A stunning debut work of narrative nonfiction from one of the most powerful Indigenous story-tellers at work in Canada today, We Survived the Night combines investigative journalism, colonial history, Salish Coyote stories and a deeply personal father-son journey in a searing yet uplifting portrait of contemporary Indigenous life.Born to a charismatic Sécwepemc artist from a tiny reserve in the interior of B.C. and a Jewish-Irish woman from Westchester County, N.Y., Julian Brave NoiseCat grew up in a swirl of contradictions. He was the spitting image of his dad, but was raised mostly by his white mother in the urban Native community of Oakland, CA. He became a competitive powwow dancer, travelling the North American circuit, but despite being embraced by his family, he felt like an outsider when he spent time on his home reserve—drawn to his father's world, his Indigenous heritage and identity, but struggling to make sense of his place in it. Struggling also to make sense of the swirling damage his alcoholic father—who could turn into "a brawling Indian super vigilante in the mould of Billy Jack" out to kick colonialism in the ass—had caused to those he loved.So in his twenties, NoiseCat set out to uncover and tell the story of his father, of his Coyote People—the Interior Salish nations almost extirpated by the apocalyptic horsemen of colonialism—which soon rippled out, in five years of on-the-ground reporting, into the stories of other First Peoples in the United States and Canada, as NoiseCat attempted to counter the erasure, invisibility and misconceptions surrounding them. We Survived the Night paints a profound, inspiring and unforgettable portrait of Indigenous life, entwined with a deeply powerful reckoning between a father and a son seeking a path to a future full of possibilities—for himself and all the children of Indian Country.

Per person, oranges are the most consumed fruit in the world. Across the world, no matter how remote or cold or incongruous a climate is, oranges will be there.What stories could I unravel from the orange's long ribboning peel? What new meanings could I find in its variousness, as it moves from east to west and from familiar to foreign?What begins as a curiosity into the origins of the orange soon becomes a far-reaching odyssey of citrus for Katie Goh. Katie follows the complicated history of the orange from east-to-west and west-to-east, from a luxury item of European kings and Chinese emperors, to a modest fruit people take for granted. This investigation parallels Katie’s powerful search into her own heritage. Growing up queer in a Chinese-Malaysian-Irish household in the north of Ireland, Katie felt herself at odds with the culture and politics around her. As a teenager, Katie visits her ancestral home in Longyan, China, with her family to better understand her roots, but doesn’t find the easy, digestible answers she hoped for.In her mid-twenties, when her grandmother falls ill, she ventures again to the land of her ancestors, Malaysia, where more questions of self and belonging are raised. In her travels and reflections, she navigates histories that she wants to understand, but has never truly felt a part of. Like the story of the orange, Katie finds that simple and extractable explanations—even about a seemingly simple fruit—are impossible. The story that unfolds is Katie’s incredible endeavor to flesh out these contradictions, to unpeel the layers of personhood; a reflection on identity through the cipher of the orange. Along the way, the orange becomes so much more than just a fruit—it emerges as a symbol, a metaphor, and a guide. Foreign A Personal History of the Orange is a searching, wide-ranging, seamless weaving of storytelling with research and a meditative, deeply moving encounter with the orange and the self.

A radical explication of the ways anti-Black racial oppression has infused the US government’s anti-communist repression. In the early twentieth century, two panics emerged in the United States. The Black Scare was rooted in white Americans’ fear of Black Nationalism and dread at what social, economic, and political equality of Black people might entail. The Red Scare, sparked by communist uprisings abroad and subversion at home, established anticapitalism as a force capable of infiltrating and disrupting the American order. In Black Scare / Red Scare , Charisse Burden-Stelly meticulously outlines the conjoined nature of these state-sanctioned panics, revealing how they unfolded together as the United States pursued capitalist domination. Antiradical repression, she shows, is inseparable from anti-Black oppression, and vice versa. Beginning her account in 1917—the year of the Bolshevik Revolution, the East St. Louis Race Riot, and the Espionage Act—Burden-Stelly traces the long duration of these intertwined and mutually reinforcing phenomena. She theorizes two bases of the Black Scare / Red US Capitalist Racist Society, a racially hierarchical political economy built on exploitative labor relationships, and Wall Street Imperialism, the violent processes by which businesses and the US government structured domestic and foreign policies to consolidate capital and racial domination. In opposition, Radical Blackness embodied the government’s fear of both Black insurrection and Red instigation. The state’s actions and rhetoric therefore characterized Black anticapitalists as foreign, alien, and undesirable. This reactionary response led to an ideology that Burden-Stelly calls True Americanism, the belief that the best things about America were absolutely not Red and not Black, which were interchangeable threats. Black Scare / Red Scare illuminates the anticommunist nature of the US and its governance, but also shines a light on a misunderstood tradition of struggle for Black liberation. Burden-Stelly highlights the Black anticapitalist organizers working within and alongside the international communist movement and analyzes the ways the Black Scare/Red Scare reverberates through ongoing suppression of Black radical activism today. Drawing on a range of administrative, legal, and archival sources, Burden-Stelly incorporates emancipatory ideas from several disciplines to uncover novel insights into Black political minorities and their legacy.

