The sexual assault that stunned the world. A courageous woman’s rallying call for shame to "change sides." For the very first time, Gisèle Pelicot tells her story. In 2024, Gisèle Pelicot waived her right to anonymity in her legal fight against her ex-husband and the fifty men accused of sexually assaulting her, a courageous decision that inspired millions of people around the world. Only four years prior, Gisèle had made the shattering discovery that her partner, Dominique Pelicot, had been secretly drugging and raping her, and inviting strangers to also abuse her in their home for nearly a decade. “Shame must change sides,” Gisèle bravely declared at the opening of the trial in Avignon, France, and the dictum soon became an international rallying cry to radically transform public sentiment and legislation surrounding cases of sexual violence. By the time Dominique and the dozens of men accused were found guilty three and a half months later, Gisèle had become a global figure, and her message—that she and other victims of sexual abuse have no reason to feel ashamed—galvanized a movement that triggered protests and demonstrations around the world. In A Hymn to Life, Gisèle tells her story for the very first time, not as victim, but as witness. Beginning in 2020, when she received the first phone call from a local police station, Gisèle recounts the fateful investigation that turned her life inside out. With unwavering honesty and devastating grace, she retraces the steps of a life built over the course of five decades, the final decade of her marriage and its hidden abuse, and the long path of emotional healing that ensues. As Gisèle transcends the unfathomable traumas of her past, against all odds, she emerges with a renewed sense of passion and reverence for her life. Part memoir, part act of defiance, A Hymn to Life is a moving story of survival, testimony, and courage, and an unforgettable portrait of a woman who broke her silence, reclaimed her voice, and forced a reckoning.

Magic has made the city of Tiran an industrial utopia, but magic has a cost—and the collectors have come calling. An orphan since the age of four, Sciona has always had more to prove than her fellow students. For twenty years, she has devoted every waking moment to the study of magic, fueled by a mad desire to achieve the impossible: to be the first woman ever admitted to the High Magistry. When she finally claws her way up the ranks to become a highmage, however, she finds that her challenges have just begun. Her new colleagues will stop at nothing to let her know she is unwelcome, beginning with giving her a janitor instead of a qualified lab assistant. What neither Sciona nor her peers realize is that her taciturn assistant was once more than a janitor; before he mopped floors for the mages, Thomil was a nomadic hunter from beyond Tiran’s magical barrier. Ten years have passed since he survived the perilous crossing that killed his family. But working for a highmage, he sees the opportunity to finally understand the forces that decimated his tribe, drove him from his homeland, and keep the Tiranish in power. Through their fractious relationship, mage and outsider uncover an ancient secret that could change the course of magic forever—if it doesn’t get them killed first. Sciona has defined her life by the pursuit of truth, but how much is one truth worth with the fate of civilization in the balance? A standalone dark academia brimming with mystery, tragedy, and the damning echoes of the past. For fans of Leigh Bardugo, V. E. Schwab, and Fullmetal Alchemist. (Content warnings for gore, sexual assault, and suicidal ideation)

In her first book, sociologist Strings (sociology, Univ. of California, Irvine) explores the historical development of prothin, antifat ideologies deployed in support of Western, patriarchal white supremacy. Beginning in the aesthetic ideals circulated by Renaissance thinkers and artists and bringing her narrative up into the 1990s, Strings charts how white Europeans and Anglo-Americans developed ideals of race and beauty that both explicitly and figuratively juxtaposed slim, desirable white women against corpulent, seemingly monstrous black women. The work is divided into three sections. The two chapters in the first part consider how Renaissance white women and women of color were depicted as plump and feminine, separated by class, yet belonging to the same gender. The second part of the work charts the rise of modern racial ideologies that yoked feminine beauty to Protestant, Anglo-Saxon whiteness. Later chapters and the epilogue consider how Americans normalized the "scientific management" of white women's bodies for the purpose of racial uplift, a project that continued to situate black women as the embodied Other. The author does not address fat from the angle of health or previous attitudes white Europeans held towards corpulence.

