Until alarmingly recently, the Catholic Church, acting in concert with the Irish state, operated a network of institutions for the concealment, punishment and exploitation of 'fallen women'. In the Magdalene laundries, girls and women were incarcerated and condemned to servitude. And in the mother-and-baby homes, women who had become pregnant out of wedlock were hidden from view, and in most cases their babies were adopted - sometimes illegally. Mortality rates in these institutions were shockingly high, and the discovery of a mass infant grave at the mother-and-baby home in Tuam made news all over the world. The Irish state has commissioned investigations. But the workings of the institutions and of the culture that underpinned it - a shame-industrial complex - have long been cloaked in secrecy and silence. For countless people, a search for answers continues. Caelainn Hogan - a brilliant young journalist, born in an Ireland that was only just starting to free itself from the worst excesses of Catholic morality - has been talking to the survivors of the institutions, to members of the religious orders that ran them, and to priests and bishops. She has visited the sites of the institutions, and studied Church and state documents that have much to reveal about how they operated. Reporting and writing with great curiosity, tenacity and insight, she has produced a startling and often moving account of how an entire society colluded in this repressive system, and of the damage done to survivors and their families. Republic of Shame is an astounding portrait of a deeply bizarre culture of control.

A revelatory new history of the Irish Great Famine, showing how the British Empire caused Ireland’s most infamous disaster In 1845, European potato fields from Spain to Scandinavia were attacked by a novel pathogen. But it was only in Ireland, then part of the United Kingdom, that the blight’s devastation reached apocalyptic levels, leaving more than a million people dead and forcing millions more to emigrate. In Rot, historian Padraic X. Scanlan offers the definitive account of the Great Famine, showing how Ireland’s place in the United Kingdom and the British Empire made it uniquely vulnerable to starvation. Ireland’s overreliance on the potato was a desperate adaptation to an unstable and unequal marketplace created by British colonialism. The empire’s laissez-faire economic policies saw Ireland exporting livestock and grain even as its people starved. When famine struck, relief efforts were premised on the idea that only free markets and wage labor could save the Irish. Ireland’s wretchedness, before and during the Great Famine, was often blamed on Irish backwardness, but in fact, it resulted from the British Empire’s embrace of modern capitalism. Uncovering the disaster’s roots in Britain’s deep imperial faith in markets, commerce, and capitalism, Rot reshapes our understanding of the Great Famine and its tragic legacy.

Megha Majumdar’s electrifying follow-up to her acclaimed New York Times Bestseller A Burning—longlisted for the National Book Award—is set in a near-future Kolkata ravaged by climate change and social disharmony in which the lives of five characters collide and their fates become inextricably linked—a propulsive and shattering tour de force. In a near-future Kolkata beset by flooding and blight, Ma, her two year old daughter Mishti, and her elderly father Dadu are just days from leaving the collapsing city behind to join Ma’s husband in the home he has been building for them in Ann Arbor, Michigan. After procuring long-awaited passports and visas from the consulate, they pack their bags for the flight to America. But in the morning they awaken to discover that Ma’s purse, with all the treasured documents within it, has been stolen. A Guardian and a Thief tells two the story of Ma and her family, their struggle to emigrate to America, and their devastation in the wake of the theft that changes their fate to one of implacable tragedy; and Boomba, the thief, whose hunger and desperation to care for his family drive him to commit a crime whose consequences he cannot fathom. With stunning control and command, Megha Majumdar paints a kaleidoscopic portrait of two families whose destinies become inexorably entangled, wresting compassion from each narrative as the complexities of each character’s circumstances—their helplessness in the face of poverty and corruption, and the need to stave off encroaching catastrophe—are captured with clarity and piercing empathy. A masterful new work from one of the most exciting voices of her generation.

Ghosts and specters, the eerie and the occult. Why is contemporary culture so preoccupied by the supernatural, so captivated by the revenants of an earlier age, so haunted? The concept of Hauntology has evolved since first emerging in the 1990s, and has now entered the cultural mainstream as a shorthand for our new-found obsession with the recent past. But where does this term come from and what exactly does it mean? This book seeks to answer these questions by examining the history of our fascination with the uncanny from the golden age of the Victorian ghost story to the present day. From Dickens to Derrida, MR James to Mark Fisher; from the rise of Spiritualism to the folk horror revival, Hauntology traces our continuing engagement with these esoteric ideas. Moving between the literary and the theoretical, the visual and the political, Hauntology explores our nostalgia for the cultural artifacts of a past from which we seem unable to break free.

