An intimate, moving book written with the immediacy and directness of one who still struggles with the effects of mental and chronic illness, The Collected Schizophrenias cuts right to the core. Schizophrenia is not a single unifying diagnosis, and Esme Weijun Wang writes not just to her fellow members of the "collected schizophrenias" but to those who wish to understand it as well. Opening with the journey toward her diagnosis of schizoaffective disorder, Wang discusses the medical community's own disagreement about labels and procedures for diagnosing those with mental illness, and then follows an arc that examines the manifestations of schizophrenia in her life. In essays that range from using fashion to present as high-functioning to the depths of a rare form of psychosis, and from the failures of the higher education system and the dangers of institutionalisation to the complexity of compounding factors such as PTSD and Lyme disease, Wang's analytical eye, honed as a former lab researcher at Stanford, allows her to balance research with personal narrative. An essay collection of undeniable power, The Collected Schizophrenias dispels misconceptions and provides insight into a condition long misunderstood.

In her first book, sociologist Strings (sociology, Univ. of California, Irvine) explores the historical development of prothin, antifat ideologies deployed in support of Western, patriarchal white supremacy. Beginning in the aesthetic ideals circulated by Renaissance thinkers and artists and bringing her narrative up into the 1990s, Strings charts how white Europeans and Anglo-Americans developed ideals of race and beauty that both explicitly and figuratively juxtaposed slim, desirable white women against corpulent, seemingly monstrous black women. The work is divided into three sections. The two chapters in the first part consider how Renaissance white women and women of color were depicted as plump and feminine, separated by class, yet belonging to the same gender. The second part of the work charts the rise of modern racial ideologies that yoked feminine beauty to Protestant, Anglo-Saxon whiteness. Later chapters and the epilogue consider how Americans normalized the "scientific management" of white women's bodies for the purpose of racial uplift, a project that continued to situate black women as the embodied Other. The author does not address fat from the angle of health or previous attitudes white Europeans held towards corpulence.

"Last night I dreamt I went to Manderley again..." Ancient, beautiful Manderley, between the rose garden and the sea, is the county's showpiece. Rebecca made it so - even a year after her death, Rebecca's influence still rules there. How can Maxim de Winter's shy new bride ever fill her place or escape her vital shadow? A shadow that grows longer and darker as the brief summer fades, until, in a moment of climatic revelations, it threatens to eclipse Manderley and its inhabitants completely...

In the second installment of Juno Dawson's irresistable fantasy trilogy (Lana Harper), a group of childhood friends and witches must choose between what is right and what is easy if they have any hope of keeping their coven--and their world--from tearing apart forever. Niamh Kelly is dead. Her troubled twin, Ciara, now masquerades as the benevolent witch as Her Majesty's Royal Coven prepares to crown her High Preistess. Suffering from amnesia, Ciara can't remember what she's done--but if she wants to survive, she must fool Niamh's adopted family and friends; the coven; and the murky Shadow Cabinet--a secret group of mundane civil servants who are already suspicious of witches. While she tries to rebuild her past, she realizes none of her past has forgotten her, including her former lover, renegade warlock Dabney Hale. On the other end of the continent, Leonie Jackman is in search of Hale, rumored to be seeking a dark object of ultimate power somehow connected to the upper echelons of the British government. If the witches can't figure out Hale's machinations, and fast, all of witchkind will be in grave danger--along with the fate of all (wo)mankind. Sharp, funny, provocative, and joyous, Juno Dawson's sequel reimagines everything you think you knew about her coven and her witches in a story that spans continents and dives deep into the roots of England and its witchcraft. Ciara, Leonie, Elle, and Theo are fierce, angry, sexy, warm--and absolutely unapologetic as they fight for what they believe in, all in the name of sisterhood.

In the second installment of Juno Dawson's irresistable fantasy trilogy (Lana Harper), a group of childhood friends and witches must choose between what is right and what is easy if they have any hope of keeping their coven--and their world--from tearing apart forever. Niamh Kelly is dead. Her troubled twin, Ciara, now masquerades as the benevolent witch as Her Majesty's Royal Coven prepares to crown her High Preistess. Suffering from amnesia, Ciara can't remember what she's done--but if she wants to survive, she must fool Niamh's adopted family and friends; the coven; and the murky Shadow Cabinet--a secret group of mundane civil servants who are already suspicious of witches. While she tries to rebuild her past, she realizes none of her past has forgotten her, including her former lover, renegade warlock Dabney Hale. On the other end of the continent, Leonie Jackman is in search of Hale, rumored to be seeking a dark object of ultimate power somehow connected to the upper echelons of the British government. If the witches can't figure out Hale's machinations, and fast, all of witchkind will be in grave danger--along with the fate of all (wo)mankind. Sharp, funny, provocative, and joyous, Juno Dawson's sequel reimagines everything you think you knew about her coven and her witches in a story that spans continents and dives deep into the roots of England and its witchcraft. Ciara, Leonie, Elle, and Theo are fierce, angry, sexy, warm--and absolutely unapologetic as they fight for what they believe in, all in the name of sisterhood.

Two boys, alone in space. After the first settler on Titan trips her distress signal, neither remaining country on Earth can afford to scramble a rescue of its own, and so two sworn enemies are installed in the same spaceship. Ambrose wakes up on the Coordinated Endeavor, with no memory of a launch. There’s more that doesn’t add up: Evidence indicates strangers have been on board, the ship’s operating system is voiced by his mother, and his handsome, brooding shipmate has barricaded himself away. But nothing will stop Ambrose from making his mission succeed—not when he’s rescuing his own sister. In order to survive the ship’s secrets, Ambrose and Kodiak will need to work together and learn to trust one another… especially once they discover what they are truly up against. Love might be the only way to survive.