"Last night I dreamt I went to Manderley again..." Ancient, beautiful Manderley, between the rose garden and the sea, is the county's showpiece. Rebecca made it so - even a year after her death, Rebecca's influence still rules there. How can Maxim de Winter's shy new bride ever fill her place or escape her vital shadow? A shadow that grows longer and darker as the brief summer fades, until, in a moment of climatic revelations, it threatens to eclipse Manderley and its inhabitants completely...

In the second installment of Juno Dawson's irresistable fantasy trilogy (Lana Harper), a group of childhood friends and witches must choose between what is right and what is easy if they have any hope of keeping their coven--and their world--from tearing apart forever. Niamh Kelly is dead. Her troubled twin, Ciara, now masquerades as the benevolent witch as Her Majesty's Royal Coven prepares to crown her High Preistess. Suffering from amnesia, Ciara can't remember what she's done--but if she wants to survive, she must fool Niamh's adopted family and friends; the coven; and the murky Shadow Cabinet--a secret group of mundane civil servants who are already suspicious of witches. While she tries to rebuild her past, she realizes none of her past has forgotten her, including her former lover, renegade warlock Dabney Hale. On the other end of the continent, Leonie Jackman is in search of Hale, rumored to be seeking a dark object of ultimate power somehow connected to the upper echelons of the British government. If the witches can't figure out Hale's machinations, and fast, all of witchkind will be in grave danger--along with the fate of all (wo)mankind. Sharp, funny, provocative, and joyous, Juno Dawson's sequel reimagines everything you think you knew about her coven and her witches in a story that spans continents and dives deep into the roots of England and its witchcraft. Ciara, Leonie, Elle, and Theo are fierce, angry, sexy, warm--and absolutely unapologetic as they fight for what they believe in, all in the name of sisterhood.

In the second installment of Juno Dawson's irresistable fantasy trilogy (Lana Harper), a group of childhood friends and witches must choose between what is right and what is easy if they have any hope of keeping their coven--and their world--from tearing apart forever. Niamh Kelly is dead. Her troubled twin, Ciara, now masquerades as the benevolent witch as Her Majesty's Royal Coven prepares to crown her High Preistess. Suffering from amnesia, Ciara can't remember what she's done--but if she wants to survive, she must fool Niamh's adopted family and friends; the coven; and the murky Shadow Cabinet--a secret group of mundane civil servants who are already suspicious of witches. While she tries to rebuild her past, she realizes none of her past has forgotten her, including her former lover, renegade warlock Dabney Hale. On the other end of the continent, Leonie Jackman is in search of Hale, rumored to be seeking a dark object of ultimate power somehow connected to the upper echelons of the British government. If the witches can't figure out Hale's machinations, and fast, all of witchkind will be in grave danger--along with the fate of all (wo)mankind. Sharp, funny, provocative, and joyous, Juno Dawson's sequel reimagines everything you think you knew about her coven and her witches in a story that spans continents and dives deep into the roots of England and its witchcraft. Ciara, Leonie, Elle, and Theo are fierce, angry, sexy, warm--and absolutely unapologetic as they fight for what they believe in, all in the name of sisterhood.

Two boys, alone in space. After the first settler on Titan trips her distress signal, neither remaining country on Earth can afford to scramble a rescue of its own, and so two sworn enemies are installed in the same spaceship. Ambrose wakes up on the Coordinated Endeavor, with no memory of a launch. There’s more that doesn’t add up: Evidence indicates strangers have been on board, the ship’s operating system is voiced by his mother, and his handsome, brooding shipmate has barricaded himself away. But nothing will stop Ambrose from making his mission succeed—not when he’s rescuing his own sister. In order to survive the ship’s secrets, Ambrose and Kodiak will need to work together and learn to trust one another… especially once they discover what they are truly up against. Love might be the only way to survive.

Two boys, alone in space. After the first settler on Titan trips her distress signal, neither remaining country on Earth can afford to scramble a rescue of its own, and so two sworn enemies are installed in the same spaceship. Ambrose wakes up on the Coordinated Endeavor, with no memory of a launch. There’s more that doesn’t add up: Evidence indicates strangers have been on board, the ship’s operating system is voiced by his mother, and his handsome, brooding shipmate has barricaded himself away. But nothing will stop Ambrose from making his mission succeed—not when he’s rescuing his own sister. In order to survive the ship’s secrets, Ambrose and Kodiak will need to work together and learn to trust one another… especially once they discover what they are truly up against. Love might be the only way to survive.

If you look hard enough at old photographs, we're there in the background: healers in the trenches; Suffragettes; Bletchley Park oracles; land girls and resistance fighters. Why is it we help in times of crisis? We have a gift. We are stronger than Mundanes, plain and simple.At the dawn of their adolescence, on the eve of the summer solstice, four young girls--Helena, Leonie, Niamh and Elle--took the oath to join Her Majesty's Royal Coven, established by Queen Elizabeth I as a covert government department. Now, decades later, the witch community is still reeling from a civil war and Helena is now the reigning High Priestess of the organization. Yet Helena is the only one of her friend group still enmeshed in the stale bureaucracy of HMRC. Elle is trying to pretend she's a normal housewife, and Niamh has become a country vet, using her powers to heal sick animals. In what Helena perceives as the deepest betrayal, Leonie has defected to start her own more inclusive and intersectional coven, Diaspora. And now Helena has a bigger problem. A young warlock of extraordinary capabilities has been captured by authorities and seems to threaten the very existence of HMRC. With conflicting beliefs over the best course of action, the four friends must decide where their loyalties lie: with preserving tradition, or doing what is right. Juno Dawson explores gender and the corrupting nature of power in a delightful and provocative story of magic and matriarchy, friendship and feminism. Dealing with all the aspects of contemporary womanhood, as well as being phenomenally powerful witches, Niamh, Helena, Leonie and Elle may have grown apart but they will always be bound by the sisterhood of the coven.