All Noemi Broussard wanted was a fresh start. With a new boyfriend who actually treats her right and a plan to move from the reservation she grew up on—just like her beloved Uncle Louie before her—things are finally looking up for her. Until the news of her boyfriend’s apparent suicide brings her world crumbling down. But the facts about Roddy’s death just don’t add up, and Noemi isn’t the only one who suspects something menacing might be lurking within their tribal lands. After more than a decade away, Uncle Louie has returned to the reservation, bringing with him a past full of secrets and horror and what might be the key to determining Roddy’s true cause of death. Together, Noemi and Louie set out to find answers...but as they get closer to the truth, Noemi begins to question whether it might be best for some secrets to remain buried.

All Noemi Broussard wanted was a fresh start. With a new boyfriend who actually treats her right and a plan to move from the reservation she grew up on—just like her beloved Uncle Louie before her—things are finally looking up for her. Until the news of her boyfriend’s apparent suicide brings her world crumbling down. But the facts about Roddy’s death just don’t add up, and Noemi isn’t the only one who suspects something menacing might be lurking within their tribal lands. After more than a decade away, Uncle Louie has returned to the reservation, bringing with him a past full of secrets and horror and what might be the key to determining Roddy’s true cause of death. Together, Noemi and Louie set out to find answers...but as they get closer to the truth, Noemi begins to question whether it might be best for some secrets to remain buried.

A compelling courtroom drama, Dice is an incredibly timely exploration of how sexual violence is viewed in our society. Four teenage boys invent a sex game based on rolling dice and doing what the numbers say. They are charged with multiple sexual offences against three teenage girls. Twelve random jurors are brought together in a trial to work out what actually happened. Only they can say whether crimes have been committed and who should be punished. How does the jury find? Dice is a stunning courtroom drama told from the perspective of a diverse group of ordinary people - the jury. How will twelve women and men, aged from eighteen to seventy-two with hugely disparate backgrounds, beliefs and experience, decide whether consent was given or crimes were committed? How can they possibly arrive at a unanimous verdict? How will justice be properly served? In this dazzlingly accomplished and gripping debut novel, chapters are told through the point of view of each juror as the trial unfolds. The reader too becomes a jury member as the evidence is presented and information is withheld, fragmented and re-told by different witnesses. Each person must decide where the truth lies. Will the verdict deliver justice, or just reflect the prejudices and differences in the jury?

A compelling courtroom drama, Dice is an incredibly timely exploration of how sexual violence is viewed in our society. Four teenage boys invent a sex game based on rolling dice and doing what the numbers say. They are charged with multiple sexual offences against three teenage girls. Twelve random jurors are brought together in a trial to work out what actually happened. Only they can say whether crimes have been committed and who should be punished. How does the jury find? Dice is a stunning courtroom drama told from the perspective of a diverse group of ordinary people - the jury. How will twelve women and men, aged from eighteen to seventy-two with hugely disparate backgrounds, beliefs and experience, decide whether consent was given or crimes were committed? How can they possibly arrive at a unanimous verdict? How will justice be properly served? In this dazzlingly accomplished and gripping debut novel, chapters are told through the point of view of each juror as the trial unfolds. The reader too becomes a jury member as the evidence is presented and information is withheld, fragmented and re-told by different witnesses. Each person must decide where the truth lies. Will the verdict deliver justice, or just reflect the prejudices and differences in the jury?

Through the lens of horror—from "Halloween" to "Hereditary"—queer and trans writers consider the films that deepened, amplified, and illuminated their own experiences. Horror movies hold a complicated space in the hearts of the queer community: historically misogynist, and often homo- and transphobic, the genre has also been inadvertently feminist and open to subversive readings. Common tropes—such as the circumspect and resilient “final girl,” body possession, costumed villains, secret identities, and things that lurk in the closet—spark moments of eerie familiarity and affective connection. Still, viewers often remain tasked with reading themselves into beloved films, seeking out characters and set pieces that speak to, mirror, and parallel the unique ways queerness encounters the world. "It Came from the Closet" features twenty-five original essays by writers speaking to this relationship, through connections both empowering and oppressive. From Carmen Maria Machado on "Jennifer’s Body", Jude Ellison S. Doyle on "In My Skin", Addie Tsai on "Dead Ringers", and many more, these conversations convey the rich reciprocity between queerness and horror.

