How dominant culture—from sexism and homophobia to racism, capitalism, ableism, and more—has limited the science of animal behavior, and how we can free ourselves from these limited perspectives.In Feminism in the Wild, Ambika Kamath and Melina Packer reveal how scientists studying animal behavior have long projected human norms and values onto animals while seeking to understand them. When scientific studies conclude that these norms and values are natural in animals, it makes it easier to think of them as natural in humans too. And because scientists, historically and to this day, largely belong to elite, powerful segments of society, the norms and values embedded into animal behavior science match those of the already powerful. How can animal behavior science escape this trap of naturalizing dominant culture?Drawing from decades of feminist, antiracist, queer, disability justice, and Marxist contributions—including those of biologists—Kamath and Packer break down persistent assumptions in the status quo of animal behavior science and offer a multitude of alternative approaches. Core concepts in animal behavior science and evolutionary biology—from sex categories and sexual selection to fitness, adaptation, biological determinism and more—are carefully contextualized and critically reexamined. This unique collaboration between an animal behavior scientist and a feminist science studies scholar is an illuminating and hopeful read for anyone who is curious about how animals behave, and anyone who wants to break free from scientific approaches that perpetuate systems of oppression.

A fierce, funny, and revolutionary look at the queens of the animal kingdom. Studying zoology made Lucy Cooke feel like a sad freak. Not because she loved spiders or would root around in animal feces: all her friends shared the same curious kinks. The problem was her sex. Being female meant she was, by nature, a loser. Since Charles Darwin, evolutionary biologists have been convinced that the males of the animal kingdom are the interesting ones—dominating and promiscuous, while females are dull, passive, and devoted. In Bitch, Cooke tells a new story. Whether investigating same-sex female albatross couples that raise chicks, murderous mother meerkats, or the titanic battle of the sexes waged by ducks, Cooke shows us a new evolutionary biology, one where females can be as dynamic as any male. This isn't your grandfather's evolutionary biology. It's more inclusive, truer to life, and, simply, more fun.

WINNER OF THE 2022 NOBEL PRIZE IN LITERATURE Written in journal form, Annie Ernaux's account of her mother's steady decline spans a period of nearly three years. When her mother first becomes ill, Ernaux takes her in. Soon, it becomes painfully obvious that professional help is needed. Diagnosed with Alzheimer's disease, her mother enters a nursing home, never to leave. As it explores the complexities of death and parent-child role reversal, Ernaux's latest work takes its place on the shelf beside John Bayley's Elegy for Iris and Roger Kamenetz's Terra Infirma. "As revealed by Ernaux, the details of a loved one's deterioration have such emblematic force and terror that the particular becomes universal." - The New York Times Book Review

À la croisée de La Mémoire dans la peau et de The Last of Us : un thriller postapocalyptique glaçant, par l'auteur best-seller de Blood Song et L'Alliance de fer . Un homme reprend conscience sur un bateau en pleine mer, sans plus aucun souvenir ni de son identité ni de ce qui l'a amené là. Il n'est pas seul : six autres personnes sont à bord, toutes amnésiques elles aussi. Aucun d'entre eux ne se rappelle ne serait-ce que son propre nom, mais tous arborent des cicatrices d'interventions chirurgicales récentes, et le nom d'un écrivain célèbre tatoué sur la peau. Lorsqu'un message s'affiche sur l'ordinateur de bord - une carte -, le groupe décide d'unir ses forces pour survivre aux épreuves qui l'attendent. Mais peu à peu, tandis que l'embarcation glisse sur les eaux enveloppées de brume, des divisions se font jour au sein du groupe, gangrené par tant de questions sans réponses. Qui mène la danse à distance ? Pourquoi leurs souvenirs ont-ils été éradiqués ? Et surtout, quels sont ces cris qui viennent jusqu'à eux à travers le brouillard ?   « A.J. Ryan trace une route d'une implacable inventivité jusqu'au coeur de ténèbres qui pourraient bien signer l'extinction de l'humanité. Empreint de terreur et de brume, Red River Seven doit se déguster d'un trait. »  Andy Marino, It Rides a Pale Horse « S'affranchissant des genres pour mieux se les réapproprier, Ryan crée une fusion captivante mêlant thriller, mystère et horreur. Sur un rythme haletant, la terreur implacablement instillée hantera longtemps vos nuits. »  Philip Fracassi , Boys in the Valley « Choc frontal entre Apocalypse Now et Resident Evil , un concentré de suspense et d'action .  »  RJ Barker, L'Âge des assassins