A radical explication of the ways anti-Black racial oppression has infused the US government’s anti-communist repression. In the early twentieth century, two panics emerged in the United States. The Black Scare was rooted in white Americans’ fear of Black Nationalism and dread at what social, economic, and political equality of Black people might entail. The Red Scare, sparked by communist uprisings abroad and subversion at home, established anticapitalism as a force capable of infiltrating and disrupting the American order. In Black Scare / Red Scare , Charisse Burden-Stelly meticulously outlines the conjoined nature of these state-sanctioned panics, revealing how they unfolded together as the United States pursued capitalist domination. Antiradical repression, she shows, is inseparable from anti-Black oppression, and vice versa. Beginning her account in 1917—the year of the Bolshevik Revolution, the East St. Louis Race Riot, and the Espionage Act—Burden-Stelly traces the long duration of these intertwined and mutually reinforcing phenomena. She theorizes two bases of the Black Scare / Red US Capitalist Racist Society, a racially hierarchical political economy built on exploitative labor relationships, and Wall Street Imperialism, the violent processes by which businesses and the US government structured domestic and foreign policies to consolidate capital and racial domination. In opposition, Radical Blackness embodied the government’s fear of both Black insurrection and Red instigation. The state’s actions and rhetoric therefore characterized Black anticapitalists as foreign, alien, and undesirable. This reactionary response led to an ideology that Burden-Stelly calls True Americanism, the belief that the best things about America were absolutely not Red and not Black, which were interchangeable threats. Black Scare / Red Scare illuminates the anticommunist nature of the US and its governance, but also shines a light on a misunderstood tradition of struggle for Black liberation. Burden-Stelly highlights the Black anticapitalist organizers working within and alongside the international communist movement and analyzes the ways the Black Scare/Red Scare reverberates through ongoing suppression of Black radical activism today. Drawing on a range of administrative, legal, and archival sources, Burden-Stelly incorporates emancipatory ideas from several disciplines to uncover novel insights into Black political minorities and their legacy.

A genre-bending exploration of that most elemental force—water—through Indigenous storytelling, personal memory, and the work of influential artists and writersFor many years, Leanne Betasamosake Simpson took solace in skiing—in all kinds of weather, on all kinds of snow across all kinds of terrain, often following the trail beside a beloved creek near her home. Recently, as she skied on this path against the backdrop of uncertainty, environmental devastation, rising authoritarianism and ongoing social injustice, her mind turned to the water in the creek and an elemental What might it mean to truly listen to water? To know water? To exist with and alongside water?So began a quest to understand her people's historical, cultural, and ongoing interactions with water in all its forms (ice, snow, rain, perspiration, breath). Pulling together these threads, Leanne began to see how a "Theory of Water" might suggest a radical rethinking of relationships between beings and forces in the world today. In this inventive work, Simpson draws on Nishnaabeg origin stories while artfully weaving the work of influential writers and artists alongside her personal memories and experience—and in doing so, reimagines water as a catalyst for radical transformation, capable of birthing a new world.Theory of Water is a resonant exploration of an intricate, multi-layered relationship with the most abundant element on our planet—one that, as Simpson eloquently shows, is shaping our present even as it demands a radical rethinking of how we might achieve a just future.