Say “algae” and most people think of pond scum. What they don’t know is that without algae, none of us would exist. There are as many algae on Earth as stars in the universe, and they have been essential to life on our planet for eons. Algae created the Earth we know today, with its oxygen-rich atmosphere, abundant oceans, and coral reefs. Crude oil is made of dead algae, and algae are the ancestors of all plants. Today, seaweed production is a multibillion-dollar industry, with algae hard at work to make your sushi, chocolate milk, beer, paint, toothpaste, shampoo, and so much more.   In Slime we’ll meet the algae innovators working toward a sustainable future: from seaweed farmers in South Korea, to scientists using it to clean the dead zones in our waterways, to the entrepreneurs fighting to bring algae fuel and plastics to market.   With a multitude of lively, surprising science and history, Ruth Kassinger takes readers on an around-the-world, behind-the-scenes, and into-the-kitchen tour. Whether you thought algae was just the gunk in your fish tank or you eat seaweed with your oatmeal, Slime will delight and amaze with its stories of the good, the bad, and the up-and-coming.

Catalog of Unabashed Gratitude is a sustained meditation on that which goes away—loved ones, the seasons, the earth as we know it—that tries to find solace in the processes of the garden and the orchard. That is, this is a book that studies the wisdom of the garden and orchard, those places where all—death, sorrow, loss—is converted into what might, with patience, nourish us.

Megha Majumdar’s electrifying follow-up to her acclaimed New York Times Bestseller A Burning—longlisted for the National Book Award—is set in a near-future Kolkata ravaged by climate change and social disharmony in which the lives of five characters collide and their fates become inextricably linked—a propulsive and shattering tour de force. In a near-future Kolkata beset by flooding and blight, Ma, her two year old daughter Mishti, and her elderly father Dadu are just days from leaving the collapsing city behind to join Ma’s husband in the home he has been building for them in Ann Arbor, Michigan. After procuring long-awaited passports and visas from the consulate, they pack their bags for the flight to America. But in the morning they awaken to discover that Ma’s purse, with all the treasured documents within it, has been stolen. A Guardian and a Thief tells two the story of Ma and her family, their struggle to emigrate to America, and their devastation in the wake of the theft that changes their fate to one of implacable tragedy; and Boomba, the thief, whose hunger and desperation to care for his family drive him to commit a crime whose consequences he cannot fathom. With stunning control and command, Megha Majumdar paints a kaleidoscopic portrait of two families whose destinies become inexorably entangled, wresting compassion from each narrative as the complexities of each character’s circumstances—their helplessness in the face of poverty and corruption, and the need to stave off encroaching catastrophe—are captured with clarity and piercing empathy. A masterful new work from one of the most exciting voices of her generation.

In her second book, All the Bodies We've Embraced, Sheena Baharudin explores the idea of interconnectedness through intimate letters and poems that delve into the topics of memory, gender, culture, spirituality, and politics.

'A copy should be on every desk not just in the Home Office, but throughout government. A brilliant and hugely timely book.' Caroline Lucas, author of Another England What is it like to arrive on our shores with nothing and be pushed to the margins of society? Who stands to gain from an asylum system that is intentionally hostile? Anywhere But Here is a powerful exposé of Britain's broken asylum system and how it fails us all. Each year tens of thousands of people risk their lives to cross the Channel in small boats hoping to find safety in Britain. Yet the very system designed to protect them has all but collapsed. With unique and unparalleled access, award-winning journalist and former Home Office insider Nicola Kelly takes us behind the scenes of the small boats crisis for the first time. We follow the under-resourced coastguard overseeing search and rescue operations in the Channel. The decision-makers hired from McDonald's and Aldi to conduct 'life and death' asylum interviews. The immigration barristers securing last-minute reprieves for deportees who narrowly escaped death. And we step inside the Home Office corridors as ministers and advisors respond to emerging crises and scandals, from Windrush to the Rwanda plan. At its heart are the stories of war-torn arrivals, lone teenagers and trafficked women attempting to settle in cities, towns and villages across the UK. We travel to meet them, exploring where they have fled from and why, and the response of local communities to their new neighbours. Situated on the beaches and the ports, in the hotels, the courtrooms and the detention centres where the futures of those affected unfold, this is a searing investigation into one of the most urgent issues and shocking injustices of our time

