When the witch built the forty-flight tower, she made very sure to do the whole thing properly. Each flight contains a dreadful monster, ranging from a diamond-scaled dragon to a pack of slavering goblins. Should a prince battle his way to the top, he will be rewarded with a golden sword—and the lovely Princess Floralinda. But no prince has managed to conquer the first flight yet, let alone get to the fortieth. In fact, the supply of fresh princes seems to have quite dried up. And winter is closing in on Floralinda…

Drawn from the author’s experiences growing up in a Paris banlieue, a powerful, lyric debut that explores the diverse, often conflicting facets of her identity—French, Algerian, Muslim, lesbian. The youngest daughter of Algerian immigrants, Fatima Daas is raised in a home where love and sexuality are considered taboo, and signs of affection avoided. Living in the majority-Muslim suburb of Clichy-sous-Bois, she often spends more than three hours a day on public transportation to and from the city, where she feels like a tourist observing Parisian manners. She goes from unstable student to maladjusted adult, doing four years of therapy—her longest relationship. But as she gains distance from her family and comes into her own, she grapples more directly with her attraction to women and how it fits with her religion, which she continues to practice. When Nina comes into her life, she doesn’t know exactly what she needs but feels that something crucial has been missing. This extraordinary first novel, anchored and buoyed by the refrain “My name is Fatima,” is a vital portrait of a young woman finding herself in a modern world full of contradictions. Daas’s journey to living her sexuality in spite of expectations about who she should be offers a powerful perspective on the queer experience.

Each of the Empire's houses keeps secrets, even from themselves. For the bookish academics of the Sixth, every secret is a mystery, and every mystery is a puzzle to be solved or a paper to be published. Deep in the bowels of their house, one such secret is about to reveal itself. The study of the famed academic Donald Sex, sealed since the moment of his death, is about to open, and archivists are ready to dissect what he left behind. They are not ready for the macabre surprise that awaits them. Enter Palamedes Sextus and Camilla Hect, age thirteen.

Harrow the Ninth, the sequel to Gideon the Ninth, turns a galaxy inside out as one necromancer struggles to survive the wreckage of herself aboard the Emperor's haunted space station. She answered the Emperor's call. She arrived with her arts, her wits, and her only friend. In victory, her world has turned to ash. After rocking the cosmos with her deathly debut, Tamsyn Muir continues the story of the penumbral Ninth House in Harrow the Ninth, a mind-twisting puzzle box of mystery, murder, magic, and mayhem. Nothing is as it seems in the halls of the Emperor, and the fate of the galaxy rests on one woman's shoulders. Harrowhark Nonagesimus, last necromancer of the Ninth House, has been drafted by her Emperor to fight an unwinnable war. Side-by-side with a detested rival, Harrow must perfect her skills and become an angel of undeath — but her health is failing, her sword makes her nauseous, and even her mind is threatening to betray her. Sealed in the gothic gloom of the Emperor's Mithraeum with three unfriendly teachers, hunted by the mad ghost of a murdered planet, Harrow must confront two unwelcome questions: is somebody trying to kill her? And if they succeeded, would the universe be better off?

When the witch built the forty-flight tower, she made very sure to do the whole thing properly. Each flight contains a dreadful monster, ranging from a diamond-scaled dragon to a pack of slavering goblins. Should a prince battle his way to the top, he will be rewarded with a golden sword—and the lovely Princess Floralinda. But no prince has managed to conquer the first flight yet, let alone get to the fortieth. In fact, the supply of fresh princes seems to have quite dried up. And winter is closing in on Floralinda…

Drawn from the author’s experiences growing up in a Paris banlieue, a powerful, lyric debut that explores the diverse, often conflicting facets of her identity—French, Algerian, Muslim, lesbian. The youngest daughter of Algerian immigrants, Fatima Daas is raised in a home where love and sexuality are considered taboo, and signs of affection avoided. Living in the majority-Muslim suburb of Clichy-sous-Bois, she often spends more than three hours a day on public transportation to and from the city, where she feels like a tourist observing Parisian manners. She goes from unstable student to maladjusted adult, doing four years of therapy—her longest relationship. But as she gains distance from her family and comes into her own, she grapples more directly with her attraction to women and how it fits with her religion, which she continues to practice. When Nina comes into her life, she doesn’t know exactly what she needs but feels that something crucial has been missing. This extraordinary first novel, anchored and buoyed by the refrain “My name is Fatima,” is a vital portrait of a young woman finding herself in a modern world full of contradictions. Daas’s journey to living her sexuality in spite of expectations about who she should be offers a powerful perspective on the queer experience.

Karleen Pendleton Jiménez has known that she was gay since she was three years old, and has wanted to have a baby for almost as long. But one crucial element was missing in the life of the butch Chicana lesbian—the sperm. This candid and humorous memoir follows Karleen’s challenges, adventures, successes, failures, humiliations, and triumphs while attempting to fulfill her dream of becoming a mother. Though at times lighthearted, such as when Karleen considers all of the potential options for ferilization—some anonymous, some not—it is a weighty topic, and one that will change her life forever. The book is her confession of desire, humility, and a search for perfection.