A genre-bending exploration of that most elemental force—water—through Indigenous storytelling, personal memory, and the work of influential artists and writersFor many years, Leanne Betasamosake Simpson took solace in skiing—in all kinds of weather, on all kinds of snow across all kinds of terrain, often following the trail beside a beloved creek near her home. Recently, as she skied on this path against the backdrop of uncertainty, environmental devastation, rising authoritarianism and ongoing social injustice, her mind turned to the water in the creek and an elemental What might it mean to truly listen to water? To know water? To exist with and alongside water?So began a quest to understand her people's historical, cultural, and ongoing interactions with water in all its forms (ice, snow, rain, perspiration, breath). Pulling together these threads, Leanne began to see how a "Theory of Water" might suggest a radical rethinking of relationships between beings and forces in the world today. In this inventive work, Simpson draws on Nishnaabeg origin stories while artfully weaving the work of influential writers and artists alongside her personal memories and experience—and in doing so, reimagines water as a catalyst for radical transformation, capable of birthing a new world.Theory of Water is a resonant exploration of an intricate, multi-layered relationship with the most abundant element on our planet—one that, as Simpson eloquently shows, is shaping our present even as it demands a radical rethinking of how we might achieve a just future.

A paradigm-shifting investigation of Jim Crow–era violence, the legal apparatus that sustained it, and its enduring legacy, from a renowned legal scholar. If the law cannot protect a person from a lynching, then isn’t lynching the law? In By Hands Now Known, Margaret A. Burnham, director of Northeastern University’s Civil Rights and Restorative Justice Project, challenges our understanding of the Jim Crow era by exploring the relationship between formal law and background legal norms in a series of harrowing cases from 1920 to 1960. From rendition, the legal process by which states make claims to other states for the return of their citizens, to battles over state and federal jurisdiction and the outsize role of local sheriffs in enforcing racial hierarchy, Burnham maps the criminal legal system in the mid-twentieth-century South, and traces the unremitting line from slavery to the legal structures of this period and through to today. Drawing on an extensive database, collected over more than a decade and exceeding 1,000 cases of racial violence, she reveals the true legal system of Jim Crow, and captures the memories of those whose stories have not yet been heard.

From the prizewinning rising legal star, the deeply researched and definitive book on the way the media and police distract us from what matters“Copaganda,” as defined by Alec Karakatsanis, describes a special kind of propaganda that affects who and what we fear and what kinds of social investments we support to address our fears. At a time when the United States incarcerates five times more people per capita than its own historical average and five to ten times more people per capita than other countries, its vast punishment bureaucracy spends huge amounts of time and money manipulating the rest of us to see the world from its point of view. As a result, we see a grossly distorted version of crime, punishment, and safety in our newspapers, magazines, and other media outlets. The news generates fear by focusing on crimes committed by the most marginalized people while ignoring far more serious threats to our collective well-being, from wage theft by corporations to environmental crimes to the deaths that result from cigarette smoke (which make the number of violent crimes pale in comparison). And it falsely suggests that the best way to respond to our fear is to increase government repression through police, prosecution, and prisons as opposed to addressing the root causes of interpersonal harm. In the spirit of such classics as Noam Chomsky’s Manufacturing Consent, Copaganda includes chapters on “What Is News?,” “Public Relations Spending by the Police,” “Whose Perspective? How Sources Shape News,” “How the News Uses Experts,” “How to Smuggle Ideology into the News,” and “Academic Copaganda.“ Already called “one of the most prominent voices on [copaganda]” (Teen Vogue), with a huge following on social media and appearances discussing copaganda on The Daily Show with Trevor Noah and The Breakfast Club, Karakatsanis brings a legal eye, humor, gripping personal stories, and a keen ability to read between the lines to a topic at the forefront of one of the most pressing public debates in our society.

Follow the river Liss to the small town of Thistleford, on the edge of Faerie, and meet two sisters who cannot be separated, even in death. “Oh what is stronger than a death? Two sisters singing with one breath.” In the small town of Thistleford, on the edge of Faerie, dwells the mysterious Hawthorn family. There, they tend and harvest the enchanted willows and honour an ancient compact to sing to them in thanks for their magic. None more devotedly than the family’s latest daughters, Esther and Ysabel, who cherish each other as much as they cherish the ancient trees. But when Esther rejects a forceful suitor in favor of a lover from the land of Faerie, not only the sisters’ bond but also their lives will be at risk…

