, leads not to the truth, but into the darkest depths of madness. A condemnation of the patriarchy, The Yellow Wallpaper explores with terrifying economy the oppression, grave misunderstanding, and willful dismissal of women in late nineteenth-century society. First published in January 1892 in The New England Magazine. Excerpt: Out of another I get a lovely view of the bay and a little private wharf belonging to the estate. There is a beautiful shaded lane that runs down there from the house. I always fancy I see people walking in these numerous paths and arbors, but John has cautioned me not to give way to fancy in the least. He says that with my imaginative power and habit of story-making a nervous weakness like mine is sure to lead to all manner of excited fancies, and that I ought to use my will and good sense to check the tendency. So I try.

“Thank you for your interest in our school, but we regret to inform you that…” you’re not special. You’re too average. You’re too boring. Well, in that case, she’ll have to show them just how interesting she can be. Elizabeth Zhang is well aware of her place in the world. She’s in the tenth percentile for likability, the seventieth percentile for attractiveness, and the ninety-ninth percentile for academics. While she’s never been the most beautiful or the most liked, she knows she has the intelligence and ambition to achieve her greatest dream: Harvard Law School. But when Harvard rejects Elizabeth for not standing out enough—which she knows means she's just another boring Asian female—her carefully constructed life falls apart. What shocks her even more is that Laura Kim, a classmate at Columbia, got in. Elizabeth can’t figure out how this could have happened. Why was Laura accepted? What makes her so interesting? At first, she follows her because she’s just curious. What Laura orders for lunch. Where Laura shops. What Laura’s hobbies are. All of these things must contribute to her overall package, what makes her an acceptable person to Harvard. But still, Elizabeth just can’t see it. The only thing she sees is that Laura has taken her spot. A spot that she knows she deserves after working so hard. A spot that she’ll simply have to take back. Layered and subversive, this novel brings to light how, in the face of societal expectations and self-inflicted pressures, a person can unlock the darkest parts of themselves and show how far they’re willing to go to achieve their vision of success.

Annie and Hector have been hosting their friends Candace, Edouard, and their son, Remy, in the guest house of their Connecticut home for many months while their friends’ home undergoes renovations. As a thank-you, Candace gifts Annie French lessons with twenty-six-year-old local French tutor, Thierry. Hector, an actor, goes to film on location, leaving Annie—newly bereaving her mother—to single-parent their two kids. As the lessons progress, she finds herself unexpectedly vulnerable to the charms of a man closer in age to her own teenage daughter than to her own. A new life for Annie emerges, one she could never have foreseen.      Told over the course of one year, through the shifting perspectives of wife, husband, lover, best friend and children, Walger paints a contradictory, nuanced portrait of a woman who walks away from every role that tradition and society have expected of her.

'It will never be like this again.' She looked up. He held her eye. 'You'll never love anyone the way you do when you're sixteen.' In her late thirties, Maggie Byrd lives a charmed life in London. She works with fossils and gems at the Natural History Museum, and shares a home with the two people she loves her best friend, Harriet, and her partner, Joe. However, beneath this carefully constructed facade lies a past Maggie buried deep inside herself and resolved never to the story of a guilt-ridden, heartbroken girl who left Australia in her early twenties and swore never to return. But when she learns that she's inherited her beloved uncle's rewilded land in a lush valley of southeast Queensland, Maggie's London life begins to fracture. Bordering a town famous for its rare opalised fossil discoveries, the land lies near a volcanic lake rumoured to be cursed, and a sacred, ephemeral tea tree swamp. It is land rich with living culture, and home to an abundance of native flora and fauna. And it's long been sought after by developers, willing to pay any price. In the nineties, this wild, vivid place also shaped Maggie when she was an angry, lost teenager. It was her home and sanctuary, where she experienced the intoxicating powers and limitations of friendship, first love, desire and loyalty - until she betrayed everyone she loved there and fled. When the same land that Maggie turned her back on comes into her care, she is forced to face what we all cannot bury, abandon, or forget. From the international bestselling author of The Lost Flowers of Alice Hart and The Seven Skins of Esther Wilding, comes a luminous, deeply emotional, and utterly absorbing novel about belonging, memory, and the loves and landscapes that make us - and what it takes to come home to ourselves and each other. The World Beneath Her Feet is immersive Australian storytelling at its finest.

