The lonely, rockbound island of Tsunojima is notorious as the site of a series of bloody unsolved murders. Some even say it’s haunted. One thing’s for sure: it’s the perfect destination for the K-University Mystery Club’s annual trip. But when the first club member turns up dead, the remaining amateur sleuths realise they will need all of their murder-mystery expertise to get off the island alive. As the party are picked off one by one, the survivors grow desperate and paranoid, turning on each other. Will anyone be able to untangle the murderer’s fiendish plan before it’s too late?

Di akhirat nanti, kalau aku ketemu Tuhan, akan kutanyakan kenapa Dia bikin tubuh perempuan seperti makanan kaleng. Kubayangkan di bawah pusar atau pantatku ada tulisan: Best Before: Mei 2026. Amara dan Baron dikepung pertanyaan mengapa belum punya anak. Aneka usaha untuk hamil nyatanya telah mereka lakukan, dari yang normal hingga ekstrem. Namun, persoalan tidak selesai tatkala Amara hamil dan melahirkan. Ada yang tidak ditulis di buku panduan menjadi orangtua, ada yang tidak pernah disampaikan di utas Program Hamil. Lebih Senyap dari Bisikan merupakan novel kedua Andina Dwifatma, setelah Semusim, dan Semusim Lagi (2013)—pemenang Sayembara Novel Dewan Kesenian Jakarta. Novel ini membuka mata pembaca dengan kisah Amara dan pahit manis kehidupan perempuan dalam menemukan apa yang berharga.

A shimmering, joyful new novel about a pair of opposites with the wrong thing in common. Daphne always loved the way her fiancé Peter told their story. How they met (on a blustery day), fell in love (over an errant hat), and moved back to his lakeside hometown to begin their life together. He really was good at telling it…right up until the moment he realized he was actually in love with his childhood best friend Petra. Which is how Daphne begins her new story: Stranded in beautiful Waning Bay, Michigan, without friends or family but with a dream job as a children’s librarian (that barely pays the bills), and proposing to be roommates with the only person who could possibly understand her predicament: Petra’s ex, Miles Nowak. Scruffy and chaotic—with a penchant for taking solace in the sounds of heart break love ballads—Miles is exactly the opposite of practical, buttoned up Daphne, whose coworkers know so little about her they have a running bet that she’s either FBI or in witness protection. The roommates mainly avoid one another, until one day, while drowning their sorrows, they form a tenuous friendship and a plan. If said plan also involves posting deliberately misleading photos of their summer adventures together, well, who could blame them? But it’s all just for show, of course, because there’s no way Daphne would actually start her new chapter by falling in love with her ex-fiancé’s new fiancée’s ex…right?

A wildly inventive spin on the supernatural thriller, about a woman working as a nanny for a young boy with strange and disturbing secrets. Mallory Quinn is fresh out of rehab when she takes a job as a babysitter for Ted and Caroline Maxwell. She is to look after their five-year-old son, Teddy. Mallory immediately loves it. She has her own living space, goes out for nightly runs, and has the stability she craves. And she sincerely bonds with Teddy, a sweet, shy boy who is never without his sketchbook and pencil. His drawings are the usual fare: trees, rabbits, balloons. But one day, he draws something different: a man in a forest, dragging a woman’s lifeless body. Then, Teddy’s artwork becomes increasingly sinister, and his stick figures quickly evolve into lifelike sketches well beyond the ability of any five-year-old. Mallory begins to wonder if these are glimpses of a long-unsolved murder, perhaps relayed by a supernatural force. Knowing just how crazy it all sounds, Mallory nevertheless sets out to decipher the images and save Teddy before it’s too late.

Ditawari menjadi stylist pribadi dan asisten manager RD LIGHT, grup band rock Jepang dengan popularitas mancanegara, terasa bagai kisah penyelamatan untuk Rika Wiyasa. Namun, ceritanya bersama empat personel kemudian berubah menjadi skandal dan roller coaster emosi penuh sinyal berbahaya. Melibatkan jadwal tampil yang padat serta lagu-lagu top chart yang dituntut terus dilahirkan, Rika mulai terseret-seret ke dalam masa lalu yang belum selesai. Rahasia-rahasia menampakkan diri. Ulang tahun yang tidak dirayakan, kematian personel kelimat, dan kebenaran kasus dua puluh tahun lalu. Di samping itu semua, Rika masih berurusan dengan mimpi buruknya sendiri. Shigeru Arai, Isao Fukuda, Ryou Uchida, Kazue Inoue. RD LIGHT. Mereka dulu berlima, lalu jadi berempat, dan kini kembali berlima bersama Rika Wiyasa. Mereka bersinggungan, saling terlibat, sesekali berkonflik. Perasaan-perasaan lain mulai tumbuh subur. Profesionalitas, persahabatan, kepercayaan, kerinduan, dan cinta. Tak ada yang menyangka suatu hari nanti perasaan mereka akan menuntut harga yang sangat mahal.

Fresh from a brief stay at a psych hospital, reporter Camille Preaker faces a troubling assignment: she must return to her tiny hometown to cover the unsolved murder of a preteen girl and the disappearance of another. For years, Camille has hardly spoken to her neurotic, hypochondriac mother or to the half-sister she barely knows: a beautiful thirteen-year-old with an eerie grip on the town. Now, installed in her old bedroom in her family's Victorian mansion, Camille finds herself identifying with the young victims—a bit too strongly. Dogged by her own demons, she must unravel the psychological puzzle of her own past if she wants to get the story—and survive this homecoming.

“Aku memandang atasan merah muda berenda dan bra berbantalan yang membuat payudaraku membusung. Ibu selalu mengatakan kepadaku untuk bersenang-senang dengan penampilanku, dan pakaian yang kukenakan ini memberiku vali¬dasi melalui perhatian yang kudapat dari laki-laki dewasa di luar sana maupun teman-temanku di sekolah. Tiba-tiba, aku merasa sangat malu dengan hal yang selama ini menjadi sumber kebang¬gaanku.” “My Body” merupakan eksplorasi pribadi yang mendalam tentang feminisme, seksualitas, dan kekuasaan, perlakuan laki-laki terhadap perempuan dan rasionalisasi perempuan untuk menerima perlakuan itu. Esai-esai oleh Emily Ratajkowski ini mencatat momen-momen dari kehidupannya saat menyelidiki fetishisasi budaya perempuan dan kecantikan wanita, obsesi dan penghinaannya terhadap seksualitas perempuan, dinamika buruk industri mode dan film, dan area abu-abu antara persetujuan dan pelecehan. Buku “My Body” karya Emily Ratajkowski menandai debut seorang penulis yang penuh dengan keberanian dan kecerdasan. Buku ini berisi penyelidikan yang sangat jujur tentang apa artinya menjadi seorang wanita dan komoditas dari Emily Ratajkowski yang merupakan seorang selebritas multi-tanda hubung di zaman kita.