From the author of Natural Beauty, set in the fiercely competitive art world, a novel about an obsessive friendship upended by a cutting-edge technology purported to enhance empathy and connection Enka meets Mathilde in art school. Mathilde is a dizzyingly talented yet tortured artist whose star is on the rise—and Enka, struggling to make art that feels original, is immediately drawn to her. The two strike up an intense bond that soon turns codependent. But when Mathilde’s fame reaches new heights, Enka becomes desperate to keep her best friend close—no matter the cost.   Enka quickly falls in love with and marries a billionaire whose family’s company is funding an unconventional technology purported to heighten empathy, which could allow someone else to inhabit Mathilde’s mind and absorb the trauma from her brain. Soon, the boundaries between Mathilde and Enka begin to blur even further, setting in motion a disturbing series of events that forever changes their lives. Blisteringly smart, thought-provoking, and shocking, Immaculate Conception deftly navigates big questions of art, technology, authorship, and what makes us human. Ling Ling Huang offers us a portrait of close friendship—achingly tender and twisted—that captures the tenuous line between love and possession that will haunt you long after you turn the final page.

Award-winning author Kelly Barnhill brings her singular talents to The Crane Husband, a raw, powerful story of love, sacrifice, and family.“Mothers fly away like migrating birds. This is why farmers have daughters.”A fifteen-year-old teenager is the backbone of her small Midwestern family, budgeting the household finances and raising her younger brother while her mom, a talented artist, weaves beautiful tapestries. For six years, it’s been just the three of them—her mom has brought home guests at times, but none have ever stayed.Yet when her mom brings home a six-foot tall crane with a menacing air, the girl is powerless to prevent her mom letting the intruder into her heart, and her children’s lives. Utterly enchanted and numb to his sharp edges, her mom abandons the world around her to weave the masterpiece the crane demands.In this stunning contemporary retelling of “The Crane Wife” by the Newbery Medal-winning author of The Girl Who Drank the Moon, one fiercely pragmatic teen forced to grow up faster than was fair will do whatever it takes to protect her family—and change the story.

BOY Novak turns twenty and decides to try for a brand-new life. Flax Hill, Massachusetts, isn’t exactly a welcoming town, but it does have the virtue of being the last stop on the bus route she took from New York. Flax Hill is also the hometown of Arturo Whitman—craftsman, widower, and father of Snow. SNOW is mild-mannered, radiant and deeply cherished—exactly the sort of little girl Boy never was, and Boy is utterly beguiled by her. If Snow displays a certain inscrutability at times, that’s simply a characteristic she shares with her father, harmless until Boy gives birth to Snow’s sister, Bird. When BIRD is born Boy is forced to re-evaluate the image Arturo’s family have presented to her, and Boy, Snow and Bird are broken apart. Sparkling with wit and vibrancy, Boy, Snow, Bird is a deeply moving novel about three women and the strange connection between them. It confirms Helen Oyeyemi’s place as one of the most original and dynamic literary voices of her generation.

Seven ingeniously reinvented fairy tales that play out with astonishing consequences in the modern world Finding seeds of inspiration in the Brothers Grimm, seventeenth-century French lore, and Scottish ballads, Kelly Link spins classic fairy tales into utterly original stories of seekers--characters on the hunt for love, connection, revenge, or their own sense of purpose. In "The White Cat's Divorce," an aging billionaire sends his three sons on a series of absurd goose chases to decide which will become his heir. In "The Girl Who Did Not Know Fear," a professor with a delicate health condition becomes stranded for days in an airport hotel after a conference, desperate to get home to her wife and young daughter, and in acute danger of being late for an appointment that cannot be missed. In "Skinder's Veil," a young man agrees to take over a remote house-sitting gig for a friend. But what should be a chance to focus on his long-avoided dissertation instead becomes a wildly unexpected journey, as the house seems to be a portal for otherworldly travelers--or perhaps a door into his own mysterious psyche. Twisting and winding in astonishing ways, expertly blending realism and the speculative, witty, empathetic, and never predictable--these stories remind us once again of why Kelly Link is incomparable in the art of short fiction.