Follow the river Liss to the small town of Thistleford, on the edge of Faerie, and meet two sisters who cannot be separated, even in death. “Oh what is stronger than a death? Two sisters singing with one breath.” In the small town of Thistleford, on the edge of Faerie, dwells the mysterious Hawthorn family. There, they tend and harvest the enchanted willows and honour an ancient compact to sing to them in thanks for their magic. None more devotedly than the family’s latest daughters, Esther and Ysabel, who cherish each other as much as they cherish the ancient trees. But when Esther rejects a forceful suitor in favor of a lover from the land of Faerie, not only the sisters’ bond but also their lives will be at risk…

The belief that all life-forms are interconnected and share the same breath—known in the Rarámuri tribe as iwígara—has resulted in a treasury of knowledge about the natural world, passed down for millennia by native cultures. Ethnobotanist Enrique Salmón builds on this concept of connection and highlights 80 plants revered by North America’s indigenous peoples. Salmón teaches us the ways plants are used as food and medicine, the details of their identification and harvest, their important health benefits, plus their role in traditional stories and myths. Discover in these pages how the timeless wisdom of iwígara can enhance your own kinship with the natural world.

From the prizewinning rising legal star, the deeply researched and definitive book on the way the media and police distract us from what matters“Copaganda,” as defined by Alec Karakatsanis, describes a special kind of propaganda that affects who and what we fear and what kinds of social investments we support to address our fears. At a time when the United States incarcerates five times more people per capita than its own historical average and five to ten times more people per capita than other countries, its vast punishment bureaucracy spends huge amounts of time and money manipulating the rest of us to see the world from its point of view. As a result, we see a grossly distorted version of crime, punishment, and safety in our newspapers, magazines, and other media outlets. The news generates fear by focusing on crimes committed by the most marginalized people while ignoring far more serious threats to our collective well-being, from wage theft by corporations to environmental crimes to the deaths that result from cigarette smoke (which make the number of violent crimes pale in comparison). And it falsely suggests that the best way to respond to our fear is to increase government repression through police, prosecution, and prisons as opposed to addressing the root causes of interpersonal harm. In the spirit of such classics as Noam Chomsky’s Manufacturing Consent, Copaganda includes chapters on “What Is News?,” “Public Relations Spending by the Police,” “Whose Perspective? How Sources Shape News,” “How the News Uses Experts,” “How to Smuggle Ideology into the News,” and “Academic Copaganda.“ Already called “one of the most prominent voices on [copaganda]” (Teen Vogue), with a huge following on social media and appearances discussing copaganda on The Daily Show with Trevor Noah and The Breakfast Club, Karakatsanis brings a legal eye, humor, gripping personal stories, and a keen ability to read between the lines to a topic at the forefront of one of the most pressing public debates in our society.

A remarkable, defiant work of radical acceptance from celebrated author Yiyun Li as she considers the loss of her son James. 'There is no good way to say this,' Yiyun Li writes at the beginning of this book. 'There is no good way to state these facts, which must be acknowledged. My husband and I had two children and lost them Vincent in 2017, at sixteen, James in 2024, at nineteen. Both chose suicide, and both died not far from home.' There is no good way to say this – because words fall short. It takes only an instant for death to become fact, 'a single point in a timeline'. Living now on this single point, Li turns to thinking and reasoning and searching for words that might hold a place for James. Li does what she including not just writing but gardening, reading Camus and Wittgenstein, learning the piano, and living thinkingly alongside death. This is a book for James, but it is not a book about grieving or mourning. As Li writes, 'The verb that does not die is to be. Vincent was and is and will always be Vincent. James was and is and will always be James. We were and are and will always be their parents. There is no now and then, now and later, only, now and now and now and now.' Things in Nature Merely Grow is a testament to Li’s indomitable spirit.

The belief that all life-forms are interconnected and share the same breath—known in the Rarámuri tribe as iwígara—has resulted in a treasury of knowledge about the natural world, passed down for millennia by native cultures. Ethnobotanist Enrique Salmón builds on this concept of connection and highlights 80 plants revered by North America’s indigenous peoples. Salmón teaches us the ways plants are used as food and medicine, the details of their identification and harvest, their important health benefits, plus their role in traditional stories and myths. Discover in these pages how the timeless wisdom of iwígara can enhance your own kinship with the natural world.