Cora is a slave on a cotton plantation in Georgia. Life is hell for all the slaves, but especially bad for Cora; an outcast even among her fellow Africans, she is coming into womanhood--where even greater pain awaits. When Caesar, a recent arrival from Virginia, tells her about the Underground Railroad, they decide to take a terrifying risk and escape. Matters do not go as planned--Cora kills a young white boy who tries to capture her. Though they manage to find a station and head north, they are being hunted. In Whitehead's ingenious conception, the Underground Railroad is no mere metaphor--engineers and conductors operate a secret network of tracks and tunnels beneath the Southern soil. Cora and Caesar's first stop is South Carolina, in a city that initially seems like a haven. But the city's placid surface masks an insidious scheme designed for its black denizens. And even worse: Ridgeway, the relentless slave catcher, is close on their heels. Forced to flee again, Cora embarks on a harrowing flight, state by state, seeking true freedom. Like the protagonist of Gulliver's Travels, Cora encounters different worlds at each stage of her journey--hers is an odyssey through time as well as space. As Whitehead brilliantly re-creates the unique terrors for black people in the pre-Civil War era, his narrative seamlessly weaves the saga of America from the brutal importation of Africans to the unfulfilled promises of the present day. The Underground Railroad is at once a kinetic adventure tale of one woman's ferocious will to escape the horrors of bondage and a shattering, powerful meditation on the history we all share.

The Knock hill is a carcass unintelligible as any dream.Wouldn't you rather be a witch than a victim?I didn't realise those were my only options. In need of a fresh start, Thomasin leaves her toxic boyfriend, absent father and empty friendships to spend the summer in the Scottish Highlands with her eccentric Aunt Agnes and stern little cousin, Nina. But amidst the sprawling fields and ragged hills thrums a secret that has cursed the land for generations.300 years earlier, Kate McNiven labours in The Big House by the Knock hill, wishing for a brighter future far away from the lecherous clutches of her master, the Laird. When she is exiled as a witch for refusing to succumb to his advances, Kate finds the escape she so desperately seeks in Thomasin, whose vulnerable body becomes her unwilling host. In the thin place between centuries, through a pulsing wound that bleeds out history, the truth of the past is finally ready to be revealed . . .

Cora is a slave on a cotton plantation in Georgia. Life is hell for all the slaves, but especially bad for Cora; an outcast even among her fellow Africans, she is coming into womanhood--where even greater pain awaits. When Caesar, a recent arrival from Virginia, tells her about the Underground Railroad, they decide to take a terrifying risk and escape. Matters do not go as planned--Cora kills a young white boy who tries to capture her. Though they manage to find a station and head north, they are being hunted. In Whitehead's ingenious conception, the Underground Railroad is no mere metaphor--engineers and conductors operate a secret network of tracks and tunnels beneath the Southern soil. Cora and Caesar's first stop is South Carolina, in a city that initially seems like a haven. But the city's placid surface masks an insidious scheme designed for its black denizens. And even worse: Ridgeway, the relentless slave catcher, is close on their heels. Forced to flee again, Cora embarks on a harrowing flight, state by state, seeking true freedom. Like the protagonist of Gulliver's Travels, Cora encounters different worlds at each stage of her journey--hers is an odyssey through time as well as space. As Whitehead brilliantly re-creates the unique terrors for black people in the pre-Civil War era, his narrative seamlessly weaves the saga of America from the brutal importation of Africans to the unfulfilled promises of the present day. The Underground Railroad is at once a kinetic adventure tale of one woman's ferocious will to escape the horrors of bondage and a shattering, powerful meditation on the history we all share.