From the critically-acclaimed author of the Outline trilogy, an irresistible novel of fame, power, beauty and truth -- and a blazing renovation of the form. A little while ago, I told the actor M that I was thinking of writing her autobiography. She liked the idea. She's a good sport. Would you just make it up? she said.The film star M is one of the most recognizable faces of our time. Her image is everywhere. It has been like that since she was a child.With such fame, her life has the appearance of people are instantly obliging, spaces are altered to accommodate her, time can be rearranged. M may live in the same places as real people. She may meet her friends or collect her children from school or walk her dogs as they do. But it seems the rules of reality have melted away.Now, a writer has decided to pay close attention to M's life, in the hope of understanding who she really is. It is hard not to feel ugly next to M, hard not to feel insignificant. But what truths-about the very experience of living-might this proximity allow the writer to briefly capture? Is M to play a character in the book, or is it the writer who is acting the role of M?In this astonishing, explosive novel, Rachel Cusk hunts for the nature of truth without ever swerving away into self-deceptions. She investigates who we are, and pretend to be, at this late stage of modern life when we are hypnotized, more and more effectively, by the images we see everywhere. She shows us that the real value of life might lie not in beauty but in ugliness; in having a self that has survived the violence of the world. Life of M is a beautiful piece of music, audible in a world of noise and spectacle.

Annie and Hector have been hosting their friends Candace, Edouard, and their son, Remy, in the guest house of their Connecticut home for many months while their friends’ home undergoes renovations. As a thank-you, Candace gifts Annie French lessons with twenty-six-year-old local French tutor, Thierry. Hector, an actor, goes to film on location, leaving Annie—newly bereaving her mother—to single-parent their two kids. As the lessons progress, she finds herself unexpectedly vulnerable to the charms of a man closer in age to her own teenage daughter than to her own. A new life for Annie emerges, one she could never have foreseen.      Told over the course of one year, through the shifting perspectives of wife, husband, lover, best friend and children, Walger paints a contradictory, nuanced portrait of a woman who walks away from every role that tradition and society have expected of her.

These are your neighbors. One is a killer. When she begins to peer into the lives' of her glamorous neighbors, one woman discovers a terrifying secret in this riveting psychological thriller with nine lives worth of twists, from the New York Times bestselling author of Something in the Water, a Reese's Book Club pick. "Catherine Steadman more than delivers on the brilliant twists and thrills I’ve come to expect from her writing." —Lucy FoleyA riveting thriller about nine terrible secrets hidden behind the pastel-colored façade of one of London's most upscale enclaves, Nine Lives is catnip for suspense readers everywhere and perfect for fans of modern classics like The Girl on the Train and The Woman In the Window.

'A great read. A box of delights which is also a thrilling satirical torture chamber.' Jesse Armstrong, creator of Succession 'An absolute riot . . . totally compulsive.' Observer 'A modern master of funny, penetrating satire.' GQ'If Phoebe Waller-Bridge had a score to settle.' StylistThe new novel from the bestselling author of Capital What if the year's most talked about TV show was all about your marriage?Kate, thirty years into her marriage, has a seemingly idyllic metropolitan, North London life.Phoebe, a young screenwriter, is the creator of the year's hit TV show, Cheating.When Kate's world takes a darker turn, she thinks she sees details and intimacies in the show that only she and her husband Jack could possibly have known. But who has betrayed who? Who gets to tell whose story?A black comedy of resentment and entitlement, Look What You Made Me Do is the story of two very different women from two very different generations, heading toward a battle only one of them can win.