Everyone knows the story of Rapunzel in her tower, but do you know the story of the witch who put her there? Mary McMyne’s spellbinding debut reveals the truth behind the fairy tale—the truth they never wanted you to know, as only a witch might tell it. "Smart, swift, sure-footed and fleet-winged, The Book of Gothel launches its magic from a most reliable source: the troubled heart. Mary McMyne is a magician."—Gregory Maguire, NYT bestselling author of Wicked Germany, 1156. Shunned by her village for her unusual fainting spells and black eyes, young Haelewise's only solace lies in her mother's stories of witches, magic wolf-skins, and ancient mist-cloaked towers. When her mother dies, she sets off through the woods for the mysterious tower of fable: Gothel. There, Haelewise discovers a haven, a safe refuge for women like her and for those who have lost their way in the harsh world of men. A place where magic lives and where the fairy tales of her mother's stories have more truth than she'd ever imagined. Praise for The Book of Gothel: "A sprawling epic, full of magic, love, and heartbreak." —Publishers Weekly (starred review) "A luscious origin story."—Booklist (starred review)

The insights presented in the volume are many and wide-ranging, recognizably in tune with the subtlest modern discussions of desire (such as triangulation. or loving what others love), yet offering new solutions to old problems, like the proper interpretation of Plato's Phaedrus. On the frequently discussed effect of literacy on Greek civilization, the book offers a fresh view: it was no accident that the poets who invented Eros were also the first readers and writers of the Western literate tradition. Originally published in 1986. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Ta-Nehisi Coates originally set off to write a book about writing, in the tradition of Orwell’s classic Politics and the English Language, but found himself grappling with deeper questions about how our stories—our reporting and imaginative narratives and mythmaking—expose and distort our realities. The first of the book’s three intertwining essays is set in Dakar, Senegal. Despite being raised as a strict Afrocentrist, Coates had never set foot on the African continent until now. He roams the “steampunk” city of “old traditions and new machinery,” but everywhere he goes he feels as if he’s in two places at once: a modern city in Senegal and a mythic kingdom in his mind. Finally he travels to the slave castles off the coast and has his own reckoning with the legacy of the Afrocentric dream. He takes readers along with him to Columbia, South Carolina, where he meets an educator whose job is threatened for teaching one of Coates’s own books. There he discovers a community of mostly white supporters who were transformed by the “racial reckoning” of 2020. But he also explores the backlash to this reckoning and the deeper myths of the community—a capital of the confederacy with statues of segregationists looming over its public squares. And in Palestine, Coates discovers the devastating gap between the narratives we’ve accepted and the clashing reality of life on the ground. He meets with activists and dissidents, Israelis and Palestinians—the old, who remember their dispossessions on two continents, and the young, who have only known struggle and disillusionment. He travels into Jerusalem, the heart of Zionist mythology, and to the occupied territories, where he sees the reality the myth is meant to hide. It is this hidden story that draws him in and profoundly changes him—and makes the war that would soon come all the more devastating. Written at a dramatic moment in American and global life, this work from one of the country’s most important writers is about the urgent need to untangle ourselves from the destructive nationalist myths that shape our world—and our own souls—and embrace the liberating power of even the most difficult truths.

"[A] well-reasoned and eye-opening treatise . . . [Kohei Saito makes] a provocative and visionary proposal." —Publishers Weekly, (starred review)"Saito’s clarity of thought, plethora of evidence, and conversational, gentle, yet urgent tone . . . are sure to win over open-minded readers who understand the dire nature of our global. . . . A cogently structured anti-capitalist approach to the climate crisis." —Kirkus Reviews (starred review)Why, in our affluent society, do so many people live in poverty, without access to health care, working multiple jobs and are nevertheless unable to make ends meet, with no future prospects, while the planet is burning?In his international bestseller, Kohei Saito argues that while unfettered capitalism is often blamed for inequality and climate change, subsequent calls for “sustainable growth” and a “Green New Deal” are a dangerous compromise. Capitalism creates artificial scarcity by pursuing profit based on the value of products rather than their usefulness and by putting perpetual growth above all else. It is therefore impossible to reverse climate change in a capitalist society— the system that caused the problem in the first place cannot be an integral part of the solution. Instead, Saito advocates for degrowth and deceleration, which he conceives as the slowing of economic activity through the democratic reform of labor and production. In practical terms, he argues the end of mass production and mass consumptiondecarbonization through shorter working hours the prioritization of essential labor over corporate profitsBy returning to a system of social ownership, he argues, we can restore abundance and focus on those activities that are essential for human life, effectively reversing climate change and saving the planet.