A fully illustrated, beautifully produced edition of Junichiro Tanizaki's wise and evocative essay on Japanese culture. ‘We find beauty not in the thing itself but in the patterns of shadows, the light and the darkness, that one thing against another creates… Were it not for shadows, there would be no beauty.’ This book is in fact a portal. Reading it, you will be led by Junichiro Tanizaki’s light touch into a mysterious and tranquil world of darkness and shadows, where gold flashes in the gloom and a deep stillness reigns. If you are accustomed to equate light with clarity, the faded with the worthless and the dim with the dreary, prepare for a courteous but powerful realignment of your ideas. In Praise of Shadows is a poetic paean to traditional Japanese aesthetics – in a free-ranging style that moves from architecture to No theatre, and from cookery to lighting, Tanizaki teaches us to see the beauty in tarnished metal, the sombre dignity in unglazed pottery, the primacy of organic materials that bear witness to the regular touch of human hands. It is also astonishingly prescient, offering a gentle warning against the quest for airbrushed perfection, and reminding us that too much light can pollute and obscure our natural world. In this special edition, the text is accompanied by specially selected images to complement Tanizaki’s reflections and further illustrate the pattern and beauty of shadows.

Willa Cather's best known novel is an epic--almost mythic--story of a single human life lived simply in the silence of the southwestern desert. In 1851 Father Jean Marie Latour comes to serve as the Apostolic Vicar to New Mexico. What he finds is a vast territory of red hills and tortuous arroyos, American by law but Mexican and Indian in custom and belief. In the almost forty years that follow, Latour spreads his faith in the only way he knows--gently, all the while contending with an unforgiving landscape, derelict and sometimes openly rebellious priests, and his own loneliness. Out of these events, Cather gives us an indelible vision of life unfolding in a place where time itself seems suspended.

In this exploration of new territory between ethics and epistemology, Miranda Fricker argues that there is a distinctively epistemic type of injustice, in which someone is wronged specifically in their capacity as a knower. Justice is one of the oldest and most central themes in philosophy, but in order to reveal the ethical dimension of our epistemic practices the focus must shift to injustice. Fricker adjusts the philosophical lens so that we see through to the negative space that is epistemic injustice. The book explores two different types of epistemic injustice, each driven by a form of prejudice, and from this exploration comes a positive account of two corrective ethical-intellectual virtues. The characterization of these phenomena casts light on many issues, such as social power, prejudice, virtue, and the genealogy of knowledge, and it proposes a virtue epistemological account of testimony. In this ground-breaking book, the entanglements of reason and social power are traced in a new way, to reveal the different forms of epistemic injustice and their place in the broad pattern of social injustice.