Through the lens of horror—from "Halloween" to "Hereditary"—queer and trans writers consider the films that deepened, amplified, and illuminated their own experiences. Horror movies hold a complicated space in the hearts of the queer community: historically misogynist, and often homo- and transphobic, the genre has also been inadvertently feminist and open to subversive readings. Common tropes—such as the circumspect and resilient “final girl,” body possession, costumed villains, secret identities, and things that lurk in the closet—spark moments of eerie familiarity and affective connection. Still, viewers often remain tasked with reading themselves into beloved films, seeking out characters and set pieces that speak to, mirror, and parallel the unique ways queerness encounters the world. "It Came from the Closet" features twenty-five original essays by writers speaking to this relationship, through connections both empowering and oppressive. From Carmen Maria Machado on "Jennifer’s Body", Jude Ellison S. Doyle on "In My Skin", Addie Tsai on "Dead Ringers", and many more, these conversations convey the rich reciprocity between queerness and horror.

Librarian's note: An alternate cover edition can be found here This short novel, already a modern classic, is the superbly told, tragic story of a Cuban fisherman in the Gulf Stream and the giant Marlin he kills and loses—specifically referred to in the citation accompanying the author's Nobel Prize for literature in 1954.

It’s 1993 and Paul Polydoris tends bar at the only gay club in a university town thrumming with politics and partying. He studies queer theory, has a dyke best friend, makes zines, and is a flâneur with a rich dating life. But Paul’s also got a secret: he’s a shapeshifter. Oscillating wildly from Riot Grrrl to leather cub, Women’s Studies major to trade, Paul transforms his body at will in a series of adventures that take him from Iowa City to Boystown to Provincetown and finally to San Francisco—a journey through the deep queer archives of struggle and pleasure.

Cross the jet bridge with Linda, a frequent flyer with a dangerous obsession, in this hilarious and provocative debut novel by the acclaimed author of Out ThereI glimpsed many fine planes resting at their gates. A beefy Boeing 777 pulled back from F4, pivoting on his slender ankles, with surprising grace for such a big fellow. I spotted an old friend who went by the tail number N78823, an Embraer 175. I’d accompanied him to Salt Lake City a few months ago, and found him to be a playful lover, teasing me with a round of turbulence as we descended. To outside observers, Linda’s life might seem drab. Weekdays, she earns $20 an hour moderating comments for a video-sharing platform, then rides the bus home to the windowless room she rents in a garage on the outskirts of San Francisco. But on the last Friday of each month, she indulges her true taking BART to SFO for a round-trip flight to a regional hub. Linda's secret is that she's sexually attracted to Their intelligent windscreens, sleek fuselages and powerful engines make her feel a way that no human lover ever could. She believes her destiny is to someday “marry” one of her suitors by dying in a plane crash, a catastrophic event that would unite Linda with her soulmate plane for eternity.Linda is used to hiding her true nature, but when her coworker, Karina, invites her to a quarterly Vision Board Brunch, Linda sees a chance both to get closer to her work friend, and to nudge the universe on behalf of her destiny. However, as the vision boards seem to manifest items more quickly—and more literally—than Linda had expected, the carefully balanced elements of her life begin to spin out of her control, and she must choose between maintaining the trappings of normalcy or launching herself headlong toward her greatest dream.A subversive, unforgettable tale of the distances some will travel for true love, Sky Daddy examines desire, fate, and the longing to be accepted for who we truly are.

Fernanda and Annelise are so close they are practically sisters: a double image, inseparable. So how does Fernanda end up bound on the floor of a deserted cabin, held hostage by one of her teachers and estranged from Annelise? When Fernanda, Annelise, and their friends from the Delta Bilingual Academy convene after school, Annelise leads them in thrilling but increasingly dangerous rituals to a rhinestoned, Dior-scented, drag-queen god of her own invention. Even more perilous is the secret Annelise and Fernanda share, rooted in a dare in which violence meets love. Meanwhile, their literature teacher Miss Clara, who is obsessed with imitating her dead mother, struggles to preserve her deteriorating sanity. Each day she edges nearer to a total break with reality. Interweaving pop culture references and horror concepts drawn from from Herman Melville, H.P. Lovecraft, and anonymous 'creepypastas', Jawbone is an ominous, multivocal novel that explores the terror inherent in the pure potentiality of adolescence and the fine line between desire and fear.