The sexual assault that stunned the world. A courageous woman’s rallying call for shame to "change sides." For the very first time, Gisèle Pelicot tells her story. In 2024, Gisèle Pelicot waived her right to anonymity in her legal fight against her ex-husband and the fifty men accused of sexually assaulting her, a courageous decision that inspired millions of people around the world. Only four years prior, Gisèle had made the shattering discovery that her partner, Dominique Pelicot, had been secretly drugging and raping her, and inviting strangers to also abuse her in their home for nearly a decade. “Shame must change sides,” Gisèle bravely declared at the opening of the trial in Avignon, France, and the dictum soon became an international rallying cry to radically transform public sentiment and legislation surrounding cases of sexual violence. By the time Dominique and the dozens of men accused were found guilty three and a half months later, Gisèle had become a global figure, and her message—that she and other victims of sexual abuse have no reason to feel ashamed—galvanized a movement that triggered protests and demonstrations around the world. In A Hymn to Life, Gisèle tells her story for the very first time, not as victim, but as witness. Beginning in 2020, when she received the first phone call from a local police station, Gisèle recounts the fateful investigation that turned her life inside out. With unwavering honesty and devastating grace, she retraces the steps of a life built over the course of five decades, the final decade of her marriage and its hidden abuse, and the long path of emotional healing that ensues. As Gisèle transcends the unfathomable traumas of her past, against all odds, she emerges with a renewed sense of passion and reverence for her life. Part memoir, part act of defiance, A Hymn to Life is a moving story of survival, testimony, and courage, and an unforgettable portrait of a woman who broke her silence, reclaimed her voice, and forced a reckoning.

The sexual assault that stunned the world. A courageous woman’s rallying call for shame to "change sides." For the very first time, Gisèle Pelicot tells her story. In 2024, Gisèle Pelicot waived her right to anonymity in her legal fight against her ex-husband and the fifty men accused of sexually assaulting her, a courageous decision that inspired millions of people around the world. Only four years prior, Gisèle had made the shattering discovery that her partner, Dominique Pelicot, had been secretly drugging and raping her, and inviting strangers to also abuse her in their home for nearly a decade. “Shame must change sides,” Gisèle bravely declared at the opening of the trial in Avignon, France, and the dictum soon became an international rallying cry to radically transform public sentiment and legislation surrounding cases of sexual violence. By the time Dominique and the dozens of men accused were found guilty three and a half months later, Gisèle had become a global figure, and her message—that she and other victims of sexual abuse have no reason to feel ashamed—galvanized a movement that triggered protests and demonstrations around the world. In A Hymn to Life, Gisèle tells her story for the very first time, not as victim, but as witness. Beginning in 2020, when she received the first phone call from a local police station, Gisèle recounts the fateful investigation that turned her life inside out. With unwavering honesty and devastating grace, she retraces the steps of a life built over the course of five decades, the final decade of her marriage and its hidden abuse, and the long path of emotional healing that ensues. As Gisèle transcends the unfathomable traumas of her past, against all odds, she emerges with a renewed sense of passion and reverence for her life. Part memoir, part act of defiance, A Hymn to Life is a moving story of survival, testimony, and courage, and an unforgettable portrait of a woman who broke her silence, reclaimed her voice, and forced a reckoning.

Magic has made the city of Tiran an industrial utopia, but magic has a cost—and the collectors have come calling. An orphan since the age of four, Sciona has always had more to prove than her fellow students. For twenty years, she has devoted every waking moment to the study of magic, fueled by a mad desire to achieve the impossible: to be the first woman ever admitted to the High Magistry. When she finally claws her way up the ranks to become a highmage, however, she finds that her challenges have just begun. Her new colleagues will stop at nothing to let her know she is unwelcome, beginning with giving her a janitor instead of a qualified lab assistant. What neither Sciona nor her peers realize is that her taciturn assistant was once more than a janitor; before he mopped floors for the mages, Thomil was a nomadic hunter from beyond Tiran’s magical barrier. Ten years have passed since he survived the perilous crossing that killed his family. But working for a highmage, he sees the opportunity to finally understand the forces that decimated his tribe, drove him from his homeland, and keep the Tiranish in power. Through their fractious relationship, mage and outsider uncover an ancient secret that could change the course of magic forever—if it doesn’t get them killed first. Sciona has defined her life by the pursuit of truth, but how much is one truth worth with the fate of civilization in the balance? A standalone dark academia brimming with mystery, tragedy, and the damning echoes of the past. For fans of Leigh Bardugo, V. E. Schwab, and Fullmetal Alchemist. (Content warnings for gore, sexual assault, and suicidal ideation)

In her first book, sociologist Strings (sociology, Univ. of California, Irvine) explores the historical development of prothin, antifat ideologies deployed in support of Western, patriarchal white supremacy. Beginning in the aesthetic ideals circulated by Renaissance thinkers and artists and bringing her narrative up into the 1990s, Strings charts how white Europeans and Anglo-Americans developed ideals of race and beauty that both explicitly and figuratively juxtaposed slim, desirable white women against corpulent, seemingly monstrous black women. The work is divided into three sections. The two chapters in the first part consider how Renaissance white women and women of color were depicted as plump and feminine, separated by class, yet belonging to the same gender. The second part of the work charts the rise of modern racial ideologies that yoked feminine beauty to Protestant, Anglo-Saxon whiteness. Later chapters and the epilogue consider how Americans normalized the "scientific management" of white women's bodies for the purpose of racial uplift, a project that continued to situate black women as the embodied Other. The author does not address fat from the angle of health or previous attitudes white Europeans held towards corpulence.