Thomas Bernhard is one of the greatest twentieth-century writers in the German language. Extinction, his last novel, takes the form of the autobiographical testimony of Franz-Josef Murau. The intellectual black sheep of a powerful Austrian land-owning family, Murau lives in self-exile in Rome. Obsessed and angry with his identity as an Austrian, he resolves never to return to the family estate of Wolfsegg. But when news comes of his parents' deaths, he finds himself master of Wolfsegg and must decide its fate.Written in Bernhard's seamless style, Extinction is the ultimate proof of his extraordinary literary genius.

Written when Mishima was only twentysix, Forbidden Colors is a depiction of a male homosexual relationship, in which a rich older man buys the love of a young man who is stunningly handsome but who lacks the ability to love. As in Mann's Death in Venice, the older man's longing for the beauty of youth is associated with aestheticism and death.

A new novel from the Booker Prize finalist Deborah Levy, the celebrated author of The Man Who Saw Everything and The Cost of Living. At the height of her career, the piano virtuoso Elsa M. Anderson―former child prodigy, now in her thirties―walks off the stage in Vienna, mid-performance. Now she is in Athens, watching an uncannily familiar woman purchase a pair of mechanical dancing horses at a flea market. Elsa wants the horses too, but there are no more for sale. She drifts to the ferry port, on the run from her talent and her history. So begins her journey across Europe, shadowed by the elusive woman who seems to be her double. A dazzling portrait of melancholy and metamorphosis, Deborah Levy’s August Blue uncovers the ways in which we attempt to revise our oldest stories and make ourselves anew.

An insightful, personal, and timely exploration into the wonderful world of seeds.  In What We Sow , Jennifer Jewell brings readers on an insightful, year-long journey exploring the outsize impact one of nature's smallest manifestations—the simple seed. She examines our skewed notions where "organic" seeds are grown and sourced, reveals how giant multinational agribusiness has refined and patented the genomes of seeds we rely on for staples like corn and soy, and highlights the efforts of activists working to regain legal access to heirloom seeds that were stolen from Indigenous peoples and people of color. Throughout, readers are invited to share Jewell's personal observations as she marvels at the glory of nature in her Northern California hometown. She admires at the wild seeds she encounters on her short daily walks and is amazed at the range of seed forms, from cups and saucers to vases, candelabras, ocean-going vessels, and airliners.   What We Sow is a tale of what we choose to see and what we haven't been taught to see, what we choose to seed and what we choose not to seed. It urgently proves that we must work hard to preserve and protect the great natural diversity of seed.    

The author has combed the works of contemporary Arab chronicles of the Crusades, eyewitnesses, and often participants. He retells their story and offers insights into the historical forces that shape Arab and Islamic consciousness today.

Shows the Mediterranean as a majestic and bloody theatre of war. Opening with the Ottoman victory in 1453, this title tells the story of military crusading, Barbary pirates, white slavery and the Ottoman Empire - and the larger picture of the struggle between Islam and Christianity.

The long, shared history of Christianity and Islam began, shortly after Islam emerged in the early seventh century A.D., with a Who would inherit the Greco-Roman world of the Mediterranean? Sprung from the same source―Abraham and the Revelation given to the Jews―the two faiths played out over the course of the next millennium what historian Stephen O'Shea calls "a sibling rivalry writ very large." Their cataclysmic clashes on the battlefield were balanced by long periods of co-existence and mutual enrichment, and by the end of the sixteenth century the religious boundaries of the modern world were drawn. In Sea of Faith , O'Shea chronicles both the meeting of minds and the collisions of armies that marked the interaction of Cross and Crescent in the Middle Ages―the better to understand their apparently intractable conflict today. For all the great and everlasting moments of cultural interchange and tolerance―in Cordoba, Palermo, Constantinople―the ultimate "geography of belief " was decided on the battlefield. O'Shea vividly recounts seven pivotal battles between the forces of Christianity and Islam that shaped the Mediterranean world―from the loss of the Christian Middle East to the Muslims at Yarmuk (Turkey) in 636 to the stemming of the seemingly unstoppable Ottoman tide at Malta in 1565. In between, the battles raged round the Mediterranean, from Poitiers in France and Hattin in the Holy Land during the height of the Crusades, to the famed contest for Constantinople in 1453 that signaled the end of Byzantium. As much as the armies were motivated by belief, their exploits were inspired by leaders such as Charles Martel, Saladin, and Mehmet II, whose stirring feats were sometimes accompanied by unexpected changes of heart.