NEW YORK TIMES  BESTSELLER • “With winning candor, Jedidiah Jenkins takes us with him as he bicycles across two continents and delves deeply into his own beautiful heart.” — Cheryl Strayed, author of  Wild  and  Tiny Beautiful Things   On the eve of turning thirty, terrified of being funneled into a life he didn’t choose, Jedidiah Jenkins quit his dream job and spent sixteen months cycling from Oregon to Patagonia. He chronicled the trip on Instagram, where his photos and reflections drew hundreds of thousands of followers, all gathered around the question: What makes a life worth living?  In this unflinchingly honest memoir, Jed narrates his adventure—the people and places he encountered on his way to the bottom of the world—as well as the internal journey that started it all. As he traverses cities, mountains, and inner boundaries, Jenkins grapples with the question of what it means to be an adult, his struggle to reconcile his sexual identity with his conservative Christian upbringing, and his belief in travel as a way to wake us up to life back home. A soul-stirring read for the wanderer in each of us,  To Shake the Sleeping Self  is an unforgettable reflection on adventure, identity, and a life lived without regret.   Praise for  To Shake the Sleeping Self “[Jenkins is] a guy deeply connected to his personal truth and just so refreshingly present.” — Rich Roll, author of  Finding Ultra   “This is much more than a book about a bike ride. This is a deep soul deepening us. Jedidiah Jenkins is a mystic disguised as a millennial.” —Tom Shadyac, author of  Life’s Operating Manual “Thought-provoking and inspirational . . . This uplifting memoir and travelogue will remind readers of the power of movement for the body and the soul.” —Publishers Weekly

From evolution to capitalism, ‘survival of the fittest’ has shaped our view of the world. But we got it wrong – and our mistake has brought us to the brink.For the history of life on Earth is much more than a story of competition. The natural world has been forged and sustained by small miracles of co-operation between animals and plants, insects and fungi, fish and bacteria – these partnerships are ubiquitous, lifelong and are an essential guide for a better future.In Togetherness, Rowan Hooper reveals the intimate connectedness of nature through these remarkable stories of symbiosis. From the female wasp venturing deep inside a fig and the intricate relationship between corals and the algae that sustain them to the symbiotic gut microbes that influence our moods, he explores how co-operation is fundamental to life itself and to protecting our shared future.Togetherness will change the way you see the world, our place in it – and our obligation to its hidden wonders.

A provocative and thoroughly feminist “cult classic” (The New Yorker) about a smart, sensitive, yet deeply troubled young woman fighting to live on her own terms. I am glad I have the radiance. This time I am wiser. No one will know… The radiance drifts blue circles around my head. If I wanted to I could float up and through them. I am weightless. My brain is cool like rippling waves. Conflict does not exist. For a moment I cannot see—the lights are large orange flowers. Ellen has two lives. A single artist living alone on New York’s Upper West Side in the 1970s, she periodically descends into episodes she describes as “radiances.” While under the influence of the radiance, she becomes Princess Esmeralda, and West 72nd Street the kingdom over which she rules. Life as Esmeralda is a colorful, glorious, liberating experience for Ellen, and despite the chaos and stigma these episodes can bring, she relishes the respite from the confines of the everyday. And yet those around her, particularly the men in her life, are threatened by her incarnation as Esmeralda and the freedom it gives her. In what would turn to be her final published work, originally released in 1979, Elaine Kraf tackles a dark and disturbing subject in an utterly original, witty, and inventive manner. Provocative at the time of its publication and thoroughly iconoclastic, The Princess of 72nd Street is a remarkable portrait of an unforgettable woman.

"Using the techniques of both the fabulist and the polemicist, Parsipur continues her protest against traditional Persian gender relations in this charming, powerful novella." —Publishers Weekly This modern literary masterpiece follows the interwoven destinies of five women—including a wealthy middle-aged housewife, a prostitute, and a schoolteacher—as they arrive by different paths to live together in an abundant garden on the outskirts of Tehran. Drawing on elements of Islamic mysticism and recent Iranian history, this unforgettable novel depicts women escaping the narrow confines of family and society, and imagines their future living in a world without men.

In a futuristic world ravaged by global warming, people have lost the ability to dream, and the dreamlessness has led to widespread madness. The only people still able to dream are North America's Indigenous people, and it is their marrow that holds the cure for the rest of the world. But getting the marrow, and dreams, means death for the unwilling donors. Driven to flight, a fifteen-year-old and his companions struggle for survival, attempt to reunite with loved ones and take refuge from the "recruiters" who seek them out to bring them to the marrow-stealing "factories."