Do religions have an inherent right to be respected? Is atheism itself a form of religion, and can there be such a thing as a 'fundamentalist atheist'? Are we witnessing a global revival in religious zeal, or do the signs point instead to religion's ultimate decline? In a series of bold, unsparing polemics, A.C. Grayling tackles these questions head on, exposing the dangerous unreason he sees at the heart of religious faith and highlighting the urgent need we have to reject it in all its forms, without compromise. In its place he argues for a set of values based on reason, reflection and sympathy, taking his cue from the great ethical tradition of western philosophy.

FOREWORD BY LIN-MANUEL MIRANDA AND LUIS A. MIRANDA, JR. The true story of how a group of chefs fed hundreds of thousands of hungry Americans after Hurricane Maria and touched the hearts of many more Chef José Andrés arrived in Puerto Rico four days after Hurricane Maria ripped through the island. The economy was destroyed and for most people there was no clean water, no food, no power, no gas, and no way to communicate with the outside world. Andrés addressed the humanitarian crisis the only way he knew how: by feeding people, one hot meal at a time. From serving sancocho with his friend José Enrique at Enrique’s ravaged restaurant in San Juan to eventually cooking 100,000 meals a day at more than a dozen kitchens across the island, Andrés and his team fed hundreds of thousands of people, including with massive paellas made to serve thousands of people alone.. At the same time, they also confronted a crisis with deep roots, as well as the broken and wasteful system that helps keep some of the biggest charities and NGOs in business. Based on Andrés’s insider’s take as well as on meetings, messages, and conversations he had while in Puerto Rico, We Fed an Island movingly describes how a network of community kitchens activated real change and tells an extraordinary story of hope in the face of disasters both natural and man-made, offering suggestions for how to address a crisis like this in the future. Beyond that, a portion of the proceeds from the book will be donated to the Chef Relief Network of World Central Kitchen for efforts in Puerto Rico and beyond.

A fascinating investigation into the lucrative, minimally regulated, fast-growing industry of egg freezing, from a young reporter on a personal journey into the world of cutting-edge reproductive medicine Ovaries. Most women have two; journalist Natalie Lampert has only one—and then in her early twenties she almost lost it, along with her ability to ever have biological children. Doctors urged her to freeze her eggs, and Lampert started asking questions.   The Big Freeze is the story of Lampert's personal quest to investigate the multi-billion-dollar femtech industry, and egg freezing specifically, in order to decide the best way to preserve her own fertility. She attended flashy egg-freezing parties, visited high-priced fertility clinics, talked to dozens of women who have frozen their eggs, toured the facility in Italy where the technology was developed, and even attended a memorial service for thousands of accidentally destroyed embryos.   What was once science fiction is now simply Fertility can be frozen in time. Between 2009 and 2021, nearly 100,000 women in the U.S. opted to freeze their eggs. Along with in vitro fertilization, egg freezing is touted as a way for women to “have it all” by conquering their biological clocks, in line with the global trend of delaying childbirth. A generation after the Pill, this revolutionary technology offers a new kind of freedom for women—career-focused ones in particular. But does egg freezing give women real agency or just the illusion of it?  A personal and deeply researched guide to the pros, cons, and many facets of this wildly popular technology, The Big Freeze is a page-turning exploration of the quest to control fertility, with invaluable information that answers the questions women have been afraid to ask—or didn't know they should ask in the first place.

This heart-stopping debut novel in verse about a talented dancer struggling to give herself grace in the wake of an assault is a gut-wrenching masterpiece. Fifteen-year-old Esme lives and breathes dance. Alongside her best friend, Mia, she is happiest when in the studio… sweating, stretching, soaring. And after a summer of nonstop practice, Esme and Mia earn coveted spots on the Elite dance team. Now that they’ve proven themselves to Miss Regina and the senior girls, it should be smooth sailing. Except that Esme and Mia took the spots of two popular, well-liked dancers. Except that Esme's dad hasn't been able to work for months, and there’s hardly enough money for groceries, never mind dance tuition and recital costumes. Except that a stranger touches Esme during a night out, touches the breasts that have always felt like giant targets. After years of being oversexualized for her large chest, this is the violation that pushes Esme over the edge. Was it her fault? Could she have stopped it? Why can’t she just be different? Esme stumbles, off kilter and adrift from her loved ones, struggling to find the strong, central cord that will pull her up and allow her to soar again. This dazzling, tour-de-force debut tackles friendship, first love, and sexual assault, along with the full emotional range of life as a teenage girl. Esme musters strength she didn’t know she had—and learns to lean on others to find the right support. An unforgettable read.

What happens when people are reduced to products? By pulling back the clinical curtain on the multi-billion-dollar per year global egg industry, that is the central question Eggonomics seeks to address. Tracing the emotional and physical journeys egg donors embark upon as suppliers of valuable commodities, this book reveals uncomfortable realities at the heart of the industry. Donors — and the eggs they provide — are absolutely essential to helping others create the families of their dreams. But not all clinics treat their donors as well as their paying patients, and many donors suffer as a result. Technological innovations allow the egg donation industry to expand, fueling the private equity incursion into fertility medicine, turning once-private clinics into highly profitable, multinational conglomerates. Drawing upon international anthropological fieldwork, Eggonomics reveals the clinical spaces where egg donor’s bodies are tested, prodded, and poked for ever-increasing sums of profit, eugenic forces drive donor selection, and the unrelenting pressures of global capitalism threaten medicine’s prime directive of ‘do no harm.’ Timely, meticulously researched, and written with surgical precision, Eggonomics is a crucial read for researchers, medical professionals, policymakers, and anyone considering becoming or using an egg donor.