A bittersweet story of love between two women, nested in an artful exploration of language, history, and power May 1938. The young novelist Aoyama Chizuko has sailed from her home in Nagasaki, Japan, and arrived in Taiwan. She’s been invited there by the Japanese government ruling the island, though she has no interest in their official banquets or imperialist agenda. Instead, Chizuko longs to experience real island life and to taste as much of its authentic cuisine as her famously monstrous appetite can bear. Soon a Taiwanese woman―who is younger even than she is, and who shares the characters of her name―is hired as her interpreter and makes her dreams come true. The charming, erudite, meticulous Chizuru arranges Chizuko’s travels all over the Land of the South and also proves to be an exceptional cook. Over scenic train rides and braised pork rice, lively banter and winter melon tea, Chizuko grows infatuated with her companion and intent on drawing her closer. But something causes Chizuru to keep her distance. It’s only after a heartbreaking separation that Chizuko begins to grasp what the “something” is. Disguised as a translation of a rediscovered text by a Japanese writer, this novel was a sensation on its first publication in Mandarin Chinese in 2020 and won Taiwan’s highest literary honor, the Golden Tripod Award. Taiwan Travelogue unburies lost colonial histories and deftly reveals how power dynamics inflect our most intimate relationships.

"Never before, in the entire history of the American theater, has so much of the truth of black people's lives been seen on the stage," observed James Baldwin shortly before A Raisin in the Sun opened on Broadway in 1959.Indeed Lorraine Hansberry's award-winning drama about the hopes and aspirations of a struggling, working-class family living on the South Side of Chicago connected profoundly with the psyche of black America--and changed American theater forever.  The play's title comes from a line in Langston Hughes's poem "Harlem," which warns that a dream deferred might "dry up/like a raisin in the sun.""The events of every passing year add resonance to A Raisin in the Sun," said The New York Times.  "It is as if history is conspiring to make the play a classic."  This Modern Library edition presents the fully restored, uncut version of Hansberry's landmark work with an introduction by Robert Nemiroff.

In November 1955, Nasser Ali Khan, one of Iran's most celebrated tar players, is in search of a new instrument. His beloved tar has been broken. But no matter what tar he tries, none of them sound right. Brokenhearted, Nasser Ali Khan decides that life is no longer worth living. He takes to his bed, renouncing the world and all of its pleasures. This is the story of the eight days he spends preparing to surrender his soul.

Compulsory ujamaa villages in Tanzania, collectivization in Russia, Le Corbusier’s urban planning theory realized in Brasilia, the Great Leap Forward in China, agricultural "modernization" in the Tropics—the twentieth century has been racked by grand utopian schemes that have inadvertently brought death and disruption to millions. Why do well-intentioned plans for improving the human condition go tragically awry?In this wide-ranging and original book, James C. Scott analyzes failed cases of large-scale authoritarian plans in a variety of fields. Centrally managed social plans misfire, Scott argues, when they impose schematic visions that do violence to complex interdependencies that are not—and cannot—be fully understood. Further, the success of designs for social organization depends upon the recognition that local, practical knowledge is as important as formal, epistemic knowledge. The author builds a persuasive case against "development theory" and imperialistic state planning that disregards the values, desires, and objections of its subjects. He identifies and discusses four conditions common to all planning disasters: administrative ordering of nature and society by the state; a "high-modernist ideology" that places confidence in the ability of science to improve every aspect of human life; a willingness to use authoritarian state power to effect large- scale interventions; and a prostrate civil society that cannot effectively resist such plans.

Galápagos takes the reader back one million years, to A.D. 1986. A simple vacation cruise suddenly becomes an evolutionary journey. Thanks to an apocalypse, a small group of survivors stranded on the Galápagos Islands are about to become the progenitors of a brave, new, and totally different human race. In this inimitable novel, America’s master satirist looks at our world and shows us all that is sadly, madly awry—and all that is worth saving.